Ad Campaigns
Bombay Design Centre creates planet-friendly digital theme park for Kokuyo Camlin
Mumbai: Kokuyo Camlin Ltd., a leading name in the world of art and stationery supplies, has announced its campaign, ‘Camel Wonderland’, in partnership with Mumbai-based design and tech firm, Bombay Design Centre, this festive season. Launched under its brand Camel, the campaign aims to captivate children’s imaginations and catalyse their creative expression.
Kokuyo Camlin Ltd. chief marketing and strategy officer Rishi Kakar said, “Camel, as a brand, cares about children and their world. In 2022, we launched our new packs for art supplies, igniting the flame of creativity in children across India. This year, we have evolved our approach to ensure that our art packs continue to serve as a source of constant inspiration and stimulate imagination among young artists. Camel Wonderland, India’s own ‘Planet-Friendly Digital Theme Park,’ is our way of bringing these packs to life, offering young minds an immersive experience that not only entertains but educates.”
“By giving 100 million young artists access to this groundbreaking digital theme park, we are poised to create a lasting impact on the creative minds of children. We invite children and parents alike to embark on this remarkable journey with us,” added Kakar.
‘Camel Wonderland’ represents a meticulously crafted Virtual, Interactive, and Planet-Friendly Theme Park designed with the strategic goal of enhancing brand engagement and creating lasting brand recall among its young customers. It encourages children to have a prolonged interaction with the packs; a QR code has been ingeniously integrated into each pack, allowing the animated characters within the static packs to come to life. This QR code serves as the gateway to access and interact with these characters. Through this thoughtfully devised engagement strategy, the brand has extended the duration of interaction and enhanced brand recall among children.
“Packs are the first window to the brand, and we wanted them to have a lasting engagement with our young artists, beyond the simple purchase. It is this thought to design an experience that allows Camel’s packs to be a constant source of inspiration and unlock imaginative, exciting, inspiring and dynamic digital journeys for children across India that led to the birth of ‘Camel Wonderland’,” said Bombay Design Centre founder CEO Ankur Rander.
“It had to be a tool for learning and personal growth. To achieve this, we involved children in the entire design and development process, taking their insights and inputs seriously. The result is a massive theme park with over 70,000 pixels to explore, more than 100 unique interactions, and carefully crafted sound and visual elements, all accessible on mobile browsers. The most unique feature is that it’s an app-free experience, making it accessible to a nationwide audience,” added Rander.
‘Camel Wonderland’ is a ground-breaking planet-friendly digital theme park that provides an unparalleled opportunity for children aged 4 to 8 years to explore, learn, and engage creatively. It goes beyond being just a game; it is an educational adventure that combines gamification with real-world lessons that focus on various global environmental crisis. Built around five unique levels, this extraordinary experience encourages children to focus on crucial topics like Preserving & Protecting Wildlife (The Enchanted Forest), Keeping the Oceans Plastic-free (Water World), Recycling Waste (Candy Town), Reducing Air Pollution (Dino Land), and Conserving Water (Space City).
But what sets ‘Camel Wonderland’ apart are the simple yet impactful lessons woven into these levels. These lessons not only raise awareness of good practices but also inspire children to take focused and beneficial actions for positive change. More importantly, the gamification of the ‘Camel Wonderland’ experience was designed to challenge children while testing their cognitive abilities, logical reasoning, decision-making skills, powers of observation, attention to detail, and problem-solving capabilities.
Camel Wonderland experience boasts several features that make it truly exceptional:
1. Size Matters: This planet-friendly theme park is colossal, offering over 70,000 pixels of virtual adventure to explore.
2. Interactive Magic: With over 100 unique interactions across the five levels, children are in for an immersive and educational journey.
3. Sounds of Wonder: Detailed sound design enhances the experience, ensuring it can be fully enjoyed on mobile phones and handheld devices.
4. Kid-Friendly Interface: The interface and experience have been thoughtfully crafted to cater to the sensibilities and demands of young children with mobile devices.
5. A Revolutionary Approach: Unlike traditional AR campaigns or activations, Camel Wonderland runs entirely on a mobile browser, including the Augmented Reality element.
6. Accessibility for All: An app-free experience makes Camel Wonderland accessible to a nationwide audience, including those with budget mobile devices. It’s an experience designed for the whole nation.
7. Easy Access: Accessing Camel Wonderland is as simple as scanning specially designed packs. These packs, featuring a QR code, are available on five products: Camel Oil Pastels, Camel Wax Crayons, Camel Water Colour Tubes, Camel Plastic Crayons, and Camel Poster Colours, all found at art supply retailers across India.
Kakar also stated, “Camel Wonderland embodies our commitment to nurturing young minds and fostering creativity. We invite children and parents alike to embark on this remarkable journey with us.”
With ‘Camel Wonderland’, Kokuyo Camlin aims to inspire the next generation of young change makers and create a lasting impact on the creative minds of India’s children.
Ad Campaigns
Amazon Ads maps 2026 as AI and streaming rewrite ad playbooks
NATIONAL: Amazon Ads has laid out a sharply tech-led vision for the advertising industry in 2026, arguing that artificial intelligence, streaming TV and creator partnerships will combine to turn brand building into a more precise, performance-driven business.
At the heart of the shift, the company says, is the fusion of AI with Amazon’s vast trove of shopping, browsing and streaming signals, allowing advertisers to move beyond blunt reach metrics to campaigns designed around real customer behaviour.
“The future of advertising is not about reaching more people, but the right people with messages that resonate,” said Amazon Ads India head and vice president Girish Prabhu. “By combining AI with deep customer insights, we help brands move from broadcasting campaigns to having meaningful conversations wherever audiences spend their time.”
One of the biggest changes, according to Amazon Ads, will be the collapse of the wall between media planning and creative development. Retail media, powered by first-party data, is increasingly shaping everything from brand discovery to final purchase, pushing marketers to design campaigns around audience insight rather than internal instinct.
AI is also moving from a support tool to a creative engine. Agentic AI, which automates and accelerates production, is expected to make high-quality creative accessible even to small businesses, compressing weeks of work into hours and giving challengers the ability to compete with larger brands on speed and scale.
Behind the scenes, AI-driven analytics will take on a bigger role in campaign optimisation, identifying patterns, spotting opportunities and recommending actions that would previously have required teams of analysts.
Streaming TV is another big battleground. With India’s video streaming audience now above 600 million and connected TV users at 129.2 million in 2025, advertisers are set to treat streaming not just as a branding channel but as a performance engine, measured increasingly by sales, sign-ups and bookings rather than just reach.
Finally, Amazon Ads sees creators and contextual advertising reshaping how brands tell stories. Creators will act less like influencers and more like long-term partners, while scene-aware ads on streaming platforms will allow brands to insert hyper-relevant offers into the flow of what viewers are watching.
Taken together, Amazon Ads argues, these shifts mark a move towards advertising that is both more human and more measurable, where AI handles the complexity, and creativity does the persuading.
Ad Campaigns
Publicis India appoints Sonal Verma as Arc Worldwide MD
MUMBAI: Publicis Groupe India has appointed Sonal Verma as managing director of Arc Worldwide India, handing the reins of its experiential and shopper marketing business to a leader steeped in live brands and real world storytelling.
Arc Worldwide, the Groupe’s specialist arm focused on experiences that nudge consumers from curiosity to checkout, sits at the intersection of creativity, commerce and culture. Verma’s mandate is to sharpen that edge as brands grapple with shorter attention spans and more complicated buying journeys.
Verma joins from Cheil India, where she spent nearly five years building and leading the brand experience practice, most recently as senior vice president and head of brand experience. Her career reads like a tour of India’s experiential landscape, with leadership roles at Momentum Worldwide, Percept D Mark, Blockkbuster Events and Showtime Events.
She has also held senior activation roles at Radio City and The Times of India, giving her a rare mix of agency, media and on-ground execution experience. The common thread has been simple: turning big ideas into moments people remember and talk about.
At Arc Worldwide India, Verma will focus on expanding the agency’s experiential and shopper capabilities, strengthening client partnerships and keeping the work firmly rooted in consumer behaviour rather than buzzwords.
With Verma at the helm, Arc Worldwide is expected to double down on ideas that live beyond screens and closer to everyday life. For an industry obsessed with clicks and scrolls, this is a reminder that sometimes the strongest connections still happen face to face.
Ad Campaigns
Barbeque Nation taps ‘milne ki bhookh’ to kick off the new year
BENGALURU: Barbeque Nation is ringing in the new year with a reminder that some cravings cannot be ordered online. The casual dining chain has rolled out a new film campaign, milne ki bhookh, pitching its restaurants as places to meet, reconnect and linger over food.
Set against a world of constant messages and missed meet-ups, the campaign leans into a simple truth: dining out remains one of the few rituals that still brings people together. Barbeque Nation positions itself as the excuse and the setting for real conversations, shared plates and unhurried moments.
Nakul Gupta, cmo at Barbeque Nation, says the brand has long been about shared celebrations. As the year turns, milne ki bhookh captures what he calls a growing hunger to meet, connect and spend time together, with food at the centre of that experience.
Created by Makani Creatives, the campaign comprises three films built around Barbeque Nation’s signature grills and desserts. The storytelling is deliberately sensorial, designed to spark cravings while nudging diners to step out and meet in person.
Pavan Punjabi, chief integration officer at Makani Creatives, says the idea stems from a familiar contradiction. People are constantly connected, yet meetings with loved ones are endlessly postponed. Milne ki bhookh, he says, is a gentle push to make time for real-life catch-ups, using food as the reason to come together, share a meal and create memories.
The campaign breaks on December 25 with the grilled prawns film and will run for two months, amplified across digital platforms. As the new year begins, Barbeque Nation is betting that the strongest appetite of all is not for food alone, but for each other.
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