MAM
Until human crisis is sorted, nothing will make sense: DDB Mudra Group’s Aditya Kanthy
NEW DELHI: We are living in unprecedented times. The world order stands changed and the economy is reeling through a massive disruption. Everyone is gearing up for a ‘new normal’ but if DDB Mudra Group CEO and MD Aditya Kanthy is to be believed, the tomorrow will as much be our old habits as our new behaviours.
In an exclusive conversation with Indiantelevision.com, he talked about how he is dealing with work-from-home, how the agency and the industry is coping up with the disruption, and what the future has in store for us. Kanthy quoted Bill Bernbach, one of the founding members of the agency he heads today, “It is fashionable to talk about changing man. A communicator must be concerned with unchanging man, with his obsessive drive to survive, to be admired, to succeed, to love, to take care of his own,” to put forth his vision for the future.
Edited excerpts from the conversation:
How has the COVID-19 pandemic affected the team? How are they handling the situation?
It’s a tough situation, no doubt, at every level, at home and at work. This is not a regular work-from-home experience, of course. It is not something that people have dealt with in the past. So there’s no rule book here. It is a massive crisis and there are all sorts of implications that we’re dealing with – economic, social and psychological. It’s all new and the only way to tackle it is to accept the scale and seriousness of it. And do what’s needed to get better at dealing with it one day at a time – together. It’s also a moment in history that ought to remind us of our sense of privilege and assess our priorities as people and communities.
This is what we’re trying to do. And I’m so proud of the way our teams have responded to the challenge. It is a tribute to the culture they’ve fostered. I have seen the 850+ people on the team coming together, checking on one another, helping each other through this, coming through for our clients and doing their best for the community.
How are you maintaining a healthy work-life balance?
I’m not – is the honest answer. It’s all work right now. It is quite difficult as the lines between work and life blur. I’m still figuring it out but I think I am getting better at it each day like everybody else. Getting a routine going has helped. Taking the time to step away a few times every day and gather one’s thoughts and spirit.
It is my tremendous fortune that I am surrounded by incredibly good and talented people at work; they're a huge source of strength for me as well. So that helps. And at home, my family has been incredibly supportive.
The advertising industry is being touted as the backbone for many businesses with media consumption rising. There might be a little more than expected on your plate these days, but with certain restrictions. How has the experience been for you when it comes to the volume of work?
Advertising reflects (and shapes) the economy and the culture. I don’t think it is right to say that advertising will continue to thrive unimpeded through this time.
Besides, while there may be more media consumption, is selling a priority right now? Surely not. This is what I meant earlier when I talked about a sense of perspective and privilege for us in these times. Resources and efforts are and must be directed in areas that need the most attention to deal with this humanitarian crisis. Everything else follows.
As far as businesses go, the situation is far from rosy. The demand side problems are obvious. Even in categories where there is demand, there are huge supply-side/ supply chain and distribution issues. Liquidity and credit is a challenge. Advertising is dependent on all of these factors.
The industry depends on marketers who have the appetite and the means to invest. That is compromised in the current market scenario. It cannot operate in isolation.
So yes, there is a lot of work. But its nature and form are different from business as usual. It is more consultative in the spirit of client partnership. We are working together to find answers to the hard questions that are emerging each day for their businesses and ours. It is important to acknowledge that change regardless of increased media consumption.
We recently had a virtual conference with marketers and agency leaders. One of the panellists mentioned that they might have more creative work to do but everything is not resulting in revenue. How has it been for DDB Mudra?
Clients don’t produce work without the expectation of some sort of business outcome – long and/or short term; brand and/or buy. If we’re doing work, there is a return on it either now or in the future. So it’s like that with the work we’re doing too. It’s a different matter that it feels like a lot more work, but that’s because of the demanding circumstances in which work is being created and not a work-revenue relationship issue. I think the bigger question is whether or not there is a genuine need to do a certain thing at this time and working with clients to help them make that decision. And that answer varies from market-to-market and category-to-category.
What impact are you expecting on your cash registers?
We run a January-December fiscal year and ended Q1 better than planned. It is impossible to answer this question with complete honesty or certainty as we are only three weeks into the second quarter. Needless to say, we are definitely not expecting the kind of results that we had in the last five quarters. We’re not in denial about the economy. The next few months are going to be tough. We will have to acknowledge the situation and not pretend that everything is hunky-dory. Regardless of how quickly the lockdown is lifted, the problem isn’t going away in a hurry.
Until you sort out the human risk, nothing will make sense.
Yes, it is a human crisis and human resources are facing the wrath across industries. How is it going to be in the advertising industry? Are there going to be pay cuts, layoffs, or any other harsh measures?
It is too early to answer this question. Until four weeks ago, we were closing our first quarter, and the situation was really different. These decisions are a function of how the economy responds through the quarter. As far as marketers are concerned, the stakes are high. They have factories and capital locked up. The numbers are much more daunting on that side. It’s inevitable that their decisions will have a bearing on our industry as well.
Once the medical and human side of this gets cleared, the situation will be quite different. That has to be everyone’s priority right now. I hope that the extent of this difficulty can be managed and we can make a phased recovery. And that in doing so, the human cost, both from the medical and economic point of view can be contained.
What are you expecting from the “new normal”? How are you prepared to deal with that?
I think the idea of the “new normal” is a little misleading. The situation, in India, is a few weeks in and at best a few months in other parts of the world. No one has a plan for the scenarios that we are seeing today. To suggest that we can be prepared for something, we should be able to visualise that something.
And right now, it is at best an imperfect picture. We have to be prepared to keep changing and refining our response as we go along.
Who knows what the “new normal” is. Will it change everything?
If there’s one thing human history teaches us it is that while change is inevitable, we are also very quick to go back to certain habits and act of certain fundamental instincts. It’s our job to work through both those forces to makes sense of things.
As far as this moment in history is concerned, I certainly hope it draws our attention to the need to focus on the things that really matter. Our collective attentions as communities, businesses and citizen must be drawn to the huge inequalities and gaps in access to opportunity and means in society. We have to find a way to bring health, education, the environment and social infrastructure centerstage. That’s what the new normal ought to look like. Time will tell.
We are prepared for change. It starts with the skills and capabilities. We have what it takes and a commitment to learn what we don’t know. As a group with talented people who are as comfortable with brands and creativity as they are with technology and design. I feel confident that we’re up for it.
The second important thing in dealing with change is the organisation’s culture and I couldn’t be more confident on that front.
Finally, our deep and long-standing relationships with our clients. We’ve worked with many of them through thick and thin. We will do that again. The degree of partnership with clients is critical – being a part of the solution and shaping this future together.
Brands
Netflix India names Rekha Rane director of films and series marketing
Streaming giant bets on a seasoned marketer who helped build Amazon and Netflix into household names
MUMBAI: Netflix has put a proven brand builder at the helm of its films and series marketing in India, naming Rekha Rane as director in a move that signals sharper focus on audience growth and cultural cut-through in one of its most hotly contested markets.
Rane steps into the role after seven years at Netflix, where she has quietly shaped how the platform sells stories to India. Her latest promotion, effective February 2026, crowns a run that spans brand, slate and product marketing across originals, licensed content and new verticals such as games.
A strategic marketing and communications professional with roughly 15 years’ experience, Rane has spent much of her career building technology-led consumer businesses and new categories, notably e-commerce and subscription video on demand. She was part of the early push that introduced Amazon.in, Prime Video and Netflix to Indian homes, then helped turn them into everyday brands.
At Netflix, she most recently served as head of brand and slate marketing for India from March 2024 to February 2026, leading teams across media and marketing for global and local content portfolios. Before that, as manager for original films and series marketing, she led IP creation and go-to-market strategy for titles including Guns and Gulaabs, Kaala Paani, The Railway Men* and The Great Indian Kapil Show, spanning both binge and weekly-release formats.
Her earlier Netflix roles covered product discovery and promotion in India and integrated campaign strategy to drive conversations around the content slate, product awareness and brand-equity metrics.
Before Netflix, Rane logged more than three years at Amazon in brand marketing roles in Bengaluru. There she handled national and regional campaigns for Amazon.in, worked on customer assistance programmes in growth geographies and contributed to the go-to-market strategy for the launch of Prime Video India.
Her career began well away from streaming. At Reliance Brands in Mumbai, she worked on retail marketing for Diesel and Superdry. A stint at Leo Burnett saw her work on primary research for P&G Tide, mapping Indian shoppers’ paths to purchase. Earlier still, at Orange in the United Kingdom, she rose from sales assistant to store manager, running a team and owning monthly P&L for a retail outlet.
The arc is telling. As global streamers fight for attention in a crowded Indian market, executives who understand both mass retail behaviour and digital habit-building are prized. Rane’s career sits at that intersection.
For Netflix, the bet is simple: in a market spoilt for choice, sharp marketing can still tilt the screen. And with Rane now leading the charge, the streamer is signalling it wants not just viewers, but fandom.
Brands
Orient Beverages pops the fizz with steady Q3 gains and rising profits
Kolkata-based beverage maker reports stronger revenues and profits for December quarter.
MUMBAI: A fizzy quarter with a steady aftertaste that’s how Orient Beverages Limited, the company that manufactures and distributes packaged drinking water under the brand name Bisleri closed the December 2025 period, as the Kolkata-based drinks maker reported improved revenues and a healthy rise in profits, signalling operational stability in a competitive beverage market.
For the quarter ended December 31, 2025, Orient Beverages posted standalone revenue from operations of Rs 39.98 crore, up from Rs 36.42 crore in the previous quarter and Rs 33.53 crore in the same quarter last year. Total income for the quarter stood at Rs 42.24 crore, reflecting consistent demand and stable pricing across its beverage portfolio.
Profit before tax for the quarter came in at Rs 3.47 crore, a sharp improvement from Rs 1.31 crore in the September quarter and Rs 0.39 crore a year ago. After accounting for tax expenses of Rs 0.79 crore, the company reported a net profit of Rs 2.68 crore, nearly three times the Rs 0.99 crore recorded in the preceding quarter.
On a nine-month basis, the momentum remained intact. Revenue from operations for the period ended December 31, 2025 rose to Rs 117.66 crore, compared with Rs 106.95 crore in the corresponding period last year. Net profit for the nine months climbed to Rs 5.51 crore, more than double the Rs 2.18 crore reported in the same period of the previous financial year.
The consolidated numbers told a similar story. For the December quarter, consolidated revenue from operations stood at Rs 45.06 crore, while profit after tax came in at Rs 2.06 crore. For the nine-month period, consolidated revenue touched Rs 133.57 crore, with net profit of Rs 4.49 crore, underscoring the group’s improving profitability trajectory.
Operating expenses remained largely controlled, with cost of materials, employee benefits and other expenses broadly aligned with revenue growth. The company continued to operate within a single reportable segment beverages simplifying its cost structure and reporting framework.
The unaudited financial results were reviewed by the Audit Committee and approved by the Board of Directors at its meeting held on 7 February 2026. Statutory auditors carried out a limited review and reported no material misstatements in the results.
In a market where margins are often squeezed by input costs and competition, Orient Beverages’ latest numbers suggest the company has found a reliable rhythm not explosive, but steady enough to keep the fizz alive.
MAM
Washington Post CEO exits abruptly after newsroom cuts spark backlash
Leadership change follows layoffs, protests and a bruising battle over trust.
MUMBAI: When the presses are rolling but patience runs out, even the editor’s chair isn’t safe. The Washington Post announced on Saturday that its chief executive and publisher Will Lewis is stepping down with immediate effect, bringing a sudden end to a turbulent two-year tenure marked by financial strain, newsroom unrest and public backlash.
Lewis’s exit comes just days after the Bezos-owned newspaper announced sweeping job cuts that triggered protests outside its Washington headquarters and a wave of anger from readers and staff. While newspapers across the US are grappling with shrinking revenues and digital disruption, Lewis’s leadership had increasingly come under fire for how those pressures were handled.
The Post confirmed that Jeff D’Onofrio, a former Tumblr CEO who joined the organisation last year as chief financial officer, has taken over as CEO and publisher, effective immediately. In an email to staff, later shared by reporters on social media, Lewis said it was “the right time for me to step aside.”
The leadership change follows the announcement of large-scale redundancies earlier this week. While the Post did not officially confirm numbers, The New York Times reported that around 300 of the paper’s roughly 800 journalists were laid off. Entire teams were dismantled, including the Post’s Middle East bureau and its Kyiv-based correspondent covering the war in Ukraine.
Sports, graphics and local reporting were sharply reduced, and the paper’s daily podcast, Post Reports, was suspended. On Thursday, hundreds of journalists and supporters gathered outside the Post’s downtown office in protest, calling the cuts a blow to public-interest journalism.
Former executive editor Marty Baron described the moment as “among the darkest days in the history of one of the world’s greatest news organisations.”
Lewis defended his record in his farewell note, saying “difficult decisions” were taken to secure the paper’s long-term future and protect its ability to publish “high-quality nonpartisan news”. But his tenure coincided with growing scrutiny of editorial independence at the Post.
Owner Jeff Bezos faced criticism for reining in the paper’s traditionally liberal editorial page and blocking an endorsement of Democratic presidential candidate Kamala Harris ahead of the 2024 US election. The move was widely seen as breaking the long-standing firewall between ownership and editorial decision-making.
According to a Wall Street Journal report, around 250,000 digital subscribers cancelled their subscriptions after the paper declined to endorse Harris. The Post reportedly lost about $100 million in 2024 as advertising and subscription revenues slid.
While the wider newspaper industry continues to battle declining print advertising and the pull of social media, some national titles have stabilised. Rivals such as The Wall Street Journal and The New York Times have managed to build sustainable digital businesses, a turnaround that has so far eluded the Post despite its billionaire backing.
As Jeff D’Onofrio steps into the role, the challenge is stark, restore confidence inside the newsroom, win back readers who walked away, and prove that one of America’s most storied newspapers can still find its footing in a brutally competitive media landscape.
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