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Melorra’s Valentine’s Day campaign asks men to up their game

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MUMBAI: Come Valentine’s Day and brands will try to woo all the couples out there. Even as cakes, flowers and chocolates are the most common ideas, Melorra’s Valentine’s Day film is attempting to break this stereotypical idea.

The endorsement created by Dentsu India Slingshot has a bunch of women asking men to ‘up their game’ and gift something that lasts more than one day.

While speaking to indiantelevision.com Melorra head of marketing Sharat Krishnan stated, “Valentine’s Day is a gifting season, and most of the time people gift something that doesn’t have a life beyond Valentine’s Day. People usually gift chocolates, roses, and wine so we wanted to take away this concept and bring something which is more lasting. The whole concept is to gift something which is more relatable and brings a sense of joy to the person. We have tried to give a musical treatment to our ad which you will not be seeing in any other endorsement. We are trying to narrate the whole gifting scenario that happens during the Valentine’s Day and then suggesting users to up their gifting game.”

Whether you chose to love it or hate it Valentine’s Day is an occasion of love and commercialisation. Hence, it becomes an important selling season for brands. Running a promotional campaign on products that can be seen as gifts is a traditional move.

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“We have been using YouTube, Facebook and Hotstar for this particular promotion. As the nation is going digital the idea is to grab consumer attention while they are on the platform. We also look at good engagement rate across all channels for our video,” stated Krishnan

It’s not enough to only run a campaign, it is also important to measure the performance with metrics.

Krishnan commented, “After the end of campaign we look into the uplift that we have got since the campaign has started. We also look into factors like brand metrics and sales metrics and see how things have gone up because of this particular campaign.”

Krishnan adds that in today’s time, women are not looking at jewellery from an investment perspective. They have started seeing jewellery from an accessory perspective. “Women are more inclined towards lightweight and fashionable jewellery rather than the traditional ones you get. From millennials to everybody else they all are going to this direction. The concept of jewellery our parents had and that this generation has, has shifted,” he further added.

The global jewellery market is currently facing high competition. The challenge before every jewellery firm is to differentiate its brands through unique prepositions. Emerging jewelers in the industry have realised the importance of understanding consumer behaviour and incorporating the same in their marketing strategies.

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Krishnan echoes, “The jewellery business in India is very huge. Even the largest player has a single-digit market share which you do not see in any other category. There is a larger share for everybody in the market. With every single year, people are moving towards the branded side of the jewellery rather than going to family jewellers. Elements like hallmark are also coming in which acts as a supporting factor. So people are now focusing on organised jewellery and it would be on the rise. Tanishq which is currently the leading single-digit market player in the jewellery business also tends to have USD 2 to 3 billion in terms of revenue.”

Keeping in mind all these changing conditions, Melorra’s brand campaign is geared to envisioning Valentine’s in a new way

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Amazon Ads maps 2026 as AI and streaming rewrite ad playbooks

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NATIONAL: Amazon Ads has laid out a sharply tech-led vision for the advertising industry in 2026, arguing that artificial intelligence, streaming TV and creator partnerships will combine to turn brand building into a more precise, performance-driven business.

At the heart of the shift, the company says, is the fusion of AI with Amazon’s vast trove of shopping, browsing and streaming signals, allowing advertisers to move beyond blunt reach metrics to campaigns designed around real customer behaviour.

“The future of advertising is not about reaching more people, but the right people with messages that resonate,” said Amazon Ads India head and vice president Girish Prabhu. “By combining AI with deep customer insights, we help brands move from broadcasting campaigns to having meaningful conversations wherever audiences spend their time.”

One of the biggest changes, according to Amazon Ads, will be the collapse of the wall between media planning and creative development. Retail media, powered by first-party data, is increasingly shaping everything from brand discovery to final purchase, pushing marketers to design campaigns around audience insight rather than internal instinct.

AI is also moving from a support tool to a creative engine. Agentic AI, which automates and accelerates production, is expected to make high-quality creative accessible even to small businesses, compressing weeks of work into hours and giving challengers the ability to compete with larger brands on speed and scale.

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Behind the scenes, AI-driven analytics will take on a bigger role in campaign optimisation, identifying patterns, spotting opportunities and recommending actions that would previously have required teams of analysts.

Streaming TV is another big battleground. With India’s video streaming audience now above 600 million and connected TV users at 129.2 million in 2025, advertisers are set to treat streaming not just as a branding channel but as a performance engine, measured increasingly by sales, sign-ups and bookings rather than just reach.

Finally, Amazon Ads sees creators and contextual advertising reshaping how brands tell stories. Creators will act less like influencers and more like long-term partners, while scene-aware ads on streaming platforms will allow brands to insert hyper-relevant offers into the flow of what viewers are watching.

Taken together, Amazon Ads argues, these shifts mark a move towards advertising that is both more human and more measurable, where AI handles the complexity, and creativity does the persuading.

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Publicis India appoints Sonal Verma as Arc Worldwide MD

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MUMBAI: Publicis Groupe India has appointed Sonal Verma as managing director of Arc Worldwide India, handing the reins of its experiential and shopper marketing business to a leader steeped in live brands and real world storytelling.

Arc Worldwide, the Groupe’s specialist arm focused on experiences that nudge consumers from curiosity to checkout, sits at the intersection of creativity, commerce and culture. Verma’s mandate is to sharpen that edge as brands grapple with shorter attention spans and more complicated buying journeys.

Verma joins from Cheil India, where she spent nearly five years building and leading the brand experience practice, most recently as senior vice president and head of brand experience. Her career reads like a tour of India’s experiential landscape, with leadership roles at Momentum Worldwide, Percept D Mark, Blockkbuster Events and Showtime Events.

She has also held senior activation roles at Radio City and The Times of India, giving her a rare mix of agency, media and on-ground execution experience. The common thread has been simple: turning big ideas into moments people remember and talk about.

At Arc Worldwide India, Verma will focus on expanding the agency’s experiential and shopper capabilities, strengthening client partnerships and keeping the work firmly rooted in consumer behaviour rather than buzzwords.

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With Verma at the helm, Arc Worldwide is expected to double down on ideas that live beyond screens and closer to everyday life. For an industry obsessed with clicks and scrolls, this is a reminder that sometimes the strongest connections still happen face to face.

 

 

 

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Barbeque Nation taps ‘milne ki bhookh’ to kick off the new year

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BENGALURU: Barbeque Nation is ringing in the new year with a reminder that some cravings cannot be ordered online. The casual dining chain has rolled out a new film campaign, milne ki bhookh, pitching its restaurants as places to meet, reconnect and linger over food.

Set against a world of constant messages and missed meet-ups, the campaign leans into a simple truth: dining out remains one of the few rituals that still brings people together. Barbeque Nation positions itself as the excuse and the setting for real conversations, shared plates and unhurried moments.

Nakul Gupta, cmo at Barbeque Nation, says the brand has long been about shared celebrations. As the year turns, milne ki bhookh captures what he calls a growing hunger to meet, connect and spend time together, with food at the centre of that experience.

Created by Makani Creatives, the campaign comprises three films built around Barbeque Nation’s signature grills and desserts. The storytelling is deliberately sensorial, designed to spark cravings while nudging diners to step out and meet in person.

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Pavan Punjabi, chief integration officer at Makani Creatives, says the idea stems from a familiar contradiction. People are constantly connected, yet meetings with loved ones are endlessly postponed. Milne ki bhookh, he says, is a gentle push to make time for real-life catch-ups, using food as the reason to come together, share a meal and create memories.

The campaign breaks on December 25 with the grilled prawns film and will run for two months, amplified across digital platforms. As the new year begins, Barbeque Nation is betting that the strongest appetite of all is not for food alone, but for each other.

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