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Canon shoots its shot with ‘Deep Dive’ masterclass for budding storytellers

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MUMBAI: Lights, camera, level up! Canon India is stepping out from behind the camera and into the classroom with Deep Dive, an ambitious, first-of-its-kind masterclass series designed to empower the next wave of photographers, videographers, and filmmakers. But don’t expect a slideshow and a swag bag. This is Canon going full throttle into the creator economy lens-first.

Launched in collaboration with IFP, a global creator-first community, Deep Dive is Canon’s answer to an evolving creative landscape where storytellers need more than just inspiration. They need a complete toolkit: creative, technical, and professional. And that’s exactly what this masterclass promises a crash course in the entire visual workflow, from pre-shoot vision to post-production precision.

But what really gives Deep Dive its edge is its who’s who of mentors. Canon’s North Star Alliance has brought together industry powerhouses like Ravi K Chandran, Santosh Sivan, Anand Rathi, Sudeep Chatterjee, G Venket, and Siddharth Sharma names that carry weight not just in Indian cinema, but across international storytelling circles. Their mission? To share more than tips to pass on a legacy of craftsmanship in a world increasingly reliant on speed and surface.

The series aims to do away with the ‘point and shoot’ mindset and usher in a ‘plan and produce’ approach. Participants won’t just fiddle with Canon’s latest tech they’ll deep-dive into real-world workflows, exploring everything from camera setup and lighting design to colour grading, audio layering and final delivery. With Canon’s partners Aperture, Eizo, and Sennheiser backing the experience, there’s no corner of the production puzzle left untouched.

Each session is designed as a full-fledged, city-specific experiential journey, with experts from the wedding, cinema, and fashion industries leading live demonstrations. In Gurgaon, the first city on the map, Canon ambassador Siddharth Sharma kick-started the series with a session that blended insight with intensity and left participants clamouring for more.

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Canon India president and CEO Toshiaki Nomura said, “At Canon, we deeply value creators and believe in their limitless creative potential. We recognize that to truly excel, creators need more than just inspiration—they need the right knowledge, cutting-edge technology, and hands-on experience to push their boundaries. They must evolve beyond being mere visual storytellers to mastering the entire workflow, from capturing the perfect shot to delivering a polished final product. With Deep Dive, Canon is proud to create an experiential platform where young, talented filmmakers and photographers can gain real-world expertise, engage with industry leaders, and experience the transformative power of Canon’s advanced imaging technology. Through initiatives like these, Canon is proud to be facilitating the growth of the entire ecosystem, empowering the next generation of creative visionaries.”

And it’s not just about upping individual skills Canon sees Deep Dive as part of a broader mission to nurture and elevate India’s creator ecosystem. It’s a signal that the brand isn’t just focused on selling cameras, but on investing in what comes after the shutter clicks: storytelling, innovation, and community.

In a world flooded with content, standing out requires more than just talent, it needs technique, tools, and trust in one’s creative voice. Deep Dive is Canon’s attempt to offer all three, wrapped in a format that’s immersive, inspiring and packed with substance.

With more cities queued up and interest already peaking, Deep Dive is shaping up to be more than just a masterclass. It’s a movement. And for the creators ready to stop shooting in the dark and start crafting with intention, Canon just lit the way.

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Netflix India names Rekha Rane director of films and series marketing

Streaming giant bets on a seasoned marketer who helped build Amazon and Netflix into household names

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MUMBAI: Netflix has put a proven brand builder at the helm of its films and series marketing in India, naming Rekha Rane as director in a move that signals sharper focus on audience growth and cultural cut-through in one of its most hotly contested markets.

Rane steps into the role after seven years at Netflix, where she has quietly shaped how the platform sells stories to India. Her latest promotion, effective February 2026, crowns a run that spans brand, slate and product marketing across originals, licensed content and new verticals such as games.

A strategic marketing and communications professional with roughly 15 years’ experience, Rane has spent much of her career building technology-led consumer businesses and new categories, notably e-commerce and subscription video on demand. She was part of the early push that introduced Amazon.in, Prime Video and Netflix to Indian homes, then helped turn them into everyday brands.

At Netflix, she most recently served as head of brand and slate marketing for India from March 2024 to February 2026, leading teams across media and marketing for global and local content portfolios. Before that, as manager for original films and series marketing, she led IP creation and go-to-market strategy for titles including Guns and Gulaabs, Kaala Paani, The Railway Men* and The Great Indian Kapil Show, spanning both binge and weekly-release formats.

Her earlier Netflix roles covered product discovery and promotion in India and integrated campaign strategy to drive conversations around the content slate, product awareness and brand-equity metrics.

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Before Netflix, Rane logged more than three years at Amazon in brand marketing roles in Bengaluru. There she handled national and regional campaigns for Amazon.in, worked on customer assistance programmes in growth geographies and contributed to the go-to-market strategy for the launch of Prime Video India.

Her career began well away from streaming. At Reliance Brands in Mumbai, she worked on retail marketing for Diesel and Superdry. A stint at Leo Burnett saw her work on primary research for P&G Tide, mapping Indian shoppers’ paths to purchase. Earlier still, at Orange in the United Kingdom, she rose from sales assistant to store manager, running a team and owning monthly P&L for a retail outlet.

The arc is telling. As global streamers fight for attention in a crowded Indian market, executives who understand both mass retail behaviour and digital habit-building are prized. Rane’s career sits at that intersection.

For Netflix, the bet is simple: in a market spoilt for choice, sharp marketing can still tilt the screen. And with Rane now leading the charge, the streamer is signalling it wants not just viewers, but fandom.

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Orient Beverages pops the fizz with steady Q3 gains and rising profits

Kolkata-based beverage maker reports stronger revenues and profits for December quarter.

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MUMBAI: A fizzy quarter with a steady aftertaste that’s how Orient Beverages Limited, the company that manufactures and distributes packaged drinking water under the brand name Bisleri closed the December 2025 period, as the Kolkata-based drinks maker reported improved revenues and a healthy rise in profits, signalling operational stability in a competitive beverage market.

For the quarter ended December 31, 2025, Orient Beverages posted standalone revenue from operations of Rs 39.98 crore, up from Rs 36.42 crore in the previous quarter and Rs 33.53 crore in the same quarter last year. Total income for the quarter stood at Rs 42.24 crore, reflecting consistent demand and stable pricing across its beverage portfolio.

Profit before tax for the quarter came in at Rs 3.47 crore, a sharp improvement from Rs 1.31 crore in the September quarter and Rs 0.39 crore a year ago. After accounting for tax expenses of Rs 0.79 crore, the company reported a net profit of Rs 2.68 crore, nearly three times the Rs 0.99 crore recorded in the preceding quarter.

On a nine-month basis, the momentum remained intact. Revenue from operations for the period ended December 31, 2025 rose to Rs 117.66 crore, compared with Rs 106.95 crore in the corresponding period last year. Net profit for the nine months climbed to Rs 5.51 crore, more than double the Rs 2.18 crore reported in the same period of the previous financial year.

The consolidated numbers told a similar story. For the December quarter, consolidated revenue from operations stood at Rs 45.06 crore, while profit after tax came in at Rs 2.06 crore. For the nine-month period, consolidated revenue touched Rs 133.57 crore, with net profit of Rs 4.49 crore, underscoring the group’s improving profitability trajectory.

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Operating expenses remained largely controlled, with cost of materials, employee benefits and other expenses broadly aligned with revenue growth. The company continued to operate within a single reportable segment beverages simplifying its cost structure and reporting framework.

The unaudited financial results were reviewed by the Audit Committee and approved by the Board of Directors at its meeting held on 7 February 2026. Statutory auditors carried out a limited review and reported no material misstatements in the results.

In a market where margins are often squeezed by input costs and competition, Orient Beverages’ latest numbers suggest the company has found a reliable rhythm not explosive, but steady enough to keep the fizz alive.

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BCCL profit jumps 53 per cent in FY25 as tax bill shrinks

Revenue rises 4.3 per cent to Rs 10,209.33 crore while deferred tax gain lifts bottom line sharply

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NEW DELHI: Bennett, Coleman and Company (BCCL) has posted a sparkling set of financial results for the year ended 31 March 2025, proving that there is still plenty of ink and gold left in the ledger.

Revenue from operations climbed a steady 4.3 per cent, reaching Rs 10,209.33 crore compared to Rs 9,786.44 crore the previous year. When you sprinkle in other income, which rose 8.9 per cent to Rs 949.36 crore, the total income for the media behemoth hit a healthy Rs 11,158.69 crore.

While the income grew at a modest pace, the bottom line tells a far more dramatic story. The real headline is the 53 per cent surge in annual profit. How did they pull off such a feat? While Profit Before Tax (PBT) saw a gentle nudge upward of 2.7 per cent to Rs 1,610.00 crore, it was a vanishing act by the taxman that really did the trick.

Total tax expenses plummeted by 32.4 per cent, dropping from Rs 468.76 crore down to Rs 316.97 crore. This was largely thanks to a swing in deferred tax, moving from an expense of Rs 156.02 crore in FY24 to a benefit of Rs 39.44 crore this year.

Total income rose from Rs 10,658.55 crore in FY24 to Rs 11,158.69 crore in FY25, marking a 4.7 per cent increase. Total expenses grew at a slower pace, up 3.0 per cent from Rs 9,306.06 crore to Rs 9,581.45 crore. Profit before tax inched up 2.7 per cent, moving from Rs 1,567.02 crore to Rs 1,610.00 crore. However, the standout figure was net profit, which jumped sharply by 53.0 per cent, climbing from Rs 1,042.03 crore in FY24 to Rs 1,594.73 crore in FY25.

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Despite the rising costs of doing business across the globe, BCCL kept a tight grip on the purse strings. Total expenses rose by just 3.0 per cent to Rs 9,581.45 crore. By keeping costs lower than the rate of income growth, the company ensured that the final figure, a net profit of Rs 1,594.73 crore, was nothing short of a front-page sensation.

In a world of shifting digital tides, it seems the BCCL ship is not just steady, but sailing into significantly wealthier waters.

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