Ad Campaigns
‘Chill,’ says DDB Mudra to Pan Bahar-Pierce Brosnan ‘bond’
MUMBAI: There are some things you can hate, or you can love, but you cannot ignore. For example, the fact that agent 007, James Bond, aka Pierce Brosnan, is actively promoting a pan masala brand in India.
When India woke up to a white haired Brosnan, peering intensely out from a full page ad on The Times of India, holding a jar of Pan Bahar, the nation did a double take. Soon enough, Twitter and Facebook was flooded with a wide range of mostly polarized reactions — from mildly amused to some outright offended.
Social influencer and writer Anjali Alappat tweets “The names Bond, James Bond. I have a license to spit? #PanBahar #PierceBrosnan”
And then there were those who went into denial, doubting if it really is the real Pierce Brosnan, or a doppelganger of his, with a good use of make-up and photoshop, or CGI for the video spot that invaded Youtube and Facebook next.
Needless to say funny James Bond memes in a desi avatar trolled the Bond actor, with masters of roasting, All India Bakchod giving a blow in their own signature style
There were also a few who raised a valid question that led to a proper discussion
Harsha BhogleVerified account @bhogleharsha 6h6 hours ago
Can advertising and brand experts tell us if going viral but becoming a laughing stock is good brand strategy? #PanBahar
While most agreed that the brand has scored high on brand recall and customer mindshare, there was a general discomfort to the idea of an international star endorsing a homegrown pan masala brrand.
To those who went ‘why on earth?’ DDB Mudra creative head Sambit Mohanty said, ‘why not?’
Mohanty and his creative team at DDB Mudra take full credit for causing this daylong mayhem on the social media, and proudly so.
Of course, the client too was quite the daredevil to have gone ahead with this ‘audacious’ idea. “It was pretty balsy on the part of the client, but being a pioneer in the category, they know the pulse of their audience. The brand’s TG is the aspirational 30 plus who easily associate with James Bond, aka Pierce Brosnan, with class, style and statement. Therefore they upped the ante by actually getting him on board. And it has paid off, as you can see from the conversation around the brand that the campaign has generated.”
“The decision to bring Pierce Brosnan on board as Pan Bahar’s brand ambassador speaks volumes about our vision and ambition. We always have been focusing on a structured and quality brand promotion aligning with our product quality. As Pan Bahar stands for class, success and sophistication, we see our association with Brosnan as a natural fit,” said DJ Group CEO Dinesh Jain.
No matter which side of the spectrum one lays on this debate, the question that everyone has on their mind is how did the brand convince Brosnan to get onboard?
“We tend to complicate things most times by over speculating about something, and let that negativity get the better of us. How do you know if it won’t work out without even trying it? We simply went ahead and asked Pierce if he would do it, and he agreed. It is that simple. We explained to him what Pan Bahar was, and what it meant for the people who consumed it, and we liked the concept and the scripting,” Mohanty simply stated.
The idea, Mohanty explained, was to bring out the product from everyone’s pocket and have them consume it with pride. “These days pan masala is not just a ‘massy’ thing, several corporate and boardroom tables have pan masalas kept on the table. Moreover we live in a world where Indians are globally successful thanks to their creativity, audacity and entrepreneurial attitude. That’s why, when it came to assigning a new brand ambassador for Pan Bahar, Pierce Brosnan was a great choice. We wanted to give a classy image to the brand and who better to drive that brand statement than James Bong himself?”
Citing the brand’s earlier campaign ‘Pehchan Kamiabi ki’ with Saif Ali Khan, Sambit added the thought remained the same, though it definitely graduated to the next level with Peirce Brosnan as the brand ambassador.
“We easily get starry eyed when we think of Bollywood and often restrain ourselves from thinking far and widen our horizon. The truth is there are several home grown brands that cater to a large enough audience who resonate with an international personality. By restricting ourselves to just Bollywood celebrities we are doing ourselves and our clients a disservice. We should let the possibility to sign on an ambassador who can deliver a far better brand value,” Mohanty added on the use of an international star as opposed to the Bollywood celebrities.
While Mohanty refrained from giving any details, he admitted Brosnan has been well compensated for his year-long deal with the brand, subject to extension based on the brand and the Hollywood star’s wishes.
Shot in Austin, the film begins with Brosnan stopping his sports car in front of a grand entrance. His lady wishes him luck. He has a look of destiny on his face. As he enters the building, he is welcomed by a no. of obstacles waiting for him. He must win over these hurdles to get to the chair, his rightful prize. The film ends with Brosnan saying, “Pan Bahar, class never goes out of style.”
The brand released a teaser on its social channels to create buzz about the film. A series of smartly crafted print teasers were also released, to create anticipation in the market about the campaign. To create a further relevance with 007, the film has been released on 7 October, 2016.
But, the fact remained that several had raised an eyebrow at the actor’s decision to endorse a pan masala brand that is thought to be harmful by many.
To them, Mohanty says, “It is an advertisement! No one has died! If Brosnan himself doesn’t have an issue, I don’t see the harm in him endorsing this brand. People can take it up with him if they are that concerned, or they can chew on some pan masala, and take a chill pill.”
Ad Campaigns
Amazon Ads maps 2026 as AI and streaming rewrite ad playbooks
NATIONAL: Amazon Ads has laid out a sharply tech-led vision for the advertising industry in 2026, arguing that artificial intelligence, streaming TV and creator partnerships will combine to turn brand building into a more precise, performance-driven business.
At the heart of the shift, the company says, is the fusion of AI with Amazon’s vast trove of shopping, browsing and streaming signals, allowing advertisers to move beyond blunt reach metrics to campaigns designed around real customer behaviour.
“The future of advertising is not about reaching more people, but the right people with messages that resonate,” said Amazon Ads India head and vice president Girish Prabhu. “By combining AI with deep customer insights, we help brands move from broadcasting campaigns to having meaningful conversations wherever audiences spend their time.”
One of the biggest changes, according to Amazon Ads, will be the collapse of the wall between media planning and creative development. Retail media, powered by first-party data, is increasingly shaping everything from brand discovery to final purchase, pushing marketers to design campaigns around audience insight rather than internal instinct.
AI is also moving from a support tool to a creative engine. Agentic AI, which automates and accelerates production, is expected to make high-quality creative accessible even to small businesses, compressing weeks of work into hours and giving challengers the ability to compete with larger brands on speed and scale.
Behind the scenes, AI-driven analytics will take on a bigger role in campaign optimisation, identifying patterns, spotting opportunities and recommending actions that would previously have required teams of analysts.
Streaming TV is another big battleground. With India’s video streaming audience now above 600 million and connected TV users at 129.2 million in 2025, advertisers are set to treat streaming not just as a branding channel but as a performance engine, measured increasingly by sales, sign-ups and bookings rather than just reach.
Finally, Amazon Ads sees creators and contextual advertising reshaping how brands tell stories. Creators will act less like influencers and more like long-term partners, while scene-aware ads on streaming platforms will allow brands to insert hyper-relevant offers into the flow of what viewers are watching.
Taken together, Amazon Ads argues, these shifts mark a move towards advertising that is both more human and more measurable, where AI handles the complexity, and creativity does the persuading.
Ad Campaigns
Publicis India appoints Sonal Verma as Arc Worldwide MD
MUMBAI: Publicis Groupe India has appointed Sonal Verma as managing director of Arc Worldwide India, handing the reins of its experiential and shopper marketing business to a leader steeped in live brands and real world storytelling.
Arc Worldwide, the Groupe’s specialist arm focused on experiences that nudge consumers from curiosity to checkout, sits at the intersection of creativity, commerce and culture. Verma’s mandate is to sharpen that edge as brands grapple with shorter attention spans and more complicated buying journeys.
Verma joins from Cheil India, where she spent nearly five years building and leading the brand experience practice, most recently as senior vice president and head of brand experience. Her career reads like a tour of India’s experiential landscape, with leadership roles at Momentum Worldwide, Percept D Mark, Blockkbuster Events and Showtime Events.
She has also held senior activation roles at Radio City and The Times of India, giving her a rare mix of agency, media and on-ground execution experience. The common thread has been simple: turning big ideas into moments people remember and talk about.
At Arc Worldwide India, Verma will focus on expanding the agency’s experiential and shopper capabilities, strengthening client partnerships and keeping the work firmly rooted in consumer behaviour rather than buzzwords.
With Verma at the helm, Arc Worldwide is expected to double down on ideas that live beyond screens and closer to everyday life. For an industry obsessed with clicks and scrolls, this is a reminder that sometimes the strongest connections still happen face to face.
Ad Campaigns
Barbeque Nation taps ‘milne ki bhookh’ to kick off the new year
BENGALURU: Barbeque Nation is ringing in the new year with a reminder that some cravings cannot be ordered online. The casual dining chain has rolled out a new film campaign, milne ki bhookh, pitching its restaurants as places to meet, reconnect and linger over food.
Set against a world of constant messages and missed meet-ups, the campaign leans into a simple truth: dining out remains one of the few rituals that still brings people together. Barbeque Nation positions itself as the excuse and the setting for real conversations, shared plates and unhurried moments.
Nakul Gupta, cmo at Barbeque Nation, says the brand has long been about shared celebrations. As the year turns, milne ki bhookh captures what he calls a growing hunger to meet, connect and spend time together, with food at the centre of that experience.
Created by Makani Creatives, the campaign comprises three films built around Barbeque Nation’s signature grills and desserts. The storytelling is deliberately sensorial, designed to spark cravings while nudging diners to step out and meet in person.
Pavan Punjabi, chief integration officer at Makani Creatives, says the idea stems from a familiar contradiction. People are constantly connected, yet meetings with loved ones are endlessly postponed. Milne ki bhookh, he says, is a gentle push to make time for real-life catch-ups, using food as the reason to come together, share a meal and create memories.
The campaign breaks on December 25 with the grilled prawns film and will run for two months, amplified across digital platforms. As the new year begins, Barbeque Nation is betting that the strongest appetite of all is not for food alone, but for each other.
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