Brands
New Z6III offers exceptional specs for full-frame mid-range class models
Mumbai: Nikon India Pvt Ltd has introduced the Z6III, its new high-performance Hybrid camera model that inherits the signature features of the Z9 and Z8, delivering high performance and exceptional specs in the full-frame mid-range class.
“Continuing upon the legacy of our flagship Z series, the new Z6III stands tall as a pinnacle of performance in the full-frame mid-segment category. Boasting cutting-edge technology, including the world’s first partially-stacked CMOS sensor and an unrivalled EVF with a staggering resolution of 5.7M. With features tailored to meet the demands of India’s Wedding and Wildlife videographers, the Z6III delivers breathtaking high-resolution video capabilities of up to 6K/60p, Full HD 240p, and built-in N-Log, N-RAW and Pro Res Raw HQ functionalities. For photographers, it offers unparalleled autofocus precision, improved low light performance and the ability to capture decisive moments at a blazing 120fps with Pre-Release Capture, and continuous shooting at an impressive 20fps,” explained Sajjan Kumar, Managing Director, Nikon India Pvt. Ltd.
Incorporating the latest technologies
The Z6III adopts the world’s first partially-stacked CMOS sensor, which allows for 3.5x faster than the previous generation. This sensor allows for high-speed continuous shooting that enables Pre-Release Capture at up to 120 fps. The camera also provides an additional option of shooting at 60 fps in FX format.
The Z6III is further enhanced with a bright, high-res EVF of 4000 cd/m2 and 5760k dots with a wide colour gamut, making it easier to follow fast-moving subjects accredited to fast data readout from the partially-stacked CMOS sensor and quick processing of Nikon’s EXPEED 7.
High performance and functionality inherited from top-tier models
For high-resolution video production, the latest Nikon model allows 6K, 5.4K and Full HD/240p for up to 10x slow-motion video creation. Other than the wedding and wildlife genre Z6III is an excellent choice for shooting events such as live concerts, and interviews by offering video recording up to 125 minutes in 4K UHD/60p (8-bit) format. The Z6III also provides the flexibility for videographers to shoot videos in 12-bit ProRes RAW HQ and N-RAW formats, offering flexibility in colour grading.
Superior AF performance
Nikon’s latest model inherits the impressive -10 EV AF detection range from the Z9 and Z8, therefore making it an excellent choice for low-light conditions. The Z6III offers superior AF performance particularly in backlit scenes, with the capability to detect up to 9 types of subjects and enhanced focus efficiency on human faces. Moreover, the Z6III boasts an upgraded AF speed, now approximately 20 per cent faster than its predecessor.
Superior Low-light Performance
The latest Nikon camera can also capture stunning low light scenes with ISO ranging from 51200 for videos and 64000 for photos. The Z6III expands handheld shooting opportunities in low-light situations such as indoor scenes and nightscapes. Thanks to the EXPEED 7 high-speed image-processing engine, which helps in High ISO noise reduction, hence preserving the intricate textures in your photographs. The Z6III also achieves one of the highest in-camera Vibration Reduction (VR) in the Nikon Z series cameras with an 8.0-stop.
The Nikon Z6III is equipped with focus point VR that reduces blurring in focused areas making it easy to frame subjects around peripheries.,
Expansion of possibilities for imaging expression through new functions
Gain better control over your creative photography with Flexible Color Picture Control for use with the NX Studio– Nikon’s image browsing, processing, and editing software. This exciting new option allows users greater freedom of expression for users with the support of Colour Blender and Colour Grading features, enabling the intuitive adjustment of light and colours to match your intent. Users can then export the combinations of configured settings from the NX Studio to the Z6III and register these as Custom Picture Controls, applicable at any time while shooting and reflected on the live display, for real-time preview of the results. Further, Z6III works in tandem with Nikon’s new cloud service, Nikon Imaging Cloud with support for new Imaging Recipes to expand possibilities for imaging expression. The Z6III firmware can be updated without the need for a computer or a smart device, with images captured by the camera to be uploaded automatically to Nikon Imaging Cloud as soon as it connects via Wi-Fi and transferred to pre-configured third-party cloud storage services, making the storage and sharing of images even more convenient.
Brands
Netflix India names Rekha Rane director of films and series marketing
Streaming giant bets on a seasoned marketer who helped build Amazon and Netflix into household names
MUMBAI: Netflix has put a proven brand builder at the helm of its films and series marketing in India, naming Rekha Rane as director in a move that signals sharper focus on audience growth and cultural cut-through in one of its most hotly contested markets.
Rane steps into the role after seven years at Netflix, where she has quietly shaped how the platform sells stories to India. Her latest promotion, effective February 2026, crowns a run that spans brand, slate and product marketing across originals, licensed content and new verticals such as games.
A strategic marketing and communications professional with roughly 15 years’ experience, Rane has spent much of her career building technology-led consumer businesses and new categories, notably e-commerce and subscription video on demand. She was part of the early push that introduced Amazon.in, Prime Video and Netflix to Indian homes, then helped turn them into everyday brands.
At Netflix, she most recently served as head of brand and slate marketing for India from March 2024 to February 2026, leading teams across media and marketing for global and local content portfolios. Before that, as manager for original films and series marketing, she led IP creation and go-to-market strategy for titles including Guns and Gulaabs, Kaala Paani, The Railway Men* and The Great Indian Kapil Show, spanning both binge and weekly-release formats.
Her earlier Netflix roles covered product discovery and promotion in India and integrated campaign strategy to drive conversations around the content slate, product awareness and brand-equity metrics.
Before Netflix, Rane logged more than three years at Amazon in brand marketing roles in Bengaluru. There she handled national and regional campaigns for Amazon.in, worked on customer assistance programmes in growth geographies and contributed to the go-to-market strategy for the launch of Prime Video India.
Her career began well away from streaming. At Reliance Brands in Mumbai, she worked on retail marketing for Diesel and Superdry. A stint at Leo Burnett saw her work on primary research for P&G Tide, mapping Indian shoppers’ paths to purchase. Earlier still, at Orange in the United Kingdom, she rose from sales assistant to store manager, running a team and owning monthly P&L for a retail outlet.
The arc is telling. As global streamers fight for attention in a crowded Indian market, executives who understand both mass retail behaviour and digital habit-building are prized. Rane’s career sits at that intersection.
For Netflix, the bet is simple: in a market spoilt for choice, sharp marketing can still tilt the screen. And with Rane now leading the charge, the streamer is signalling it wants not just viewers, but fandom.
Brands
Orient Beverages pops the fizz with steady Q3 gains and rising profits
Kolkata-based beverage maker reports stronger revenues and profits for December quarter.
MUMBAI: A fizzy quarter with a steady aftertaste that’s how Orient Beverages Limited, the company that manufactures and distributes packaged drinking water under the brand name Bisleri closed the December 2025 period, as the Kolkata-based drinks maker reported improved revenues and a healthy rise in profits, signalling operational stability in a competitive beverage market.
For the quarter ended December 31, 2025, Orient Beverages posted standalone revenue from operations of Rs 39.98 crore, up from Rs 36.42 crore in the previous quarter and Rs 33.53 crore in the same quarter last year. Total income for the quarter stood at Rs 42.24 crore, reflecting consistent demand and stable pricing across its beverage portfolio.
Profit before tax for the quarter came in at Rs 3.47 crore, a sharp improvement from Rs 1.31 crore in the September quarter and Rs 0.39 crore a year ago. After accounting for tax expenses of Rs 0.79 crore, the company reported a net profit of Rs 2.68 crore, nearly three times the Rs 0.99 crore recorded in the preceding quarter.
On a nine-month basis, the momentum remained intact. Revenue from operations for the period ended December 31, 2025 rose to Rs 117.66 crore, compared with Rs 106.95 crore in the corresponding period last year. Net profit for the nine months climbed to Rs 5.51 crore, more than double the Rs 2.18 crore reported in the same period of the previous financial year.
The consolidated numbers told a similar story. For the December quarter, consolidated revenue from operations stood at Rs 45.06 crore, while profit after tax came in at Rs 2.06 crore. For the nine-month period, consolidated revenue touched Rs 133.57 crore, with net profit of Rs 4.49 crore, underscoring the group’s improving profitability trajectory.
Operating expenses remained largely controlled, with cost of materials, employee benefits and other expenses broadly aligned with revenue growth. The company continued to operate within a single reportable segment beverages simplifying its cost structure and reporting framework.
The unaudited financial results were reviewed by the Audit Committee and approved by the Board of Directors at its meeting held on 7 February 2026. Statutory auditors carried out a limited review and reported no material misstatements in the results.
In a market where margins are often squeezed by input costs and competition, Orient Beverages’ latest numbers suggest the company has found a reliable rhythm not explosive, but steady enough to keep the fizz alive.
Brands
BCCL profit jumps 53 per cent in FY25 as tax bill shrinks
Revenue rises 4.3 per cent to Rs 10,209.33 crore while deferred tax gain lifts bottom line sharply
NEW DELHI: Bennett, Coleman and Company (BCCL) has posted a sparkling set of financial results for the year ended 31 March 2025, proving that there is still plenty of ink and gold left in the ledger.
Revenue from operations climbed a steady 4.3 per cent, reaching Rs 10,209.33 crore compared to Rs 9,786.44 crore the previous year. When you sprinkle in other income, which rose 8.9 per cent to Rs 949.36 crore, the total income for the media behemoth hit a healthy Rs 11,158.69 crore.
While the income grew at a modest pace, the bottom line tells a far more dramatic story. The real headline is the 53 per cent surge in annual profit. How did they pull off such a feat? While Profit Before Tax (PBT) saw a gentle nudge upward of 2.7 per cent to Rs 1,610.00 crore, it was a vanishing act by the taxman that really did the trick.
Total tax expenses plummeted by 32.4 per cent, dropping from Rs 468.76 crore down to Rs 316.97 crore. This was largely thanks to a swing in deferred tax, moving from an expense of Rs 156.02 crore in FY24 to a benefit of Rs 39.44 crore this year.
Total income rose from Rs 10,658.55 crore in FY24 to Rs 11,158.69 crore in FY25, marking a 4.7 per cent increase. Total expenses grew at a slower pace, up 3.0 per cent from Rs 9,306.06 crore to Rs 9,581.45 crore. Profit before tax inched up 2.7 per cent, moving from Rs 1,567.02 crore to Rs 1,610.00 crore. However, the standout figure was net profit, which jumped sharply by 53.0 per cent, climbing from Rs 1,042.03 crore in FY24 to Rs 1,594.73 crore in FY25.
Despite the rising costs of doing business across the globe, BCCL kept a tight grip on the purse strings. Total expenses rose by just 3.0 per cent to Rs 9,581.45 crore. By keeping costs lower than the rate of income growth, the company ensured that the final figure, a net profit of Rs 1,594.73 crore, was nothing short of a front-page sensation.
In a world of shifting digital tides, it seems the BCCL ship is not just steady, but sailing into significantly wealthier waters.
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