ITV

Category: Awards

  • 3SS at IBC 2022: Operators get the opportunity to find their perfect match

    3SS at IBC 2022: Operators get the opportunity to find their perfect match

    Mumbai: 3Screen Solutions (3SS) will have its biggest-ever show presence at IBC 2022. Following a three-year hiatus from face-to-face events, the renowned user experience pioneer will present an unprecedented array of customer deployments and empowering technology partnership integrations. All of this is part of the multiple award winning 3Ready Entertainment Ecosystem.

    3SS CPO & CMO Pierre Donath said, “It’s truly wonderful to be back at IBC, and have the chance to see our industry colleagues from around the world, and to explore how together we can make entertainment more simple and personal for everyone,” he commented.

    He further added, “This is a milestone year for 3SS: we’re super excited to showcase our latest deployments and enabling technologies that help operators provide their customers with experiences that they really love, and to celebrate our collaborations with over 100 ecosystem partners, on our bigger-than-ever IBC exhibit.”

    “Our theme this year is ‘It’s A Match!’ and we really look forward to welcoming IBC visitors to our stands and helping operators discover the products and solutions that perfectly match their business needs for powering their next-generation entertainment platforms,” he added.

    The ever-expanding 3Ready product platform was created to assist operators in accelerating time-to-market, delivering a unified experience across all devices, launching revenues, and rapidly innovating while avoiding technology vendor lock-in.

    3Ready is now enabling next-generation video experiences for over 20 major operators around the world, with a combined reach of more than 35 million households. The 3Ready Entertainment Ecosystem enables service providers to fully exploit 3Ready’s flexibility, which is enabled by its underlying architecture. 3Ready works seamlessly with the backend, revenue protection, recommendation engine, STB, and other system elements of the operator’s choice thanks to its extensive pre-integration options. Uncertainties in technology are eliminated, allowing providers to focus on providing excellent service.

    3SS reimagines in-car entertainment at IBC

    For the first time, 3SS will present the future of in-car digital entertainment at IBC. The company has brought a “Polestar 2” car to Amsterdam and parked it outside the exhibit area, inviting visitors to take a seat and experience its 3Ready-powered automotive experience, which is based on the Android Automotive Operating System (AAOS).

    In-vehicle displays, in addition to all of the familiar screens, are the next touchpoints for enjoying video entertainment on the go. 3Ready enables operators and automobile manufacturers to add entertainment to any in-car infotainment system. UX can be adjusted and targeted dynamically, with the ability to curate all content, including third-party apps. The end result is superior entertainment and enjoyment for all occupants of the vehicle. To date, 3SS has two projects with automobile manufacturers.

    All-new 3Ready Control Centre takes centre stage

    3Ready Control Center 3.0 is a new SaaS experience management solution from 3SS. With this centralised, one-stop solution that is highly visual and intuitive, anyone can curate a highly personalised and unified experience across all screens. 3Ready Control Center allows more members of an operator’s content curation and marketing teams to easily target, manage, and visually optimise UX to increase customer retention. Operators benefit from real-time management of all service and device apps’ content, features, and branding from a single unified location.

    A/B testing is the most direct and powerful method of gauging viewer preferences, and it can be done with high automation, individually or by customer segment. Experiments with new features can be carried out quickly and with confidence, as can adaptations.

    The dashboards of the 3Ready Control Centre have simple functions and navigation that do not require technical knowledge. This reduces reliance on technical specialists. Editors can make necessary UI/UX changes visually, and all of the operator’s apps will automatically retrieve and apply them without requiring any code changes. Consistent, stable, and scalable cross-device user experiences result, with significant time and effort savings.

    3Ready Control Centre integrates seamlessly with any backend, recommendation, metadata, analytics, and advertising solution that an operator selects.

    The benefits of holistic content discovery and recommendation benefit both super-aggregators and their customers. The 3Ready Control Centre allows you to curate content from any source, including third-party providers. The end result is a unified and personalised user experience across all screens. Operators gain greater utility and flexibility than ever before by managing all client apps, including connected TV brands, STBs, tablets, smartphones, in-car displays, and so on, in a streamlined, highly efficient manner.

    Demos of the latest integrations for transformational UX

    The 3SS booth (5.A83) will feature an unprecedented demonstration array of enabling technical integrations with world technology leaders. These include, among others:

    Targeted advertisements: 3SS will demonstrate a solution integrated into the 3Ready platform that enables operators to quickly deploy linear ad insertion on OTT and hybrid STBs while providing their customers with a seamless ad experience (Live to Ad). It is independent of any ad solution or ad network and provides cross-device control over the advertising experience to enable ad-supported business models.

    KAON, 3SS, and Green Streams: KAON, 3SS, and Green Streams have collaborated to develop a new pre-integrated end-to-end technology platform that will enable Tier 2 and medium-sized providers to quickly and affordably deliver super-aggregated video services based on Android TV. Green Streams’ TVaaS backend platform, powerful yet reasonably priced KAON Netflix Certified STB, and the advanced 3Ready UX comprise the new turnkey solution. Tier 2 and mid-sized providers can thus accelerate service launches and revenue growth.

    Allente implements 3Ready Control Center 3.0 in collaboration with ContentWise: Nordic pay-TV behemoth Allente has become the first operator to deploy 3Ready Control Center 3.0. This project is a critical enabler of Allente’s next-generation super-aggregated TV services for Sweden, Denmark, Norway, and Finland. Allente and its customers will also benefit from 3Ready Control Center 3.0’s seamless integration with ContentWise’s UX Engine (stand 5.C65). This technological combination boosts customer engagement by personalising user experiences in real time.

    Tele2 AB’s new TV Hub Mini: A high-spec 4K dongle for OTT (over-the-top) TV, was developed in collaboration with 3SS and SEI Robotics Inc. (stand 5.F64). Subscribers enjoy a custom 3SS-engineered user experience powered by 3Ready in 3SS’ first major operator dongle deployment, which is based on Android TV OS. The SEI Robotics 4K dongle provides Netflix, as well as a variety of other streaming apps and TV channels.

    ThinkAnalytics with 3SS : ThinkAnalytics and 3SS will debut their new pre-integrated solution that transforms UX testing and optimisation, assisting operators in increasing engagement and reducing churn. 3Ready Control Centre is now pre-integrated with Think360, ThinkAnalytics’ content discovery and analytics platform, enabling operators to deploy user experiences that maximise monetisation opportunities by leveraging data-driven continuous improvement. Editors, marketers, and curators do not require technical expertise, which reduces costs and accelerates time-to-market. Actionable insights enable operators to provide their customers with the entertainment UX they truly desire.

  • India TV editor-in-chief Rajat Sharma conferred ‘Most Influential Indian’ award in London

    India TV editor-in-chief Rajat Sharma conferred ‘Most Influential Indian’ award in London

    Mumbai: On the eve of India’s 75th Independence, Rajat Sharma was identified and honoured as the “Most Influential Indian” at an event hosted by the British monarch at the top of London Bridge.

    Under the capable guidance of ELITE Magazine’s managing director, Puraskar Thadani, who planned the event. Sharma was joined on the important occasion by India TV MD Ritu Dhawan. At the ceremony, personalities such as Sonu Sood and Sadhguru were also honoured.

    Behind this accolade is the affection and faith of crores of India TV fans, who have helped India TV become the country’s most popular Hindi news station.

    For the past 28 years, Rajat Sharma’s show “Aap Ki Adalat” has been the most popular show in the country.

    Upon receiving the award, India TV editor-in-chief Rajat Sharma said, “Any award always gives a sense of responsibility. This award inspires me to fulfil the responsibility given to me well. At the London Bridge, he said that every Indian is proud of celebrating ‘Azadi Ka Amrit Mahotsav’. Together, everyone should say ‘Bharat Mata Ki Jai’ as it is a proud moment in itself.”

  • Kenan Thompson to host the 74th Emmy Awards on 12 September

    Kenan Thompson to host the 74th Emmy Awards on 12 September

    Mumbai: US broadcaster NBC & the Television Academy have announced that actor, comedian, and producer Kenan Thompson will host the 74th Emmy Awards.

    The three-hour, coast-to-coast live telecast of the event from the Microsoft Theatre in Los Angeles is scheduled for 12 September 2022 on NBC. It will also be streamed live for the first time on Peacock.

    Thompson commented, “Being a part of this incredible evening where we honour the best of the television community is ridiculously exciting, and to do it on NBC—my longtime network family—makes it even more special. Like all TV fans, I can’t wait to see the stars from my favourite shows.”

    NBCUniversal television and streaming executive VP live events Jen Neal said, “Kenan is well-regarded as one of the funniest, likeable, and accomplished performers of the last two decades, and his tenure on Saturday Night Live speaks for itself. We know he’ll bring an excitement and professionalism to the Emmy Awards that a show of this stature deserves.”

    Thompson is best known for his work on Saturday Night Live. As the longest-running cast member of the late-night series, he will begin his 20th season this year.

  • The Asian Academy Creative Awards to be held in December

    The Asian Academy Creative Awards to be held in December

    Mumbai: The Asian Academy Creative Awards have announced details of their highly anticipated awards ceremonies and conference events, revealing a return to physical events.

    The awards and gala final will be staged over two evenings at Singapore’s Chijmes Hall. This is a historic 19th Century Gothic styled chapel that was the location for the extravagant wedding scene in the movie “Crazy Rich Asians.”

    The Awards will be staged on 7 December, and the Gala and AAAtv Red Carpet are set for 8 December.

    The old chapel precinct has become a major tourist attraction but, on this occasion, it aims to be a match made in heaven for the film and TV industries as they vie for the elusive golden ‘Goddess of Creativity’ statuette.

    The National Winners Conference will be staged across the morning of the same two days. The conference, the organisers said, has become something of a hot ticket due to its heavy focus on the best creatives from each nation or territory, creating an ideal platform for those on the lookout for international co-production partners.

    “We hope the historic chapel grounds will inspire quite a few ‘production marriages’ during the conference,” said the Asian Academy’s CEO Fiona McKay.

    She added, “Certainly, within our region, the pandemic is still uppermost in mind, so we’ll be staging the awards across four unique sessions, and turning around the audience each time, to ensure a more controlled environment. That said, we want to be able to maximise the networking and B2B opportunities that drive global sales and production alliances.”

    The AAAtv Red Carpet will welcome the public and be seen live around the world, but the awards ceremonies will be attended exclusively by invitation and broadcast in various countries in the APAC region, reaching millions of viewers.

    The Convent of the Holy Infant Jesus Chapel (now called Chijmes Hall) was completed in 1903, and its stained-glass windows were imported from Bruges, Belgium.

    Award entrants will discover if they’re in the running for the golden statuette when the national winners are announced as part of a global livestream on 30 September on the Asian Academy Creative Awards official Facebook Page and YouTube Channel.

    The Asian Academy Creative Awards are supported by several companies, including Warner Bros. Discovery, The Walt Disney Company, Viu, Elevate Broadcast, Motion Picture Association, and social networking company Meta, as well as global insurance giant Gallagher and international law firm Baker McKenzie.

  • Succession leads the 74th Emmy Awards with 25 nominations

    Succession leads the 74th Emmy Awards with 25 nominations

    Mumbai: Nominations for the 74th Emmy Awards that celebrate the best of American television were announced. Succession holds this year’s top spot with 25 Emmy nominations followed by Ted Lasso and The White Lotus (20), Hacks and Only Murders in the Building (17) and Euphoria (16).

    Warner Bros. Discovery got 155 total nominations and Disney got 141 nominations. Television Academy chairman & CEO Frank Scherma said, “Television continues to keep the world entertained, informed, and connected. With production at a historic high, the Academy has received a record number of Emmy submissions this season. As we prepare for the entertainment industry’s biggest night, we are thrilled to honour the innovators, creators, performers and storytellers who are propelling this platinum age of television.”

    It was a year of notable achievement for women. Almost half of the directors nominated in the scripted directing categories were women. This season also saw women receive almost 40 percent of the nominations in the scripted writing categories. 34 percent of this year’s nominees for outstanding writing in all related-categories were women. In total, there were 50 first-time performer nominees across all performer categories this season including Chadwick Boseman (What If…?), Jennifer Coolidge (The White Lotus), Elle Fanning (The Great), Andrew Garfield (Under the Banner of Heaven), Jung Ho-yeon (Squid Game)  and Sydney Sweeney (two first-time nominations, Euphoria and The White Lotus).

    In addition to Sweeney, individuals with multiple nominations this year include Jason Bateman (performance and directing for Ozark), Quinta Brunson (performance and writing for Abbott Elementary), Nicole Byer (host for Nailed It today).

  • Promax India announces speakers for Regional Conference and Awards

    Promax India announces speakers for Regional Conference and Awards

    Mumbai: Promax India has announced the line-up of speakers for their upcoming Promax India Regional 2022 Conference and Awards to be held virtually on 22 April from 2 pm onwards. The Promax Awards are a celebration of outstanding achievements in entertainment marketing and design.

    The awards ceremony will recognize outstanding creative works from regional markets of India across 36 categories. The second edition will host a slew of virtual panel discussions with eminent speakers.

    The first-panel discussion explores ‘Crafting A New Tomorrow’. Led by Shankar Bala, the session will have speakers like Guruprasad Rao, Raghavanand D V, Ramsai Panchapakesan, and Shriram Sanjeevi, who will take us through the journey of the evolution of the regional market in the entertainment industry. They will also throw light on the fast-paced growth of the sector, its tremendous potential and what to expect in the year.

    The second session is ‘Hot spots: Elevating The Regional Experience’. On the panel led by Rahul Mishra, brand curators and industry doyens such as — Ajit Thakur, Ajit Varghese, and Ashish Golwalkar — will come together and share their thoughts on how trendy content, creative styles, innovation, and strategy have helped in creating the power that has led to a boom in regional content in India.

    “Promax, over the past 25 years, has marvelled at how the Indian M&E industry continues to break new ground. In a country as diverse and large as ours, the growth of regional media is nothing short of phenomenal,” said Promax Asia country head and strategic partnerships India, Hong Kong and Philippines Rajika Mittra. “The inaugural edition witnessed a host of fabulous speakers who engaged and informed audiences about the remarkable strides made in the industry. With the sector scripting new success stories, we welcome a new set of esteemed speakers to share their valuable insights and what to expect in the year ahead.”

  • MipTV: Docubay to double content offering via content partnerships

    MipTV: Docubay to double content offering via content partnerships

    Mumbai: The longest-running global TV market MipTV kicked off on Monday. Major international production companies, distributors and buyers showcased their ‘wares’ at the industry event that includes programming such as drama, documentary, kids, and factual formats.

    Last year’s edition of MipTV took place virtually and there is a bit of excitement about returning to the on-ground festival this year, according to the industry. The trade event that is held in the Palais de Festivals in Cannes, France brings together a rich conference programme, matchmaking events, and a dedicated co-production marketplace for international producers, buyers, commissioners, and distributors.

    This year, Zee Entertainment Enterprises, Docubay (IN10 Media Network) and GoQuest Media Ventures are attending the event on the buyers’ side whereas IndiaCast, Zee Entertainment Enterprises, One Life Studios, and IndianTelevision.com are attending on the exhibitor’s side.

    As per media reports, Zee Content Sales, the licensing and distribution arm of Zeel, is bringing 40 new shows launched over the last two years to the marketplace. Zee’s lineup includes Bollywood films such as “Sooryavanshi,” “Sanak,” “Squad,” “Uri – The Surgical Strike,” “Rashmi Rocket” and drama series such as “Bhagya Lakshmi,” “Kundali Bhagya,” “Kashibai Bajirao Ballal” and “Baker’s Table.”

    On the buyer’s side, IN10 Media Network senior AVP acquisition and syndication Adita Jain said, “We are excited to meet our colleagues from the industry after two years. This year we wish to expand our content offering by 2X through content partnerships.”

    IN10 Media Network operates several TV channels and OTT platforms. It operates a factual entertainment streaming service called ‘Docubay’ and a recently launched kids’ entertainment channel called Gubbare.

    “We are looking to engage with new emerging aggregators and studios to find a home at our OTT platform, Docubay, for their latest releases. We are also hoping to renew existing partnerships and sign a few new ones,” said Jain.

    “We also hope to find the latest and innovative kids animation series for our kid’s channel – Gubbare. We are very keen to showcase anime, slapstick comedy, chase and adventure series,” she added.

    Post pandemic, Jain remarked that documentaries that find favour with audiences are the ones that are about world leaders, technology, electric cars, digital currencies, e-commerce, sports and adventures, and world politics. She will also be attending the session on ‘Factual and Documentary Trends’ on Monday presented by K7 Media.

    Recently, broadcasters have started developing unscripted shows based on a range of international formats and adapting them to suit Indian viewers. The most successful example is “Shark Tank India” televised on Sony Entertainment Television which is based on a TV format developed by Nippon TV called “Dragon’s Den.” Last year, Zee Tamil had launched the show “Survivor” based on the popular CBS unscripted series of the same name. This year, Viacom18 is launching a bold new unscripted format with “The Inventor Challenge” on its English entertainment channel Colors Infinity based on the American series “Everyday Edisons.” In the previous year, it had launched a reality series “The Big Picture” helmed by actor Ranveer Singh as the host that was based on a format owned by British production and distribution company ITV Studios.

    TV production accounts for 97 per cent of the content in India at 1,55,820 hours of content produced annually excluding 400,000 hours of news bulletins, as per FICCI-EY media and entertainment Report 2022. This is followed by 2512 hours of OTT content and 1972 hours of film content.  

  • RK Swamy Media Group releases ‘Media Pocketbook 2022’

    RK Swamy Media Group releases ‘Media Pocketbook 2022’

    Mumbai: RK Swamy Media Group has released its Media Pocketbook 2022, reflecting the changing media landscape post the Covid-19 pandemic. 

    The 13th edition of the pocketbook is a compilation of salient information on India’s ‘vast, complex, and evolving’ media landscape. “This pocketbook has been a ready reckoner for the marketing and media community for over a decade,” said the statement.

    “It’s been our endeavour to update this latest edition to reflect the changing media landscape post-Covid,” said RK Swamy Media Group president Sandeep Sharma. “Content truly became king and digital media equaled television. OTT came into its own during this period and connected TV and mobile have changed the way people consume content, movies, and music.”

    “Apart from conventional media, data has been included in the digital section on OTT, gaming, e-commerce, devices, app, updated and verified by our media experts with significant experience in their respective domains,” Sharma further said.

  • Le Monde De Demain, Dark Heart, and Chair Tendre win at Series Mania Festival

    Le Monde De Demain, Dark Heart, and Chair Tendre win at Series Mania Festival

    PARIS & LILLE, FRANCE: Series Mania 2022 has come to an end. The international TV Series festivals that started on 18 March and concluded on 25 March garnered potential attention. The 2022 edition brought together 70,000 participants and 3,300 accredited persons from 64 different nations this year.

    In the previous years, there were 2,100 accredited persons on-site in 2021 and 2,700 accredited persons on-site in 2019. The visits to the Series Mania Website and Series Mania Digital Platform totalled 260,000 views.

    Speaking about the event, the founder and general director of Series Mania, Laurence Herszberg said, “As we close the doors to an incredibly successful edition, we would first like to thank the public and the professionals who attended in record numbers, but also want to thank the city of Lille and the Hauts-de-France Region for their unwavering support of Series Mania.” 

    She said, “We are delighted to be announcing our new dates for 2023, and in terms of final numbers, our numbers far exceeded our expectations for the Forum, and we could not be prouder.”

    “While the highlights are numerous from this year for the Festival, Forum, and Lille Dialogues, I certainly want to acknowledge our Jury President and my dear friend, Ukrainian producer film producer Julia Sinkevych, who was truly an inspiration to everyone who met her. I’d also like to congratulate all the Festival winners, as well as the team from Paradys, winner of the Forum’s Co-Pro Pitching Sessions. We look forward to welcoming everyone to Series Mania 2023, ” she added.

    The Series Mania 2023 dates will be announced shortly. Herszberg also announced on Friday the winners of the Series Mania Festival and the final number of participants.

    We have listed below the Series Mania Winners:

    French show Le Monde De Demain bagged the grand prize in the International Competition, which was created by Katell Quillévéré, Hélier Cisterne, Vincent Poymiro and David Elkaïm. The jury was chaired by Ukrainian producer Julia Sinkevych. The production from Les films du Bélier and Arte France airs on Arte and Netflix.

    Michelle De Swarte was named best actress for The Baby (UK) broadcast on HBO and Sky, while for the Israeli show Fire Dance, Yehuda Levi won the best actor, which will be broadcasted on HBO and Sky.

    Sweden’s Dark Heart won the best series created by Oskar Söderlund and Gustav Möller in International Panorama and is broadcast on Discovery+ in Sweden with Reinvent International Sales on sales.

    Maria Von Heland’s Sunshine Eyes from Germany produced by Maze Pictures, Red Balloon Film GMBH and Tindra Film received the special jury prize. Another German show, Funeral For A Dog created by Hanno Hackfort, Bob Konrad and Thomas Pletzinge, bagged the best series that was awarded by the student jury. Sky Studios/NBCU represented international sales and Sky was the broadcaster. 

    Created by Yaël Langmann, the Chair Tendre won the best series honours in the French Competition. France TV airs it and sales are handled by France TV distribution. 

    The best actress was won by three actresses Inès Ouchaaou, Charlie Loiselier and Assa Sylla from Reusss. It is broadcasted by France. tv Slash and sold by France TV Distribution. 

    Moreover, Axel Granberger was named best actor for Les Papillons Noirs created by Bruno Merle and Olivier Abbou. Mediawan Rights handled the sales and represented it. Arte and Netflix are the broadcasters.

    The best original music was won by Clement Doumic, Antoine Wilson, Sebastien Wolf from the group Feu! Chatterson.

    Besides the above, in the Night of Comedies section, Kastina Communications’ High School Jury-Bloody Murray from Israel won the best series. The best series in short formats was won by Black Camel Pictures’ Float (UK) directed by Arabella Page Croft.

    The Audience Prize is awarded to the audience’s favourite series among all the titles in competition – except for Short Formats- voted on at the end of the screenings went to The Birth Of Daniel F. Harris (UK). It is created by Pete Jackson and directed by Alex Winckler and Alexandra Brodoski. The broadcast is on Channel 4 and BBC Studios handles sales.

  • Winners of 2021 Indian Telly Adz Awards announced

    Winners of 2021 Indian Telly Adz Awards announced

    Mumbai: Successful advertising campaigns cannot only power up the brand, but they can stir emotions, and leave a long-lasting impact on viewers, who remember them for years to come. The last few decades have witnessed the launch of some brilliant campaigns, that have now become a part of everyone’s memories.

    It is this incredible talent that Indiantelevision.com attempted to recognise at the Indian Telly Adz Awards 2021. After a rigorous selection process that continued for months, the final list of the winners was announced at a virtual event, here on Friday. Among the winners are agencies and brands that executed some of the most iconic campaigns for Television, and celebrated TV as a proud medium of communication.

    Here are the winners:

    CATEGORY

    WINNERS

    Best Brand Collaboration with FTA Channel

    First Virtual Auditions for Crime Show – QYOU Media (The Q)

     

    Best Brand Collaboration with Kids Channel

    Disney Imagine That x Byju’s – Disney India

     

    Best Brand Collaboration with Movies Channel

    Star Gold Pay Online Campaign Star Gold – Star India

     

    Best Brand Collaboration with Sports Channel

    Mallakhamb Promotional Film, Tokyo 2020 – Mallakhamb – being Creative LLP

     

    Best Brand Collaboration with GEC Channel (Hindi)

    Tata Intra (Badle Soch Badle Zindagi) Network Integration on Sony – Tata Motors – Sony Pictures Networks India

     

    Best Brand Collaboration with GEC Channel (Hindi)

    Bingo! Comedy Adda – Season 1 – Disney Star India

     

    Best Brand Collaboration with GEC Channel (Bengali)

    Explore the “Joy of Cooking” with Fortune – Adani Wilmar – DDB Mudra Max

     

    Best Brand Collaboration with GEC Channel (Bengali)

    Mithai Launch Campaign – Zee Bangla – Zee Entertainment

     

    Best Brand Collaboration with GEC Channel (Marathi)

    Exo Bar connected with the genuine Home Minister – Jyothy Laboratories – OMD Mudramax (DDB Mudra Group)

     

    Best Brand Collaboration with GEC Channel (Malayalam)

    Nestle Munch Onam Campaign – Nestle India – Disney Star India

     

    Best Brand Collaboration with News Channel

    NDTV Dettol Banega Swasth India, Season 7 – Dettol – Reckitt Benckiser – New Delhi Television Pvt Ltd

     

    Special Award Best Brand Collaboration with News Channel – Editor’s choice for choosing News as a medium in 2020-21

    Dabur India Ltd

    Starcom

     

    Best Brand Collaboration with News Channel (editor’s choice)

    Be a Bijli Donor – Luminous – New Delhi Television

     

    Best Brand Collaboration with News Channel (editor’s choice)

    Gulf Suraksha Bandhan Season 3.0 in partnership with TV9 – Gulf Oil Lubricants India Ltd – OMD Mudramax (DDB Mudra Group)

     

    Most Iconic TV Campaigns of All Time

    Don’t Worry, It’s Bisleri – Bisleri – 82.5 Communications

     

    Most Iconic TV Campaigns of All Time

    #NayeRishteNayeVaade – Vedant Fashions Limited – Shreyansh Innovations

     

    Most Iconic TV Campaigns of All Time

    #TaiyaarHokarAaiye – Vedant Fashions – Shreyansh Innovations

     

    Most Iconic TV Campaigns of All Time

    Zubaan Pe Sach, Dil Mein India (Sach Dikhate Hai Hum) – NDTV

     

    Most Iconic TV Campaigns of All Time

    Hari Sadu – Info Edge Media – FCB ULKA

     

    Most Iconic TV Campaigns of All Time

    Doodh Doodh – Amul (GCMMF) – FCB ULKA

     

    Most Iconic TV Campaigns of All Time

    Zee Bangla Mother’s Day Campaign 2021 – Zee Entertainment

     

    Most Iconic TV Campaigns of All Time

    Asli swaad zindagi ka – Mondelez International

     

    Most Iconic TV Campaigns of All Time

    Surf Excel & Puddlewar– Daag Ache Hain – Unilever

     

    Most Iconic TV Campaigns of All Time

    Ariel #ShareTheLoad – Procter & Gamble

     

    Most Iconic TV Campaigns of All Time

    Google Search: Reunion – Google India

     

    Most Iconic TV Campaigns of All Time

    Mumbai Mirror – I am Mumbai – The Times Group

     

    Most Iconic TV Campaigns of All Tim

    Gale me khich khich, Vicks ki goli lo! – Procter & Gamble

     

    Most Iconic TV Campaigns of All Time

    The Dot – Essence of NDTV – NDTV

     

    Most Iconic TV Campaigns of All Time

    Star Movies Select: Brand Campaign – Star India

     

    Most Iconic TV Campaigns of All Time

    Oscars 2017 campaign – Star India

     

    Most Iconic TV Campaigns of All Time

    Surf Excel Lalitaji – Unilever

     

    Most Iconic TV Campaigns of All Time

    Washing Powder Nirma – Nirma

     

    Most Iconic TV Campaigns of All Time

    Onida Devil – Onida Electronics

     

    Most Iconic TV Campaigns of All Time

    Raymond – The Complete Man

     

    Most Iconic TV Campaigns of All Time

    Fevikwik Fishing – Pidilite Industries

     

    Most Iconic TV Campaigns of All Time

    Hamara Bajaj- Bajaj Auto

     

    Most Iconic TVCampaigns of All Time

    ‘La, lalala, la, la, la – Liril – Liril – Hindustan Unilever

     

    Most Iconic TV Campaigns of All Time

    Vodafone Zoo Zoo – Vodafone Idea

     

    Most Iconic TV Campaigns of All Time

    Karram Kurram – Shri Mahila Griha Udyog Lijjat Papad

     

    Most Iconic TV Campaigns of All Time

    I love you Rasna – Rasna

     

    Most Iconic TV Campaigns of All Time

    Mauka mauka – Star Sports – Star India