MAM
Dentsu creates Dainik Bhaskar’s new ad campaign
MUMBAI: Dainik Bhaskar has launched a new advertising campaign, created by Dentsu Communications.
The campaign is about how if we keep saying Na – and persistently, chances are, we will become a naya jahan. :Na se banega naya jahan”, that is the core message of the campaign.
The film shows several people in our country caught in tough situations like boys being ragged in hostels, a young housewife going to be burnt alive, a government officer who is tempted with hard cash, a young lonely woman in the middle of the night being chased by a ruffian. They all refuse to cow down and say na. The several Nas are then strung together in an edit pattern that helps emerge a collective hum of a familiar tune. Saare jahan se achcha. The film ends with the message – Buraiyon ko na kaho, naya jahan banao.
The campaign will run across TV, Print, Radio, Outdoor, cinema and digital.
Dainik Bhaskar Group VP Sanjeev Kotnala said, “NA is perhaps the most important and certainly the most powerful word in any language. Every day we find ourselves in situations where we need to say NA – at work, at home, and in our communities – because it is our prerogative to decide if I as an individual will protect and be the change agent for everyone and everything that matters to me. Dainik Bhaskar Group does believe that for change to come around you may not need a crowd or a revolution – it can be brought about even by simple acts of individuals”
“At one level, the film uses irony. Because while everyone is collectively seen to be saying that our country is Saare Jahan se Achcha, what we are seeing is a world that is far from good. Historically, we have seen that it did not take long, beautifully crafted speeches to cause great movements. If we recall the freedom movement, there were just two words: Quit India. In this campaign, there are no long speeches that ask us to change ourselves and make our world a better place. Dainik Bhaskar wishes to continue its crusade with the thought of Zidd. One of the simplest things that illustrate Zidd is saying no or na. When we hum a song, we usually do it using a syllable. I thought if that syllable was a Na and if we string several Nas together, a song would emerge – a song that can show us the path to a Naya Jahan. That‘s how Na se Naya Jahan came about” says Titus Upputuru, National Creative Director, Dentsu Communications.
Ad film storyboard
The film shows three boys being ragged in a hostel. While two of the boys are made to strip, the third boy stands firm and refuses saying Na. We next see a young woman about to be burnt alive with kerosene oil by a husband and her mother-in-law. But she screams her lungs out with a Na. Elsewhere a creepy looking husband wants to find out if the child his wife is carrying was a girl child by passing on a chit to the doctor, through his wife. The doctor looks at him and firmly says Na. Next, a young woman is chased by a ruffian at a lonely bus stop.
She turns back and gives him a resounding slap before screaming Na. Similarly, we see an official refusing bribe, a child refusing to become a bride by hiding herself behind her mother and so on and so forth. We then cut to see several people saying Na in different parts of the country. Young, old, children, men, women, and the film is cut such that a familiar tune emerges. Saare Jahan se achcha.
MAM
Nielsen launches co-viewing pilot to sharpen TV measurement
Super Bowl pilot to refine how shared TV audiences are counted
MUMBAI: Nielsen is taking a fresh stab at one of television’s oldest blind spots: how many people are actually watching the same screen. The audience-measurement giant on February 4 unveiled a co-viewing pilot that uses wearable devices to better capture shared viewing, starting with America’s biggest broadcast stage.
The trial begins with Super Bowl LX on NBC on February 8, 2026, before extending to other high-profile live sports and entertainment events in the first half of the year. The goal is simple but commercially potent: count viewers more accurately, especially during live spectacles that pull families and friends to one screen.
The new approach leans on Nielsen’s proprietary wearable meters, wrist-worn devices that resemble smartwatches. These passively capture audio signatures from TV content, logging exposure to shows, films and live events without requiring viewers to sign in or self-report. In theory, fewer clicks, fewer lapses, better data.
Karthik Rao, Nielsen’s ceo, cast the move as part of a broader measurement push. He said the company’s task is to keep pushing accuracy as clients invest heavily in live programming that draws mass audiences. The co-viewing pilot, he added, builds on upgrades such as Big Data + Panel measurement, out-of-home expansion, live-streaming metrics and wearable-based tracking.
Co-viewing is not new territory for Nielsen, which has long tried to estimate how many people sit before a single set. What is new is the heavier integration of wearables and passive detection to reduce reliance on active inputs from panel homes.
For now, the pilot comes with caveats. Co-viewing estimates from the trial will not be folded into Nielsen’s Big Data + Panel ratings, which remain the industry’s trading currency. Instead, pilot findings will be shared with clients a few weeks after final Big Data + Panel ratings are delivered. Clients may disclose those findings publicly.
More impact data will follow later this year. Full integration into Nielsen’s marketing-intelligence suite is slated as a longer-term play, with a target of bringing co-viewing into currency measurement for the 2026–2027 season. This is only phase one, with further co-viewing enhancements planned beyond 2026 and additional timelines to be announced.
The push fits a wider pattern. Nielsen has in recent years expanded big-data integration, adopted first-party data for live-streaming measurement and broadened out-of-home tracking. It also positions itself as the reference point for streaming metrics through products such as The Gauge and the Nielsen Streaming Top 10.
In a market where billions of ad dollars hinge on decimal points, counting who is in the room matters. If Nielsen can pin down shared viewing, the humble sofa could become prime measurement real estate. The race to count every eyeball just found a new wrist to watch.
Brands
Delhivery chairman Deepak Kapoor, independent director Saugata Gupta quit board
Gurugram: Delhivery’s boardroom is being reset. Deepak Kapoor, chairman and independent director, has resigned with effect from April 1 as part of a planned board reconstitution, the logistics company said in an exchange filing. Saugata Gupta, managing director and chief executive of FMCG major Marico and an independent director on Delhivery’s board, has also stepped down.
Kapoor exits after an eight-year stint that included steering the company through its 2022 stock-market debut, a period that saw Delhivery transform from a venture-backed upstart into one of India’s most visible logistics platforms. Gupta, who joined the board in 2021, departs alongside him, marking a simultaneous clearing of two senior independent seats.
“Deepak and Saugata have been instrumental in our process of recognising the need for and enabling the reconstitution of the board of directors in line with our ambitious next phase of growth,” said Sahil Barua, managing director and chief executive, Delhivery. The statement frames the exits less as departures and more as deliberate succession, a boardroom shuffle timed to the company’s evolving scale and strategy.
The resignations arrive amid broader governance recalibration. In 2025, Delhivery appointed Emcure Pharmaceuticals whole-time director Namita Thapar, PB Fintech founder and chairman Yashish Dahiya, and IIM Bangalore faculty member Padmini Srinivasan as independent directors, signalling a tilt towards consumer, fintech and academic expertise at the board level.
Kapoor’s tenure spanned Delhivery’s most defining years, rapid network expansion, public listing and the push towards profitability in a bruising logistics market. Gupta’s presence brought FMCG and brand-scale perspective during a period when ecommerce volumes and last-mile delivery economics were being rewritten.
The twin exits, effective from the new financial year, underscore a familiar corporate rhythm: founders consolidate, veterans rotate out, and fresh voices are ushered in to script the next chapter. In India’s hyper-competitive logistics race, even the boardroom does not stand still.
MAM
Meta appoints Anuvrat Rao as APAC head of commerce partnerships
At Locofy.ai, Rao helped convert a three-year free beta into a paid engine, clocking 1,000 subscribers and 15 enterprise clients within ten days of launch in September 2024. The low-code startup, backed by Accel and top tech founders, is famed for turning designs into production-ready code using proprietary large design models.
Before that, Rao founded generative AI venture 1Bstories, which was acquired by creative AI platform Laetro in mid-2024, where he briefly served as managing director for APAC. Alongside operating roles, he has been an active investor and advisor since 2020, backing startups such as BotMD, Muxy, Creator plus, Intellect, Sealed and CricFlex through a creator-economy-led thesis.
Rao spent over eight years at Google, holding senior partnership roles across search, assistant, chrome, web and YouTube in APAC, and earlier cut his teeth in strategy consulting at OC&C in London and investment finance at W. P. Carey in Europe and the US.
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