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How IPL anthems helped popularise the brand

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NEW DELHI: IPL’s electrifying debut aired on 18 April, 2008, and India has been hooked ever since. Every year, more and more people are tuning into the sporting tournament, cheering for their favourite teams and players, and sharing their excitement on social media. The viewership for this ‘grand festival’ of cricket has massively risen and for brands, it’s more like an advertising bonanza. Every year, the latter put their best foot forward to connect with the audience.

In a similar fashion, both the IPL committee and teams have consistently released interesting anthems to fire up fans and increase the recall of both team and tournament to the next level. It involves roping in advertising agencies and production houses to create films that reflect the audiences' craziness and love for the tournament and the team. 

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This year is no different. Even though Covid2019 appeared as a deterrent in the early days, the relentless will of players, committee and broadcaster got it all together in the end. The franchise released the anthem Aayenge Hum Wapas, which resonated strongly with people for its ‘we shall overcome’ message. It showcased how people eagerly waited for the tournament and featured stalwarts of the game including the likes of Virat Kohli, MS Dhoni, Rohit Sharma, Jasprit Bumra, KL Rahul, and many other players.

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Soon after, Mumbai Indians also dropped the latest avatar of its theme song 'Aala Re'. 

Interestingly, all these anthems were carefully conceptualised keeping in mind the current Covid2019 situation. Each of them focused on adhering to safety norms, wearing masks, maintaining distance and other precautions.

Right from advertisers to marketers to the audience, the IPL anthem is something that everyone looks forward to, for the  a spellbinding video supporting it, and over the years it has managed to leave an imprint on the audience. From ‘Ek Happy India Wala’ to ‘Come on Bulaava Aaya Hain’ to the most famous one ‘Jumping- Japang’ by Farhan Khan has struck chords with the viewers.

With the nation currently in the throes of IPl fever, indiantelevision.com has curated a list of all the anthems and popular campaigns presented by the franchise over the decade.

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IPL Season 1 (2008): “Cricket Ka Dharmayudh”

Probably the best of IPL promos, the official song of IPL 2008 remains to be one of the most awesome theme songs of IPL.

IPL Season 2 (2009): “Divided by Nations, United by IPL…

As the tagline says, the IPL brought nations and rival players together. To this day, it comes across as one of the most meaningful IPL ads, the beautifully-shot video depicts how different cultures from around the world are tied by a sporting event. Back in 2009, the IPL was played in South Africa owing to the ongoing Lok Sabha elections in India.

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IPL Season 3 (2010): “Saare Jahan Se Acha” & “Lautaaya”

This IPL theme will remind you of Lagaan and Chak De India – two of the most popular sports films in Indian cinema. Also, you’ll be delighted to see how Ayushmann Khurana was shaking a leg to the musical tunes of IPL 2010.

IPL Season 4 (2011): “Dum lagake mara ray”

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Dum Laga Ke Mara Re was all about peoples’ craze for IPL and its popularity which cuts across demographics and national boundaries. The video showed IPL fans dancing on the streets, even breaking into some of umpire Billy Bowden’s signature moves, to welcome the new season of the sporting extravaganza.

IPL Season 5 (2012): “Aisa Mauka Aur Kaha Milega”

The official track of IPL 2012 focused on the theme of ‘opportunity’. Composed by Salim Sulaiman, the song’s lyrics underscored how the IPL promotes young domestic players and allows them to make their mark on one of the biggest cricketing platforms in the world.

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IPL Season 6 (2013): “Jumping Zapak”

Remember Farah Khan dancing to the tune of Jumping Zapak with people everywhere, be it the station, the office, or any other place? The song had a simple message which was a big hit nonetheless: have fun and enjoy the IPL anywhere.

IPL Season 7 (2014): “Come on Bulava Aaya Hai”

Every year from April to June, the nation descends into IPL madness, with many people sitting glued to their TVs for every single match. The concept behind the seventh season’s theme song was: drop whatever you are doing, because you’re invited! Don’t miss out on watching the IPL!

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IPL Season 8 (2015): “India ka Tyohaar”

The IPL is no longer a mere sporting event, but a full-on festival in India. During its eight edition, IPL launched India Ka Tyohar, which is arguably the most appealing anthem ever and still resonates with people.

IPL Season 9 (2016): “Ek India Happywala”

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Ek India Happy Wala showed how good elements in the society are what defines a country, and everyone should look for happiness, unity, and harmony instead of negativity.

IPL Season 10 (2017): “Das Saal Aapke Naam”

On  This upbeat symphony was dedicated to the tournament’s die-hard fans and viewers, who ensured IPL’s longevity in spite of a host of scandals marring its decade-long run.

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IPL Season 11 (2018): “Yeh khel hai sher jawano ka”

Inspired from the iconic song Yeh desh hai veer jawano ka in the Dilip Kumar-starrer sports drama Naya Daur, this video of this anthem plays back thrilling moments from preceding seasons of the IPL.

IPL Season 12 (2019): “Game Banayega Name”

Game Banayega Name shone the light on newcomers taking on star players in the twelfth edition of the IPL. The lyrics humko bhi ek mauka do encapsulates the rookies’ hunger to prove themselves and determination to make it big.

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Extra innings! Here’s a round-up of a few popular ad campaigns by IPL over the years.

Bharat Bandh

One of the satirical promos launched by the franchise was the ‘Bharat Bandh’ ad, which humorously portrayed politicians throwing a fit when they heard about the 51-day nationwide shutdown. The reason? IPL, of course!

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Tashreef Tokra

Do you still remember Tashreef Tokra? The ad showed a large number of people carrying chairs and making an outdoor stadium in a busy market to watch their favourite game together. The dialogue Aisa mauka aur kaha milega captured the fanaticism of a cricket fan which overshadows everything else.

Sare Jahan se Acha

The second edition of the IPL was held in another country. In order to make their homecoming a moment of reckoning, the third season went big with the Sare Jahan se Acha campaign, which evoked a sense of patriotism among people.

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Brands

Netflix India names Rekha Rane director of films and series marketing

Streaming giant bets on a seasoned marketer who helped build Amazon and Netflix into household names

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MUMBAI: Netflix has put a proven brand builder at the helm of its films and series marketing in India, naming Rekha Rane as director in a move that signals sharper focus on audience growth and cultural cut-through in one of its most hotly contested markets.

Rane steps into the role after seven years at Netflix, where she has quietly shaped how the platform sells stories to India. Her latest promotion, effective February 2026, crowns a run that spans brand, slate and product marketing across originals, licensed content and new verticals such as games.

A strategic marketing and communications professional with roughly 15 years’ experience, Rane has spent much of her career building technology-led consumer businesses and new categories, notably e-commerce and subscription video on demand. She was part of the early push that introduced Amazon.in, Prime Video and Netflix to Indian homes, then helped turn them into everyday brands.

At Netflix, she most recently served as head of brand and slate marketing for India from March 2024 to February 2026, leading teams across media and marketing for global and local content portfolios. Before that, as manager for original films and series marketing, she led IP creation and go-to-market strategy for titles including Guns and Gulaabs, Kaala Paani, The Railway Men* and The Great Indian Kapil Show, spanning both binge and weekly-release formats.

Her earlier Netflix roles covered product discovery and promotion in India and integrated campaign strategy to drive conversations around the content slate, product awareness and brand-equity metrics.

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Before Netflix, Rane logged more than three years at Amazon in brand marketing roles in Bengaluru. There she handled national and regional campaigns for Amazon.in, worked on customer assistance programmes in growth geographies and contributed to the go-to-market strategy for the launch of Prime Video India.

Her career began well away from streaming. At Reliance Brands in Mumbai, she worked on retail marketing for Diesel and Superdry. A stint at Leo Burnett saw her work on primary research for P&G Tide, mapping Indian shoppers’ paths to purchase. Earlier still, at Orange in the United Kingdom, she rose from sales assistant to store manager, running a team and owning monthly P&L for a retail outlet.

The arc is telling. As global streamers fight for attention in a crowded Indian market, executives who understand both mass retail behaviour and digital habit-building are prized. Rane’s career sits at that intersection.

For Netflix, the bet is simple: in a market spoilt for choice, sharp marketing can still tilt the screen. And with Rane now leading the charge, the streamer is signalling it wants not just viewers, but fandom.

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Orient Beverages pops the fizz with steady Q3 gains and rising profits

Kolkata-based beverage maker reports stronger revenues and profits for December quarter.

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MUMBAI: A fizzy quarter with a steady aftertaste that’s how Orient Beverages Limited, the company that manufactures and distributes packaged drinking water under the brand name Bisleri closed the December 2025 period, as the Kolkata-based drinks maker reported improved revenues and a healthy rise in profits, signalling operational stability in a competitive beverage market.

For the quarter ended December 31, 2025, Orient Beverages posted standalone revenue from operations of Rs 39.98 crore, up from Rs 36.42 crore in the previous quarter and Rs 33.53 crore in the same quarter last year. Total income for the quarter stood at Rs 42.24 crore, reflecting consistent demand and stable pricing across its beverage portfolio.

Profit before tax for the quarter came in at Rs 3.47 crore, a sharp improvement from Rs 1.31 crore in the September quarter and Rs 0.39 crore a year ago. After accounting for tax expenses of Rs 0.79 crore, the company reported a net profit of Rs 2.68 crore, nearly three times the Rs 0.99 crore recorded in the preceding quarter.

On a nine-month basis, the momentum remained intact. Revenue from operations for the period ended December 31, 2025 rose to Rs 117.66 crore, compared with Rs 106.95 crore in the corresponding period last year. Net profit for the nine months climbed to Rs 5.51 crore, more than double the Rs 2.18 crore reported in the same period of the previous financial year.

The consolidated numbers told a similar story. For the December quarter, consolidated revenue from operations stood at Rs 45.06 crore, while profit after tax came in at Rs 2.06 crore. For the nine-month period, consolidated revenue touched Rs 133.57 crore, with net profit of Rs 4.49 crore, underscoring the group’s improving profitability trajectory.

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Operating expenses remained largely controlled, with cost of materials, employee benefits and other expenses broadly aligned with revenue growth. The company continued to operate within a single reportable segment beverages simplifying its cost structure and reporting framework.

The unaudited financial results were reviewed by the Audit Committee and approved by the Board of Directors at its meeting held on 7 February 2026. Statutory auditors carried out a limited review and reported no material misstatements in the results.

In a market where margins are often squeezed by input costs and competition, Orient Beverages’ latest numbers suggest the company has found a reliable rhythm not explosive, but steady enough to keep the fizz alive.

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BCCL profit jumps 53 per cent in FY25 as tax bill shrinks

Revenue rises 4.3 per cent to Rs 10,209.33 crore while deferred tax gain lifts bottom line sharply

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NEW DELHI: Bennett, Coleman and Company (BCCL) has posted a sparkling set of financial results for the year ended 31 March 2025, proving that there is still plenty of ink and gold left in the ledger.

Revenue from operations climbed a steady 4.3 per cent, reaching Rs 10,209.33 crore compared to Rs 9,786.44 crore the previous year. When you sprinkle in other income, which rose 8.9 per cent to Rs 949.36 crore, the total income for the media behemoth hit a healthy Rs 11,158.69 crore.

While the income grew at a modest pace, the bottom line tells a far more dramatic story. The real headline is the 53 per cent surge in annual profit. How did they pull off such a feat? While Profit Before Tax (PBT) saw a gentle nudge upward of 2.7 per cent to Rs 1,610.00 crore, it was a vanishing act by the taxman that really did the trick.

Total tax expenses plummeted by 32.4 per cent, dropping from Rs 468.76 crore down to Rs 316.97 crore. This was largely thanks to a swing in deferred tax, moving from an expense of Rs 156.02 crore in FY24 to a benefit of Rs 39.44 crore this year.

Total income rose from Rs 10,658.55 crore in FY24 to Rs 11,158.69 crore in FY25, marking a 4.7 per cent increase. Total expenses grew at a slower pace, up 3.0 per cent from Rs 9,306.06 crore to Rs 9,581.45 crore. Profit before tax inched up 2.7 per cent, moving from Rs 1,567.02 crore to Rs 1,610.00 crore. However, the standout figure was net profit, which jumped sharply by 53.0 per cent, climbing from Rs 1,042.03 crore in FY24 to Rs 1,594.73 crore in FY25.

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Despite the rising costs of doing business across the globe, BCCL kept a tight grip on the purse strings. Total expenses rose by just 3.0 per cent to Rs 9,581.45 crore. By keeping costs lower than the rate of income growth, the company ensured that the final figure, a net profit of Rs 1,594.73 crore, was nothing short of a front-page sensation.

In a world of shifting digital tides, it seems the BCCL ship is not just steady, but sailing into significantly wealthier waters.

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