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Pulp Strategy takes disruptive route to launch new mobile game

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MUMBAI: Imagine if a brand created a piece of content and consumers lapped it up weaving it into a magical fun filled visual story, which caught the imagination of 3.5 million people. What are the possibilities that it could create?

 

Taking exactly this route, Pulp Strategy Communications embraced a disruptive campaign through online storytelling, to launch its latest gaming app Rescue’em. The campaign concentrates on breaking the existing clutter in the gaming paradigm to come up with a concept that swayed away from violence and bloodshed to be a stress buster instead. Strategists worked on a detailed story map that had an identified target audience, a powerful game plan matched with animation and processed with latest technology.

 

Beginning with releasing a news video animated to announce Baby Bubba the cute sheep from Frolic Island is missing, Baby Bubba’s emotional parents appealed to the public to find Bubba. Sparking the curiosity of the people #BubbaMissing, started trending on Twitter as people generated conversations and content around the video driving over five lakh views on social media in just three days.

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The creative strategy was to generate curiosity among people and create a buzz around the game, while keeping all communication fun, trendy and bordering on hilarious. #BabyBubba, #FrolicInPanic and #RescueEm began trending in quick succession as the story unfolded.

 

Pulp Strategy Communications spokesperson said, “We knew that with the general trend of not so positive topics on social media the clean, cuteness of missing Bubba and friends captured attention. The hashtag chosen was intriguing. People could relate to it and hence it was the ideal conversation starter. The animated video is as close to the real world as could be and the agony of parents other than Mr & Mrs Wools… well, who wouldn’t relate? It’s captivating online storytelling.”

 

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The promotional activity was divided into three phases:

 

·Phase one: The story of the character Bubba, missing from Frolic land was floated on social media. Hashtags like, #BubbaMissing & #FrolicInPanic started trending nationally for 11 hours. It witnessed millions of impressions and thousands of conversations trending. Various other activities like display media online, series of spoof episode videos of news reports from Frolic Island, sharing of videos via WhatsApp and strong social media reach based on content was carried out. 

 

·Phase two: In the second phase, the story gradually progressed with clues leading to the prime suspect called ‘Brutus’ and people started pouring their support with #SuspectingBrutus and #RescueEm on Facebook and Twitter.

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·Phase three: The third phase was an off line phase where a candle light march was announced and the targeted audiences were enthused to participate in the vigil that was held at the Delhi zoo.

 

There was live streaming of content on Twitter via very new tools Periscope and MeerKat. Consumers across five cities started holding candle vigils to support the cause via crowd sourced micro gatherings.

 

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The story line was built with vines, videos, news reports, mailers and social conversations that saw over a million views and engagements. Within 48 hours of releasing its first video, it gathered 40,000 views and over 300 shares across platforms.

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Amazon Ads maps 2026 as AI and streaming rewrite ad playbooks

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NATIONAL: Amazon Ads has laid out a sharply tech-led vision for the advertising industry in 2026, arguing that artificial intelligence, streaming TV and creator partnerships will combine to turn brand building into a more precise, performance-driven business.

At the heart of the shift, the company says, is the fusion of AI with Amazon’s vast trove of shopping, browsing and streaming signals, allowing advertisers to move beyond blunt reach metrics to campaigns designed around real customer behaviour.

“The future of advertising is not about reaching more people, but the right people with messages that resonate,” said Amazon Ads India head and vice president Girish Prabhu. “By combining AI with deep customer insights, we help brands move from broadcasting campaigns to having meaningful conversations wherever audiences spend their time.”

One of the biggest changes, according to Amazon Ads, will be the collapse of the wall between media planning and creative development. Retail media, powered by first-party data, is increasingly shaping everything from brand discovery to final purchase, pushing marketers to design campaigns around audience insight rather than internal instinct.

AI is also moving from a support tool to a creative engine. Agentic AI, which automates and accelerates production, is expected to make high-quality creative accessible even to small businesses, compressing weeks of work into hours and giving challengers the ability to compete with larger brands on speed and scale.

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Behind the scenes, AI-driven analytics will take on a bigger role in campaign optimisation, identifying patterns, spotting opportunities and recommending actions that would previously have required teams of analysts.

Streaming TV is another big battleground. With India’s video streaming audience now above 600 million and connected TV users at 129.2 million in 2025, advertisers are set to treat streaming not just as a branding channel but as a performance engine, measured increasingly by sales, sign-ups and bookings rather than just reach.

Finally, Amazon Ads sees creators and contextual advertising reshaping how brands tell stories. Creators will act less like influencers and more like long-term partners, while scene-aware ads on streaming platforms will allow brands to insert hyper-relevant offers into the flow of what viewers are watching.

Taken together, Amazon Ads argues, these shifts mark a move towards advertising that is both more human and more measurable, where AI handles the complexity, and creativity does the persuading.

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Publicis India appoints Sonal Verma as Arc Worldwide MD

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MUMBAI: Publicis Groupe India has appointed Sonal Verma as managing director of Arc Worldwide India, handing the reins of its experiential and shopper marketing business to a leader steeped in live brands and real world storytelling.

Arc Worldwide, the Groupe’s specialist arm focused on experiences that nudge consumers from curiosity to checkout, sits at the intersection of creativity, commerce and culture. Verma’s mandate is to sharpen that edge as brands grapple with shorter attention spans and more complicated buying journeys.

Verma joins from Cheil India, where she spent nearly five years building and leading the brand experience practice, most recently as senior vice president and head of brand experience. Her career reads like a tour of India’s experiential landscape, with leadership roles at Momentum Worldwide, Percept D Mark, Blockkbuster Events and Showtime Events.

She has also held senior activation roles at Radio City and The Times of India, giving her a rare mix of agency, media and on-ground execution experience. The common thread has been simple: turning big ideas into moments people remember and talk about.

At Arc Worldwide India, Verma will focus on expanding the agency’s experiential and shopper capabilities, strengthening client partnerships and keeping the work firmly rooted in consumer behaviour rather than buzzwords.

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With Verma at the helm, Arc Worldwide is expected to double down on ideas that live beyond screens and closer to everyday life. For an industry obsessed with clicks and scrolls, this is a reminder that sometimes the strongest connections still happen face to face.

 

 

 

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Barbeque Nation taps ‘milne ki bhookh’ to kick off the new year

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BENGALURU: Barbeque Nation is ringing in the new year with a reminder that some cravings cannot be ordered online. The casual dining chain has rolled out a new film campaign, milne ki bhookh, pitching its restaurants as places to meet, reconnect and linger over food.

Set against a world of constant messages and missed meet-ups, the campaign leans into a simple truth: dining out remains one of the few rituals that still brings people together. Barbeque Nation positions itself as the excuse and the setting for real conversations, shared plates and unhurried moments.

Nakul Gupta, cmo at Barbeque Nation, says the brand has long been about shared celebrations. As the year turns, milne ki bhookh captures what he calls a growing hunger to meet, connect and spend time together, with food at the centre of that experience.

Created by Makani Creatives, the campaign comprises three films built around Barbeque Nation’s signature grills and desserts. The storytelling is deliberately sensorial, designed to spark cravings while nudging diners to step out and meet in person.

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Pavan Punjabi, chief integration officer at Makani Creatives, says the idea stems from a familiar contradiction. People are constantly connected, yet meetings with loved ones are endlessly postponed. Milne ki bhookh, he says, is a gentle push to make time for real-life catch-ups, using food as the reason to come together, share a meal and create memories.

The campaign breaks on December 25 with the grilled prawns film and will run for two months, amplified across digital platforms. As the new year begins, Barbeque Nation is betting that the strongest appetite of all is not for food alone, but for each other.

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