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Ogilvy turns Durga Puja into a brand laboratory for its clients

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KOLKATA: Forget garish hoardings and booming Shubho Sharodiya  messages. Ogilvy East has spent a decade transforming Durga Puja advertising from noise into culture—and this year’s crop of campaigns shows why the approach works.       

The star turn came from Coca-Cola, which wove a sari from recycled red and white PET bottles. Not just any sari, but the iconic Lal Paar—spun into thread by master weavers in Phulia and block-printed with Coke’s contour design. Launched at the 75th Ballygunge Cultural Pujo, it became an instant ritual companion, from Sindoor Khela to Instagram feeds. Sustainability met tradition, and the sari didn’t just trend—it became part of the festival itself.

 

Eveready Ultima built Asia’s largest toy truck, powered entirely by AA batteries and certified by the Asia and India Book of Records. It carried the idol of Ma Durga to Vikramshila, an NGO for children. Whilst giant idols on giant trucks usually hog attention, this tiny battery-powered bahon lit up hearts instead.       
“At Eveready, we’ve always believed in using the powerful platform of Durga Pujo for good,” said  Eveready Industries India chief executive Anirban Banerjee. “This year we’re focusing on pure joy. With Ultima Bahon, we’re bringing smiles and a memorable experience directly to underprivileged children at Vikramshila.”      
 

Asian Paints Sharad Samman rolled in on another disappearing Kolkata icon: the yellow taxi. Forty of them became moving installations, each symbolising a decade of the festival. Gattu, the brand’s beloved mascot, took a musical ride through four decades in a film stitched with genres from each era.       
“Festivals are reflections of their times,” said  Asian Paints  managing director & chief executive Amit Syngle. “With Choltey Choltey Chollish, we wanted to mirror Kolkata’s journey and the way creativity, community and imagination have shaped Pujo across generations.”       

 https://www.youtube.com/watch?v=nbcC58ggcGg

 

Nestlé Nangrow broke ground with the Junior Dhunuchi—a blue, smoke-emitting toy that let children join the traditional Dhunuchi naach. For generations, kids had been told “No fire. No smoke. No Dhunuchi.” Creativity flipped that script.       

“The Dhunuchi activation was an endearing and out-of-the-box way of celebrating toddlerhood and parenting, elevated by the cultural significance of the Dhunuchi Naach,” said Nestlé marketing head for premium infant and toddler nutrition Mayank Raina.       
 

Even Sunlight detergent found its space. In a festival where new clothes dominate, detergent usually sits out. Not this time. Sunlight launched a photosensitive pack that revealed vibrant alpona motifs when exposed to sunlight, turning a functional product into a festive artefact.        

The pattern is clear. Ogilvy East doesn’t interrupt Pujo—it interprets it and becomes part of it. Previous campaigns turned queuing into a refreshing experience for Coke and built Eveready’s Light Idol from torch beams.       

“Durga Puja is the crowning jewel of Bengal’s culture,” said  Ogilvy North chief creative officer Sujoy Roy, who leads the east initiative. “Advertising has no business being a noisy gate-crasher. It has to earn its invitation. Ogilvy East keeps trying to make brands not just visible, but a meaningful part of the smiles, the stories and the rituals that define this festival.”
       
Ogilvy Mumbai executive vice-president and office leader at Ogilvy Kolkata Roshni Mohan said Pujo is a dynamic canvas and an annual invitation to innovate. “When creativity serves culture, it doesn’t just capture attention—it enriches the experience.”

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Amazon Ads maps 2026 as AI and streaming rewrite ad playbooks

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NATIONAL: Amazon Ads has laid out a sharply tech-led vision for the advertising industry in 2026, arguing that artificial intelligence, streaming TV and creator partnerships will combine to turn brand building into a more precise, performance-driven business.

At the heart of the shift, the company says, is the fusion of AI with Amazon’s vast trove of shopping, browsing and streaming signals, allowing advertisers to move beyond blunt reach metrics to campaigns designed around real customer behaviour.

“The future of advertising is not about reaching more people, but the right people with messages that resonate,” said Amazon Ads India head and vice president Girish Prabhu. “By combining AI with deep customer insights, we help brands move from broadcasting campaigns to having meaningful conversations wherever audiences spend their time.”

One of the biggest changes, according to Amazon Ads, will be the collapse of the wall between media planning and creative development. Retail media, powered by first-party data, is increasingly shaping everything from brand discovery to final purchase, pushing marketers to design campaigns around audience insight rather than internal instinct.

AI is also moving from a support tool to a creative engine. Agentic AI, which automates and accelerates production, is expected to make high-quality creative accessible even to small businesses, compressing weeks of work into hours and giving challengers the ability to compete with larger brands on speed and scale.

Behind the scenes, AI-driven analytics will take on a bigger role in campaign optimisation, identifying patterns, spotting opportunities and recommending actions that would previously have required teams of analysts.

Streaming TV is another big battleground. With India’s video streaming audience now above 600 million and connected TV users at 129.2 million in 2025, advertisers are set to treat streaming not just as a branding channel but as a performance engine, measured increasingly by sales, sign-ups and bookings rather than just reach.

Finally, Amazon Ads sees creators and contextual advertising reshaping how brands tell stories. Creators will act less like influencers and more like long-term partners, while scene-aware ads on streaming platforms will allow brands to insert hyper-relevant offers into the flow of what viewers are watching.

Taken together, Amazon Ads argues, these shifts mark a move towards advertising that is both more human and more measurable, where AI handles the complexity, and creativity does the persuading.

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Publicis India appoints Sonal Verma as Arc Worldwide MD

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MUMBAI: Publicis Groupe India has appointed Sonal Verma as managing director of Arc Worldwide India, handing the reins of its experiential and shopper marketing business to a leader steeped in live brands and real world storytelling.

Arc Worldwide, the Groupe’s specialist arm focused on experiences that nudge consumers from curiosity to checkout, sits at the intersection of creativity, commerce and culture. Verma’s mandate is to sharpen that edge as brands grapple with shorter attention spans and more complicated buying journeys.

Verma joins from Cheil India, where she spent nearly five years building and leading the brand experience practice, most recently as senior vice president and head of brand experience. Her career reads like a tour of India’s experiential landscape, with leadership roles at Momentum Worldwide, Percept D Mark, Blockkbuster Events and Showtime Events.

She has also held senior activation roles at Radio City and The Times of India, giving her a rare mix of agency, media and on-ground execution experience. The common thread has been simple: turning big ideas into moments people remember and talk about.

At Arc Worldwide India, Verma will focus on expanding the agency’s experiential and shopper capabilities, strengthening client partnerships and keeping the work firmly rooted in consumer behaviour rather than buzzwords.

With Verma at the helm, Arc Worldwide is expected to double down on ideas that live beyond screens and closer to everyday life. For an industry obsessed with clicks and scrolls, this is a reminder that sometimes the strongest connections still happen face to face.

 

 

 

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Barbeque Nation taps ‘milne ki bhookh’ to kick off the new year

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BENGALURU: Barbeque Nation is ringing in the new year with a reminder that some cravings cannot be ordered online. The casual dining chain has rolled out a new film campaign, milne ki bhookh, pitching its restaurants as places to meet, reconnect and linger over food.

Set against a world of constant messages and missed meet-ups, the campaign leans into a simple truth: dining out remains one of the few rituals that still brings people together. Barbeque Nation positions itself as the excuse and the setting for real conversations, shared plates and unhurried moments.

Nakul Gupta, cmo at Barbeque Nation, says the brand has long been about shared celebrations. As the year turns, milne ki bhookh captures what he calls a growing hunger to meet, connect and spend time together, with food at the centre of that experience.

Created by Makani Creatives, the campaign comprises three films built around Barbeque Nation’s signature grills and desserts. The storytelling is deliberately sensorial, designed to spark cravings while nudging diners to step out and meet in person.

Pavan Punjabi, chief integration officer at Makani Creatives, says the idea stems from a familiar contradiction. People are constantly connected, yet meetings with loved ones are endlessly postponed. Milne ki bhookh, he says, is a gentle push to make time for real-life catch-ups, using food as the reason to come together, share a meal and create memories.

The campaign breaks on December 25 with the grilled prawns film and will run for two months, amplified across digital platforms. As the new year begins, Barbeque Nation is betting that the strongest appetite of all is not for food alone, but for each other.

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