Category: TV Shows

  • Sony BBC Earth dominates factual entertainment space within a year

    Sony BBC Earth dominates factual entertainment space within a year

    MUMBAI: People thought that the infotainment genre was saturated with enough players competing for a niche viewership. That was until Sony BBC Earth took up the challenge and launched in an already cluttered segment. Proving naysayers wrong, the channel scaled up its market share from 22 per cent to 26 per cent in the metro cities during the first quarter of FY18-19 itself.

    A year down the line, Indiantelevision.com caught up with Sony Pictures Network English cluster business head Tushar Shah. He said that the genre had fallen into the trap of pandering to viewership by giving content without the basic requirements expected namely information and entertainment.

    “We figured out through our research and discussions with our consumers that actually the main slot that was information and entertainment was needed and people were moving towards entertainment. So the main premise of the category itself was missing and that was the premise which we planned to fill and bring back the days of infotainment on TV,” he says.

    From the initial 14-15 minutes of viewership, it now gets 27 minutes. Shah says that it was a challenge to dethrone a channel that was already ruling the market and jump from the eighth to the first position within a year.

    “It is difficult to change the habit of what you are watching for 15-20 years and to break that is the biggest challenge that anyone could have. Our target is not just the viewers, it is also our trade partners, our distributors, our advertisers, we have to take them all along so that we are able to tell the story that we want to convey to the consumers,” he says.

    The channel is not giving it a rest anytime soon. The goal is to create a bond with audiences that will last long. Shah is pretty confident about the growth of the whole infotainment genre in general. “If you look at the infotainment space, it is just as big as the English movie space, perhaps a little bigger also, depending on the week on week numbers. It is even bigger than the English general entertainment channels but the revenue is not commensurate with the size of the category and that is something I want to see growing,” he reveals.

    The channel has been trying to overcome the various challenges. “One is to take it as the face value and the other is to put everything together and see what comes out of it. So mobilisation is your challenge and the second is, decoding the consumer and third is, once you have identified the positioning of the channel, meeting that promise is a big challenge,” says Shah.

    Launched in March 2017, along with Hindi, Tamil, Telugu and English audio feeds being the primary language for the channel, the channel concentrated on three strong pillars that the channel religiously followed – visual effects, never seen before and positive insights to stories and staying true to its tagline ‘feel alive’ along with creating the emotional bond with the viewers that will make them remember it for lifelong.

    Spy in the Wild, The Hunt, Attenborough’s Big Birds and Rick Stein’s India are some of the shows that are helping the channel to garner more eyeballs. If the channel can create ripples within just a year, it surely has more milestones to record in the coming years.

  • Endemol shine india celebrates the launch of the 25th season of the bigg boss franchise in india!

    Endemol shine india celebrates the launch of the 25th season of the bigg boss franchise in india!

    MUMBAI: Bigg Boss, the ultimate reality show has done it again! After conquering audiences, across Hindi, Kannada, Bangla, Telugu, Marathi and Tamil markets the show launched its premiere season in Malayalam this weekend. The launch marks the 25th season in totality for the franchise in India. Globally Endemol Shine India is the only territory in history of the franchise to have produced the Big Brother format (Bigg Boss) in multiple languages for different broadcasters. In India, Bigg Boss is now produced in 7 languages, with an output of 600 episodes across the calendar year.

    Having become a favorite since its launch in 2006, Big Boss is undoubtedly the biggest & most popular reality show in India with an enviable viewership.  Over the years, it’s found a place in the heart of the viewer breaking across languages, traditions & cultures. Produced at a mammoth scale, the show is testament to a synergy between provocative creatives, state of the art production and logistics.

    While first produced in Hindi, the show became easily adapted itself to other languages and cultures – & still garners huge TRP’s (often rated the #1 Non-Scripted) for its broadcasters and their digital platforms. With the legacy of having Iconic stars as hosts, the show boasts of an association with the likes of Salman Khan, Kamala Hassan, Nani, Mohanlal, Mahesh Manjrekar and Sudeep with an equally compelling mix of housemates.

    Talking about the completion of 25 seasons of the franchise in India market, Abhishek Rege, CEO, Endemol Shine India said, “Bigg Boss, now in its 7th language and 25th season, is undoubtedly the most popular non-scripted show across the country entertaining viewers from all strata of society. We have come a long way since the launch in 2006. The Series has always been well received and has become part of the Nation’s TV viewing culture.  The ongoing appreciation for the franchise, no matter the language is testament to the effort of the Creative and Production teams at Endemol Shine India and their understanding of geographies and of local audiences. The love for the show constantly encourages us to strive to entertain, innovate and engage the viewers season after season.”

    Endemol Shine India has produced over 170 shows which have translated in to nearly 6000 hours of programming across 8 languages. Boasting of one of the most experienced creative & production teams across all genres, in the business –  the company takes pride in ensuring that the franchise remains refreshed and that the level of intrigue regarding the show only grows each season. 

  • Nation’s most loved show – Bhabiji Ghar Par Hain revels with 6 trophies at the Dadasaheb Phalke Awards

    Nation’s most loved show – Bhabiji Ghar Par Hain revels with 6 trophies at the Dadasaheb Phalke Awards

    MUMBAI: &TV’s most popular show ‘Bhabhiji Ghar Par Hain’ has been running successfully entertaining the masses with a daily dose of comedy. A favourite with audience across all age groups, certain dialogues of the show have become a part of the common parlance. Given the popularity that the show enjoys, Bhabiji Ghar Par Hain won big at the recently hosted Dadasaheb Phalke Awards with 6 glorious awards.

    The show not only won the award for Best Serial, but Actors Rohitash Gaud (Tiwariji) and Shubhangi Atre (Angoori) took home the trophy under the categories Best Actor Male and Best Actor Female for their stellar performances respectively. The list of awards continued for the team as Shashank Bali received the award for Best Director and Manoj Santoshi for Best Writer. News personality Charul Mallik was awarded the trophy for Best Cameo in Bhabiji Ghar Par Hain.

    Talking about the show’s huge success, Vishnu Shankar, Head – &TV said, “Bhabiji Ghar Par Hain is our marquee property and it is always a pleasure to revel in the adulation. Every character has a story to tell which we believe adds to the popularity of the show. I would like to congratulate the team for taking home so many awards. It’s indeed a proud moment for us.” 

    Sharing the happiness of the show’s brilliant success Producer Sanjay Kohli proudly said, “It feels great to be appreciated. I am thankful to the entire team of Bhabiji Ghar Par Hain who have worked tirelessly to take this show to such great heights and specially “&TV”. Six prestigious awards in one night is definitely a reason to celebrate. It’s amazing to see the amount of love that has been coming our way and I would like to thank the audience for always extending immense love and support.”

    Television’s favourite Angoori Bhabhi a.k.a. actress Shubhangi Atre said, “I feel extremely honored to receive such a prestigious award. Moments like these really cheer and push me to keep doing good work. We would be nothing without the love and support of our audience, so this award is for them. Angoori Bhabhi has become an iconic character and that always motivates me to give more than what is expected out of me. I love comedy as a genre and working with such an amazing cast has been an icing on the cake”.

    Rohitash Gaud a.k.a. Tiwariji added “It’s a blessing to be part of Bhabhiji, a show which has won so many awards in one night. I feel overwhelmed when I see the amount of love and appreciation the show and my character has gained. We hope to continue entertaining the audience for years to come.”

  • The Promaxbda Awards Rolls Out Its Heavy-Duty Line-Up For Its Marketing Workshop And Masterclass Sessions

    The Promaxbda Awards Rolls Out Its Heavy-Duty Line-Up For Its Marketing Workshop And Masterclass Sessions

    Mumbai, 24th April 2018: A 360 degree spin at the PromaxBDA India this year guarantees hobnobbing with some of the biggest creative minds of the world.

    Start with the Marketing Workshop by Bex Schwartz who is the Executive Creative Director and Director at Cause +Effect. Get tips, techniques, and best practices for using social media to amplify your voice and tickle your audience’s fancy. This workshop will examine excellent examples of omnichannel TV promotion and explore analytics and metrics for watching social engagement transform into ratings.

    Next comes Tim Horwood’s Masterclass about the changing creative space of Africa. 

    Tim comes with 26 years of experience in the African broadcast industry. The world’s perception of Africa is riddled with stereotypes and misconceptions. In this session, Tim will be discussing the new, contemporary African creative space and showcasing some exciting work being produced in the rapidly growing music, TV and creative environments.

    The power-packed masterclass sessions continue with truTV’s Puja Vohra and creative mastermind Glenn Urquhart. 

    During her masterclass, Puja will break down the award winning #TruTVIsAThing campaign- how she and her team took on an army of twitter trolls and won! According to Puja, her session- Know Thyself (and be as funny as hell), will help you understand how to “tap into the power of great, real-time self-aware social media content”.

    The multi-disciplined Glenn Urquhart comes with experience in copywriting, direction, music production, journalism and commercials. Glenn’s session Curiosity Skilled The Cat promises to reveal a secret formula to an effective creative. Speaking about his session, Glenn says, “You can expect a huge shot in the arm, its basically about creative inspiration. There will be a robust discussion about what makes a good creative. Because a good creative doesn’t happen in a vacuum.” 

    The masterclass sessions follow the much sought after Promo Workshop: THE [V]MACHINE, which is scheduled to take place on 22nd May 2018, at Indian School of Design and Innovation, Mumbai. The [V]MACHINE offers to be a unique drill where three hardcore creative geniuses: Rob Middleton, Arnab Chaudhuri and Pete Bishop come together and dive into the technicalities of creating promos that are versatile and relevant for all platforms. 

  • Sony BBC Earth shakes up factual entertainment space

    Sony BBC Earth shakes up factual entertainment space

    MUMBAI: Within a year of its launch, factual entertainment channel Sony BBC Earth has emerged as the leader in the metros as per the latest week 11 of BARC ratings.

    From the sixth position to the top, the ride has been quick for the channel. Sony BBC Earth stood at 5 per cent market share a year ago and now takes up 22 per cent backed by a strong distribution network, strategic content line-up and strong marketing innovations.

    Sony Pictures Networks India EVP and business head English cluster Tushar Shah said that this one year has been a period full of learning. “It is gratifying that in a span of one year, despite the channel having been launched as the eighth channel, we are on top today. All our efforts have paid off,” he exults.

    Shah adds that the infotainment genre has a slight entertainment edge which created a better opportunity. Research told them that people wanted pure, factual and full of life content. “The kind of content that Sony BBC Earth provides is real, factual and with grand visual effect. We are not driven by what competitors show, we believe in what we have and we are very confident that in the long run it will pay us rich dividends,” he says.

    Commenting on the same, BBC Worldwide south and south-east Asia SVP and GM Myleeta Aga said that Sony BBC Earth team’s consistent work on building reach and fine-tuning the programming and marketing mix has paid off. She further adds that series like Spy in the Wild and Fishing Impossible have performed well for the channel.

    The channel is celebrating its achievement with British TV presenter and medical journalist Michael Mosley. He conducts experiments on himself to give definitive answers to health-related questions and has busted many myths related to food, fitness and health. Trust me I’m a Doctor, Meet the Humans, The Truth About Exercise are some of the shows aired exclusively in India on Sony BBC Earth.

    Earlier in February 2018, to bridge the gap between urban lifestyle and the natural world, Sony BBC Earth had taken its brand proposition of ‘Feel Alive’ on-ground by introducing an annual property called feel-alive hours.

    The channel started with schools so that students can feel alive and refreshed ahead of their annual exams in March. The activity covered 300 schools, 2 lakh students across four cities of Mumbai, Delhi, Bangalore and Kolkata

    Also Read :

    Sony BBC Earth makes children ‘Feel Alive’ with its exclusive school contact program

    Sony BBC Earth reveals Republic Day programming plans

  • NEWTON AND MUKTI BHAWAN WIN BIG AT NEWS18 REEL MOVIE AWARDS 2018

    NEWTON AND MUKTI BHAWAN WIN BIG AT NEWS18 REEL MOVIE AWARDS 2018

    Mumbai, 21 March, 2018: News18 REEL Movie Awards, a News18.com marquee property with Reliance Digital as the presenting sponsor, celebrated new age cinema like never before in presence of renowned artists, film-makers and producers at the Taj Lands End in Mumbai, yesterday. Personalities such as Rajkummar Rao, Dia Mirza, Ratna Pathak Shah, Sonali Kulkarni and Richa Chadda among others graced the event with their presence. Jury members Nikhil Advani, Sudhir Mishra and Sujoy Ghosh looked on while the new-age cinema artists received their well-deserved awards.

    The awards opened with Prasoon Joshi, ad-man and CBFC Chairman being welcomed on the dais for a riveting conversation reflecting upon his challenges in his current role. The evening then moved towards recognizing excellence in new age cinema and honouring the personalities who gave their best in 2017. Amit V Masurkar took home the first News18 REEL Movie Awards for Best Director for Newton, Irrfan Khan was recognised for his work in the movie Hindi Medium under the Best Actor (Male) category, while a surprised Ratna Pathak Shah accepted the Best Actor (Female) award for her role in Lipstick Under My Burkha.

    On accepting the award, Ratna shared, “I am surprised that a 60-year old artist was picked for the award since it was quite the chance that the jury took and I am happy that they did.” The actor dedicated her award to the team of Lipstick Under My Burkha.

    The jury presented an award for the Breakthrough Actor to none-other-than Rajkummar Rao. The elated star said, “2017 was a great year for cinema and I hope it continues. I am so happy that the dream I had seen as a young boy sitting in Gurgaon has come true. I want to thank the audience for appreciating such cinema and we will continue to keep bringing excellent content for them.”  

    Mukti Bhawan won the first News18 REEL Movie Awards for Best Film and director Shubhashish Bhutiani, along with his team accepted the awards and shared, “I stayed in a room with my father in preparation for the film, pretty much taking a journey like the protagonist in a film, in order to make this movie happen. Winning the award is truly an honour and a privilege.”

    Meher Vij was awarded the Best Supporting Actor (Female) for the movie Secret Superstar, while Pankaj Tripathi won the award for Newton in the Best Supporting Actor (Male) category.

    The awards concluded with a riveting panel discussion on digital content creation, moderated by Network18 Digital CEO Manish Maheshwari, with Sujoy Ghosh, Saurabh Shukla, Sudhir Mishra, Richa Chadha and Dhawal Gusain taking the dais as panelists. The event was live-streamed on Jio TV.

  • TLC to target Tamil, Telugu markets

    TLC to target Tamil, Telugu markets

    MUMBAI: The groundswell of serving Indian audiences with regional content has now proved to be a battlefield. Broadcasters are realising the potential in the southern areas of India. Days after Living Foodz decided to add southern language feeds, Discovery Networks-owned TLC is all set to target the Tamil and Telugu markets.

    Speaking to Indiantelevision.com, Discovery Networks Asia Pacific VP premium and digital networks Zulfia Waris said, “We are particularly keen on the Tamil and Telugu languages.” She adds that the languages are in the pipeline and no specific launch date has yet been decided.

    She says that TLC has a strong line-up of international shows and other franchises that will be launching one by one. “We have kept our focus on what we are good at and we ensure that we telecast the best programming that our audience may like,” she added.

    Highlighting on today’s marketing strategies, she says that they have taken a very different form and the traditional marketing roots are not completely relevant in the case of TLC.

    The channel has lately been inclusive of Indian faces and local content. Last year, it launched a comedy series titled Queens of Comedy, dedicating it entirely to the female comedians who will compete and be judged. At the time of launch, Waris had said that this was one of the several shows the company has in mind to reach out to Indian female millennials.

    Broadcast Audience Research Council’s historical data shows that lifestyle channels have equal male and female viewership. The top six cities witness highest numbers coming from the age group of 41 to 50 followed by 2-14 years.

    Giving an update on Discovery’s recently launched digital channels that focus on categories like military, girlist, automotive and food, Waris said that the first two genres on the channel Veer had done well. For now, all of Discovery’s digital channels focus on Hindi language unlike the TV channels.

    Waris claimed that when they kick-started the first digital channel—Veer, it had crossed 10 million views within a month. Marketing and promotion were entirely dependent on digital.

    Veer will now be available on Jio, Airtel Wynk and YouTube along with its four-episodic new show named Breaking Point: The Indian Submariners that will premiere on Discovery Channel starting 19 March at 9 pm.  The series has attracted marquee advertisers including Byju’s The Learning App, Skybags, Too Yumm, BigBasket, Woodland, Toyota Kirloskar Motors and Abu Dhabi Tourism to its fold.

    Also Read :

    Living Foodz to add Tamil feed in FY 18-19

    GST fails to spoil Food Food’s party

  • Discovery World HD adds Hindi, Tamil, Telugu feeds

    Discovery World HD adds Hindi, Tamil, Telugu feeds

    MUMBAI: Discovery World HD is leaving no stone unturned to tap into India’s growing regional phenomenon. It has started Hindi, Tamil and Telugu language feeds for specific markets. Discovery seems to be targeting the mass audience with the three largely spoken languages in the country.

    Discovery Communications India vice-president and head premium and digital networks Zulfia Waris told Indiantelevision.com, “We are delighted to add three new feeds. The introduction of local languages is an attempt to further solidify our leadership position in key markets across the country.”

    The service has started on Intelsat20 @68.5 degree East satellite. The language feed will be available on all the cable and DTH platforms that have Discovery HD World in their bouquet of channels. The user the language feeds through the audio option button.

    At present, Discovery operates several factual entertainment channels in India, including Discovery HD World, Discovery Channel, TLC, Animal Planet, Discovery Science, Discovery Turbo, Discovery Kids and Dsport. The network’s recently launched GEC, Discovery Jeet, has feeds in Hindi, Tamil and Telugu as well.

    There are over 270 regional channels out of 500 channels overall in BARC. The regional viewership is higher than the Hindi viewership and has a market share of 47 per cent.

    Also Read :

    Dsport not in the running for BCCI’s media rights

    Discovery Communications completes Scripps acquisition

    Discovery Communications gets US govt nod for Scripps Networks merger

  • Living Foodz to add Tamil feed in FY 18-19

    Living Foodz to add Tamil feed in FY 18-19

    MUMBAI: The flavours of regional India have not failed to touch food channels. In a bid to tap this market, Living Foodz plans to launch a Tamil feed in financial year 2018-19.

    Speaking to Indiantelevision.com, Living Foodz COO Shaurya Mehta said that the network, Living Network, was exploring feeds in southern languages. “There is strong potential for having a feed in Tamil. It will be around the coming financial year.”

    The channel was launched in September 2015 and garnered great traction in its opening week, topping the charts in the food and lifestyle space according to Broadcast Audience Research Council data. Even in the latest week 9 of 2018, Living Foodz has maintained its leadership with 1206 (000) impressions.

    When asked whether lifestyle channels should market themselves more in order to create a buzz around their programming, Mehta said that the question was about effectiveness. Speaking in relation to the network, he pointed out that the network undertook adequate representation. “What we do is adequate representation in terms of new content created and the show that is being launched. We do market the shows a lot. By and large, we have seen a great response in term of marketing efforts,” he added.

    Mehta said that GST and demonetisation did not heavily impact the network’s operations, adding that the channel was just growing. “We may have been affected but we didn’t really deviate from our plans,” he clarified.

    Talking about the upcoming shows, Mehta said that Femme Foodies season 2 was round the corner. Quarter is another show lined up for May 2019 with a unique concept of exploring the station master’s tiffin. The show will be hosted by chef Ranveer Brar and will explore a variety of food on a train journey.

    Living Foodz will be launched on UK’s Sky platform and a date will be announced soon. It is expected to be added to the Sky line-up towards the end of March or beginning of April. The broadcaster has already firmed up its programming output and is expected to add a number of local shows to localise the feed of the channel. Living Foodz has also finalised its electronic programme guide (EPG) slot.

    Also Read :

    GST fails to spoil Food Food’s party

    Food content dominates viewership on lifestyle channels

  • ABBY Awards announces master jury for 2018

    ABBY Awards announces master jury for 2018

    MUMBAI: The highly coveted ABBY Awards that recognises and rewards creative excellence is poised to set new benchmarks on scale and innovation with the upcoming 2018 edition. The apex industry award has for the first time announced the formation of a master jury. 

    It boasts of 15 illustrious, award winning creative giants who have consented to be the filter for the creative standards of the creative ABBYs.

    The master jury is entrusted with the task of screening all the entries received, across all the categories and verticals, to identify those worthy of being short listed. It will then deliberate on which of the short lists is worthy of winning an ABBY. This jury will help ensure that the ABBYs 2018 will be the most sought-after creative awards in the industry. 

    ABBY 2018 chair of the awards governing council Ajay Kakar says, “We want the ABBYs to be the gold standard, recognising creative excellence for brands. It is a fact that an award is as good or reputed as the jury that judges it. So recognising this, we created a master jury for 2018. Adjudged by such a versatile and visionary jury means that only the most creative campaigns will emerge victorious, making the winning of an ABBY a career defining moment.”

    The 2018 edition will also see the number of categories and sub categories being rationalised, to ensure relevance and effectiveness. Ajay Kakar elaborated, “We recognise that digital is not a medium, but a technology that supports communication. Keeping this and such realities at the core, as against the past years, the categories and verticals have been brought down from 15 categories and eight verticals i.e. 120, to eight categories and eight verticals i.e. 64. 

    Another highlight will be the reinstatement of the Agency of the Year award. This year will see the announcement of the creative agency of the year, design specialist agency of the year, digital specialist agency of the year, direct specialist agency of the year, PR specialist agency of the year, branded content and entertainment specialist agency of the year and media agency of the year.