Ad Campaigns
Nike’s spectacular split-screen film captures imaginations
NEW DELHI: Over the last few years, Nike has been embracing the culture of diversity and vibrantly displaying it through its commercials. The latest is the third film in its ‘You can’t stop us’ series. The 90-second ad has already made waves celebrating sports as a source of inspiration during hard times.
Narrated by American soccer player Megan Rapinoe, the video so far has garnered 39,004,413 views on YouTube.
“Players may be back on the pitch, but we are not going back to an old normal. We need to continue to re-imagine this world and make it better,” said Rapinoe. “We have all these people in the streets, using their voices and those voices are being heard. I ask people to be energised by this moment and not let up. I believe it’s everybody’s responsibility to advocate for change.”
Scarecrow M&C Saatchi founder Raghu Bhatt is in awe of the way the ad has been presented. “The discus thrower morphing into the ballerina is editing genius. The last few Nike films have been about the idea and the writing. This one, however, is craft at its best. Though the words are powerful, what shines through is the painstaking effort that must have gone into creating every sequence,” he says.
Bhatt adds that neither is using a split-screen a new visual technique nor the tagline a path-breaking advertising idea. Yet, the film has gone viral. “A world-class athlete pushes the bounds of human possibility. This film shows unfettered movement and unencumbered freedom while we, the audience, are shackled in our Covid2019 prisons. It shows hope and reminds us what we are capable of,” he adds.
Rapinoe’s commentary in the ad builds on the ability of sports to bring people together, the fear of the pandemic, the social unrests and the fight for justice, all bound with hope.
Brand-nomics MD Viren Razdan shares, “The Indian women team’s huddle was a special relatable fan moment for me. Nike’s core has been built on the power of ‘the athlete in all of us.’ Its various episodes of self-belief and perseverance against all odds have been inspirational stories.”
Razdan further adds, “Nike’s communication style has always been larger than life and so is this. It very often set off a trend in advertising, style, scale and spirit is unmatchable. Nike has created a collective comeback story with this ad, for the first time perhaps about us.”
The ad tackles timely topics like Covid2019 and black lives matter. The spot also features athletes like Colin Kaepernick, Kylian Mbappé, Serena Williams, Lebron James, Naomi Osaka, Eliud Kipchoge, Caster Semenya, Cristiano Ronaldo and the Indian women’s cricket team.
Tonic Worldwide managing partner and creative head Shourya Ray Chaudhuri, too, found the Indian women’s team being featured in the ad as his favourite moment. But apart from that, he loved the edit of the Williams sisters.
“It definitely hit home with everyone. However, I felt that while the edit was awesome the story did not show much promise. Having said that, not many sports brands have even said anything about a situation that demanded the closure of their core business. The playing field was even. Nike scored,” he says.
However, Chaudhuri feels the matter to be a bit stronger. “Not many brands have the courage to go for a non-traditional edit. It is fresh. But I wish the matter was a bit stronger. Maybe we are expecting too much from Nike?” he questions.
The creative agency behind bringing this kind of masterpiece editing is Wieden + Kennedy. The team looked at 4000 sequences and whittled down to 72 sports action together and merged them to create 36 split-screen slides to stitch this exquisite tapestry of sports montage.
Ad Campaigns
Amazon Ads maps 2026 as AI and streaming rewrite ad playbooks
NATIONAL: Amazon Ads has laid out a sharply tech-led vision for the advertising industry in 2026, arguing that artificial intelligence, streaming TV and creator partnerships will combine to turn brand building into a more precise, performance-driven business.
At the heart of the shift, the company says, is the fusion of AI with Amazon’s vast trove of shopping, browsing and streaming signals, allowing advertisers to move beyond blunt reach metrics to campaigns designed around real customer behaviour.
“The future of advertising is not about reaching more people, but the right people with messages that resonate,” said Amazon Ads India head and vice president Girish Prabhu. “By combining AI with deep customer insights, we help brands move from broadcasting campaigns to having meaningful conversations wherever audiences spend their time.”
One of the biggest changes, according to Amazon Ads, will be the collapse of the wall between media planning and creative development. Retail media, powered by first-party data, is increasingly shaping everything from brand discovery to final purchase, pushing marketers to design campaigns around audience insight rather than internal instinct.
AI is also moving from a support tool to a creative engine. Agentic AI, which automates and accelerates production, is expected to make high-quality creative accessible even to small businesses, compressing weeks of work into hours and giving challengers the ability to compete with larger brands on speed and scale.
Behind the scenes, AI-driven analytics will take on a bigger role in campaign optimisation, identifying patterns, spotting opportunities and recommending actions that would previously have required teams of analysts.
Streaming TV is another big battleground. With India’s video streaming audience now above 600 million and connected TV users at 129.2 million in 2025, advertisers are set to treat streaming not just as a branding channel but as a performance engine, measured increasingly by sales, sign-ups and bookings rather than just reach.
Finally, Amazon Ads sees creators and contextual advertising reshaping how brands tell stories. Creators will act less like influencers and more like long-term partners, while scene-aware ads on streaming platforms will allow brands to insert hyper-relevant offers into the flow of what viewers are watching.
Taken together, Amazon Ads argues, these shifts mark a move towards advertising that is both more human and more measurable, where AI handles the complexity, and creativity does the persuading.
Ad Campaigns
Publicis India appoints Sonal Verma as Arc Worldwide MD
MUMBAI: Publicis Groupe India has appointed Sonal Verma as managing director of Arc Worldwide India, handing the reins of its experiential and shopper marketing business to a leader steeped in live brands and real world storytelling.
Arc Worldwide, the Groupe’s specialist arm focused on experiences that nudge consumers from curiosity to checkout, sits at the intersection of creativity, commerce and culture. Verma’s mandate is to sharpen that edge as brands grapple with shorter attention spans and more complicated buying journeys.
Verma joins from Cheil India, where she spent nearly five years building and leading the brand experience practice, most recently as senior vice president and head of brand experience. Her career reads like a tour of India’s experiential landscape, with leadership roles at Momentum Worldwide, Percept D Mark, Blockkbuster Events and Showtime Events.
She has also held senior activation roles at Radio City and The Times of India, giving her a rare mix of agency, media and on-ground execution experience. The common thread has been simple: turning big ideas into moments people remember and talk about.
At Arc Worldwide India, Verma will focus on expanding the agency’s experiential and shopper capabilities, strengthening client partnerships and keeping the work firmly rooted in consumer behaviour rather than buzzwords.
With Verma at the helm, Arc Worldwide is expected to double down on ideas that live beyond screens and closer to everyday life. For an industry obsessed with clicks and scrolls, this is a reminder that sometimes the strongest connections still happen face to face.
Ad Campaigns
Barbeque Nation taps ‘milne ki bhookh’ to kick off the new year
BENGALURU: Barbeque Nation is ringing in the new year with a reminder that some cravings cannot be ordered online. The casual dining chain has rolled out a new film campaign, milne ki bhookh, pitching its restaurants as places to meet, reconnect and linger over food.
Set against a world of constant messages and missed meet-ups, the campaign leans into a simple truth: dining out remains one of the few rituals that still brings people together. Barbeque Nation positions itself as the excuse and the setting for real conversations, shared plates and unhurried moments.
Nakul Gupta, cmo at Barbeque Nation, says the brand has long been about shared celebrations. As the year turns, milne ki bhookh captures what he calls a growing hunger to meet, connect and spend time together, with food at the centre of that experience.
Created by Makani Creatives, the campaign comprises three films built around Barbeque Nation’s signature grills and desserts. The storytelling is deliberately sensorial, designed to spark cravings while nudging diners to step out and meet in person.
Pavan Punjabi, chief integration officer at Makani Creatives, says the idea stems from a familiar contradiction. People are constantly connected, yet meetings with loved ones are endlessly postponed. Milne ki bhookh, he says, is a gentle push to make time for real-life catch-ups, using food as the reason to come together, share a meal and create memories.
The campaign breaks on December 25 with the grilled prawns film and will run for two months, amplified across digital platforms. As the new year begins, Barbeque Nation is betting that the strongest appetite of all is not for food alone, but for each other.
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