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The creative storytelling in tourism ads

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MUMBAI: Tourism ads have had the same ingredients for years: panning through scenic views, mountains, palaces, forts, rivers and people dressed in traditional state outfits. Once in a while you throw in a celebrity.

These ads centre around a story about the state they represent. Vivid images of the landscape coupled with the right storyline and music can transport you into a place you may have never thought of visiting.

The World Travel & Tourism Council calculated that tourism generated Rs 14.02 lakh crore or 9.6 per cent of the nation’s GDP in 2016 and the sector is predicted to grow at an annual rate of 6.8 per cent to Rs 28.49 lakh crore by 2027. About 88.90 lakh foreign tourists arrived in India in 2016 as compared to 80.27 lakh in 2015, recording a growth of 10.7 per cent. Domestic tourist visits to all states and Union Territories numbered 1,036.35 million in 2012, an increase of 16.5 per cent from 2011.

Before the year 2002, the government’s efforts to promote tourism did not create much impact. Then The Ministry of Tourism decidedto put in a concrete effort to promote tourism with its iconic ‘Incredible !ndia’ logo in all communications, along with signing Amitabh Bachchan as the brand ambassador for Gujarat tourism. Since then, every year, Indian states release tourism ads to attract travellers.

We’ve rounded up some of the most beautiful and iconic state tourism ad campaigns that incorporate creativity, alluring storytelling and show true essence of the state.

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Gujarat:

Gujarat tourism has been synonymous with Amitabh Bachchan for over a decade now. The vibrant Gujarat theme has been well received and had led to a 30 per cent increase in tourist arrival in the state from 1.70 crore in 2009-10 to 2.23 crore in 2011-12.

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Madhya Pradesh:

Madhya Pradesh tourism ads are known for their playfulness, vibrant shots and catchy jingles. Madhya Pradesh state tourism has create some of the most iconic ads that truly justify MP as the heart of India – MP mein dil ho bacche sa, MP ajab hai sabse gajab hai, sau rang hai and hindustan ka dil dekho.

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Rajasthan:

Rajasthan, known for its desserts, vibrant colours and alluring folk songs has always been a constant favourite among local tourists and foreign lands. All Rajasthan tourism ads perfectly encapsulate the essence of Rajasthan.

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Jammu and Kashmir:

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Jammu and Kashmir has often been hailed as heaven on earth and there is hardly any doubt that it is perhaps one of the most beautiful places on the planet. Although the state hasn’t been very creative with its previous communications and campaigns, it has pitched itself as the ‘warmest place on Earth’ in its latest campaign. The film showcases the story of a couple on vacation in Kashmir. The duo mistake a citizen of the state for their taxi driver. Instead of correcting them, the man takes them on a tour of the state.The film was conceptualised by J Walter Thompson agency.

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Assam:

Assam is another state that wasn’t really creating any interesting ads or promoting its state tourism until now. The state has however launched its new multimedia campaign with its brand ambassador Priyanka Chopra that captures not just the beauty of the state but also its diverse and rich culture. The central theme of the campaign ‘Once you visit Assam, it stays with you forever’ was created and conceptualised by YAAP & Crayons agency.

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Amazon Ads maps 2026 as AI and streaming rewrite ad playbooks

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NATIONAL: Amazon Ads has laid out a sharply tech-led vision for the advertising industry in 2026, arguing that artificial intelligence, streaming TV and creator partnerships will combine to turn brand building into a more precise, performance-driven business.

At the heart of the shift, the company says, is the fusion of AI with Amazon’s vast trove of shopping, browsing and streaming signals, allowing advertisers to move beyond blunt reach metrics to campaigns designed around real customer behaviour.

“The future of advertising is not about reaching more people, but the right people with messages that resonate,” said Amazon Ads India head and vice president Girish Prabhu. “By combining AI with deep customer insights, we help brands move from broadcasting campaigns to having meaningful conversations wherever audiences spend their time.”

One of the biggest changes, according to Amazon Ads, will be the collapse of the wall between media planning and creative development. Retail media, powered by first-party data, is increasingly shaping everything from brand discovery to final purchase, pushing marketers to design campaigns around audience insight rather than internal instinct.

AI is also moving from a support tool to a creative engine. Agentic AI, which automates and accelerates production, is expected to make high-quality creative accessible even to small businesses, compressing weeks of work into hours and giving challengers the ability to compete with larger brands on speed and scale.

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Behind the scenes, AI-driven analytics will take on a bigger role in campaign optimisation, identifying patterns, spotting opportunities and recommending actions that would previously have required teams of analysts.

Streaming TV is another big battleground. With India’s video streaming audience now above 600 million and connected TV users at 129.2 million in 2025, advertisers are set to treat streaming not just as a branding channel but as a performance engine, measured increasingly by sales, sign-ups and bookings rather than just reach.

Finally, Amazon Ads sees creators and contextual advertising reshaping how brands tell stories. Creators will act less like influencers and more like long-term partners, while scene-aware ads on streaming platforms will allow brands to insert hyper-relevant offers into the flow of what viewers are watching.

Taken together, Amazon Ads argues, these shifts mark a move towards advertising that is both more human and more measurable, where AI handles the complexity, and creativity does the persuading.

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Publicis India appoints Sonal Verma as Arc Worldwide MD

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MUMBAI: Publicis Groupe India has appointed Sonal Verma as managing director of Arc Worldwide India, handing the reins of its experiential and shopper marketing business to a leader steeped in live brands and real world storytelling.

Arc Worldwide, the Groupe’s specialist arm focused on experiences that nudge consumers from curiosity to checkout, sits at the intersection of creativity, commerce and culture. Verma’s mandate is to sharpen that edge as brands grapple with shorter attention spans and more complicated buying journeys.

Verma joins from Cheil India, where she spent nearly five years building and leading the brand experience practice, most recently as senior vice president and head of brand experience. Her career reads like a tour of India’s experiential landscape, with leadership roles at Momentum Worldwide, Percept D Mark, Blockkbuster Events and Showtime Events.

She has also held senior activation roles at Radio City and The Times of India, giving her a rare mix of agency, media and on-ground execution experience. The common thread has been simple: turning big ideas into moments people remember and talk about.

At Arc Worldwide India, Verma will focus on expanding the agency’s experiential and shopper capabilities, strengthening client partnerships and keeping the work firmly rooted in consumer behaviour rather than buzzwords.

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With Verma at the helm, Arc Worldwide is expected to double down on ideas that live beyond screens and closer to everyday life. For an industry obsessed with clicks and scrolls, this is a reminder that sometimes the strongest connections still happen face to face.

 

 

 

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Barbeque Nation taps ‘milne ki bhookh’ to kick off the new year

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BENGALURU: Barbeque Nation is ringing in the new year with a reminder that some cravings cannot be ordered online. The casual dining chain has rolled out a new film campaign, milne ki bhookh, pitching its restaurants as places to meet, reconnect and linger over food.

Set against a world of constant messages and missed meet-ups, the campaign leans into a simple truth: dining out remains one of the few rituals that still brings people together. Barbeque Nation positions itself as the excuse and the setting for real conversations, shared plates and unhurried moments.

Nakul Gupta, cmo at Barbeque Nation, says the brand has long been about shared celebrations. As the year turns, milne ki bhookh captures what he calls a growing hunger to meet, connect and spend time together, with food at the centre of that experience.

Created by Makani Creatives, the campaign comprises three films built around Barbeque Nation’s signature grills and desserts. The storytelling is deliberately sensorial, designed to spark cravings while nudging diners to step out and meet in person.

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Pavan Punjabi, chief integration officer at Makani Creatives, says the idea stems from a familiar contradiction. People are constantly connected, yet meetings with loved ones are endlessly postponed. Milne ki bhookh, he says, is a gentle push to make time for real-life catch-ups, using food as the reason to come together, share a meal and create memories.

The campaign breaks on December 25 with the grilled prawns film and will run for two months, amplified across digital platforms. As the new year begins, Barbeque Nation is betting that the strongest appetite of all is not for food alone, but for each other.

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