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Rajinikanth, Kabali’s marketing overdrive

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MUMBAI: Rajini Sir has proved lucky for them. Over the weekend, low cost carrier Air Asia announced the names of three fans who will be given a ticket each to fly to Bangkok and Kaula Lumpur and visit the location where Rajinikanth’s latest film Kabali has been shot. It also announced the names of 10 fans who came out tops in the Air Asia Kabali Video Contest thus winning first day first show tickets to the movie.

The Air AsiaKabali Video Contest commenced last month and entrants had to film themselves mouthing Rajani’s dialogues from Neruppa Da and upload the videos. Kabali has Rajinikanth playing a underworld Don who fights for Tamils in Malaysia.

However, the video contest was just one of the initiatives that Air Asia innovated along with Kabali producer-director Kalaipuli S Thanu’s V. Creations. The official airline association deal that the two signed has set a benchmark for film promotion and marketing in India – at least.

For the last fortnight or so, Air Asia passengers between Bengaluru, New Delhi, Goa, Pune, Chandigarh, Jaipur, Guwahati, Imphal, Vizag and Kochi, have been greeted by a special aircraft as they have walked on to the tarmac. The plane has the salt and pepper haired Rajinikanth splattered all over the exterior of the aircraft.

Come 22 July, the A-320 aircraft (which took about a month to design) will be flying exclusively between Bengaluru and Chennai. Passengers boarding the aircraft will be given Kabali memorabilia which includes T-Shirts and mugs, audio CDs and even tickets. They will also be able to munch a special Rajinikanth meal. Other merchandise that has been created to coincide with the film’s upcoming release includes: silver coins with the superstar’s image embossed on it and brought out by the Kerala-based Muthoot Pappachan Group. A Kabali Rajinikanth doll has also been designed by the producer and is being sold at Rs 999.

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Air Asia, on its part, has disclosed that it will continue to fly the special Rajini aircraft much after the film’s release as a tribute to the thespian actor. The film features the veteran actor taking Air Asia flights on several occasions.

Apart from Air Asia, Kabali’s producer V.Creations has snared tieups with Mondelez for chocolates, PVR Cinemas for multiplexes, Airtel for mobile, Muthoot FinCorp for finance, VS Hospitals for health, Amazon for merchandise, and Emami for healthcare products.

The brand that Mondelez has chosen for the partnership is 5 Star. Special TVCs featuring the goofy brothers Ramesh and Suresh promoting Kabali have been created and have been running on social media and on television. Advertising panels on buses in Tamil Nadu touting the film with the tagline SuperStar ka 5 star and Superstar in 5 Star. Buses with LED panels screening Kabali trailers, teasers, songs have taken part in road shows covering colleges, schools and malls. The chocolate maker has also put out 18,000 cutouts promoting the film and 5 Star nationally in retail outlets and at the point of sale.

Keychains, posters, T-shirts, mugs, posters, the Kabali Rajinikanth doll are to be sold on the ecommerce platform as part of its partnership with Amazon.

Like other partners, the media partners agreed to extend the promotional period when the film release date was extended from 1 July to 15 July to 22 July.

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Apart from Rajinikanth, the film stars Attakathi Dinesh, John Vijay, Dhanika, Koshire, Roshan, Nassar and Winston Cho along with Radhika Apte. Helming it is the young but successful director P.A. Ranjith.

Estimates are that the valuation of the various tieups that Kabali has managed is in the region of Rs 70-80 crore. The film’s makers are targeting a box office revenue of Rs 500 crore for the film which was made at a budget of around Rs 80 crore.

It is slated to be released in Tamil, Telugu, Malayalam, Hindi, Thai, Chinese and Japanese. Broadcast, audio, dubbing, digital and overseas rights sales had already netted close to Rs 150 crore for V. Creations. The Hindi version of the film is being distributed by FoxStar Studios India and is expected to debut1,000 screens nationally. In the US, distributor CineGalaxy has lined up a 400 cinema hall release. The sourthern market is expected to see a release in about 2,000 screens even as Kabali is released simultaneously in Singapore, Malaysia and Indonesia.

Rajinikanth’s previous two films Lingaa and Kochadaiiyaan did not do as well as expected at the box office. And questions were being asked whether Thalaivar is a bankable star. If the push that has been being given to Kabali courtesy its marketing tieups gets the cash registers ringing, the critics and naysayers will have been silenced.

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Why the Best Campaigns Today Start With Insights, Not Ideas

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MUMBAI: For decades, creative storytelling has been the cornerstone of brand communication. The “big idea” amplified through catchy jingles, striking visuals, and memorable hooks was once the gold standard for relevance and recall. Creativity defined presence, and the loudest, boldest campaigns often won attention.

But the marketing landscape today looks very different.

Audiences are more exposed, more discerning, and far less patient. They are inundated with messages across platforms, formats, and creators, often encountering hundreds of brand touchpoints in a single day. In this environment, creativity alone especially when untethered from real consumer truths is no longer enough to move behaviour. Great ideas are abundant. Meaningful impact is not.

This is where insights matter.

The difference may seem subtle, but it is fundamental. An idea represents what a brand wants to say. An insight reflects what the audience is already thinking, feeling, or experiencing. The most effective campaigns emerge not from cleverness alone, but from the intersection of these two forces.

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From creativity to relevance

As the marketing ecosystem becomes increasingly saturated, consumers are growing immune to inflated claims and surface-level storytelling. Even beautifully crafted campaigns can fail if they are disconnected from lived realities. The gap between a brand’s internal enthusiasm and the audience’s actual sentiment can be the difference between attention and indifference.

Insights help bridge this gap. They force brands to pause, listen, and observe to understand emotions, behaviours, cultural contexts, and contradictions. Instead of trying to be remembered through louder branding, insight-led campaigns allow audiences to see their own experiences reflected back at them. When a campaign articulates a problem that feels personal, relevance is created. Trust follows.

Insight is interpretation, not information

It’s important to distinguish between data and insight. Data tells us what is happening. Insight explains why it is happening. While data is measurable and structured, insights are interpretive and dynamic, shaped by real-time sentiment and human behaviour.

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Modern consumers are full of contradictions. They demand authenticity while remaining deeply aspirational. They want brands to take a stand but expect nuance, not instruction. They seek transparency, yet are drawn to curated narratives. These tensions are not obstacles, they are opportunities. When understood correctly, they can shape communication that feels timely, credible, and human.

Some of the most effective campaigns today are born not in isolated brainstorm rooms, but through listening to audiences, creators, editors, online communities, and cultural signals. Insights often exist in blurred patterns, but once identified, they can redefine how a brand connects.

A recent campaign we executed for Domino’s illustrates this shift clearly. The brief wasn’t to make a pizza look bigger or louder. Instead, it was rooted in a simple behavioural truth: in Tier 2 and Tier 3 markets, sharing food is an emotional act tied to family, celebration, and value perception. The “Big Big 6-in-1 Pizza” became a canvas for this insight. The campaign leaned into regional voices and real sharing moments, allowing people to show how they experienced the product rather than being told why they should buy it. Influencers and celebrities amplified genuine usage, not scripted endorsements. The impact from engagement to footfall to sales came not from a clever idea, but from understanding how people relate to food in their everyday lives.

Shifting the starting point

Today’s consumer landscape demands a shift in perspective from “What should the brand say?” to “What does the audience need to hear right now?” This marks a move away from inward-led marketing toward communication shaped by behaviour, emotion, and cultural relevance.

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Brands leading today are keen observers. They notice when perfection stops resonating. They sense when luxury shifts from aspiration to excess. They recognise when influencer content begins to feel repetitive and trust erodes.

Virality, too, is often misunderstood. It is not a strategy to chase, but an outcome. Campaigns rooted in insight do not aim to go viral; they aim to resonate. When content reflects something familiar, a shared truth, emotion, or tension, it travels organically because people see themselves in it.

Ideas attract attention. Insights build connection.

The evolving role of PR

For PR professionals, this shift has redefined success. Coverage volume alone no longer tells the full story. The more meaningful questions today are: Did the communication influence behaviour? Did it align with cultural conversations? Did it address a real consumer pain point?

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Insight-first thinking allows these questions to be answered at the planning stage, rather than corrected midway through execution.

In a world where formats and platforms will continue to evolve, what remains constant is the power of authentic communication. The strongest campaigns today do not begin with a brainstorm, but with observation, interpretation, and empathy. That is not just better marketing, it is more responsible, resilient, and meaningful brand-building.

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Brands

Ahmad Muneeb elevated to VP – HR centre of excellence at Zepto

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MUMBAI: Zepto has elevated Ahmad Muneeb to vice president – HR centre of excellence, placing him at the helm of the company’s total rewards, executive compensation and organisational effectiveness as the quick-commerce firm powers through a high-growth phase.

The move follows his stint as senior director of the HR COE, where he played a central role in preparing the company for IPO readiness while scaling its people analytics capabilities. During this period, Muneeb helped align complex performance management structures with more streamlined and scalable employee experience frameworks.

In his new role, he will steer the design of total rewards strategies, executive compensation planning and organisational design, while also overseeing performance management, employee experience initiatives and people analytics programmes.

Before joining Zepto, Muneeb spent nearly three years at Meesho, where he held multiple rewards and HR business partner roles. Earlier in his career, he worked as a senior rewards consultant at Mercer, advising high-tech clients on compensation benchmarking, pay structures and talent-focused reward frameworks.

He began his hr journey at Cognizant, where he supported compensation programmes for nearly two lakh employees across India and worked on m&a compensation alignment and skill-based pay initiatives. Prior to moving into HR, Muneeb started his career as a software engineer at Netcracker, bringing a technical grounding to his people strategy work.

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With a mix of consulting rigour, start-up agility and enterprise-scale experience, Muneeb’s elevation signals Zepto’s continued focus on building robust people systems as it races towards its next phase of growth.

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Brands

Dell names Aishwarya Sudhakar director of marketing intelligence

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INDIA: Dell Technologies is doubling down on artificial intelligence in marketing. The company has elevated Aishwarya Sudhakar to director of marketing measures and intelligence engineering, tasking her with building an enterprise-wide framework for AI-led measurement and customer intelligence.

In the role, Sudhakar will oversee unified data strategy, advanced modelling and context engineering: areas increasingly central to how large technology firms link marketing performance to business outcomes. Her remit includes shaping scalable systems that support Dell’s next phase of AI deployment across marketing functions.

Sudhakar steps into the position after holding a series of senior roles at Dell, including AI lead for marketing orchestration, senior manager, and senior data scientist in customer insights. Across these roles, she led global teams working on large-scale machine learning models, data pipelines and customer analytics.

Before joining Dell, she began her career at Tata Consultancy Services as a systems engineer and later founded Oclor, a shopping discovery start-up, where she built end-to-end technology platforms. The combination of enterprise-scale data work and entrepreneurial experience has shaped her focus on product-led, engineering-first innovation.

As technology companies seek sharper attribution and intelligence in an AI-saturated market, Dell’s move underscores the growing importance of marketing measurement as an engineering discipline rather than a reporting function.

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