Ad Campaigns
Piyush Pandey breaks stereotypes with Anouk ad
MUMBAI: Famous for coming up with out of the box ideas, Ogilvy and Mather executive chairman and national creative director Piyush Pandey has managed to touch a raw nerve with the Bold Is Beautiful campaign orchestrated for Anouk.
Anouk is an apparel brand that specializes in Indian and traditional women clothes and is promoted by Myntra. Pandey and his maverick bunch were looking to convey the message that it’s not just the westerners who are progressive in their thinking and are breaking stereotypes and that traditional Indians are also very much doing it. To convey this message, O&M launched an ad featuring a lesbian couple in a live-in relationship. One of them has invited her parents to meet her partner and the ad emphasizes on their preparation to encounter The Visit.
Speaking to Indiantelevision.com about the ad Pandey says, “No idea is drawn without keeping the brand in my mind. Anouk is an Indian wear specialist and there are a number of other brands who specialize in the same so we had to come up with something that stands out and that’s how Bold is Beautiful came into existence.”
The ad went viral and has garnered more than one million views on YouTube. The ad began trending on social media too, and also kick-started a debate as to whether this ad featuring a lesbian couple was the first of its kind.
When queried if the debate made a difference to the creators, Pandey replies, “I don’t know if this is the first or not and I wasn’t really concerned about that either. For me, if there is an understanding of the brand and the creative, you create complements or add value to that. And that’s what really matters. Of course we wanted our work to stand out and leave a mark but we were not concerned whether it was the first ad to feature a lesbian couple.”
“The reaction we got so far is overwhelming and frankly speaking I did not expect it to be so positive. This only goes to prove that we have taken a step forward. I knew people will talk about it positively but such a wide reaction is highly satisfying. It’s almost like the viewers and the client telling us, Bold Is Beautiful,” Pandey adds.
Breaking stereotypes has been a key facet for Pandey and his India team. Not long back the ad men did something similar with Her Life, Her Choices campaign for Titan Raga, which got again got more than one million views on YouTube.
The film begins with a lady sitting in a cafeteria and a reading book. A man asks her if the seat is occupied and without looking at him she says that it’s empty. Eventually when she looks at him she finds the interruption was by her ex-lover. When she asks him how he has been, he makes a reference to her leaving him. As they talk and catch up, it is revealed that both of them are still single. On being asked why it is so, she tells the man that she never gets time from work. This being something he knew all too well, he makes a passing comment about how their relationship would have worked had she stopped working. She retaliates by saying that he could have also quit. Offended, he tells her that he could not have quit; seeing how he is a man and says, “How can a man not work.”
Amused, she looks down at her Raga and tells him that he is still the same man that she had left all those years ago. She then proceeds to offer the ashamed man coffee as she goes on talking.
The film ends with a shot of the watch and her voice over saying, “Khud se naya rishta.” (A new relationship with one’s self).
Taproot also made an ad that broke stereotypes in recent times in their commercial for Airtel, where the wife is shown as being the boss. Both husband and wife work in the same office where the woman is the boss. The ad shows her giving assignments to her husband and also assigning constraint deadlines. However, post office hours, she goes home and cooks for him while he is busy working. The ad brings a smile to every viewer and also sends a strong message across.
Sanitary napkin brand Sofy has also launched a non-conventional TVC where they ask why girls say they are down while they have their period and a send across a strong message that having their period is not something to hide. A few years back, daily broadsheet Hindustan Times launched a commercial featuring two homosexual men out for a date and a spectator stares at them with suspicion. At that very moment another man slaps him with a HT newspaper and the tagline says, “It’s time to open up.”
Later, Fastrack came up with a commercial featuring a lesbian encounter as a part of its quirky series of ‘Move On’ ads.
With Indian ads becoming progressive and open-minded, the message is loud is clear that the saree and kurta are apparels not thoughts and people should not be judged based on what they wear. The Indian ad fraternity is setting a strong example of a progressive nature and it is being lauded by the one and all.
This time it was Ogilvy’s Piyush Pandey and his ‘men in black,’ who took the country towards liberalism one step at a time… tomorrow it will be someone else from another organization who is bold enough to break typecasts and come up with something liberally different!
Ad Campaigns
Amazon Ads maps 2026 as AI and streaming rewrite ad playbooks
NATIONAL: Amazon Ads has laid out a sharply tech-led vision for the advertising industry in 2026, arguing that artificial intelligence, streaming TV and creator partnerships will combine to turn brand building into a more precise, performance-driven business.
At the heart of the shift, the company says, is the fusion of AI with Amazon’s vast trove of shopping, browsing and streaming signals, allowing advertisers to move beyond blunt reach metrics to campaigns designed around real customer behaviour.
“The future of advertising is not about reaching more people, but the right people with messages that resonate,” said Amazon Ads India head and vice president Girish Prabhu. “By combining AI with deep customer insights, we help brands move from broadcasting campaigns to having meaningful conversations wherever audiences spend their time.”
One of the biggest changes, according to Amazon Ads, will be the collapse of the wall between media planning and creative development. Retail media, powered by first-party data, is increasingly shaping everything from brand discovery to final purchase, pushing marketers to design campaigns around audience insight rather than internal instinct.
AI is also moving from a support tool to a creative engine. Agentic AI, which automates and accelerates production, is expected to make high-quality creative accessible even to small businesses, compressing weeks of work into hours and giving challengers the ability to compete with larger brands on speed and scale.
Behind the scenes, AI-driven analytics will take on a bigger role in campaign optimisation, identifying patterns, spotting opportunities and recommending actions that would previously have required teams of analysts.
Streaming TV is another big battleground. With India’s video streaming audience now above 600 million and connected TV users at 129.2 million in 2025, advertisers are set to treat streaming not just as a branding channel but as a performance engine, measured increasingly by sales, sign-ups and bookings rather than just reach.
Finally, Amazon Ads sees creators and contextual advertising reshaping how brands tell stories. Creators will act less like influencers and more like long-term partners, while scene-aware ads on streaming platforms will allow brands to insert hyper-relevant offers into the flow of what viewers are watching.
Taken together, Amazon Ads argues, these shifts mark a move towards advertising that is both more human and more measurable, where AI handles the complexity, and creativity does the persuading.
Ad Campaigns
Publicis India appoints Sonal Verma as Arc Worldwide MD
MUMBAI: Publicis Groupe India has appointed Sonal Verma as managing director of Arc Worldwide India, handing the reins of its experiential and shopper marketing business to a leader steeped in live brands and real world storytelling.
Arc Worldwide, the Groupe’s specialist arm focused on experiences that nudge consumers from curiosity to checkout, sits at the intersection of creativity, commerce and culture. Verma’s mandate is to sharpen that edge as brands grapple with shorter attention spans and more complicated buying journeys.
Verma joins from Cheil India, where she spent nearly five years building and leading the brand experience practice, most recently as senior vice president and head of brand experience. Her career reads like a tour of India’s experiential landscape, with leadership roles at Momentum Worldwide, Percept D Mark, Blockkbuster Events and Showtime Events.
She has also held senior activation roles at Radio City and The Times of India, giving her a rare mix of agency, media and on-ground execution experience. The common thread has been simple: turning big ideas into moments people remember and talk about.
At Arc Worldwide India, Verma will focus on expanding the agency’s experiential and shopper capabilities, strengthening client partnerships and keeping the work firmly rooted in consumer behaviour rather than buzzwords.
With Verma at the helm, Arc Worldwide is expected to double down on ideas that live beyond screens and closer to everyday life. For an industry obsessed with clicks and scrolls, this is a reminder that sometimes the strongest connections still happen face to face.
Ad Campaigns
Barbeque Nation taps ‘milne ki bhookh’ to kick off the new year
BENGALURU: Barbeque Nation is ringing in the new year with a reminder that some cravings cannot be ordered online. The casual dining chain has rolled out a new film campaign, milne ki bhookh, pitching its restaurants as places to meet, reconnect and linger over food.
Set against a world of constant messages and missed meet-ups, the campaign leans into a simple truth: dining out remains one of the few rituals that still brings people together. Barbeque Nation positions itself as the excuse and the setting for real conversations, shared plates and unhurried moments.
Nakul Gupta, cmo at Barbeque Nation, says the brand has long been about shared celebrations. As the year turns, milne ki bhookh captures what he calls a growing hunger to meet, connect and spend time together, with food at the centre of that experience.
Created by Makani Creatives, the campaign comprises three films built around Barbeque Nation’s signature grills and desserts. The storytelling is deliberately sensorial, designed to spark cravings while nudging diners to step out and meet in person.
Pavan Punjabi, chief integration officer at Makani Creatives, says the idea stems from a familiar contradiction. People are constantly connected, yet meetings with loved ones are endlessly postponed. Milne ki bhookh, he says, is a gentle push to make time for real-life catch-ups, using food as the reason to come together, share a meal and create memories.
The campaign breaks on December 25 with the grilled prawns film and will run for two months, amplified across digital platforms. As the new year begins, Barbeque Nation is betting that the strongest appetite of all is not for food alone, but for each other.
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