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QTP’s uplifting play Every Brilliant Thing set for its first digital showcase with Paytm Insider

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NEW DELHI: Over the years, mental health and wellness have been the subject of various arts from books, art, cinema to theatre. Today when mental health issues have been thrown into sharper relief than ever before, these stories are taking center stage.  For its first play under Paytm Insider’s recently announced theatre initiative, Front & Centre, the platform is bringing one such fascinating and heart-wrenching story – ‘Every Brilliant Thing’, produced by QTP,  directed by Quasar Thakore Padamsee and performed by Vivek Madan.

Front & Centre, which reimagines theatre in digital formats, is presenting the play’s very first digital edition, bringing this treasured work of art online. Every Brilliant Thing will premiere online on July 18th. Tickets priced at Rs. 400 are available on Paytm Insider.

Other than its poignant subject-matter, what sets this production of Every Brilliant Thing apart is its live participative format where the audience is invited to interact with each other and the performer to take the story forward. Since the play contains sensitive and potentially triggering material, it is available only for audiences above the age of 18. At its heart, Every Brilliant Thing aims to start conversations about mental health issues. This showcase will be followed by a 20 minutes opportunity for audiences to ask questions, share observations or start a dialogue with professionals working in the field of mental health care, who will also be present during the live stream.

Every Brilliant Thing is an uplifting story about love, life, family, mental health, and a much-required list of all the wonderful things in the world. It encourages the viewers to celebrate the joy found in everyday objects. The play is written by Johnny Donahoe and by Duncan Macmillan, an award-winning writer and theatre director. Duncan Macmillan’s previous works also cover contemporary socio-political issues and include productions such as People, Places and Things, and 2071.

Every Brilliant Thing’s online performance is produced by prominent theatre and arts management company QTP. Known for creating unique and engaging experiences for live audiences, the theatre company is the one behind the critically acclaimed plays So Many Socks, The President is Coming, Khatijabai of Karmali Terrace, A Peasant of El Salvador, and The God of Carnage in India, and has spearheaded international collaborations such as Nirbhaya, Gates to India Song, and A Midsummer Night’s Dream.

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Speaking on the launch, Paytm Insider's  Business head, Live entertainment (IPs & Partnerships)- Varun  Khare at , said, “It is our honour to showcase a production as moving and relevant as Every Brilliant Thing on Paytm Insider. Creating a digital rendition of a work of art that is meant to be delivered live is an exciting challenge. We look forward to witnessing the magic that QTP, Quasar, and Vivek create on the screen, and to have this be the start for plays performed under Front & Centre.

Every Brilliant Thing director Quasar Thakore Padamsee said, “Every Brilliant Thing was designed to be a communal experience that brings the live performer and live audience to a shared space and encourages positive interaction between the two. As plays go online during this lockdown, however, we cannot simply call it online theatre. It is an entirely new medium, one that requires cumulative efforts of everyone executing the play to create an immersive experience that evokes that familiar sense of community, even though we’re all isolated with our devices. It is, thus, not just a digital rendition but a recreation or a reinvention of the play we know so well. Needless to say, it’s a new challenge altogether, and we’re more than exuberant to face it head-on!”

Vivek Madan, lead cast, Every Brilliant Thing, said, “The play is an insight or a window into a person’s life. Although it deals with sensitive topics, it is fun, even funny at times, and, most of all, scarily relatable. It is completely real and there is no artifice. I am simply sharing a story with the audience that I’m grateful that people are around to listen to.”

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Netflix India names Rekha Rane director of films and series marketing

Streaming giant bets on a seasoned marketer who helped build Amazon and Netflix into household names

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MUMBAI: Netflix has put a proven brand builder at the helm of its films and series marketing in India, naming Rekha Rane as director in a move that signals sharper focus on audience growth and cultural cut-through in one of its most hotly contested markets.

Rane steps into the role after seven years at Netflix, where she has quietly shaped how the platform sells stories to India. Her latest promotion, effective February 2026, crowns a run that spans brand, slate and product marketing across originals, licensed content and new verticals such as games.

A strategic marketing and communications professional with roughly 15 years’ experience, Rane has spent much of her career building technology-led consumer businesses and new categories, notably e-commerce and subscription video on demand. She was part of the early push that introduced Amazon.in, Prime Video and Netflix to Indian homes, then helped turn them into everyday brands.

At Netflix, she most recently served as head of brand and slate marketing for India from March 2024 to February 2026, leading teams across media and marketing for global and local content portfolios. Before that, as manager for original films and series marketing, she led IP creation and go-to-market strategy for titles including Guns and Gulaabs, Kaala Paani, The Railway Men* and The Great Indian Kapil Show, spanning both binge and weekly-release formats.

Her earlier Netflix roles covered product discovery and promotion in India and integrated campaign strategy to drive conversations around the content slate, product awareness and brand-equity metrics.

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Before Netflix, Rane logged more than three years at Amazon in brand marketing roles in Bengaluru. There she handled national and regional campaigns for Amazon.in, worked on customer assistance programmes in growth geographies and contributed to the go-to-market strategy for the launch of Prime Video India.

Her career began well away from streaming. At Reliance Brands in Mumbai, she worked on retail marketing for Diesel and Superdry. A stint at Leo Burnett saw her work on primary research for P&G Tide, mapping Indian shoppers’ paths to purchase. Earlier still, at Orange in the United Kingdom, she rose from sales assistant to store manager, running a team and owning monthly P&L for a retail outlet.

The arc is telling. As global streamers fight for attention in a crowded Indian market, executives who understand both mass retail behaviour and digital habit-building are prized. Rane’s career sits at that intersection.

For Netflix, the bet is simple: in a market spoilt for choice, sharp marketing can still tilt the screen. And with Rane now leading the charge, the streamer is signalling it wants not just viewers, but fandom.

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Orient Beverages pops the fizz with steady Q3 gains and rising profits

Kolkata-based beverage maker reports stronger revenues and profits for December quarter.

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MUMBAI: A fizzy quarter with a steady aftertaste that’s how Orient Beverages Limited, the company that manufactures and distributes packaged drinking water under the brand name Bisleri closed the December 2025 period, as the Kolkata-based drinks maker reported improved revenues and a healthy rise in profits, signalling operational stability in a competitive beverage market.

For the quarter ended December 31, 2025, Orient Beverages posted standalone revenue from operations of Rs 39.98 crore, up from Rs 36.42 crore in the previous quarter and Rs 33.53 crore in the same quarter last year. Total income for the quarter stood at Rs 42.24 crore, reflecting consistent demand and stable pricing across its beverage portfolio.

Profit before tax for the quarter came in at Rs 3.47 crore, a sharp improvement from Rs 1.31 crore in the September quarter and Rs 0.39 crore a year ago. After accounting for tax expenses of Rs 0.79 crore, the company reported a net profit of Rs 2.68 crore, nearly three times the Rs 0.99 crore recorded in the preceding quarter.

On a nine-month basis, the momentum remained intact. Revenue from operations for the period ended December 31, 2025 rose to Rs 117.66 crore, compared with Rs 106.95 crore in the corresponding period last year. Net profit for the nine months climbed to Rs 5.51 crore, more than double the Rs 2.18 crore reported in the same period of the previous financial year.

The consolidated numbers told a similar story. For the December quarter, consolidated revenue from operations stood at Rs 45.06 crore, while profit after tax came in at Rs 2.06 crore. For the nine-month period, consolidated revenue touched Rs 133.57 crore, with net profit of Rs 4.49 crore, underscoring the group’s improving profitability trajectory.

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Operating expenses remained largely controlled, with cost of materials, employee benefits and other expenses broadly aligned with revenue growth. The company continued to operate within a single reportable segment beverages simplifying its cost structure and reporting framework.

The unaudited financial results were reviewed by the Audit Committee and approved by the Board of Directors at its meeting held on 7 February 2026. Statutory auditors carried out a limited review and reported no material misstatements in the results.

In a market where margins are often squeezed by input costs and competition, Orient Beverages’ latest numbers suggest the company has found a reliable rhythm not explosive, but steady enough to keep the fizz alive.

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BCCL profit jumps 53 per cent in FY25 as tax bill shrinks

Revenue rises 4.3 per cent to Rs 10,209.33 crore while deferred tax gain lifts bottom line sharply

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NEW DELHI: Bennett, Coleman and Company (BCCL) has posted a sparkling set of financial results for the year ended 31 March 2025, proving that there is still plenty of ink and gold left in the ledger.

Revenue from operations climbed a steady 4.3 per cent, reaching Rs 10,209.33 crore compared to Rs 9,786.44 crore the previous year. When you sprinkle in other income, which rose 8.9 per cent to Rs 949.36 crore, the total income for the media behemoth hit a healthy Rs 11,158.69 crore.

While the income grew at a modest pace, the bottom line tells a far more dramatic story. The real headline is the 53 per cent surge in annual profit. How did they pull off such a feat? While Profit Before Tax (PBT) saw a gentle nudge upward of 2.7 per cent to Rs 1,610.00 crore, it was a vanishing act by the taxman that really did the trick.

Total tax expenses plummeted by 32.4 per cent, dropping from Rs 468.76 crore down to Rs 316.97 crore. This was largely thanks to a swing in deferred tax, moving from an expense of Rs 156.02 crore in FY24 to a benefit of Rs 39.44 crore this year.

Total income rose from Rs 10,658.55 crore in FY24 to Rs 11,158.69 crore in FY25, marking a 4.7 per cent increase. Total expenses grew at a slower pace, up 3.0 per cent from Rs 9,306.06 crore to Rs 9,581.45 crore. Profit before tax inched up 2.7 per cent, moving from Rs 1,567.02 crore to Rs 1,610.00 crore. However, the standout figure was net profit, which jumped sharply by 53.0 per cent, climbing from Rs 1,042.03 crore in FY24 to Rs 1,594.73 crore in FY25.

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Despite the rising costs of doing business across the globe, BCCL kept a tight grip on the purse strings. Total expenses rose by just 3.0 per cent to Rs 9,581.45 crore. By keeping costs lower than the rate of income growth, the company ensured that the final figure, a net profit of Rs 1,594.73 crore, was nothing short of a front-page sensation.

In a world of shifting digital tides, it seems the BCCL ship is not just steady, but sailing into significantly wealthier waters.

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