Category: Factual

  • Zee One shines bright during Mipcom Cannes

    Zee One shines bright during Mipcom Cannes

    CANNES: As the global television industry gathered for Mipcom 2025, Zee made history as the first Indian broadcaster to take over one of the largest LED screens along the legendary Croisette. From sunrise to sunset and long after the massive display of Zee One lit up the promenade, stopping people in their tracks and sparking real excitement.

    With over 10,600 visitors and delegates expected during Mipcom, it was the perfect moment to put Zee One, the company’s French-language Fast channel in the spotlight. The channel, available on Samsung TV Plus, LG Channels, and Rakuten TV, has quickly built a following in France for its vibrant mix of Bollywood films, heartfelt dramas, and colourful family entertainment.

    For many passersbys, it was a surprise and a delight to see an Indian media brand taking over one of Cannes most visible spaces.

    Zee has built its global presence by constantly trying what others haven’t and this Cannes moment is a reflection of that same spirit.

    Standing tall among the biggest names in international entertainment, Zee One’s luminous display on the Croisette was more than just advertising, it was a statement of confidence, creativity, and cultural pride.

    And as the lights shimmer over the French Riviera, one thing is clear: Zee knows how to make the world stop and look up.

  • Korean TV format powerhouse plants flag in India with two ambitious deals

    Korean TV format powerhouse plants flag in India with two ambitious deals

    CANNES: Seoul’s Something Special has cracked India’s booming television market with a one-two punch, licensing two Korean formats to Karman Unlimited that promise to deliver both tears and laughter to subcontinental audiences. The Seoul-based agency announced the deals at Mipcom, the world’s largest television content marketplace held this month in Cannes.

    First up is Unforgettable Duet, a heart-wrenching unscripted series that reunites dementia patients with their pasts through music and memory. Families curate mementos and a cherished song, which are then loaded onto a Memory Bus that triggers long-buried recollections. The finale sees the patient perform an emotional duet with a family member, crowned by a tribute song from a professional artist. It is therapeutic television at its most potent.

    Then there is Hit & Miss Tour, a raucous comedy show featuring five long-time comedian friends competing in six to eight daily mini-challenges across tourist destinations. With over 210 games in the bank and sponsorship from tourism boards across Turkey and Greece, the format has proved a ratings winner on Channel S in South Korea.

    Something Special president and executive producer Jin Woo Hwang sees the deals as validation of the company’s mission to export Korean creative firepower globally. Karman Unlimited founder & chief executive Sunita Uchil —who previously held sway at Zee TV International—is equally bullish, predicting that Unforgettable Duet will strike a chord with Indian families whilst Hit & Miss Tour delivers the laughs the country desperately needs. Two formats, two markets, infinite possibilities.

  • NSE launches Ideabaaz to fuel India’s startup dreams and entrepreneurial spirit

    NSE launches Ideabaaz to fuel India’s startup dreams and entrepreneurial spirit

    MUMBAI: If stock markets run on bulls and bears, India’s newest marketplace is running on ideas. At the National Stock Exchange (NSE), where fortunes rise and fall by the tick, Ideabaaz, the country’s first integrated startup-investor marketplace and entrepreneurial reality show was officially launched, promising to turn kitchen-table dreams into boardroom deals.

    Ideabaaz pitches itself as more than just another startup show. It combines investor matchmaking, mentorship, professional services, and transparent tracking, all with a strong focus on growing Indian cities. Its mission: to empower a billion dreams and turbocharge India’s economic engine.

    “This is not just about entertainment,” emphasised the team. “It’s about access to capital, to mentors, to opportunities that were once out of reach for small-town innovators.”

    For Della Town founder & CME Jimmy Mistry  the platform resonated with his vision of building “Brand India” on the global stage. “When Subhash showed me the idea of Ideabaaz, he knew how much social impact and brand India meant to me. At Della Township, we’re building the world’s first self-generating townships. My dream is to create India’s first global metal luxury brand something that hasn’t happened in 78 years of our freedom.”

    Mistry called Ideabaaz a movement as irreversible as globalisation in the ’90s, “Every family in India should have one member aspiring to be part of the startup ecosystem. With Ideabaaz, the exponential growth in startups could be 10x. India will never be the same again.”

    Sharrp Ventures managing partner, Rishabh Mariwala praised the grit behind the show itself. “I wouldn’t have imagined something like Ideabaaz happening at NSE. But here we are, it started as an idea, and today it’s a reality. In venture capital, we invest in founders, and what I’ve seen here is grit and determination. From a seed stage, this idea has gone on to an IPO. That’s timeless.”

    He also tipped his hat to the unsung backstage crew: “The titans get the praise, but the team Raj, Mudit, Jeet, Kailash are the heroes. Two years of hard work made this happen.”

    IDFC First Bank head of retail liabilities Ashish Singh spelt out why it was backing the platform financially. “At IDFC First Bank, we believe India’s true strength lies in the aspirations of ordinary men and women with extraordinary dreams. Ideabaaz gives middle-class Indians with ideas the wings to fly. For us, it’s not just about banking, we don’t just provide banking, we provide belief.”

    He laid out how the bank plans to power entrepreneurs “from idea to enterprise”: “Through zero-balance current accounts, digital-first cash management, lending products and an ecosystem of mentors and investors, we want to walk with startups from the earliest stage. Together, we’re not just launching a programme, we’re unlocking the Bharat of our dreams.”

    Adding glamour to grit was Wizcraft co-founder & director Sabbas Joseph who joined as an investor and mentor. His presence underlined the show’s crossover appeal, blending entrepreneurial drama with real-world impact.

    The launch also welcomed IIT Madras Research Foundation CEO Madhav Narayan who brings decades of global tech leadership to the startup fold, and Devostat, global CEO Venkat Raju known for incubating ventures in AI, fintech, healthtech and EVs.

    Rounding out the ecosystem voice was ISBA (Indian STEPs and Business Incubators Association) CEO Prasad Menon who reminded the gathering that: “In India there has never been a deficit of ideas, nor of money. The deficit has been of empathy and compassion. Incubators, like Ideabaaz, exist to bridge that gap. We’re not-for-profit, we’re enablers and when the intent is strong, success is inevitable.”

    From luxury brands to self-generating townships, from Tier 3 innovators to legacy business leaders, the voices at NSE agreed on one thing: Ideabaaz is not just a show, but a movement.

    The platform hopes to democratise entrepreneurship in a way that India has never seen before. As Jimmy Mistry put it, the herd will follow once the first few succeed and Ideabaaz wants to ensure the runway is long enough for everyone to sprint.

    Liberty Shoes executive director Anupam Bansal admitted his initial hesitation, “When Raj (Nayak) first called me about Ideabaaz, I was nervous. We’re real businesspeople, not actors. But when I came to the show, I saw it was about real people and real startups.”

    He added, “Coming from a legacy business, I’ve learnt so much from the youth here, their innovation, their energy. We’ve even started collaborating with engineering institutes thanks to the ideas sparked. Supporting the ‘Made in India’ ecosystem is an honour. Our campaign ‘Mera Joota Hindustani’ aligns perfectly with this spirit.”

    Perhaps the most heartfelt reflection came from V3 Ventures co-founder & managing partner Arjun Vaidya who said: “When I returned to India in 2013, the dream was to leave. Today, the dream is to build here. In 2016, only 500 startups were funded annually. I myself pitched to 75 investors and failed every single time. That’s why platforms like Ideabaaz matter, they give founders validation, not just valuation.

    He recalled a standout moment, “On the show, we saw the largest deal in Indian TV history. But the best moment for me was when a founder’s mother quietly sat in the audience, then broke down in tears as her son won a deal. That’s what entrepreneurship is, it’s about families, sacrifices, and dreams taking flight.”

    The tagline of Ideabaaz “Idea aapka, paisa hamara” summed up the mood. For some, it was about investments. For others, mentorship. For all, it was about creating a democratic platform where every founder, from a village kitchen innovator to a tech disruptor, could showcase their vision.

    As Arjun Vaidya aptly put it, “Entrepreneurship is India’s new cricket, and founders are the new rockstars. Actors and athletes get fame, but every founder is putting in 14-hour days whether they’re doing Rs five lakh, Rs 50 lakh or Rs five crore a month. Ideabaaz finally gives them a stage.”

    The launch at NSE wasn’t just a ceremonial ribbon-cutting, it was a statement. India is no longer content with being a land of job seekers; it is a nation of job creators.

    With Ideabaaz, the bell has been rung. Now, it’s time to see which startups echo loudest across India’s entrepreneurial corridors.

  • Ideabaaz:  NSE takes stock of startups as women-led ideas drive India’s growth

    Ideabaaz: NSE takes stock of startups as women-led ideas drive India’s growth

    MUMBAI: If stock markets run on bulls and bears, India’s newest marketplace is running on bold ideas led by women. At the National Stock Exchange (NSE), where fortunes rise and fall by the tick, Ideabaaz, the country’s first integrated startup-investor marketplace and entrepreneurial reality show, made its debut, promising to turn kitchen-table dreams, especially those of women entrepreneurs into boardroom breakthroughs.  

    The launch, presided over by NSE MD & CEO Ashishkumar Chauhan, brought together an eclectic mix of business leaders, venture capitalists, founders, and dignitaries, signalling that women-led entrepreneurship is now centre stage in India’s economic playbook.

    The emphasis on mentorship is particularly significant. Experienced entrepreneurs, investors, and industry leaders are providing guidance that goes beyond capital helping women navigate regulatory hurdles, refine business models, and scale operations. “Mentorship is the bridge between dreams and execution,” noted one participant. “It’s what transforms ideas into sustainable businesses.”

    Networking opportunities are another cornerstone. Ideabaaz brings together founders, investors, and experts under one roof, enabling women entrepreneurs to learn from peers and industry veterans alike. The connections made here could define the trajectory of India’s next unicorns, and the programme ensures that women are front and centre in these high-value interactions.

    Ideabaaz pitches itself as more than just another startup show. It combines investor matchmaking, mentorship, professional services, and transparent tracking, with a strong focus on women entrepreneurs in growing cities and towns. Its mission: to empower a billion dreams and turbocharge India’s economic engine. “This is not just about entertainment,” emphasised the team. “It’s about access to capital, to mentors, to opportunities that were once out of reach for small-town innovators.”

    Among the most rousing voices was SheThePeople and Gytree founder Shaili Chopra who said: “My introduction often says I’m ‘Women Entrepreneurship’s OG Queen,’ a crown I wear with pride but also with responsibility for the 6.2 million women in our network and 70,000 women entrepreneurs we meet every day. At Ideabaaz, we multiply that number seriously. We are a country of 1.5 billion, half of them women, we deserve half the opportunity and half the voice.”

    She added with characteristic punch: “Indian women entrepreneurs are not the side story, they are the centrepiece. They don’t wait for the stage they take it. From kitchens to boardrooms, women are shaping India’s growth story. And as we build this idea of ‘We the People of India,’ let’s not forget ‘She the People of India.’”

    For The Sleep Company co-founder Priyanka Salot, the moment was emotional: “As a founder, I’ve always got goosebumps watching someone ring that NSE bell. Today, being part of Ideabaaz makes it real. I started in a small town with a very big dream, and in six years of building The Sleep Co, I’ve learnt that India is the best place in the world to be an entrepreneur.”

    She stressed the macro context saying: “We’re on track to a 5 trillion dollars economy, and the backbone of that will be startups. Ideabaaz matters because it’s not just a show, it’s a movement. It gives wings to ambitions, showcases the strength of Indian innovation, and provides not just money, but mentorship and learning. Dream big, execute bigger.”

    Financial empowerment goes hand-in-hand with recognition. By giving women founders a chance to pitch directly to investors, Ideabaaz is fostering an ecosystem where funding decisions are merit-based and inclusive. For many participants, this is the first time their businesses are being assessed purely on potential, innovation, and execution, rather than traditional biases.  

    Rukam Capital founder & managing partner Archana Jahagirdar brought the VC lens: “Next year marks 10 years since the startup boom, and look how far we’ve come. Today, nearly 2 lakh startups are registered with DPIIT. At Ideabaaz, I’ve seen founders from every corner of India, every language, every kind of business. We’ve backed them with money, but more importantly with our time and belief. Capital is critical, but mentorship is priceless.”

    If the stock exchange has long been the temple of capital, then on this night, it became the stage for women-led ideas. The bell has been rung. Now it’s time for female founders across India to take their shot, proving that the next wave of entrepreneurial success will be driven by women with ambition, vision, and the right platform to shine.

  • Flipkart turns Bigg Boss house into a fashion battleground

    Flipkart turns Bigg Boss house into a fashion battleground

    MUMBAI: They said no one dresses well inside their house. The Bigg Boss housemates begged to differ—and proved it by ransacking a Flipkart fashion rack in record time.

    What unfolded inside India’s most-watched reality television house was part retail experiment, part feeding frenzy. When Flipkart installed its Fashion Studio inside the Bigg Boss residence and Salman Khan announced the Flipkart Fashion Icon contest, contestants descended upon the carefully curated collection with the urgency of shoppers at a clearance sale. Within minutes, the rack stood empty, its trendy offerings claimed, worn and paraded before millions of viewers.

    The audacious collaboration, timed to coincide with Flipkart’s Big Billion Days sale bonanza, represented a watershed moment in Indian entertainment commerce. It wasn’t merely product placement or brand integration—it was retail theatre performed live, where the country’s biggest e-commerce player turned a television set into a functioning fashion outlet and contestants into unwitting style influencers.

    The machinery behind this spectacle involved three distinct organisations working in concert. Flipkart deployed a team led by Pratik Shetty and Akash Jain, alongside Nikita Prakash, Pooja Sha, Sneha Narang, Vijay Sharma, Rahul Valecha and Akshay Doshi. Creative agency Essence, steered by Sunny Rangwani and Tejashree R., handled the conceptual heavy lifting. JioStar’s production apparatus, including senior supervising producer Tanya Chopra—who served as creative lead for the Bigg Boss contingent—along with Sameer Tripathy, Nandita Ramesh and Patrick Ignatious, wove the commercial proposition into the show’s narrative fabric.

    The result was seamless, if slightly chaotic. As housemates draped themselves in Flipkart’s latest offerings, the boundary between entertainment and shopping dissolved entirely. Viewers watched contestants model, mix, match and compete in outfits that could be purchased with a few taps on their phones—a real-time fashion show with immediate purchase potential.

    For Flipkart, the payoff extended far beyond traditional advertising metrics. This wasn’t a celebrity endorsement or a sponsored segment; it was organic consumption captured on camera, complete with genuine reactions, styling choices and the implicit endorsement that comes from watching someone actually want to wear something badly enough to compete for it.

    The speed with which the Fashion Studio sold out suggested that Bigg Boss contestants, despite living under constant surveillance in a sealed environment, harbour the same fashion anxieties and aspirations as viewers watching from home. Perhaps everyone, regardless of circumstance, wants to dress well inside their house after all—especially when cameras are rolling and millions are watching.

  • Warner Bros unleashes brain-busting bonanza at Mipcom

    Warner Bros unleashes brain-busting bonanza at Mipcom

    LOS ANGELES: Warner Bros International Television Production is gambling big on grey matter and guilty pleasures as it unveils its format arsenal for Mipcom 2025. The American studio’s international arm has assembled a motley crew of offerings—from cerebral challenges that torture contestants’ neurons to reality stars trading Instagram likes for insect bites.

    Leading the charge is The Final Circle, a French import from Satisfaction that subjects players to mental gymnastics across logic, memory, language and maths. The format tortures every synapse as contestants battle to prove their intellectual mettle under crushing pressure.

    At the opposite end of the sophistication spectrum sits Reality Kings on Safari, courtesy of WBITVP Netherlands. The concept dumps pampered male reality television veterans into the wilderness, forcing them to swap luxury lifestyles for basic survival skills—a premise guaranteed to deliver schadenfreude by the bucketload.

    Denmark’s contribution, World’s Wildest Race, dispatches celebrity duos on the ultimate road trip, blending high-octane competition with friendship drama. The format promises viewers both petrol-fueled thrills and interpersonal combustion.

    The unscripted stable includes Custom Cars, a high-octane dive into Britain’s modified motor scene for Quest, and two historical offerings from Wall to Wall: The Murder Club resurrects forgotten cold cases for BBC Two, whilst The Unheard Tapes uses authentic voices from pivotal historical moments for BBC One.

    Most intriguing is Finland’s Special Rescue, where adults with learning disabilities join volunteer fire units—proving heroism comes in unexpected packages.

    On the scripted front, Belgian drama Oh, Otto! leads the charge with its unflinching examination of love and loss. The award-winner joins psychological courtroom anthology The Twelve, now in its third Australian season, plus family dysfunction saga The Divine Monster and relationship drama Double Life.

    Global vice-president of format and finished sales André Renaud insists audiences crave “high-concept, high-stakes” entertainment. His mixed bag suggests Warner Bros believes viewers’ appetites are as diverse as they are voracious—spanning intellectual torture, celebrity suffering and historical resurrection.

    The strategy reflects television’s post-streaming reality: with infinite choice, formats must either assault the brain or assault the senses. Warner Bros appears confident it can do both.

  • ideabaaz names Mudit Kumar as co-founder and COO

    ideabaaz names Mudit Kumar as co-founder and COO

    NEW DELHI: Ideabaaz, an Indian platform aimed at supporting startups, has appointed Mudit Kumar as its new co-founder and chief operating officer.  Kumar brings nearly two decades of experience in private banking and wealth management, having previously worked with prominent financial institutions such as the Aditya Birla Group, ICICI Securities Private Wealth, and, most recently, LGT Wealth India.

    During his career,  Kumar has advised ultra-high-net-worth individuals and family offices on wealth strategies and strategic investments. His experience extends to curating cross-border asset management solutions and integrating startup ideations into client portfolios. An active participant in India’s vibrant startup ecosystem, he has also invested in and mentored founders of early-stage ventures in sectors like climate tech, spacetech, healthtech, legal tech, and fintech.

    In his new role,  Kumar will help lead Ideabaaz’s mission to connect innovators from across “Bharat” (a term for a more inclusive, rural India) with capital, mentorship, and markets. The company aims to democratise access to these resources, particularly for founders from Tier 2 and Tier 3 cities who often struggle to get the exposure and support they need.

    “Ideabaaz is more than a platform—it’s a movement to bring ambitious ideas and capable founders into the spotlight,” said Kumar. “I’m excited to help shape its journey and create meaningful opportunities for startups across India, especially from emerging cities.”

    The appointment is expected to strengthen Ideabaaz’s focus on building a structured framework for innovators from smaller cities to thrive. The company was co-founded by Jeet Wagh and describes itself as “Bharat ka apna startup manch” (India’s own startup platform).

  • KBC’s season 17 draws in marquee sponsors, Sony LIV ramps up play-along push

    KBC’s season 17 draws in marquee sponsors, Sony LIV ramps up play-along push

    MUMBAI: Kaun Banega Crorepati (KBC) is back for its 17th season, and the big brands are queueing up once again. Sony Entertainment Television and Sony LIV have rolled out the latest edition of India’s most iconic quiz show, hosted as ever by Amitabh Bachchan, with a line-up of sponsors as weighty as the prize money.

    Maruti has signed on as lead automobile partner, sweetening the stakes by giving away new cars to every Crorepati on the hot seat and to the overall Play Along winner. Hindustan Petroleum Corp Ltd (HPCL) has returned to underline its mass-market connect, while UltraTech Cement and Pidilite’s Dr Fixit have doubled down on their aspirational pitches to smaller cities and family households.

    All told, 15 brands from categories spanning automobiles, cement, home-building products, condiments, clothing, payment gateways and mouth fresheners have joined forces with the show this season. Their faith underscores KBC’s ability to deliver reach, recall and resonance across India.

    Sony LIV is once again pushing its “second-screen” play, with the return of KBC Play Along and the hugely popular Har Din Lakhpati feature. The format, which lets viewers answer questions live via the app, has turned KBC from a television property into a nationwide interactive event since debuting in 2018.

    Sony LIV, head of ad sales revenue Ranjana Mangla said KBC “has stood as a bedrock of consistency for advertisers—delivering unmatched reach, deep engagement, and a cultural resonance that few formats can claim.”

    HPCL’s CH srinivas hailed the programme’s “spirit of knowledge and the power of questions,” while UltraTech’s Ajay Dang called the Sony Liv tie-up “a once-in-a-lifetime opportunity” to cement aspirational journeys in tier 2 and 3 towns. Swati Jha of Pidilite added that both KBC and Dr Fixit “have been trusted companions in people’s lives” for more than two decades.

    With Sony LIV reporting over 100m app downloads and pushing an expanding roster of sports rights, films and originals, KBC remains its most bankable franchise—blending nostalgia, mass appeal and advertiser trust in equal measure.

  • Ryan Reynolds backs the beasts no one bets on in National Geographic’s ‘Underdogs’

    Ryan Reynolds backs the beasts no one bets on in National Geographic’s ‘Underdogs’

    MUMBAI: Move over lions, tigers and photogenic penguins — the oddballs of the wild are finally having their moment. National Geographic’s latest natural history docu-series Underdogs, narrated by the irreverent Ryan Reynolds, premieres 19 June and promises to flip the animal kingdom’s PR machine on its head.

    Running every Thursday and Friday at 8 PM, Underdogs is a five-part, gloriously offbeat dive into the secret lives of creatures usually left on the cutting-room floor — think mucus-glowing grubs, dodgy parents, and desperate flirters. It’s equal parts laugh-out-loud funny and visually stunning, wrapped in Reynolds’ trademark wit.

    “Getting to work with National Geographic on Underdogs was a dream come true—mostly because I can finally watch a project of ours with my children. Technically, they saw “Deadpool & Wolverine” but I don’t think they absorbed much while covering their eyes and ears and screaming for two hours,” said Reynolds. “We’re so proud to elevate the unsung heroes of the natural world to the top of the entertainment food chain and can’t wait for everyone to see.”

    Produced by Emmy and BAFTA-winning Wildstar Films (a Fremantle company) and Reynolds’ own Maximum Effort, the show swings between education and entertainment like a monkey on espresso. Each episode delves into unexpected themes – bizarre mating rituals, dodgy parenting, deception, and jaw-dropping survival hacks.

    One standout scene features a first-ever filming inside a glowing cave in New Zealand, lit up by the, er, backsides of mucus-covered larvae. Other unsung stars include bug-eyed frogs, underappreciated rodents, and creatures that give “creepy crawly” a whole new twist.

    With a score by Oscar-nominated composer Harry Gregson-Williams (Shrek, The Martian), and a thumping original theme by rock legends Green Day, Underdogs doesn’t just celebrate the misfits — it turns them into rockstars.

    The Underdogs soundtrack, featuring Gregson-Williams’ compositions, dropped on 13 June via Hollywood Records. Green Day’s new single “Underdog” is part of their just-released deluxe album Saviors (édition de luxe).

    Behind the scenes, the creative force includes executive producers Mark Linfield, Vanessa Berlowitz and Dan Rees (Wildstar); Reynolds, George Dewey, Ashley Fox and Patrick Gooing (Maximum Effort); and a production team from National Geographic led by Tracy Rudolph Jackson, Janet Han Vissering, Charlie Parsons, and Tom McDonald.

    Underdogs might just be the most delightfully absurd and oddly inspiring natural history series of the year — proving that in nature, weird wins.

    Pic courtesy: National Geographic

  • South Korean format factory Something Special gets cash injection

    South Korean format factory Something Special gets cash injection

    MUMBAI: Seoul-based format agency Something Special has secured a financial booster shot from two South Korean investment heavyweights, Daekyo Investment and SB Partners, to fuel its global expansion ambitions.
    The deal, whose financial particulars remain under wraps, sees Daekyo providing the lion’s share of capital with SB Partners chipping in supporting funds. The cash injection comes as Something Special celebrates its fifth birthday, giving it ample ammunition for its next growth phase.

    The format agency, helmed by president and executive producer Jin Woo Hwang and executive VP and head of content InSoon Kim, has already made significant inroads in the global format marketplace. Its smash hit Battle in the Box  has been snapped up in 23 territories, while Still Alive has found homes in 11 markets.

    Its  latest offering, Unforgettable Duet—a heartstring-tugging format featuring dementia patients reconnecting with memories through beloved songs—debuted on MBN as one of 2024’s highest-rated unscripted launches. The show has since secured a full ten-episode commission for 2025 and caught the fancy of Helium Pictures, which optioned it for Australia and New Zealand in December 2024.

    Daekyo Investment, which manages the Daekyo K-Contents Scale Up Fund targeting small and medium-sized venture companies in Korea’s cultural content sector, seems pleased with its new portfolio addition. The firm’s executive director Roh Jai Seung gushed: “Something Special has proven itself to be a globally known and highly respected content company. They are shining a light on the best of Korean creativity to the world.”

    Hwang and Kim responded: “We are honoured that Daekyo Investment and SB Partners recognise Something Special’s vision and potential. As the leading independent Korean agency representing A-list producers and formats worldwide, we remain committed to our motto: We connect and create.”

    The Seoul outfit also represents the white-hot format The Traitors in Korea and boasts partnerships with format behemoths including FremantleMedia, Banijay, ITV UK, UKTV and Warner Brothers International Television.