Digital Agencies
Mobile content, digital lifestyle applications take centre stage in Singapore
MUMBAI: Convergence has brought together a showcase of overlapping technologies between the media, telecommunications and IT industries at BroadcastAsia, CommunicAsia and EnterpriseIT.
From infrastructure to deployment, the shows gathered vendors with applications and solutions at different stages of the value chain for convergent technologies such as IPTV, broadcasting to handhelds and mobile entertainment. This year’s events hosted 2,339 exhibiting companies from 67 countries/regions.
A total of 63,814 international attendees, of which 49 per cent were from overseas, saw the latest products and services birthed out of convergence that are expected to change the way consumers and businesses will use and interact with electronic devices. Attendance at this year’s event has increased by five per cent from 2005.
Singapore Exhibition Services chief executive Stephen Tan said, “The convergence of technology has spawned off a whole new range of exciting digital lifestyle applications many of which were seen on the show floor. Clearly, the focus at this year’s exhibitions is on content for handhelds and the race is on among content providers to come up with new and exciting applications that will enhance mobility for both consumers and businesses. The increase in attendance at BroadcastAsia, CommunicAsia and EnterpriseIT and reflects a surge in industry confidence as convergence becomes reality.”
Digital lifestyle showcase
Ericsson showcased a video dating service where one can record a personal video message and send to new acquaintances, and a video karaoke where the user can call to see other singers and rate them as well as sing along to text and music and record it on video.
On display at NTT Docomo was a technology that allows pet owners to see their pets as well as dispense food into the feeding bowl through their mobile phones. MyHeart by Philips Research Laboratories monitors a person’s health using intelligent biomedical clothes. The data is then sent via a wireless personal area network to a mobile phone or PDA and from there to a health care provider.
Other mobile lifestyle applications at CommunicAsia included Bidshot – the first ever auction website that allows members to buy, and sell through their mobile phones, XFinance which is a mobile financial management tool which provides an overview of all your income, as well as Xovulation which is a mobile family planning tool.
At BroadcastAsia, Innoxius Technologies showcased a gadget that turns a PDA into a multi-system mobile digital TV receiver for standards such as DVB-H, DVB-T, T-DMB, DAB and enhanced packet mode DAB standards in various spectrum ranges.
French exhibitor Visiware launches the first triple-play gaming offer available on TV, mobile and broadband. Games can be played on the TV at home then continued on the mobile or internet. BroadcastAsia also hosted a DVB-H, DMB and Qualcomm’s MediaFLO feature, which demonstrated the capabilities of each standard to bring content onto handhelds.
Launch pad for international players
BroadcastAsia, CommunicAsia and EnterpriseIT remain an important platform for international players to reach Asia’s markets. This year, China’s participation at CommunicAsia grew by 45 per cent.
“Participation in premier industry events, such as CommunicAsia, continue to be a good platform for Huawei to not only reach out to key influencers in the region, but also to deepen our relationship with existing and potential key customers. We have participated in CommunicAsia for more than five years and look forward to next year’s show,” said Huawei Technologies Asia Pacific vice-president Liu Jianfeng.
The Korean presence on the BroadcastAsia show floor has doubled from last year. Korean Broadcasting Commission technology director Park Jun-Seon said, “Last year’s event was very successful in introducing DMB as one of the latest platforms for convergence services and this year we are here to showcase latest applications available through DMB. BroadcastAsia is a must attend event for breakthrough technologies such as DMB.”
The exhibitions are seeing strong participation from Europe. The European ICT Pavilion, which was at CommunicAsia for the first time, provided an exciting snapshot of new, leading-edge technologies, products and applications for audio-visual, e-Government, e-health, e-security, and telecommunications.
A strategic meeting place
For many exhibitors, BroadcastAsia, CommunicAsia and EnterpriseIT were ideal platforms to showcase their latest offerings, network and meet target buyers.
“We have found the show to be one of the means to launch and showcase our new wireline and wireless service offerings and solutions to our customers around this region. It is also a very good platform for our executives from across the globe to meet customers in this region and understand their needs so as to better our products for them,” said Ericsson Telecommunications Pte Ltd head of communications (Singapore) Jacinta Ong.
Echolab was represented at BroadcastAsia two years back through their agents. However, this year the USA-based company considered the event important for them to book a space on their own. Echolab regional sales manager William Gray said, “BroadcastAsia presented us with a wonderful opportunity to reach some countries that are not easy to reach from the USA and also to rope in potential distributors.”
Commenting on the CommunicAsia Summit, Lucent Technologies Singapore CTO South East Asia region Madhusudan Pandya said, “In-depth discussions on the most exciting and up-to-the-minute technologies, business solutions, and revenue-generating applications made the summit exceptional.”
“I find CommunicAsia going beyond its name. It has truly become an international event, granting participants the world over to connect and converge more effectively and efficiently in a short duration of three days,” he added.
Trade visitors armed with a $4.5 billion sourcing budget came looking to purchase the latest products and services and explore potential business alliances.
“We are here to look at the different types of broadcasting technologies and compare systems to find out which ones will suit us the best. We intend to upgrade our facilities and plan to buy equipment worth millions of dollars,” said Setsiri Trisaksri from the Royal Thai Army Radio and TV, Thailand.
“I’m a regular visitor here and this is my fourth show in a row. We are looking for small and medium enterprises, which develop niche technology. Here we find these people and we partner with them. We have been very successful in doing that and that’s why we love coming to CommunicAsia. It’s a great meeting place,” said Precision Electronics Ltd India president Nikhil Kanodia.
Digital Agencies
GUEST COLUMN: Deepankar Das on the feedback problem slowing creative teams
BENGALURU: For years, creative teams have learned to live with ambiguity. Vague comments, last-minute changes, feedback that arrives without context, clarity, or conviction. It became part of the job – something teams worked around rather than getting it solved.
But as we head into 2026, that tolerance is wearing thin.
Creative work today moves faster, scales wider, and involves more stakeholders than before. Teams are producing more content across more formats, often with distributed collaborators and tighter timelines. In this environment, guesswork is no longer a harmless inconvenience. It’s a cost – to time, to budgets, and to creative mindspace.
The real problem isn’t feedback, it’s how it’s given
Most creative professionals you see today will tell you they’re not against feedback. In fact, they rely on it. Good feedback sharpens ideas, strengthens execution, and pushes work forward. The problem is ‘unclear’ feedback. When someone says “this doesn’t feel right” without context, they aren’t just revising – they’re basically decoding. They’re guessing what the problem might be, trying different directions, and burning time in the process. Multiply that by a few stakeholders and a few rounds, and suddenly days disappear.
In 2026, when teams are expected to deliver faster without compromising quality, interpretation is a luxury most can’t afford.
Scale has changed rverything
Creative projects used to be smaller and simpler. A designer, a manager, maybe one client contact. Feedback loops were short, even if they weren’t perfect.
Today, the same project might involve internal marketing teams, agencies, freelancers, brand reviewers, and regional teams. Everyone has a say. Everyone leaves comments. And often, those comments don’t agree. More people reviewing work means alignment matters more than ever. Clear feedback isn’t just about being nice to creative teams, it’s about keeping projects moving when complexity increases.
Guesswork quietly wears teams down
One of the less talked-about impacts of unclear feedback is what it does to people.
When feedback is vague or contradictory, creatives second-guess their decisions. They hesitate. They overwork. They keep extra time buffers “just in case.” Over time, confidence drops. Ownership fades. Work becomes safer, not stronger. Creative energy gets spent on managing uncertainty instead of pushing ideas forward. And in an industry already grappling with burnout, unclear feedback adds unnecessary mental load.
Actionable feedback is a shared skill
Clear feedback doesn’t mean controlling creative decisions or dictating every detail. It means being specific enough that someone knows what to do next.
Actionable feedback answers three basic questions:
What exactly needs attention?
Why does it matter?
What outcome are we aiming for?
This applies whether you’re reviewing a video frame, a design layout, or a copy draft. The clearer the feedback, the fewer follow-ups it creates. In 2026, teams that treat feedback as a skill and not an afterthought, will move faster with less friction.
Tools shape behaviour (whether we admit it or not)
The way feedback is delivered is often dictated by the tools teams use. Comments buried in long email threads, messages split across chat apps, or notes detached from the actual work all contribute to confusion.
When feedback lives outside the work, context often gets lost. When it’s disconnected from versions and timelines, decisions get questioned. When it’s scattered, accountability disappears. More teams are starting to realise that feedback problems aren’t just communication issues, they’re workflow issues. How work moves between people matters just as much as the work itself.
From Opinions To Alignment
One of the biggest shifts happening in creative teams is a move away from purely opinion-driven feedback. Instead of “I like this” or “I don’t,” teams are asking better questions:
● Does this meet the brief?
● Does this solve the problem?
● Does this align with the goal?
This change reduces unnecessary back-and-forth and helps feedback feel less personal and more productive. It also makes decisions easier to explain and defend. As creative work becomes more strategic, feedback has to support that shift.
2026 Is About Fewer Loops, Not Faster Loops
There’s a misconception that speed means moving through feedback cycles faster. In reality, the most creative teams aren’t just accelerating loops, they’re reducing them. Clear, actionable feedback upfront leads to fewer revisions later. Clear approval stages prevent last-minute surprises. Clear decisions stop work from circling endlessly.
In 2026, efficiency won’t come from working harder or longer. It will come from designing workflows that respect creative time and attention.
Ending guesswork is a mindset change
Ultimately, ending creative guesswork isn’t just about better tools or processes. It’s about mindset. It’s about recognising that clarity is an act of respect – for the work, for the people doing it, for the time invested and for the mindspace used. It’s about moving from “figure it out” to “here’s what we’re aiming for.”
Creative teams that embrace this shift will find themselves not only delivering faster, but also enjoying the process more. And in an industry built on imagination, that might be the most valuable outcome of all.
Digital Agencies
Kunal Wanvari steps up as senior brand and digital marketing manager at Franklin Templeton India
MUMBAI: Franklin Templeton India has elevated Kunal Wanvari to senior brand and digital marketing manager, signalling a continued push towards data-driven brand building and digital-first engagement in a crowded asset management market.
Wanvari has spent nearly eight years with Franklin Templeton India, steadily rising through the marketing ranks. Prior to this role, he served as marketing manager and assistant marketing manager, working across brand strategy, content, digital media and campaign execution from the firm’s Mumbai office.
Before joining Franklin Templeton, Wanvari built his digital credentials at WATConsult, where he handled brand strategy and account leadership roles, and earlier at Kush Infosystems, focusing on SEO and performance marketing. His career began in sales and marketing roles, giving him a ground-up understanding of commercial storytelling.
A computer engineer by training with deep digital marketing expertise, Wanvari’s elevation reflects Franklin Templeton’s bet on hybrid marketers—equal parts brand, data and digital—as competition for investor attention intensifies.
Digital Agencies
PSB Xchange appoints Ankush Aggarwal as CXO, Sahil Sikka as CBO and CFO
MUMBAI: PSB Xchange, India’s digital marketplace for financial solutions and a flagship platform of Veefin Solutions Limited, has reinforced its leadership team with two senior appointments as it prepares for its next phase of growth.
Ankush Aggarwal has been named chief experience officer, bringing with him more than 20 years of experience across corporate banking and the SME ecosystem. In his new role, he will focus on shaping simple, seamless and results-oriented experiences for banks, corporates and ecosystem partners. Aggarwal has previously held leadership roles at Kotak Mahindra Bank, IndusInd Bank and SG Finserve, where he led initiatives across customer onboarding, credit processes, servicing operations and digital transformation.
Widely recognised for connecting technology, operations and business strategy, Aggarwal has consistently built scalable and compliant experience models. At PSB Xchange, his focus will be on strengthening platform thinking, governance and continuous improvement to enhance efficiency and customer outcomes.
Alongside him, Sahil Sikka joins PSB Xchange as chief business officer and chief financial officer. With over 15 years of experience in banking and financial services, Sikka has played a key role in building and scaling businesses. He was part of the founding leadership team at SG Finserve, where he helped create a listed NBFC, overseeing business strategy, capital planning, product development and governance. His work earned him the best CFO financial services award at the India CFO Awards 2024.
Earlier in his career, Sikka worked with HDFC Bank, Aditya Birla Finance and Kotak Mahindra Bank, driving growth across corporate banking and structured finance. In his dual role at PSB Xchange, he will focus on strengthening growth strategy, scaling operations sustainably and delivering long-term value through strong governance and collaboration.
Commenting on the appointments, PSB Xchange and Veefin Solutions Limited CEO Sorabh Dhawan, said the additions reflect the platform’s ambitions as it expands its engagement with banks and financial institutions. He added that Aggarwal’s experience-led approach and Sikka’s strategic and financial expertise will be central to driving sustainable growth and value creation in the years ahead.
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