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Happy Finish gives brands an augmented reality experience

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MUMBAI: In the advertising world, every agency is pushing the bar in order to give the best to clients by using highly efficient creative tools. However, it seems that these tools were not giving clients the necessary results. In the midst of all this, Happy Finish has now realized the potential of augmented reality in India.

Augmented reality is something where a mobile device is used with a Samsung gear or Oculus to overlay real world objects with digital content and virtual reality. It enables viewing digital content through a wearable device that completely blocks the real world and immerses one in an alternate universe.

The Beginning

Founded in 2004 by Stuart Waplington, Rainer Usselmann and Chris Roome, Happy Finish was set up to represent the best digital artists in the world, allowing art directors, photographers and brands the freedom to develop creative ideas and unique visual styles, often pushing the boundaries of what is possible to set new standards in the industry.

Global presence

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Having set a long journey, today Happy Finish has global presence with six offices. The company’s second office was launched in Mumbai in 2011 and since then it has expanded into cities like Shanghai, Portland, New York and another office in London.

Why India?

Speaking to Indiantelevision.com about the company’s India operations and the way forward, Happy Finish India CEO Ashish Limaye says, “We entered the Indian market to cater to domestic demand and advertisers and marketers had realized then that they need Augmented Reality/ Computer Generated (CG) images for their television and outdoor work.”

While Happy Finish possibly provides the best of imagery across touch points, the brand saw the potential in India and aimed to target about 18-20 per cent of the print market where a lot of CG animation and imagery is used. They identified that communication is going to become more sophisticated and hence it was the right time for them to invest in Indian market.

Clients in India and abroad

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The brand has worked with brands like Burberry, Nike, Mercedes and Skoda among others in global markets. Meanwhile, Happy Finish has been doing some phenomenal work for the Indian market by working with Mahindra, Renault, Suzuki Ciaz, Johnson & Johnson, HUL, Marico and Baskin Robbins among others.

Limaye adds, “We either directly work with the brand or it gets channelized through the agency. There is a lot of brain storming that goes in all the nuances and are glad that clients are happy with our work.”

What do they do?

Happy Finish provides services ranging from retouch, 3D, animation, interactive and motion effects apart from giving the augmented reality experience and providing CG images. They have worked with clients across the fashion, automotive industry and production houses.

Happy Finish Global CEO Simon Gosling says, “Our imagery work with global magazines like Vogue, GQ or any other magazine has been appreciated. Fashion is something that we always look forward to enhance. Internationally, Burberry is one of the major fashion brands and we have done some phenomenal work for Burberry.”

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The company has also worked with a few of the world’s best magazines and photographers.

That apart, it has also worked with the international series 24 where Jack Bauer returned to screens for the latest season of the show for Sky. The work features 24 stills taken over a 24-hour period across the streets of London.

Limaye asserts, “Our work with Renault Duster was so impressive that Renault is using our image in all global markets where it will launch Duster and we are very proud of it.”

Stating an example in the Indian market, Gosling says, “We have worked with Maruti Suzuki India. The company is the latest high profile automotive brand to trust the expertise of our talented Mumbai artists. This collection of images showcases the retouch and CG skills all the way from our Mumbai studio.”

Happily Finishing

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The biggest marketing activity that Happy Finish undertook was associating with Kyoorius for Melt 2015, which concluded last weekend.

Though there has been no structured research on the AR/VR industry but it comes under the digital industry. Talking about the industry potential, Limaye says, “My own assessment is that in the advertising industry, primarily where television has about 46 per cent market share of the total ad pie, I think that we have a potential of having a share of at least four per cent of the market size in the next four years. This means four per cent of the television pie, which is a huge chunk in itself.”

Click to experience some of Happy Finish’s work.

Digital Agencies

GUEST COLUMN: Deepankar Das on the feedback problem slowing creative teams

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BENGALURU: For years, creative teams have learned to live with ambiguity. Vague comments, last-minute changes, feedback that arrives without context, clarity, or conviction. It became part of the job – something teams worked around rather than getting it solved.

But as we head into 2026, that tolerance is wearing thin.

Creative work today moves faster, scales wider, and involves more stakeholders than before. Teams are producing more content across more formats, often with distributed collaborators and tighter timelines. In this environment, guesswork is no longer a harmless inconvenience. It’s a cost – to time, to budgets, and to creative mindspace.

The real problem isn’t feedback, it’s how it’s given

Most creative professionals you see today will tell you they’re not against feedback. In fact, they rely on it. Good feedback sharpens ideas, strengthens execution, and pushes work forward. The problem is ‘unclear’ feedback. When someone says “this doesn’t feel right” without context, they aren’t just revising – they’re basically decoding. They’re guessing what the problem might be, trying different directions, and burning time in the process. Multiply that by a few stakeholders and a few rounds, and suddenly days disappear.

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In 2026, when teams are expected to deliver faster without compromising quality, interpretation is a luxury most can’t afford.

Scale has changed rverything

Creative projects used to be smaller and simpler. A designer, a manager, maybe one client contact. Feedback loops were short, even if they weren’t perfect.

Today, the same project might involve internal marketing teams, agencies, freelancers, brand reviewers, and regional teams. Everyone has a say. Everyone leaves comments. And often, those comments don’t agree. More people reviewing work means alignment matters more than ever. Clear feedback isn’t just about being nice to creative teams, it’s about keeping projects moving when complexity increases.

Guesswork quietly wears teams down

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One of the less talked-about impacts of unclear feedback is what it does to people.

When feedback is vague or contradictory, creatives second-guess their decisions. They hesitate. They overwork. They keep extra time buffers “just in case.” Over time, confidence drops. Ownership fades. Work becomes safer, not stronger. Creative energy gets spent on managing uncertainty instead of pushing ideas forward. And in an industry already grappling with burnout, unclear feedback adds unnecessary mental load.

Actionable feedback is a shared skill

Clear feedback doesn’t mean controlling creative decisions or dictating every detail. It means being specific enough that someone knows what to do next.

Actionable feedback answers three basic questions:

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What exactly needs attention? 
Why does it matter? 
What outcome are we aiming for?
This applies whether you’re reviewing a video frame, a design layout, or a copy draft.  The clearer the feedback, the fewer follow-ups it creates. In 2026, teams that treat feedback as a skill and not an afterthought, will move faster with less friction.

Tools shape behaviour (whether we admit it or not)

The way feedback is delivered is often dictated by the tools teams use. Comments buried in long email threads, messages split across chat apps, or notes detached from the actual work all contribute to confusion.

When feedback lives outside the work, context often gets lost. When it’s disconnected from versions and timelines, decisions get questioned. When it’s scattered, accountability disappears. More teams are starting to realise that feedback problems aren’t just communication issues, they’re workflow issues. How work moves between people matters just as much as the work itself.

From Opinions To Alignment
One of the biggest shifts happening in creative teams is a move away from purely opinion-driven feedback. Instead of “I like this” or “I don’t,” teams are asking better questions:

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●       Does this meet the brief?

●       Does this solve the problem?

●       Does this align with the goal?

This change reduces unnecessary back-and-forth and helps feedback feel less personal and more productive. It also makes decisions easier to explain and defend. As creative work becomes more strategic, feedback has to support that shift.

2026 Is About Fewer Loops, Not Faster Loops

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There’s a misconception that speed means moving through feedback cycles faster. In reality, the most creative teams aren’t just accelerating loops, they’re reducing them. Clear, actionable feedback upfront leads to fewer revisions later. Clear approval stages prevent last-minute surprises. Clear decisions stop work from circling endlessly.

In 2026, efficiency won’t come from working harder or longer. It will come from designing workflows that respect creative time and attention.

Ending guesswork is a mindset change

Ultimately, ending creative guesswork isn’t just about better tools or processes. It’s about mindset. It’s about recognising that clarity is an act of respect – for the work, for the people doing it, for the time invested and for the mindspace used. It’s about moving from “figure it out” to “here’s what we’re aiming for.”

Creative teams that embrace this shift will find themselves not only delivering faster, but also enjoying the process more. And in an industry built on imagination, that might be the most valuable outcome of all.

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Kunal Wanvari steps up as senior brand and digital marketing manager at Franklin Templeton India

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MUMBAI: Franklin Templeton India has elevated Kunal Wanvari to senior brand and digital marketing manager, signalling a continued push towards data-driven brand building and digital-first engagement in a crowded asset management market.

Wanvari has spent nearly eight years with Franklin Templeton India, steadily rising through the marketing ranks. Prior to this role, he served as marketing manager and assistant marketing manager, working across brand strategy, content, digital media and campaign execution from the firm’s Mumbai office.

Before joining Franklin Templeton, Wanvari built his digital credentials at WATConsult, where he handled brand strategy and account leadership roles, and earlier at Kush Infosystems, focusing on SEO and performance marketing. His career began in sales and marketing roles, giving him a ground-up understanding of commercial storytelling.

A computer engineer by training with deep digital marketing expertise, Wanvari’s elevation reflects Franklin Templeton’s bet on hybrid marketers—equal parts brand, data and digital—as competition for investor attention intensifies.

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Digital Agencies

PSB Xchange appoints Ankush Aggarwal as CXO, Sahil Sikka as CBO and CFO

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MUMBAI: PSB Xchange, India’s digital marketplace for financial solutions and a flagship platform of Veefin Solutions Limited, has reinforced its leadership team with two senior appointments as it prepares for its next phase of growth.

Ankush Aggarwal has been named chief experience officer, bringing with him more than 20 years of experience across corporate banking and the SME ecosystem. In his new role, he will focus on shaping simple, seamless and results-oriented experiences for banks, corporates and ecosystem partners. Aggarwal has previously held leadership roles at Kotak Mahindra Bank, IndusInd Bank and SG Finserve, where he led initiatives across customer onboarding, credit processes, servicing operations and digital transformation.

Widely recognised for connecting technology, operations and business strategy, Aggarwal has consistently built scalable and compliant experience models. At PSB Xchange, his focus will be on strengthening platform thinking, governance and continuous improvement to enhance efficiency and customer outcomes.

Alongside him, Sahil Sikka joins PSB Xchange as chief business officer and chief financial officer. With over 15 years of experience in banking and financial services, Sikka has played a key role in building and scaling businesses. He was part of the founding leadership team at SG Finserve, where he helped create a listed NBFC, overseeing business strategy, capital planning, product development and governance. His work earned him the best CFO financial services award at the India CFO Awards 2024.

Earlier in his career, Sikka worked with HDFC Bank, Aditya Birla Finance and Kotak Mahindra Bank, driving growth across corporate banking and structured finance. In his dual role at PSB Xchange, he will focus on strengthening growth strategy, scaling operations sustainably and delivering long-term value through strong governance and collaboration.

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Commenting on the appointments, PSB Xchange and Veefin Solutions Limited CEO Sorabh Dhawan, said the additions reflect the platform’s ambitions as it expands its engagement with banks and financial institutions. He added that Aggarwal’s experience-led approach and Sikka’s strategic and financial expertise will be central to driving sustainable growth and value creation in the years ahead.

 

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