Ad Campaigns
NOT W+K puts an end to humblebragging for The One Show
Mumbai: NOT W+K, Wieden+Kennedy London’s standalone design and branding studio, unveiled a cheeky visual approach to the 2024 One Show awards with the launch of “The One to Brag About.” The new campaign, featuring a humorous ChatGPT-powered bot, aims to shift the narrative surrounding award shows, encouraging individuals not only to promote and enter The One Show, but also to celebrate juries, nominations, wins, and more.
The hero piece of the concept is The One Show Brag Bot—a ChatGPT-powered brag generator on a single-minded mission: to put an end to the humblebrag. The bot recognizes that entering, judging, or winning The One Show is properly worth bragging about, and provides dozens of menu options to create witty brags.
The AI tool helps judges, nominees, and winners of The One Show brag about their achievements. It’s also open to anyone beyond The One Show, helping people brag about random things such as new jobs, promotions, how hard they’re working, and even the infamous, “I had that idea first!”
Shortly after opening its doors at the beginning of 2023, NOT W+K was tapped by The One Club for Creativity to curate a fresh and creative visual identity for the upcoming One Show award season that went beyond design aesthetics. To do so, NOT W+K leaned into the truth around awards: we aren’t comfortable bragging about them, but they’re certainly worth bragging about.
Rooted in the anxiety and hesitations around self-promotion within awards culture in the advertising industry, NOT W+K created “The One to Brag About” to invite people to see the funny side of humblebragging, all while celebrating wins unashamedly.
This approach was the driving force for the tone of voice for the entire platform, making the role of visual identity two-fold: to be simple enough to get out of the way of the big idea, and to create a beautifully crafted, traditional, non-digital counterpoint to the very current, very digital technology that sits at the heart of “The One to Brag About.”
What does it mean to win at One Show?
The Brag Bot is accompanied by a suite of videos, including a teaser film and a quick step-by-step guide on “How to Brag with Brag Bot,” among others. The bot can be utilized across social media channels, including LinkedIn, Facebook, Instagram, and X. Visit The One Show Brag Bot now to start celebrating.
“We want to get people talking about The One Show in a way that feels fun and relatable,” said The One Club CEO Kevin Swanepoel. “As an industry, we should champion the efforts that go into the world-class creativity that people, agencies, and brands put out around the world. ‘The One to Brag About’ recognizes and celebrates the fact that entering, judging, and winning at The One Show is truly something to boast about.”
“How do you find a new way to talk about awards? We thought long and hard about this, and awards culture in general,” added NOT W+K director of branding & design Anika Ramani. “Trawling through social media and looking inward, our insight was staring us in the face. We’ve all been guilty of humblebragging. Everywhere we looked, people were posting about their achievements but doing their best to make it seem nonchalant. We wanted to flip this norm on its head, have people own the brag, help people who don’t know how to brag, and give our industry a reason to celebrate.”
Entries to The One Show 2024 can be submitted now, with fees increasing after each deadline period. The regular deadline is 26 January 2024, the extended deadline is 16 February 2024, and the final deadline is 1 March 2024.
The complete list of more than 250 top creatives who will serve on The One Show 2024 juries can be viewed here. Finalists will be announced in April 2024, and Gold, Silver, and Bronze Pencil and Merit winners will be unveiled during Creative Week in New York, 13-17 May 2024.
Ad Campaigns
Amazon Ads maps 2026 as AI and streaming rewrite ad playbooks
NATIONAL: Amazon Ads has laid out a sharply tech-led vision for the advertising industry in 2026, arguing that artificial intelligence, streaming TV and creator partnerships will combine to turn brand building into a more precise, performance-driven business.
At the heart of the shift, the company says, is the fusion of AI with Amazon’s vast trove of shopping, browsing and streaming signals, allowing advertisers to move beyond blunt reach metrics to campaigns designed around real customer behaviour.
“The future of advertising is not about reaching more people, but the right people with messages that resonate,” said Amazon Ads India head and vice president Girish Prabhu. “By combining AI with deep customer insights, we help brands move from broadcasting campaigns to having meaningful conversations wherever audiences spend their time.”
One of the biggest changes, according to Amazon Ads, will be the collapse of the wall between media planning and creative development. Retail media, powered by first-party data, is increasingly shaping everything from brand discovery to final purchase, pushing marketers to design campaigns around audience insight rather than internal instinct.
AI is also moving from a support tool to a creative engine. Agentic AI, which automates and accelerates production, is expected to make high-quality creative accessible even to small businesses, compressing weeks of work into hours and giving challengers the ability to compete with larger brands on speed and scale.
Behind the scenes, AI-driven analytics will take on a bigger role in campaign optimisation, identifying patterns, spotting opportunities and recommending actions that would previously have required teams of analysts.
Streaming TV is another big battleground. With India’s video streaming audience now above 600 million and connected TV users at 129.2 million in 2025, advertisers are set to treat streaming not just as a branding channel but as a performance engine, measured increasingly by sales, sign-ups and bookings rather than just reach.
Finally, Amazon Ads sees creators and contextual advertising reshaping how brands tell stories. Creators will act less like influencers and more like long-term partners, while scene-aware ads on streaming platforms will allow brands to insert hyper-relevant offers into the flow of what viewers are watching.
Taken together, Amazon Ads argues, these shifts mark a move towards advertising that is both more human and more measurable, where AI handles the complexity, and creativity does the persuading.
Ad Campaigns
Publicis India appoints Sonal Verma as Arc Worldwide MD
MUMBAI: Publicis Groupe India has appointed Sonal Verma as managing director of Arc Worldwide India, handing the reins of its experiential and shopper marketing business to a leader steeped in live brands and real world storytelling.
Arc Worldwide, the Groupe’s specialist arm focused on experiences that nudge consumers from curiosity to checkout, sits at the intersection of creativity, commerce and culture. Verma’s mandate is to sharpen that edge as brands grapple with shorter attention spans and more complicated buying journeys.
Verma joins from Cheil India, where she spent nearly five years building and leading the brand experience practice, most recently as senior vice president and head of brand experience. Her career reads like a tour of India’s experiential landscape, with leadership roles at Momentum Worldwide, Percept D Mark, Blockkbuster Events and Showtime Events.
She has also held senior activation roles at Radio City and The Times of India, giving her a rare mix of agency, media and on-ground execution experience. The common thread has been simple: turning big ideas into moments people remember and talk about.
At Arc Worldwide India, Verma will focus on expanding the agency’s experiential and shopper capabilities, strengthening client partnerships and keeping the work firmly rooted in consumer behaviour rather than buzzwords.
With Verma at the helm, Arc Worldwide is expected to double down on ideas that live beyond screens and closer to everyday life. For an industry obsessed with clicks and scrolls, this is a reminder that sometimes the strongest connections still happen face to face.
Ad Campaigns
Barbeque Nation taps ‘milne ki bhookh’ to kick off the new year
BENGALURU: Barbeque Nation is ringing in the new year with a reminder that some cravings cannot be ordered online. The casual dining chain has rolled out a new film campaign, milne ki bhookh, pitching its restaurants as places to meet, reconnect and linger over food.
Set against a world of constant messages and missed meet-ups, the campaign leans into a simple truth: dining out remains one of the few rituals that still brings people together. Barbeque Nation positions itself as the excuse and the setting for real conversations, shared plates and unhurried moments.
Nakul Gupta, cmo at Barbeque Nation, says the brand has long been about shared celebrations. As the year turns, milne ki bhookh captures what he calls a growing hunger to meet, connect and spend time together, with food at the centre of that experience.
Created by Makani Creatives, the campaign comprises three films built around Barbeque Nation’s signature grills and desserts. The storytelling is deliberately sensorial, designed to spark cravings while nudging diners to step out and meet in person.
Pavan Punjabi, chief integration officer at Makani Creatives, says the idea stems from a familiar contradiction. People are constantly connected, yet meetings with loved ones are endlessly postponed. Milne ki bhookh, he says, is a gentle push to make time for real-life catch-ups, using food as the reason to come together, share a meal and create memories.
The campaign breaks on December 25 with the grilled prawns film and will run for two months, amplified across digital platforms. As the new year begins, Barbeque Nation is betting that the strongest appetite of all is not for food alone, but for each other.
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