Ad Campaigns
Voot turns kids ‘goody goody’ with unique TVC
MUMBAI: Kids are the ready and excited end-consumers of Voot Kids but parents often scale down their enthusiasm by being gatekeepers. The journey of any marketer to promote a product like this and growing from zero to 50+ advertisers is not easy.
Encouraging the kids to access such a platform as well as making parents comfortable with handing over their phones to them remains crucial. And, how better can this gap be bridged with lucid storytelling and a catchy musical anthem that grabs the attention of kids and parents alike.
Banking on three things- television content, kids and originals- this OTT platform observes 15 per cent share of the overall traffic coming from kids. Riding high on kids content behind it’s viewership and user growth, Voot has launched a new TVC capturing how kids from across India have taken to the new way of life and turned ‘goody goody’ in their ultimate quest to earn Voot time.
“The loyalty factor from kids is very high. They are obsessive about characters. So, everything has to revolve around the character that they like. The amount of money parents spent on these characters is huge. We looked at the top 10 characters that the kids like and we built on that,” said Viacom18 Digital Ventures COO Gaurav Gandhi.
The special anthem Bachche Hum Goody Goody Banenge, Voot Kids Ke Liye Kuch Bhi Karenge! will roll out across all major kids channels and digital platforms on 30 September.
With 10 characters to be added to its 100+ character library, the platform will focus more on originals in 2017.
The time spent by kids on Voot is approximately 30 minutes on an average while they spend close to 45 minutes on weekends and 25 minutes on weekdays. Unlike the traditional, linear from of content consumption wherein the peak viewing of kids content happens during the early evening; Voot Kids in contrast witnesses a peak that coincides with the prime time on national GECs wherein the mobile gets passed onto the kids as the parents take control over the remote. “The primetime for kids on our platform is 9 pm. Adding to that, Sundays are huge for us wherein the consumption just jumps upto 40 per cent compared to any other day,” added Gandhi.
“Kids are the masters of negotiations. They know what they want and how to get it. But the catch is that the parents know these antics and are willing to evolve the kids if they see a good behaviour being displaced by them. The communication that we have created was to showcase this varied but interesting dynamics between the parents and their kids. You will see the kids doing ‘goody goody’ things in this film. The music and anthem of the campaign is something each one of us can relate to as we have grown up listening to this popular song,” adds Viacom18 head marketing and partnerships Akash Banerji.
The advertisers too are lapping up this opportunity on Voot Kids with open arms as they seek to connect and engage with this mobile-first generation who are the influencers of today and the decision makers of tomorrow. It has close to 50+ advertisers on board out of which 10 are especially for Voot Kids. Targeted at an age group of 1-12, Voot plans to launch a tablet app in a week’s time followed by a campaign on the same.
“We feel that this segment is only set to grow, both in size and influence, and we want to be the default digital platform of choice for kids entertainment. Our endeavour is to build a parent-approved kids-favourite brand, and we will continue to develop exciting campaigns and dial up engagement with this community even further,” added Gandhi.
The campaigns will be promoted across Viacom18 network and will be heavily leveraged on social media.
About the campaigns: The campaign comprises multiple TVCs featuring lots of kids. The films depict kids’ heroics as they happily embrace the very tasks that kids are usually known for not doing willingly.
The films showcase a range of situations where the kids turn to their ‘goody goody’ best – a boy getting out of the bed in the night to brush his teeth unprompted, another young boy with spiky hair combing it vigorously to turn it into a good-boy hairstyle, a cute little girl goes onto finishing the very last drop of milk from a glass, a young girl wiping clean the wall that once was her canvas, another boy is seen tidying up his bed and surprisingly a boy denying potato chips being offered while sitting on a park bench. What follows is a happy smiley parent handing over their mobile phone to their kid for a well-deserved Voot time. In the background of each of the two films you hear the chorus of kids singing this catchy Voot Kids anthem and reciting their favourite characters for whom they’re turning to this new way of life. The closing line captures the core thought very aptly – Bachche Hum Goody Goody Banenge, Voot Kids Ke Liye Kuch Bhi Karenge!
TVC:
Link1: https://youtu.be/55AVLumuWEY
Link2: https://youtu.be/vrcDmXDnRxM
Ad Campaigns
Amazon Ads maps 2026 as AI and streaming rewrite ad playbooks
NATIONAL: Amazon Ads has laid out a sharply tech-led vision for the advertising industry in 2026, arguing that artificial intelligence, streaming TV and creator partnerships will combine to turn brand building into a more precise, performance-driven business.
At the heart of the shift, the company says, is the fusion of AI with Amazon’s vast trove of shopping, browsing and streaming signals, allowing advertisers to move beyond blunt reach metrics to campaigns designed around real customer behaviour.
“The future of advertising is not about reaching more people, but the right people with messages that resonate,” said Amazon Ads India head and vice president Girish Prabhu. “By combining AI with deep customer insights, we help brands move from broadcasting campaigns to having meaningful conversations wherever audiences spend their time.”
One of the biggest changes, according to Amazon Ads, will be the collapse of the wall between media planning and creative development. Retail media, powered by first-party data, is increasingly shaping everything from brand discovery to final purchase, pushing marketers to design campaigns around audience insight rather than internal instinct.
AI is also moving from a support tool to a creative engine. Agentic AI, which automates and accelerates production, is expected to make high-quality creative accessible even to small businesses, compressing weeks of work into hours and giving challengers the ability to compete with larger brands on speed and scale.
Behind the scenes, AI-driven analytics will take on a bigger role in campaign optimisation, identifying patterns, spotting opportunities and recommending actions that would previously have required teams of analysts.
Streaming TV is another big battleground. With India’s video streaming audience now above 600 million and connected TV users at 129.2 million in 2025, advertisers are set to treat streaming not just as a branding channel but as a performance engine, measured increasingly by sales, sign-ups and bookings rather than just reach.
Finally, Amazon Ads sees creators and contextual advertising reshaping how brands tell stories. Creators will act less like influencers and more like long-term partners, while scene-aware ads on streaming platforms will allow brands to insert hyper-relevant offers into the flow of what viewers are watching.
Taken together, Amazon Ads argues, these shifts mark a move towards advertising that is both more human and more measurable, where AI handles the complexity, and creativity does the persuading.
Ad Campaigns
Publicis India appoints Sonal Verma as Arc Worldwide MD
MUMBAI: Publicis Groupe India has appointed Sonal Verma as managing director of Arc Worldwide India, handing the reins of its experiential and shopper marketing business to a leader steeped in live brands and real world storytelling.
Arc Worldwide, the Groupe’s specialist arm focused on experiences that nudge consumers from curiosity to checkout, sits at the intersection of creativity, commerce and culture. Verma’s mandate is to sharpen that edge as brands grapple with shorter attention spans and more complicated buying journeys.
Verma joins from Cheil India, where she spent nearly five years building and leading the brand experience practice, most recently as senior vice president and head of brand experience. Her career reads like a tour of India’s experiential landscape, with leadership roles at Momentum Worldwide, Percept D Mark, Blockkbuster Events and Showtime Events.
She has also held senior activation roles at Radio City and The Times of India, giving her a rare mix of agency, media and on-ground execution experience. The common thread has been simple: turning big ideas into moments people remember and talk about.
At Arc Worldwide India, Verma will focus on expanding the agency’s experiential and shopper capabilities, strengthening client partnerships and keeping the work firmly rooted in consumer behaviour rather than buzzwords.
With Verma at the helm, Arc Worldwide is expected to double down on ideas that live beyond screens and closer to everyday life. For an industry obsessed with clicks and scrolls, this is a reminder that sometimes the strongest connections still happen face to face.
Ad Campaigns
Barbeque Nation taps ‘milne ki bhookh’ to kick off the new year
BENGALURU: Barbeque Nation is ringing in the new year with a reminder that some cravings cannot be ordered online. The casual dining chain has rolled out a new film campaign, milne ki bhookh, pitching its restaurants as places to meet, reconnect and linger over food.
Set against a world of constant messages and missed meet-ups, the campaign leans into a simple truth: dining out remains one of the few rituals that still brings people together. Barbeque Nation positions itself as the excuse and the setting for real conversations, shared plates and unhurried moments.
Nakul Gupta, cmo at Barbeque Nation, says the brand has long been about shared celebrations. As the year turns, milne ki bhookh captures what he calls a growing hunger to meet, connect and spend time together, with food at the centre of that experience.
Created by Makani Creatives, the campaign comprises three films built around Barbeque Nation’s signature grills and desserts. The storytelling is deliberately sensorial, designed to spark cravings while nudging diners to step out and meet in person.
Pavan Punjabi, chief integration officer at Makani Creatives, says the idea stems from a familiar contradiction. People are constantly connected, yet meetings with loved ones are endlessly postponed. Milne ki bhookh, he says, is a gentle push to make time for real-life catch-ups, using food as the reason to come together, share a meal and create memories.
The campaign breaks on December 25 with the grilled prawns film and will run for two months, amplified across digital platforms. As the new year begins, Barbeque Nation is betting that the strongest appetite of all is not for food alone, but for each other.
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