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Alia Bhatt’s YouTube channel to boost her brand value

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MUMBAI: In the past few years, YouTubers across the world have managed to grab a celebrity status for themselves. Names like Bhuvan Bam, Prajakta Koli, Ashish Chanchlani have become immensely popular and have got the chance to perform with several Bollywood celebrities. Creators like Shibani Bedi and Harsh Beniwal also made their Bollywood debuts this year.

While these micro-and mini-influencers are on their way to embrace the silver screen, a star from there has shifted to the digital pedestal in a big way. Alia Bhatt, who within a career spanning over just 7 years has become a critically acclaimed star and has been getting abundant love from the fans as well, has launched her own YouTube channel on which, in her own words, she is planning to showcase her ‘unadulterated’ self.

Bhatt is already a huge star and has a massive following on Instagram and Twitter. Then why did she decide to go the YouTube way?

As per communications consultant on digital/social media marketing and PR Karthik Srinivasan the move is understandable as YouTube helps in long-form content far better than Facebook or IGTV given the SEO benefits.

Indiatimes and Lifestyle Brands at Times Internet COO Angad Bhatia says that Bhatt already has strong cultural relevance and with YouTube she can become an influential content creator in her own way.

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It is not the first time that a celebrity is trying to dabble in the social media space away from conventional platforms like Instagram and Facebook. Jacqueline Fernandez has a strong Snapchat presence, and she also debuted on TikTok recently along with Shahid Kapoor, and Tiger Shroff. Sonam Kapoor has her own app where she connects with her fans sharing beauty tips and offering a sneak peek into her lifestyle. In fact, a few celebs like Ajay Devgn, Shilpa Shetty Kundra, and Priyanka Chopra have their own YouTube channels as well, but they often upload just professional stuff.

Alia, who is one of the most loved stars in the country right now, could have easily leveraged these other media as well, especially her own app. Brand-nomics’ Viren Razdan notes that apps have their own limitations and challenges and that has led to international celebs like Kim Kardashian and Taylor Swift shutting down their individual apps.  

Srinivasan says, “An app demands that people install it in the first place. And unless they happen to be really big fans, they may not install the app since it has limited appeal on an everyday basis. Plus, app content cannot be discovered by casual fans and fans of specific topics they address from time to time, while a YouTube page, with well-curated titles and tags would be.”

Landor managing director Lulu Raghavan adds that an app needs very strong market machinery to promote and it is quite doubtful that people would want to add more app to their phones. Meanwhile, users are already there on YouTube and watching many forms of content and it makes it easier for discovery.

Brand guru and founder Harish Bijoor Consultants Harish Bijoor quips, “YouTube is the place to be. A magnet star with a magnet brand-name can do just so much in promoting her own app. YouTube, on the other hand, provides it all and more within a nano-second. For Alia Bhatt, it must be like saying, ‘why dig a well when you can outsource the sea?’”

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Rightfully so, within just three days of the launch and just one introductory video online, Bhatt’s channel has more than 310K subscribers. Meanwhile, Sonam Kapoor’s app on Google Play Store reflects only 100K+ downloads in three years.

Experts also believe that being on YouTube will add several points to Alia Bhatt’s already sky-high brand value.

Raghavan feels that the platform might give her an edge amongst her peers and it is possible that she emerges as the next global star from India after Priyanka Chopra.

“Of course, her primary brand value will be based on her roles and how well her movies perform. But if shares genuinely interesting and useful content besides, she could considerably enhance her brand value,” says Srinivasan.

“An active medium definitely helps build your influencing power and has the potential to strengthen conversations. If curated well, it could build her value immensely,” adds Razdan.

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Bhatia adds, “This new generation of celebrities is very social media friendly. They know how to convert excessive social scrutiny to their benefit. More visibility is important for a top of the mind recall and higher brand value. Different media and social platforms ensure just that.”

Also, brands can come forward to leverage in this new side of Bhatt’s social media presence. The actress is already associated with prominent brand names like Caprese, Frooti, Garnier, and Nokia and her venture into this new domain might open up other big opportunities.

Srinivasan mentions that this will especially help brands that cannot afford expensive TV media. Her YouTube channel could be their first big media push if the target audience is appropriate.

However, Raghavan points out that this is the one area in which Bhatt will have to tread carefully. “If she has authenticity then she should only promote those brands that she truly believes in. It shouldn’t become another value for sales pitches as that can easily backfire. But if she can track it (the products) beautifully in the narrative of her life, the word of mouth of a celebrity is extremely fast.”

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Netflix India names Rekha Rane director of films and series marketing

Streaming giant bets on a seasoned marketer who helped build Amazon and Netflix into household names

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MUMBAI: Netflix has put a proven brand builder at the helm of its films and series marketing in India, naming Rekha Rane as director in a move that signals sharper focus on audience growth and cultural cut-through in one of its most hotly contested markets.

Rane steps into the role after seven years at Netflix, where she has quietly shaped how the platform sells stories to India. Her latest promotion, effective February 2026, crowns a run that spans brand, slate and product marketing across originals, licensed content and new verticals such as games.

A strategic marketing and communications professional with roughly 15 years’ experience, Rane has spent much of her career building technology-led consumer businesses and new categories, notably e-commerce and subscription video on demand. She was part of the early push that introduced Amazon.in, Prime Video and Netflix to Indian homes, then helped turn them into everyday brands.

At Netflix, she most recently served as head of brand and slate marketing for India from March 2024 to February 2026, leading teams across media and marketing for global and local content portfolios. Before that, as manager for original films and series marketing, she led IP creation and go-to-market strategy for titles including Guns and Gulaabs, Kaala Paani, The Railway Men* and The Great Indian Kapil Show, spanning both binge and weekly-release formats.

Her earlier Netflix roles covered product discovery and promotion in India and integrated campaign strategy to drive conversations around the content slate, product awareness and brand-equity metrics.

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Before Netflix, Rane logged more than three years at Amazon in brand marketing roles in Bengaluru. There she handled national and regional campaigns for Amazon.in, worked on customer assistance programmes in growth geographies and contributed to the go-to-market strategy for the launch of Prime Video India.

Her career began well away from streaming. At Reliance Brands in Mumbai, she worked on retail marketing for Diesel and Superdry. A stint at Leo Burnett saw her work on primary research for P&G Tide, mapping Indian shoppers’ paths to purchase. Earlier still, at Orange in the United Kingdom, she rose from sales assistant to store manager, running a team and owning monthly P&L for a retail outlet.

The arc is telling. As global streamers fight for attention in a crowded Indian market, executives who understand both mass retail behaviour and digital habit-building are prized. Rane’s career sits at that intersection.

For Netflix, the bet is simple: in a market spoilt for choice, sharp marketing can still tilt the screen. And with Rane now leading the charge, the streamer is signalling it wants not just viewers, but fandom.

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Orient Beverages pops the fizz with steady Q3 gains and rising profits

Kolkata-based beverage maker reports stronger revenues and profits for December quarter.

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MUMBAI: A fizzy quarter with a steady aftertaste that’s how Orient Beverages Limited, the company that manufactures and distributes packaged drinking water under the brand name Bisleri closed the December 2025 period, as the Kolkata-based drinks maker reported improved revenues and a healthy rise in profits, signalling operational stability in a competitive beverage market.

For the quarter ended December 31, 2025, Orient Beverages posted standalone revenue from operations of Rs 39.98 crore, up from Rs 36.42 crore in the previous quarter and Rs 33.53 crore in the same quarter last year. Total income for the quarter stood at Rs 42.24 crore, reflecting consistent demand and stable pricing across its beverage portfolio.

Profit before tax for the quarter came in at Rs 3.47 crore, a sharp improvement from Rs 1.31 crore in the September quarter and Rs 0.39 crore a year ago. After accounting for tax expenses of Rs 0.79 crore, the company reported a net profit of Rs 2.68 crore, nearly three times the Rs 0.99 crore recorded in the preceding quarter.

On a nine-month basis, the momentum remained intact. Revenue from operations for the period ended December 31, 2025 rose to Rs 117.66 crore, compared with Rs 106.95 crore in the corresponding period last year. Net profit for the nine months climbed to Rs 5.51 crore, more than double the Rs 2.18 crore reported in the same period of the previous financial year.

The consolidated numbers told a similar story. For the December quarter, consolidated revenue from operations stood at Rs 45.06 crore, while profit after tax came in at Rs 2.06 crore. For the nine-month period, consolidated revenue touched Rs 133.57 crore, with net profit of Rs 4.49 crore, underscoring the group’s improving profitability trajectory.

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Operating expenses remained largely controlled, with cost of materials, employee benefits and other expenses broadly aligned with revenue growth. The company continued to operate within a single reportable segment beverages simplifying its cost structure and reporting framework.

The unaudited financial results were reviewed by the Audit Committee and approved by the Board of Directors at its meeting held on 7 February 2026. Statutory auditors carried out a limited review and reported no material misstatements in the results.

In a market where margins are often squeezed by input costs and competition, Orient Beverages’ latest numbers suggest the company has found a reliable rhythm not explosive, but steady enough to keep the fizz alive.

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BCCL profit jumps 53 per cent in FY25 as tax bill shrinks

Revenue rises 4.3 per cent to Rs 10,209.33 crore while deferred tax gain lifts bottom line sharply

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NEW DELHI: Bennett, Coleman and Company (BCCL) has posted a sparkling set of financial results for the year ended 31 March 2025, proving that there is still plenty of ink and gold left in the ledger.

Revenue from operations climbed a steady 4.3 per cent, reaching Rs 10,209.33 crore compared to Rs 9,786.44 crore the previous year. When you sprinkle in other income, which rose 8.9 per cent to Rs 949.36 crore, the total income for the media behemoth hit a healthy Rs 11,158.69 crore.

While the income grew at a modest pace, the bottom line tells a far more dramatic story. The real headline is the 53 per cent surge in annual profit. How did they pull off such a feat? While Profit Before Tax (PBT) saw a gentle nudge upward of 2.7 per cent to Rs 1,610.00 crore, it was a vanishing act by the taxman that really did the trick.

Total tax expenses plummeted by 32.4 per cent, dropping from Rs 468.76 crore down to Rs 316.97 crore. This was largely thanks to a swing in deferred tax, moving from an expense of Rs 156.02 crore in FY24 to a benefit of Rs 39.44 crore this year.

Total income rose from Rs 10,658.55 crore in FY24 to Rs 11,158.69 crore in FY25, marking a 4.7 per cent increase. Total expenses grew at a slower pace, up 3.0 per cent from Rs 9,306.06 crore to Rs 9,581.45 crore. Profit before tax inched up 2.7 per cent, moving from Rs 1,567.02 crore to Rs 1,610.00 crore. However, the standout figure was net profit, which jumped sharply by 53.0 per cent, climbing from Rs 1,042.03 crore in FY24 to Rs 1,594.73 crore in FY25.

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Despite the rising costs of doing business across the globe, BCCL kept a tight grip on the purse strings. Total expenses rose by just 3.0 per cent to Rs 9,581.45 crore. By keeping costs lower than the rate of income growth, the company ensured that the final figure, a net profit of Rs 1,594.73 crore, was nothing short of a front-page sensation.

In a world of shifting digital tides, it seems the BCCL ship is not just steady, but sailing into significantly wealthier waters.

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