Connect with us

Brands

Bollywood celebs, brands & the SSR controversy

Published

on

NEW DELHI: Apart from God, Indians worship cricket icons and Bollywood stars. On most occasions, all that a brand has to do is stick a product in a famous cricketer’s or actor’s hands, and, lo and behold, it starts moving off the shop shelves. It’s because of this most marketers and agencies are more than willing to sign hefty checks to the celeb for his or her endorsement of a product.

The negative outcome of depending on celebrity endorsements is the flak the brand faces from consumers should the big-name falter in public life.

Just like Bollywood is doing now. It has been losing its gleam and shine thanks to the unsolved, unexplained sudden death of Sushant Singh Rajput and the investigation by the CBI and the Narcotics Control Bureau, which has exposed the dark underbelly of the Mumbai film industry.

Read more news on Bollywood

Allegations of favouritism, me-too, drugs being rampant amongst Bollywood’s best are flying thick and fast and being played out on a majority of news channels almost like a reality show. Videos have been circulating like wildfire showing popular film faces red-eyed and in a state of stupor.

Advertisement

No one has been spared.  Even A-listers have been dragged into the Sushant Singh Rajput and the related drug investigation and got their images tarnished. Karan Johar, Ranveer Singh, Arjun Kapoor, Alia Bhatt, Zoya Akhtar, Ranbir Kapoor, Vicky Kaushal, Varun Dhawan, Malaika Arora Khan, Deepika Padukone, Rakul Preet Singh, Sara Ali Khan, and Shraddha Kapoor.  

It’s not the first time that personalities have been hitting the headlines for the wrong reasons. Hindi film actors have been discredited in the past, and they have on most occasions bounced back on to the big screen. But what gets impacted is their endorsement income as brands dissociate with them, come any signs of serious disrepute.

In 2015, actor Aamir Khan's statement about not feeling safe in India triggered a 'Hate Khan' campaign on social media platforms. At that time, he was the brand ambassador of the e-commerce website Snapdeal which faced the brunt of the anti-Khan ire. Over seven lakh customers uninstalled the Snapdeal app and over a lakh downgraded the app rating from five points to one. The whole situation led to Snapdeal dropping the method actor as its ambassador.

 Recently, PhonePe released a new ad on the IPL series which features Alia Bhatt and Aamir Khan. This has agitated a few users who trolled  the company for promoting the two  stars and soon the hashtag #BoycottPhonePe started. 

 

Advertisement

 

Will the current brouhaha impact how advertisers and brands view their associations with Deepika Padukone, Sara Ali Khan and Shraddha Kapoor, three of the top stars who were summoned by the NCB and interrogated for their engagement on whatsapp in conversations around drugs?

Brand consultant N. Chandramouli believes it will. “Brands are a cautious lot, and would not like to be dragged into any such controversies, and will think about ambassadors they choose,” says he.

Advertisement

Hypercollective founder &  chief creative officer KV Sridhar agrees. “Nobody wants negative publicity after paying so much money,” says he. “So, brands would be more careful to protect their reputation and they will not take any risks.”

Yes, stars cost a lot. When it comes to their cinematic career, they might take a cut in fees for a film as they probably want to work with a banner or with a specific actor or director. But when it comes to advertising and brand endorsement campaigns, they charge top dollar.

Sara Ali Khan is associated with brands such as Fanta, Puma, Vivo, JBL, Ceriz, Tribhovandas Bhimji Zaveri (TBZ), Veet, ITC’s Fiama, and Garnier. Deepikais one of the biggest endorsers of  top end beauty brands. Shraddha can be seen in TVCs for  Lipton Tea, Body Shop, Realme, Lakme. She had also endorsed brands like Vogue Eyewear, Baggit, Flipkart, Secret Temptation, Veet, Vaseline, and others. Rakul appears in ads for Elleys’ switches, the Telangana Govt’s 'Beti Bachao Beti Padhao' campaign and Vaibhav Jewellers

Estimates are  that Deepika charges brands Rs eight crore for three days of ad shoot time. She leads the female endorsement brigade with a brand valuation of $93.5 million, with her husband Ranveer Singh having a similar valuation, according to the Duff & Phelps Celebrity Brand Valuation Report 2019.  Rakul Preet Singh has a sticker price of Rs 1.5 crore per endorsement according to the  Sandeep Goyal-mentored Indian Institute of Human Brands. Sara Ali Khan, Alia Bhatt, Shraddha Kapoor, are reportedly paid more than twice that.

Sridhar expects these rates and associations to get sharp cuts. “A couple of brands will drop them at this time,” he says. “Their prices will go down. Big brands go for multiple celebrities, so if something happens the brand cuts back immediately. Brands will lie low if their ambassadors are involved.”

Advertisement

He believes major FMCG players are the ones who would most likely take a decision to use the scissors on their relationship with the stars, while e-commerce websites might not.

Dentsu One president Harjot Singh Narang echoes Sridhar’s view, adding,  ”a brand selling health and wellness to its consumers would definitely not want an endorser who is caught up in drugs and illegal behaviour.”

He adds that some brands may “have to wait for these allegations and controversies to pass before making choices or have to choose differently given the seriousness and slightly longer than normal life that the current scandal seems to have.”

Sridhar opines that memories are short and people will forget the current scandal over time. “These very same stars will be back in time,” he says.

Taproot Dentsu chief creative officer and co-founder Santosh Paddy shares that brands will deal with Bollywood celebs cautiously going forward.  As it is, he Is not too much of a fan of doling out big money to stars. He’d rather focus on getting the idea for a brand right.

Advertisement

“I don’t like Bollywood endorsing for my clients because it’s a pain to deal with them,” says he. “I always feel that if you’re paying them Rs 5 crore put that money behind the media and you will get a lot more attention. Celebrities can be good in the short run but great stories built on great ideas in advertising last the distance. Creative people tend to take short-cuts when they have a celeb.”

Can we hear some advertising gurus clapping? 

Brands

Netflix India names Rekha Rane director of films and series marketing

Streaming giant bets on a seasoned marketer who helped build Amazon and Netflix into household names

Published

on

MUMBAI: Netflix has put a proven brand builder at the helm of its films and series marketing in India, naming Rekha Rane as director in a move that signals sharper focus on audience growth and cultural cut-through in one of its most hotly contested markets.

Rane steps into the role after seven years at Netflix, where she has quietly shaped how the platform sells stories to India. Her latest promotion, effective February 2026, crowns a run that spans brand, slate and product marketing across originals, licensed content and new verticals such as games.

A strategic marketing and communications professional with roughly 15 years’ experience, Rane has spent much of her career building technology-led consumer businesses and new categories, notably e-commerce and subscription video on demand. She was part of the early push that introduced Amazon.in, Prime Video and Netflix to Indian homes, then helped turn them into everyday brands.

At Netflix, she most recently served as head of brand and slate marketing for India from March 2024 to February 2026, leading teams across media and marketing for global and local content portfolios. Before that, as manager for original films and series marketing, she led IP creation and go-to-market strategy for titles including Guns and Gulaabs, Kaala Paani, The Railway Men* and The Great Indian Kapil Show, spanning both binge and weekly-release formats.

Her earlier Netflix roles covered product discovery and promotion in India and integrated campaign strategy to drive conversations around the content slate, product awareness and brand-equity metrics.

Advertisement

Before Netflix, Rane logged more than three years at Amazon in brand marketing roles in Bengaluru. There she handled national and regional campaigns for Amazon.in, worked on customer assistance programmes in growth geographies and contributed to the go-to-market strategy for the launch of Prime Video India.

Her career began well away from streaming. At Reliance Brands in Mumbai, she worked on retail marketing for Diesel and Superdry. A stint at Leo Burnett saw her work on primary research for P&G Tide, mapping Indian shoppers’ paths to purchase. Earlier still, at Orange in the United Kingdom, she rose from sales assistant to store manager, running a team and owning monthly P&L for a retail outlet.

The arc is telling. As global streamers fight for attention in a crowded Indian market, executives who understand both mass retail behaviour and digital habit-building are prized. Rane’s career sits at that intersection.

For Netflix, the bet is simple: in a market spoilt for choice, sharp marketing can still tilt the screen. And with Rane now leading the charge, the streamer is signalling it wants not just viewers, but fandom.

Advertisement
Continue Reading

Brands

Orient Beverages pops the fizz with steady Q3 gains and rising profits

Kolkata-based beverage maker reports stronger revenues and profits for December quarter.

Published

on

MUMBAI: A fizzy quarter with a steady aftertaste that’s how Orient Beverages Limited, the company that manufactures and distributes packaged drinking water under the brand name Bisleri closed the December 2025 period, as the Kolkata-based drinks maker reported improved revenues and a healthy rise in profits, signalling operational stability in a competitive beverage market.

For the quarter ended December 31, 2025, Orient Beverages posted standalone revenue from operations of Rs 39.98 crore, up from Rs 36.42 crore in the previous quarter and Rs 33.53 crore in the same quarter last year. Total income for the quarter stood at Rs 42.24 crore, reflecting consistent demand and stable pricing across its beverage portfolio.

Profit before tax for the quarter came in at Rs 3.47 crore, a sharp improvement from Rs 1.31 crore in the September quarter and Rs 0.39 crore a year ago. After accounting for tax expenses of Rs 0.79 crore, the company reported a net profit of Rs 2.68 crore, nearly three times the Rs 0.99 crore recorded in the preceding quarter.

On a nine-month basis, the momentum remained intact. Revenue from operations for the period ended December 31, 2025 rose to Rs 117.66 crore, compared with Rs 106.95 crore in the corresponding period last year. Net profit for the nine months climbed to Rs 5.51 crore, more than double the Rs 2.18 crore reported in the same period of the previous financial year.

The consolidated numbers told a similar story. For the December quarter, consolidated revenue from operations stood at Rs 45.06 crore, while profit after tax came in at Rs 2.06 crore. For the nine-month period, consolidated revenue touched Rs 133.57 crore, with net profit of Rs 4.49 crore, underscoring the group’s improving profitability trajectory.

Advertisement

Operating expenses remained largely controlled, with cost of materials, employee benefits and other expenses broadly aligned with revenue growth. The company continued to operate within a single reportable segment beverages simplifying its cost structure and reporting framework.

The unaudited financial results were reviewed by the Audit Committee and approved by the Board of Directors at its meeting held on 7 February 2026. Statutory auditors carried out a limited review and reported no material misstatements in the results.

In a market where margins are often squeezed by input costs and competition, Orient Beverages’ latest numbers suggest the company has found a reliable rhythm not explosive, but steady enough to keep the fizz alive.

Continue Reading

Brands

BCCL profit jumps 53 per cent in FY25 as tax bill shrinks

Revenue rises 4.3 per cent to Rs 10,209.33 crore while deferred tax gain lifts bottom line sharply

Published

on

NEW DELHI: Bennett, Coleman and Company (BCCL) has posted a sparkling set of financial results for the year ended 31 March 2025, proving that there is still plenty of ink and gold left in the ledger.

Revenue from operations climbed a steady 4.3 per cent, reaching Rs 10,209.33 crore compared to Rs 9,786.44 crore the previous year. When you sprinkle in other income, which rose 8.9 per cent to Rs 949.36 crore, the total income for the media behemoth hit a healthy Rs 11,158.69 crore.

While the income grew at a modest pace, the bottom line tells a far more dramatic story. The real headline is the 53 per cent surge in annual profit. How did they pull off such a feat? While Profit Before Tax (PBT) saw a gentle nudge upward of 2.7 per cent to Rs 1,610.00 crore, it was a vanishing act by the taxman that really did the trick.

Total tax expenses plummeted by 32.4 per cent, dropping from Rs 468.76 crore down to Rs 316.97 crore. This was largely thanks to a swing in deferred tax, moving from an expense of Rs 156.02 crore in FY24 to a benefit of Rs 39.44 crore this year.

Total income rose from Rs 10,658.55 crore in FY24 to Rs 11,158.69 crore in FY25, marking a 4.7 per cent increase. Total expenses grew at a slower pace, up 3.0 per cent from Rs 9,306.06 crore to Rs 9,581.45 crore. Profit before tax inched up 2.7 per cent, moving from Rs 1,567.02 crore to Rs 1,610.00 crore. However, the standout figure was net profit, which jumped sharply by 53.0 per cent, climbing from Rs 1,042.03 crore in FY24 to Rs 1,594.73 crore in FY25.

Advertisement

Despite the rising costs of doing business across the globe, BCCL kept a tight grip on the purse strings. Total expenses rose by just 3.0 per cent to Rs 9,581.45 crore. By keeping costs lower than the rate of income growth, the company ensured that the final figure, a net profit of Rs 1,594.73 crore, was nothing short of a front-page sensation.

In a world of shifting digital tides, it seems the BCCL ship is not just steady, but sailing into significantly wealthier waters.

Continue Reading
Advertisement CNN News18
Advertisement whatsapp
Advertisement ALL 3 Media
Advertisement Year Enders

Trending

Copyright © 2026 Indian Television Dot Com PVT LTD