Category: Talent

  • GSEAMS partners with 9X Jhakaas to launch ‘Lux Jhakaas Heroine’

    GSEAMS partners with 9X Jhakaas to launch ‘Lux Jhakaas Heroine’

    MUMBAI: GSEAMS (Global Sports Entertainment And Media Solutions Pvt Ltd) which in less than a year’s time after successfully establishing “GSEAMS-Media Solutions” , “GSEAMS –Production” & “GSEAMS – Talent Management”, has partnered with India’s First Marathi Music Channel 9X Jhakaas to produce a unique reality show titled “Lux Jhakaas Heroine” under the “GSEAMS – Production” Division.

     

    “Lux Jhakaas Heroine” is a talent hunt for the next leading face in the upcoming Marathi film “Mitwaa” starring renowned actors Swapnil Joshi and Sonalee Kulkarni. In a short span of time, the show received a stupendous response with over 3000 entries of talented contestants from various parts of Maharashtra such as Solapur, Kolhapur, Nasik, Jalgaon, Pune and Mumbai among others. 9X Jhakaas along with the producers of Mitwaa, Meenakshi Sagar Productions, have scanned through all the entries and have shortlisted the best candidates who will compete to star in Mitwaa. 

     

    Speaking on their latest foray into Non Fiction, Arjun Singgh Baran and Kartik Nishandar said “We are extremely happy to have forayed into regional Non Fiction with “Lux Jhakaas Heroine” primarily because it’s the first of its kind show in the Marathi Non Fiction space. The show is a hunt for the heroine of Mitwaa movie opposite to Marathi Superstar Swwapnil Joshi & the movie is produced by the makers of the biggest blockbuster of Marathi cinema so far “ Duniyadaari”.  We are very happy with the support that we have received from the entire Marathi Industry specially Swwapnil Joshi, Sonalee Kulkarni Jr, Sidharth Chandekar,  veteran actor Vijay Patkar, Duniyadaari Director Ravi Jadhav, veteran choreographer Umesh Jadhav, Phulwa Khamkar & many more who are part of the show either in the form of experts, Jury or special panel. Lastly we would like to thank the team at 9X Media spearheaded by Amar Tidke (Sr VP, Content Head 9X Media) & Rohan Rane (Associate Vice President – 9X Jhakaas) without whom this show wouldn’t have been possible and also we are very happy the way they have believed in our creative concepts and have got the best out of us.”

     

    Commenting on the association Amar Tidke, Sr. VP, Content Head 9X Media said “We are pleased to partner with GSEAMS and create an apt platform for aspiring actors to showcase their talent and get a Jhakaas entry into the Marathi Film Industry. The young and talented team at GSEAMS has the zeal and the hunger to work towards a better product. With Lux Jhakaas Heroine we are confident of getting newer viewers to Marathi television. This unique talent hunt show will introduce the next big Heroine in the Marathi Film Industry!”

     

    Further Adding to the same Rohan Rane (Associate Vice President – 9X Jhakaas) commented “ It was a pleasure to work with GSEAMS as a team since they helped us to put together this unique concept which we feel would create a revolution in the Marathi Non Fiction space. At 9X Jhakaas, we believe in innovation and new age distinctive content. We look forward to creating many such path breaking and compelling content with GSEAMS in the future.” 

     

    After having a successful stint with Reliance Broadcast Network Ltd. Arjun Singgh Baran & Kartik Nishandar started GSEAMS a year back. Since the inception of the company there has been no looking back for the media veterans wherein under the media solutions division the team has been involved in marketing more than 8 movies with banners such as Viacom, Eros, Fox & others, providing media solutions to clients like Reliance Infra & many more and creating television content be it their own IP such as the IMA Marathi Music Awards on Star Pravah or producing shows for other channels/ clients & lastly their one month old division “GSEAMS –  Talent Management” which manages Sports star, Youth  Icon & BIGG Boss Finalist Sangram Singh .

  • India’s Got Talent wins Best Entertainment Programme award

    India’s Got Talent wins Best Entertainment Programme award

    MUMBAI: FremantleMedia produced India’s Got Talent won the Best Entertainment award at the 18th Asian TV Awards which was held at Singapore. The show is aired on Colors and is currently gearing up for its fifth series.

    FremantleMedia India’s Mission Cover Shot, which airs on National Geographic and gives photographers the chance to showcase their creativity before an esteemed panel of judges, was also awarded Most Commended show in the Best Reality Show category.

     

    FremantleMedia India managing director Anupama Mandloi said, “It’s an enormous honour to receive the two awards at the Asian Television Awards and is a real testimony to the hard work of our talented production teams and partners behind the shows.”

  • Zee leads pack of musical sagas; Sony overtakes Star

    Weekend primetime viewing is bracing up for some nail biting competition across the top general entertainment channels, each sprucing up its reality offerings to capture audiences. This wave of reality formats emerged across the horizon in the month of May, each following the reality curve and heading towards climax as they collectively approach their final weeks.

    The broadcasters – Star Plus, Zee TV and Sony – are gearing up to back each of their weekend ‘eye pullers’ with full gusto! An analysis of Tam’s revelations bring to light how each of these shows have shaped up since launch, followed by how they stack up against each other in their fight to reach the top.

    The Evolution:

    In this race for TRP’s, Zee TV has consistently been ahead of the game with its music talent hunt Sa Re Ga Ma Pa Challenge 2007. In its opening weeks the broadcaster was wrestling with Sony’sIndian Idol that launched at the same time. But not for long, as Zee suddenly snatched a huge chunk of eyeballs with a whooping TVR of 5.5 on 18 May (Tam C&S 4+, HSM) and has practically hogged the limelight since then. Coincidently, this was the same day that Star Plus kicked off its version of the musical talent hunt Star Voice of India, which received a cold shoulder from viewers with a TVR 2.9 inspite of having grabbed the former producer, host and judges from Zee’s earlier edition of the musical format.

    Grappling with this situation, Zee seems to have aggressively upped its efforts stating that this edition of the landmark property would prove to be a “Sangeet Ka Pratham Vishwayudh,” as though the broadcaster were making a point! So far, Star has only beatenSa Re Ga Ma Pa on one occasion with a rating of 4.3 (Tam 8 – 9 June, C&S 4+, HSM) while Zee lagged at 4.1.

    Date
    Day
    Sa Re Ga Ma Pa Challenge
    Indian Idol 3
    Star Voice Of India
    4 May Fri
    3.5
    3.66
    NA
    5 May Sat
    3.47
    3.67
    NA
    11 May Fri
    3.84
    3.16
    NA
    12 May Sat
    3.46
    4.01
    NA
    18 May Fri
    5.5
    3.58
    2.88
    19 May Sat
    5.05
    3.7
    2.45
    25 May Fri
    4.74
    2.75
    3.56
    26 May Sat
    4.07
    2.61
    2.57
    1 June Fri
    4.09
    3.14
    3.16
    2 June Sat
    3.79
    3.42
    2.89
    4 June Mon
    NA
    2.68
    NA
    5 June Tue
    NA
    2.81
    NA
    6 June Wed
    NA
    2.91
    NA
    7 June Thu
    NA
    3.27
    NA
    8 June Fri
    4.38
    3.46
    4.46
    9 June Sat
    3.86
    4.03
    4.13
    15 June Fri
    4.89
    3.26
    4.62
    16 June Sat
    4.33
    2.96
    3.01
    22 June Fri
    4.34
    3.6
    3.68
    23 June Sat
    3.65
    2.95
    3.61
    29 June Fri
    3.46
    2.67
    2.06
    30 June Sat
    4.63
    3.42
    2.92
    (Tam Peoplemeter System: TVR, C&S 4+, HSM)

    More recently, the tables seem to have turned on Star as Indian Idol, which was earlier trailing behind Voice of India, has suddenly propelled into the second spot after Zee, for two weeks running. Sony’s Idol clocked a rating of 2.67 and 3.42, shoving Star to 2.06 and 2.92 on 29 and 30 June respectively (C&S 4+ HSM).

    This is particularly significant as Zee’sSa Re Ga Ma Pa andIndian Idol have already entered the final stages rounding off the shortlisted contestants, a phase that garners large audiences. Star Voice of India will arrive at this juncture next week. Therefore, one can expect heavy duty action between the three players.

    The Experts:

    Skirmishing for the spotlight, programming tweaks and surprises will be the order of the day. The experts that tug the reigns of success for these shows have their own gyan to share……

    Zee TV senior vice president programming Ashvini Yardi confesses, “My biggest fear was that this being the second edition of Sa Re Ga Ma Pa, it would not fare as well as the first. But it turns out that this year the response in terms of ratings has been far better. It is an established brand with the best singers and mentors on board and this year were have consciously made it bigger and more glamorous.”

    Talking of talent – other players also vouch for the superiority of their talent, so who decides? A confident Yardi replies, “Let the ratings speak for themselves.”

    With Zee holding centre stage andIndian Idol putting up a challenge to Star Voice of India, the space is getting more intense. Star India VP marketing Prem Kamath attributes the slip in ratings to its delay in the peaking cycle because it was launched after its two competitors. “This is a natural swing of ratings that are witnessed on a weekly basis. Besides, Voice of India will only step into its final stages of voting in the coming week. It is then that we will see the show peak to reach its crescendo.”

    He adds that with crucial Indian cricket matches coinciding “the share will go from the leaders.” But will this rating dip indicate a trend? “Well, we will just have to wait and watch,” opines Kamath.

    Betting big on Idol is Sony EVP and business head Albert Almeda who says a “snowball effect” has emerged out of the evolution of the show across the four stages including the auditions, the theatre round, the piano round and now culminating with a gala final phase. “Over time, the viewers have grown in their emotional involvement with the show and its characters. We are bound to see a huge spike in the ratings as the contestants are backed by audiences in their transformation from uncut individuals to professional artists.

    “As the pressure mounts in the fourth and final stage of the show spanning over 12 weeks, we expect to see our ratings to be in excess of four,” adds Almeida.

    With no less fervor, both Zee and Star will up the volume of their activities around the show. Zee has seen benefits of roping in celebrities for cross promotional activities and will continue to invest heavily on that strategy. They recently brought Sunny Deol onto the show to promote his latest film Apne.

    Kamath counters, “A marketing outburst of both on and off air activities will be unleashed during the voting rounds, while twists and turns embedded in the programming will be seen. This will result in a natural fillip in the ratings.”

    But Zee has bigger aspirations, Yardi has raised the bar for the challenge expecting it to touch the No 1 slot across all GECs. “Just as the finale of Lil’ Champs pushed the property into the No 1 position across all general entertainment channels, so also do we expect the Sa Re Ga Ma Pa Challenge to achieve the same,” she affirms.

    The Bigger Picture:

    With a bird’s eye view of the Indian television landscape, the scenario of the top three players from January to June 2007 depicts the gradual decline of a leader and the emergence of a strong challenger. Star Plus has been showing a consistent downward trend with the relative channel share touching 36 per cent in June from its position at the beginning of the year at 44 per cent.

    Meanwhile, Zee TV has creeped up the ladder to occupy a share of 26 per cent from its position at 22 per cent in January. Although taking baby steps, Sony has also upped its standards from 12 to 14 per cent during the six month duration.

    Relative channel share across Hindi GEC for Jan – June 2007
    Channel
    Jan
    Feb
    Mar
    Apr
    May
    Jun
    Star Plus
    44
    45
    42
    39
    39
    36
    Zee TV
    22
    22
    21
    24
    26
    26
    Sony TV
    12
    11
    11
    11
    13
    14
    ( Tam: Relative shares, C&S 4+, HSM)

    What’s more, Zee TV is claiming to be far closer to Star than ever before. The recent weekly GRP figures from Tam show Star at 323.5 and Zee at 263 narrowing the gap between the two to 60 (Week 26, 24 – 30 June).

    Yardi points out the significance, “This is the first time in seven years that the gap between us and Star has been narrowed to 60. On two occasions earlier the difference has been 90 but this is the closest it has ever been.”

    The last week of June has actually seen the leader (Star Plus) forfeit 35.7 GRP’s and Zee TV gain 19.6 GRP’s.

  • ‘Boogie Woogie’ to make a comeback on Sony

    ‘Boogie Woogie’ to make a comeback on Sony

    MUMBAI: In an attempt to sort out its declining fortunes, Sony has decided to ride the comeback wave. The channel brought in CID, Aahaat and even a revamped Karamchand (earlier on Doordarshan) to draw in the viewers.

    Continuing with this formula, SET has decided to revisit past glories with Boogie Woogie. The popularity of Javed Jaffrey, Naved and Ravi on this talent based dance contest has ensured a decade long run on SET.

    ‘The country-wide search for dancing talents will be flagged off with auditions beginning in Mumbai between 16 and 20 February.

    Boogie Woogie is all set to make a comeback on weekends and although no date has been revealed yet it will be aired as a one hour show on Saturdays at 8:00 pm.

    The new format comprises of theme based competitions like horror, villains, super hero kids, TV celebs, cabarets and Shaadi -Vivaah special.

    The reality based dance hunt will feature two championships with 7 episodes each. The proposed themes are ‘mummies and kids championships’.

  • Shah Rukh in KBC: Wit and wisdom

    Shah Rukh in KBC: Wit and wisdom

    NEW DELHI: “Main is desh ka laal hun is liye is baar KBC ka background laal hai, (I am a son of this soil (laal), that is why the background of KBC is in red),” said Shah Rukh Khan in his signature wit. That is likely to be the most significant change in the third avatar of India’s most successful game show, Sameer Nair, Star Plus CEO told a packed press conference here.

    Witty, jovial, charming and very GenNext. All attributes that had been at the core of the choice for a successor to Big B as the host of the show that had become a national addiction when it first hit the small screen in 2000. And which Shah Rukh exuded in overdoses. However, indicating the change in tenor that is likely to take place with his taking over, Khan said: “I shall be a dost (friend), rather than a host. I am friendly and I like to be friends, so that is what I shall try to do.”

    And while Shah Rukh kept the media enthralled, Star Entertainment India CEO Sameer Nair, answering a tricky financial question on the cricket World Cup 2007 stealing the major advertisers away from KBC, said: “I have spoken to the major advertisers and our old clients and the response has been tremendous. It is the World Cup that has a problem, not Star.”

    It was an obvious thing to say on the face of today’s reports in some papers that KBC III would face a revenue problem because most top agencies and advertisers have put in all the big bucks into World Cup coverage, but Nair was not entirely convincing.

    Puns and ripostes apart, Shah Rukh painstakingly dispelled the inevitable and repeated comparisons drawn between him and Amitabh Bacchan. “His boots are too big for me to fit in,” he said.Siddharth Basu of Synergy Communications, producer of KBC had said, “Television today has a much younger audience and a hugely larger veiwership and this called for a rebirth of the show. So when Amitabh Bacchan decided not to be the host, the natural choice was Shah Rukh Khan, who is the best person for the generation ahead.”

    Interestingly, Basu revealed that Shah Rukh’s name had been discussed long ago, as a “what if KBC needs a change of host”.

    Responding to the incessant comparisons with Big B, Shah Rukh said first, that he was not ‘replacing’ anyone. “The word replacement would come had Amitji still wanted to do the show and yet, I would be called in. That is not the case here, because he had himself decided not to host the show.”

    Secondly, he said, “It is a humbling thought that I am participating in a piece of history in the world of entertainment. So, I pray and hope that I am able to just keep up the great standards that Amitji had taken the show to.”

    Interestingly, responding to a question of the ‘shift’ from the ‘big screen’ to the small one, Shah Rukh said that it is a mistake to talk of television as the small screen only because of its size. “It is actually much bigger than cinema, with its over all reach and the size of the industry in terms if money is also much larger. The small screen is so big that we are now scared of it,” he added for good measure.

    Shah Rukh added that he was not, in fact, ‘shifting’ to TV. “In television, I have just one commitment and that is with KBC, and otherwise I shall be doing the three or four films that I do every year.”

    Asked about his personal incentive behind deciding to host KBC, Shah Rukh said that money and other things apart, “It is the great chance to be with the people that has been the greatest lure for me.”

    “I am paid for by the people of this country, but due the nature of my job, I seldom get to meet them one to one. KBC will give me that chance for the next 52 episodes.” Shah Rukh, referring to his old and keen interest in quizzes and knowledge-based programmes said that for the next one month or so, he would devote as much time as possible to studies, so that he handles the show better.

    The other question that was bound to be repeated was what would be new to the third avatar of KBC.

    Nair said that much has changed in technology, including telephony, SMS and other aspects, so there will be many technological innovations, “but in the end it will be the content, the creativity that will matter”.

  • ‘Indian Idol’ with a cricketing spin

    ‘Indian Idol’ with a cricketing spin

    MUMBAI: This would be right up Sony Entertainment Television India’s street, more so considering the fact that reality television and cricket are such key programming ingredients for the network. The cricket board today announced a reality TV show ‘Cricket Star India’ that purportedly aims to find the best young cricketer in the country.

    The show, on the lines of ‘Indian Idol’, is being launched by UK-based firm Investors in Cricket (IIC) in association with the Board of Control for Cricket in India (BCCI).

    Both organisations are in final negotiations with two television partners and a final decision is expected in July. One of the partners will screen the cricket matches, while the other will screen the tests and selection process. In addition, IIC has signed up a leading reality TV production house in India and has agreements with a number of high profile corporate sponsors, according to an official release.

    Cricket Star India is the first programme in a 5-year international roll out, with Cricket Star UK already slated for Summer 2007. The winner of the first series, Cricket Star India, will earn a place at the Indian national trials, a year’s expenses paid contract with Leicestershire County Cricket Club (one of 18 professional first class teams in the UK).

    The initiative will kick off in August, when young cricketers in India can apply on-line and by post. A nationwide application and screening process will lead to a shortlist of talented candidates being invited to attend auditions in one of several regional centres under the auspices of local cricket boards.

    There they will be assessed by celebrity cricket judges, including national selectors, and BCCI technical and cricket staff, who will select the final group to attend the Cricket Star Academy, the release adds.

    The Cricket Star Academy begins in November, where the successful finalists will spend up to 10 weeks. The students’ progress will be tested each week through televised cricket matches against, variously, state XIs, the Indian Under-19 XI ,and celebrity XIs which will include some of the game’s leading names and many current Indian stars.

    Apart from the cricketing abilities, the coverage promises to uncover the candidates’ human sides, portraying life at the academy, the interaction between the hopefuls, and insights into their passion for the game. The final selection will be informed by millions of television viewers voting by phone, online or by text, states the release.

    The anouncement of the launch was made in New Delhi today and was not without some controversy. Press trust of India quotes Cricket Star CEO Fraser Castellino as saying the programme would serve as a selection trial for the board and the winner would be fast-tracked into the national side. However, when it was pointed out to him that there had never been trials to pick the Indian team per se as players were picked on the basis of their performances in domestic tournaments, Castellino made a volte face. “We will use the board’s facilities and draw on the coaching staff but there is no guarantee of selection into the state or national team,” PTI quoted Castellino as saying.

    The release quotes BCCI V-P and marketing committee chief Lalit Modi as saying, “Cricket Star is a ground-breaking TV format we have developed with Investors in Cricket that will showcase the best of India’s unsung cricketing talent, and compliment the BCCI’s growing portfolio of media properties. This exciting project supports our aim of unearthing and developing talent to produce the future stars of the game.” Modi was not present at the press conference though