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‘A Flying Jatt’ is passable kid stuff

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The producers of A Flying Jatt,  Balaji Motion Pictures, takes a total diversion with this film. From their earlier blend of films with mainly adult themes, they have moved to a film that caters to children and the preteen lot. Complately inspired by foreign superhero films, A Flying Jatt keeps Indian sensibilities as its main theme instead.

The film follows in the footsteps of earlier films of this genre: the incognito superhero kinds like Boney Kapoor’s Mr India (1987), Rakesh Roshan’s Krrish (2006) and Krrish3 (2013), Romu Sippy’s Shiva KaInsaaf (3D- 1985), Tinnu Anand’s Shahenshah(1988) and earlier ones like Kishore Kumar-starrer Mr X In Bombay (1964), which dealt with the villains of the mortal kind.

A Flying Jatt is about a superhero who propagates Swachh Bharat or Clean India and sings paeans to the valour and glory of the Sikh community and fights a super villain.

Tiger Shroff is a martial arts instructor at a local school in Punjab. Thanks to his blundering ways and shy nature, he is never taken seriously and even his mastery over the art is passable. His young students make fun of him. While he nurses a silent love for Jacqueline Fernandez, he can’t gather the courage to express it.

Tiger is the son of Amrita Singh who always pushes him to take inspiration from his dead father who was considered a hero by the locals. Amrita’s troubles start when a drug mafia run by KK Menon decides to grab her land, which would help his drug factory save millions in money as well as time, due to easy access to the drug markets. But the piece of land holds deep memories for Amrita and it also has a 200 year old tree that is worshipped by the people.

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Menon fails to convince Amrita with money and tries the only other way he knows: by sending out his goons. While the average goons are dealt with by Amrita herself, the tougher ones are for Tiger to handle. To match the strength of Tiger, he sends out his ultimate weapon, the gigantic-looking Nathan Jones (an Australian actor, power-lifting champion and an ex-professional wrestler). Jones takes on Tiger who, in the process of their duel, gets blessed by the sacred tree with super powers and also gets the imprints of the religious symbol of Sikh faith on his back.

Tiger can now do things a normal human can’t like flying and also packing a powerful punch. Jones, who was buried in the mud, returns to the scene more powerful now as his blood has turned black and he survives by whiffing on polluted air and other waste strewn around by the society. Thanks to the people’s apathy towards environment, Jones is unbeatable, at least on Planet Earth.

Amrita wants Tiger to don the pagree his father wore, which he refuses because other kids made fun of him with Sikh jokes. While the film goes on to teach people the virtue of keeping the environs clean as well as planting more trees, Amrita, for her part, initiates Tiger into the virtues of Sikh way of life and tells him stories of their exploits.

Meanwhile, Menon has mended his ways after he almost lost his daughter to pollution-related ailment. But, by this time, Jones is out of control. He has a personal grudge against Tiger now.

A Flying Jatt does not have much of a story. It is about a simpleton who gains super powers and a lot of footage goes into showing his prowess as he saves people in distress, from calamities as well as goons.

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The length at 151 minutes makes things repetitive while trying for a film aimed mainly at children. In the first half, some comic scenes entertain its target audience. The direction is good in general with impressive use of special effects; the effects in the song ,which also has a nice melodious feel to it, are good. Beat pe booty… is already popular and both songs are appealing. Cinematography is competent. Tiger Shroff excels in dances and action, both being his forte. Jacqueline is okay. Amrita Singh makes her presence felt, while KK Menon has little to do. Nathan Jones can’t act and his drawls are incomprehensible. The film needed to be edited extensively.

A Flying Jatt is a passable fare with appeal for kids besides audiences in Delhi and Punjab generally. Released on Thursday to cash in on the festive mood of Janmashtami, it gets three more days to rake in the moolah over the weekend at the box office. Sustenance thereafter will be tough.

Producers: Shobha Kapoor, Ekta Kapoor.

Director: Remo D’Souza.

Cast: Tiger Shroff, Jacqueline Fernandez, Amrita Singh, KK Menon, Nathan Jones and Shraddha Kapoor in a cameo.

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Prime Video to stream Don’t Be Shy, produced by Alia Bhatt

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MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.

Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.

The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.

Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.

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For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.

With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.

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Tips Films reports Rs 286.87 lakh quarterly loss in Q3 FY26

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MUMBAI: Tips Films struggled to find its rhythm in the final quarter of 2025, as a spike in production costs and a new regulatory burden pushed the Mumbai-based outfit deeper into the red. According to results released on Tuesday, January 27, 2026, the company posted a net loss of Rs 286.87 lakh for the quarter ended 31 December, despite a modest bump in total income to Rs 456.29 lakh.

The bottom line was hit by the introduction of India’s New Labour Codes, which forced a Rs 37.37 lakh catch-up payment for employee benefits. Production costs also proved a heavy lift, gobbling up Rs 318.48 lakh during the period. On a nine-month basis, the picture looks even bleaker; the company has racked up losses of Rs 1,237.61 lakh, a sharp reversal from the Rs 1,269.17 lakh profit it managed in the same period last year.

Investors will be looking for a script change as the company enters the final stretch of the financial year, with basic earnings per share now languishing at minus Rs 6.64. For now, Tips Films remains a single-segment player, pinning its hopes entirely on the volatile world of film production and distribution.

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Tere Ishk Mein row: Eros sues Aanand L Rai over Raanjhanaa rights

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MUMBAI: Eros International Media Ltd has moved the Bombay high court against filmmaker Aanand L Rai and his production banner Colour Yellow Media Entertainment LLP, alleging unauthorised exploitation of the intellectual property of its 2013 blockbuster Raanjhanaa in the promotion and release of the 2025 film Tere Ishk Mein.

The studio is seeking damages of Rs 84 crore, claiming losses arising from what it describes as unlawful capitalisation on Raanjhanaa’s goodwill. According to a report in The Times of India, Eros has filed a commercial intellectual property suit along with an interim application, alleging trademark infringement, copyright infringement and passing off.

Eros contends that Tere Ishk Mein was deliberately marketed as a “spiritual sequel” to Raanjhanaa without authorisation. The suit names Aanand L Rai, Colour Yellow Media Entertainment LLP and Colour Yellow Productions, along with Super Cassettes Industries (T-Series), writer Himanshu Sharma and Netflix Entertainment Services India LLP, turning the dispute into a multi-party legal battle.

In its filing, Eros asserts that it is the producer and exclusive owner of all intellectual property rights in Raanjhanaa, including copyright, registered trademark rights, character rights in Kundan Shankar and Murari, and remake, prequel and sequel rights. The company alleges these rights were exploited while promoting Tere Ishk Mein, which released theatrically on November 28, 2025.

The legal action was triggered by a teaser released online in July 2025, which Eros claims used phrases such as “From the world of Raanjhanaa” and hashtags including #WorldOfRaanjhanaa. The interim application further alleges unauthorised use of footage, background score and music from Raanjhanaa, despite Eros no longer holding the film’s music rights.

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Directed by Aanand L Rai, Tere Ishk Mein stars Dhanush, Kriti Sanon, Priyanshu Painyuli, Prakash Raj and Tota Roy Chowdhury. Neither Eros nor the defendants have issued an official statement so far.

 
 
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