Category: Animation

  • Animation film on RTI in Holland Animation Film Festival

    Animation film on RTI in Holland Animation Film Festival

    NEW DELHI: Chakravyuh (The Vicious Circle), an animation film on the Right to Information by renowned filmmaker Dhvani Desai has been selected for screening at the Holland Animation Film Festival

     

    Mumbai-based Desai is the only Indian whose film is being featured at the Festival, and the only Asian to feature in the section HAFF Tube.

     

    The eighteenth edition of the international Festival – which is one of the top ten international animation film festivals in the world – is being held from 18 to 22 March at Utrecht.

     

    The film had been voted the most popular film at the Mumbai International Film Festival.

     

    The film Chakravyuh shows the struggles of four characters from different regions of India and throws light on how RTI can be used to fight corruption. It has been produced by Films Division, and was first shown on 12 October 2013 on the occasion of the eighth anniversary of RTI in Mumbai.

     

    Desai’s earlier animation film for children Manpasand on women’s empowerment had been the opening film of the Asian Women’s Film Festival 2008 in Delhi, apart from participating in around 10 international film festivals.  

     

    The film had been produced by the Children’s Film Society, India, and was based on a fast becoming extinct folk art called ‘Sanjha art’  and had won many awards, including one at New York Film Festival.

     

    Desai has been making films for over twenty years and has served on many juries. Her films include 5 short public service films for the Mahatma Gandhi Foundation on the Principles of Mahatma Gandhi in Hindi and English.

  • Animation companies upbeat on West Bengal

    Animation companies upbeat on West Bengal

    KOLKATA: The Indian animation and gaming industry in India is worth around $2,477 million with a growth rate of 35 per cent (2009-2013). West Bengal, which showed the least amount of growth some years ago with outsourcing as the main nature of work, is now attracting companies to set up their base here.

     

    The industry has potential for growth, both in terms of size and moving up the value chain, reveals a report on animation, broadcasting and gaming by Deloitte.

     

    Seeing good opportunities, players like Big Animation (an Anil Dhirubhai Ambani Group company), Arena Animation, NiDT and the Zee Institute of Creative Arts (ZICA) have set their sights on Kolkata. 

     

    According to NiDT director Chaitali Ghosh, the animation visual gaming sector, offering an opportunity never realized earlier, is now catching up in Kolkata.

     

    An expert said creativity from West Bengal is overflowing and a trinity should be created among government, industry and academia for the growth of the industry in eastern region.

     

    Webel DQE Animation Academy has placed more than 1100 students in various firms and is working on the animated version of Jungle Book apart from French and German movies. A production facility in Kolkata is also on the charts.

     

    ZICA director Shrey Agarwal informs that the company’s in-house studio in New Alipore is in the pipeline. Additionally, Arena Animation director Ramesh Kumar Ruia says that they has started a graduation course on animation. 

     

    Quoting Economic Survey 2014-15, an expert opined that Kolkata as a creative hub looked promising on the chart. “Seeing that digital advertising and gaming verticals are expected to drive growth on Indian media and entertainment industry in the next few years, West Bengal is likely to play a key role, firstly being a creative center of artists and secondly an important state in the eastern region. India is also emerging as the new favourite of international studios, with 100 per cent FDI permitted in the film sector,” he said.

  • Warner Bros, DC Comics aim to set Super Hero world record

    Warner Bros, DC Comics aim to set Super Hero world record

    MUMBAI: Warner Bros. Consumer Products (WBCP) and DC Entertainment (DCE) plan to set a world record for the largest gathering of people dressed as DC Comics Super Heroes held at multiple venues around the globe within 24 hours. The DC Comics Super Hero World Record Event – to take place on 18 April, 2015 – will kick off in Queensland, Australia with a celebration at Movie World Australia theme park, and come to a commemorative close in Los Angeles, CA, USA at Hollywood and Highland.

     

    “Warner Bros. Consumer Products is thrilled to team up with partners around the world to set the world record for the most people dressed as DC Comics Super Heroes. We invite fans of all ages to come out for this exciting family event and don their capes, cowls and masks to represent their favorite DC Comics Super Hero,” said Warner Bros. Consumer Products president Brad Globe.

     

    At each event, fans dressed as DC Comics Super Heroes will gather to celebrate with interactive games and activities inspired by the famed world of DC Comics before formally attempting to set the world record. The DC Comics Super Hero World Record Event cities unveiled, include: Birmingham (UK), Cardiff (UK), Kaohsiung (Taiwan), Lille (France), London (UK), Los Angeles (USA), Lyon (France), Madrid (Spain), Manila (Philippines), Mexico City (Mexico), Paris (France), Queensland (Australia), Rome (Italy), Sao Paulo (Brazil) and Warrington (UK).

     

    To participate in setting this heroic world record, DC Comics fans must dress from head-to-toe as an instantly recognized Super Hero that has been featured in a DC Comics published book, television program or film. The DC Comics Super Hero universe includes Batman, Superman, Wonder Woman, The Flash, Green Lantern, Batgirl, Supergirl, Aquaman, Cyborg, Robin, Green Arrow, and many more. Both homemade costumes as well as official costumes from licensees and official event retail partners will be considered as long as they are a full representation of the Super Hero and are as close to the original DC Comics’ Super Hero’s costume as possible.

     

    The world record will be set once fans gather in the assigned area at each local event and stay there for a full five minutes to be counted towards the record. WBCP will be working closely with retail and licensing partners in each market to offer exclusive merchandise, promotional support and more, to bring fans this exciting global event in each participating city.

     

    Leading up to the one-day event, WBCP and DCE, together with local sponsors and organizers, will present DC Comics’ most ardent fans with the opportunity to demonstrate their fandom by entering into various photo contests and sweepstakes, including the “Best Super Hero Post” photo contest and the “Best Super Hero Photo Bomb” contest. DC Comics enthusiasts will also be able to compare and preview their costumes with a “Costume Preview Polling” contest presented by event organizers on social media. Follow #DCWorldRecord on Facebook and Twitter for more information on the contests.

  • Q3-2015: DQ Entertainment reports lower numbers

    Q3-2015: DQ Entertainment reports lower numbers

    BENGALURU: The Tapas Chakravarti led DQ Entertainment (International) Limited (DQEIL) reported a profit after tax (PAT) of Rs 2.24 crore (9.3 per cent of Total Income from Operations or TIO) in Q3-12015 (quarter ended 30 December, 2014, current quarter) versus a loss of Rs 12.39 crore in Q3-2014. PAT for the current quarter, however was down to less than a third (down by 70.5 per cent) as compared to the Rs 14.43 crore (2.47 per cent of TIO). PAT in 9M-2015 at Rs 6.61 crore (5.6 per cent of TIO) was less than a one fourth (down 76.5 per cent) the Rs 28.11 crore (20.4 per cent of TIO) in HY-2014.

     

    Note: 100,00,000 = 100 Lakhs = 10 million = 1 crore

     

    Two segments contribute to DQEIL revenues – animation and distribution. The company’s animation segment, reported an operating profit of Rs 19.93 crore on segment revenue of Rs 22.61 crore in Q3-2015. For Q3-2014, animation segment had reported operating profit of Rs 20.56 crore on higher operating revenue of Rs 37.88 crore, while in Q2-2015, the segment reported revenue of Rs 39.94 and an operating profit of Rs 23.62 crore. For 9M-2015, this segment reported revenue of Rs 72.47 crore and an operating profit of Rs 46.51 crore versus higher revenue of Rs 107.03 crore and higher operating profit of Rs 59.34 crore in 9M-2014.

     

    The company’s distribution segment reported the following numbers: Q3-2015 – Revenue Rs 23.1 crore, operating profit Rs 15.37 crore; Q3-2014 – Revenue Rs 12.97 crore, operating profit Rs 6.49 crire; Q2-2015 – Revenue Rs 12.71 crore, operating profit Rs 12.02 crore; 9M-2015 – Revenue Rs 46.51 crore, operating profit Rs 26.2 crore; 9M-2014 – Revenue Rs 30.83 crore, operating profit Rs 14.01 crore.

     

    For the detailed report, click here:

  • DQ Entertainment raises up to $50 million for content development

    DQ Entertainment raises up to $50 million for content development

    MUMBAI: DQ Entertainment (International) has announced that its holding company and promoter DQ Entertainment (Mauritius) has executed the documents to raise funds up to US$50 million. The funds will be raised by way of semi or secured convertible bonds from OL Master, a private credit fund managed by OCP Asia (Hong Kong).

    In an announcement made to the BSE, the company has said that the funds can be drawn down in two tranches, the first of which is for US$35 million and will be drawn down immediately and the second tranche of US$15 million can be drawn down at the option of the investor within 12 months thereof.

    The net proceeds from the issue of the bonds will   be used to fund the development of more than 20 owned-IP and co-production project   currently in the pipeline for production over the next two years, for the repayment of certain debts amounting to approximately US$7.2 1 million (Rs 445.1 million) and for general  working capital  purpose.

    DQ Entertainment chairman and CEO Tapaas Chakravarti said, “We are delighted to partner with OCP Asia and are confident that this association will help us to realise our mission for DQE.   The validation of our  business  model  by the high acumen  OCP team  further  strengthens our commitment  to  produce  and  distribute  world  class  content  across  territories and  grow  our audiences with high quality IP creation.”

    OCP  Asia  (Hong  Koug) co-founding  partner Teall   Edds added, “We   have  been impressed  with  DQE’s exciting pipeline  and its capabilities in producing world class  content,  its ability  to work with broadcasters from around  the world in bringing ideas  to the screen  and  its 360-degree monetisation approach to generating  returns  on IP.  We look forward to our close partnership with DQE.”

    It can be noted that the board of directors of DQE had been exploring various options to secure the necessary funding for the group’s pipeline projects, the bulk of which are children/family oriented animation series for TV and digital distribution. “This has included discussions with a number of investors and after considerable deliberation and effort, DQE has concluded that the issue of the bonds is the best option available to the group to secure the finance it needs and is in the best interests of shareholders  as a whole. The board believes there is an opportunity to grow DQE’s business through the development and exploitation of its own IP and the issue of the bonds provides the finance to capitalise on this,” the statement to the BSE reads.

    DQE has a production order book worth approximately US$ 63 million (Rs 3,820 million) in terms of revenue to the group. Some of the projects currently in production include ‘Robin Hood’, ‘Peter Pan season 2’, ‘Lassie’, ‘Miles from Tomorrow  Land’, ‘Popples’ and  ‘Seven Dwarfs &  Me.’ Production of many new IPs such as ‘5 & IT’, ‘Yonagunis and Leo Galilei’ will  commence  soon. The company had recently also signed on a co-production project called ‘Pio the Chick’ with Rai, Italy and is engaged in discussions for more such projects.  

    DQE’s distribution and licensing division has concluded 24 deals in the current financial year. In addition, a number of broadcast deals for the group’s IP, including Jungle Book, Peter Pan. Iron Man and Robin Hood, have been concluded with global broadcasters such as Rai Cinema (Italy), DEA (Italy), Viacom I8 (India) and  Univision (USA & Puerto Rico).  DQE expects to be able to grow its licening and merchandising revenue through its 360-degree monetisation strategy for all its existing and new IPs going forward.

     

    Major Terms of the Bonds

    The bonds carry a cash coupon rate of 6.5 per cent per annum payable semi-annually from the closing date up to the maturity date. The bonds will have a maturity period of five years from the closing date (the “Maturity Date”).

    Outstanding bonds will be redeemed on the maturity date at  a redemption price which would yield an internal rate of  return  (“IRR”)  equal  to 15  per cent  per annum  (the ‘Redemption Price’).   In addition, the bond holders can redeem the bond at the Redemption Price after a period of 36 months after the closing date.

    The bonds will   be issued to the Investor and are freely transferrable, in whole or in part, to any person (with the holders of the bonds from time to time being collectively the “Bond holders”).

    “The bond can be converted into ordinary shares of DQE Mauritius. The conversion of the full US $50 million of bonds would currently equate to 56.5 per cent of DQE Mauritius on a fully diluted basis,” said the statement.

     

  • Prime Focus Q1-2015 revenue up 78%, loss widens to Rs 22 crore because of global integration process

    Prime Focus Q1-2015 revenue up 78%, loss widens to Rs 22 crore because of global integration process

    BENGALURU: Prime Focus Limited (PFL) reported 78.3 per cent growth in Income from Operations (TIO) in the quarter ended 30 September 2015 (Q1-2015, current quarter) to Rs 350.17 crore from Rs 196.38 crore (quarter ended 30 September 2013, or Q2-2014) and 76.6 per cent more than the Rs 199.5 crore in Q5-2014 (q-o-q).

    Notes: (1) 100,00,000 = 100 lakh = 10 million =1 crore

    (2) The company had filed results for a15 month period ended 30 June 2014, hence comparison is being done between Q1-2015 and Q2-2014 as well as Q5-2014 (quarter ended 30 June 2014).

    The company’s loss widened to Rs 22.02 crore in Q1-2015 from the Rs 8.78 crore in Q5-2015. The company had reported a profit of Rs 21.34 crore (10.9 per cent of TIO) in Q2-2014. PFL, in its earnings release, says that loss for the quarter has risen to Rs 22.02 crore because margins have been impacted primarily due to seasonal effects and due to significant duplication of costs in the creative services business in the first quarter post-merger. The company has initiated a global Integration process at its London, Vancouver and Indian facilities across both these entities. Consequently, the effects of the first phase of one time integration costs are also reflected in the financials claims PFL.

    Let us look at the other numbers reported by PFL in Q1-2015

    The company’s total expenditure (TE) in Q1-2015 at Rs 385.6 crore (110.1 per cent of TIO), which was more than double (2.15 times) the Rs 179.42 crore (91.4 per cent of TIO) in Q2-2014 and 80 per cent more than the Rs 214.52 crore (107.5 per cent of TIO) in Q5-2014.

    Figures A and B below show PFL’s major expense heads. As is obvious, a major expense head for the company is employee benefit expense or EBE.

    PFL’s EBE in Q1-2015 at Rs 232.77 crore (60.4 per cent of TIO) was almost triple (2.91 times) the Rs 79.84 crore (40.7 per cent of TIO) in Q2-2014 and more than double (2.1times) the Rs 111.50 crore (55.9 per cent of TIO) in Q5-2015. Fig B indicates that EBE also shows a linear upward trend in terms of percentage of TIO over the seven quarters starting Q4-2013 until the current quarter Q1-2015.  EBE has been the highest in Q1-2015, both in terms of absolute rupees and in terms of percentage of TIO during the period under consideration.

     Finance and Interest cost in Q1-2015 at Rs 15.84 crore (4.25 per cent of TIO) was 42.8 per cent more than the Rs 11.09 crore (5.6 per cent of TIO) in Q2-2014 and 9.5 per cent less than the Rs 17.5 crore (8.8 per cent of TIO) in Q5-2015.

    PFL executive chairman and group CEO Namit Malhotra said, “It has been an eventful quarter for us as a Group, where PFW (Prime Focus World) completed the merger with Double Negative (D-Neg) which we all are very excited about. At the same time, we initiated a significant integration and consolidation exercise across our global footprint.”

    “These extra ordinary onetime costs juxtaposed with seasonally the slowest quarter in the Industry has had

    a major impact on our bottomline. The integration process with D-Neg has started well with the strategic assumptions playing out as expected. Post D-Neg integration, we are proud to announce that we have now become a fully integrated Tier I provider of creative services solutions globally. Our focus on cost stays high – we have shut down our London and Vancouver VFX operations in PFW. The RMW’s FMS business merger is awaiting regulatory

    accelerated growth path we are extremely positive approval post which we expect to complete the transaction expeditiously. PFT is witnessing increasing traction for its products in the International markets and we are very excited about the growth opportunities there in addition to the continued momentum in India. With all our businesses on an accelerated growth path, we are very excited about the future, as you look beyond the one time integration costs, there are significant post-merger revenue and margin enhancement opportunities ahead,” added Malhotra.

     

    Click here to read full unaudited results

  • DQE strengthens digital media strategy to monetise content

    DQE strengthens digital media strategy to monetise content

    MUMBAI: As part of its digital media strategy, entertainment production and distribution company DQ Entertainment have launched two YouTube channels- Power Kids and Tiny Toonz in association with leading multi channel network Whacked Out! Media (WOM).

    Power Kids will showcase animated content for children aged five and above while Tiny Toonz will be aimed at younger children. It will also launch its content and games on other platforms such as Google Play store, Amazon and iTunes.

    The reason for the new digital initiative is to make full use of its rich animated library and target all platforms including apps, smartphones, tablets, social media etc. DQ is banking on this to substantially add to grow revenue. WOM will be a strategic digital media partner for YouTube, allowing DQ to monetise its animated properties and mobile games.

    DQ Entertainment chairman and CEO Tapaas Chakravarti said, “The majority of our audience today are constantly online consuming large amounts of animated content through mobiles, tablets and smart TVs from YouTube and other digital media platforms. Having established our footprint globally, DQE is perfectly positioned to leverage our extensive resources and content library for this high growth sector of the entertainment industry. We hope this will help us to reach wider global audiences. We are excited to work with WOM who are a leading MNC with vast experience in the digital ecosystem. We are confident that WOM will help us expand our global digital presence and reach new markets.”

    Whacked Out! Media MD Ramkrishna Veerapaneni said, “We are delighted to be working with DQ Entertainment to create a new online platform for children. We hope that DQE Digital World will become the ultimate destination for catrtoons, games and lots of fun content for kids all over the world.”


    DQE content includes The Jungle Book, Peter Pan, Lassie, Iron Man, Robin Hood, Casper etc. It will also show exclusive online educational entertainment content.

     

  • DQ Entertainment reports profit for Q2-2015 versus loss in Q2-2014: Animation segment back in black

    DQ Entertainment reports profit for Q2-2015 versus loss in Q2-2014: Animation segment back in black

    BENGALURU: The Tapas Chakravarti led DQ Entertainment (International) Limited (DQEIL) reported a profit after tax (PAT) of Rs 14.43 crore (27.4 per cent of Total Income from Operations or TIO) in Q2-2015 (quarter ended 30 September 2014, current quarter) versus a loss of Rs 12.06 crore in Q1-2015. PAT for the current quarter, however was down 36.5 per cent as compared to the Rs 22.72 crore (40.27 per cent of TIO). PAT in HY-2015 at Rs 2.38 crore (3.3 per cent of TIO) was less than a twelfth (1/12.4 times) the Rs 29.35 crore (33.7 per cent of TIO) in HY-2014.

     

    Note: 100,00,000 = 100 Lakhs = 10 million = 1 crore

     

    Two segments contribute to DQEIL revenues – animation and distribution.  The company’s animation segment which had reported operating loss of Rs 1.07 crore on segment revenue of Rs 9.93 crore in the previous quarter, reported an operating profit of Rs 23.62 crore on segment revenue of Rs 39.94 crore in Q2-2015. For Q2-2014, animation segment had reported operating profit of Rs 22.7 crore on higher operating revenue of Rs 41.57 crore. For HY-2015, this segment reported revenue of Rs 49.86 crore and an operating profit of Rs 16.47 crore versus higher revenue of Rs 69.14 crore and higher operating profit of Rs 29.43 crore in HY-2015.

     

    The company’s distribution segment reported the following numbers: Q2-2015 – Revenue Rs 12.71 crore, operating profit Rs 12.02 crore; Q1-2015 – Revenue Rs 10.71 crore, operating loss Rs 1.19 crore; Q2-2014 – Revenue Rs 15 crore, operating profit Rs 9.44 crore; HY-2015 – Revenue Rs 23.41 crore, operating profit Rs 10.83 crore; HY-2014 – Revenue Rs 17.86 crore, operating profit Rs 7.58 crore.

     

    Let us look at the other numbers reported by DQEIL for Q2-2015

     

    DQEIL TIO in Q2-2015 at Rs 52.64 crore was more than double (2.5 times) the Rs 20.64 crore in the immediate trailing quarter, but 7 per cent lower than the Rs 56.58 crore in Q2-2014. TIO in HY-2015 at Rs 72.38 crore was 16.8 per cent lower than the Rs 87 crore in HY-2014.

     

    The company’s total expenditure (TE) in Q2-2015 at Rs 25.24 crore (47.9 per cent of TIO) was 9 per cent less than the Rs 27.72 crore (134.3 per cent of TIO) in the previous quarter and 36.5 per cent lower than the Rs 41.77 crore (73.8 per cent of TIO). In HY-2015, TE at Rs 52.56 crore (72.6 per cent of TIO) was 33.5 per cent lower than the Rs 79.07 crore (90.9 per cent of TIO) in HY-2014.

     

    DQEIL’s employee expense (EBE) in Q2-2015 at Rs 15.34 crore (29.1 per cent of TIO) was 7.8 per cent lower than the Rs 16.64 crore (80.6 per cent of TIO) and 22.3 per cent lower than the Rs 19.74 crore (34.9 per cent of TIO) in Q2-2014. HY-2015 EBE at Rs 31.98 crore (44.2 per cent of TIO) was 20 per cent lower than the Rs 39.97 crore (45.9 per cent of TIO) in HY-2014.

     

    The company’s depreciation, amortization and impairment expense (depreciation) in Q2-2015 went up 4.6 per cent to Rs 7.98 crore (15.2 per cent of TIO) from Rs 7.63 crore (36.9 per cent of TIO) in Q1-2015 and was 18.9 per cent lower than the Rs 9.84 crore (17.4 per cent of TIO) in Q2-2014. HY-2015 depreciation at Rs 15.6 crore (21.6 per cent of TIO) was 17.5 per cent less than the Rs 18.92 crore (21.7 per cent of TIO) in HY-2014.

     

    DQEIL’s production expense in Q2-2015 at Rs 1.78 crore (3.4 per cent of TIO) was 17.4 per cent lower than the Rs 2.15 crore (10.4 per cent of TIO) and almost 5 times the Rs 0.36 crore (0.6 per cent of TIO) in Q2-2014.  Production expense in HY-2015 at Rs 3.93 crore (5.4 per cent of TIO) was almost double (1.95 times) the Rs 2.01 crore (2.3 per cent of TIO) in HY-2014.

     

    Click here to read the full financial

  • Burka Avenger bags Best TV Show at the Asian Media Awards

    Burka Avenger bags Best TV Show at the Asian Media Awards

    MUMBAI: Burka Avenger, Pakistan’s pioneer 3D Animated TV Series won Best TV Show at the Second Asian Media Awards Tuesday October 28, 2014. The winners were announced at the Award Ceremony in Manchester, UK, attended by journalists, actors, presenters and marketing professionals from across the world.

     

    Established in 2013, the Asian Media Awards showcases the very best talent working in the Asian media and those working in the mainstream media. As well as rewarding new and emerging talent, the awards recognised the achievements of the pioneers within the media industry.

     

    The Burka Avenger series is the brainchild of Pakistani rock star and social activist Haroon who conceived of it as a way to emphasize women empowerment, the importance of girls’ education and teach children other lessons such as equality and non-discrimination. He said that the success of the entirely produced in Pakistan series is a testament to the level of Pakistani talent.

     

    The Burka Avenger is an amazing action-comedy animated TV show that follows the adventures of Burka Avenger and three young kids in the imaginary city of Halwapur as they fight the evil Baba Bandook and his henchmen. The multi-award winning animated series features Jiya as the inspirational school teacher and her alter ego, the super-heroine Burka Avenger. Her use of books and pens as projectile weapons is symbolic on many levels. The Burka Avenger fights for Justice, Peace and Education for all.

     

    A brand new episode of the series focusing on polio was recently released by the company specially for World Polio Day on October 24, 2014. The episode highlights the importance of polio vaccinations to prevent the spread of polio and tackles the issues of polio in Pakistan head on in a brave and informative manner. The episode was aired on eight different mainstream TV channels in Pakistan and can be viewed online at:

     

    YouTube:

     

    https://www.youtube.com/watch?v=tHwHayZZFiw

     

    Vimeo:

     

    https://vimeo.com/109829343

     

     

    Other Awards and Accolades received by the Show include:

     

    • International Emmy Award Nominee – Winner TBA

     

    • Winner of the Peabody Award

     

    • Winner of the Gender Equity Prize at the Prix Jeunesse International Film Festival

     

    • Named by Time Magazine as one of the most influential fictional characters of 2013

     

    • Rising Star Award (Category: Animation) at Canada International Film Festival

     

    The Unicorn Black production team is based in Islamabad, Pakistan and comprises of artists, animators, musicians, writers and producers. After the amazing success of season one the company is currently working on Burka Avenger Season 2. 

     

    Burka Avenger Website: http://BurkaAvenger.com/

     

    Facebook: https://www.facebook.com/BurkaAvenger

     

    Production Company Website: http://UnicornBlack.com/

  • Toonz Entertainment acquires Imira entertainment

    Toonz Entertainment acquires Imira entertainment

    CANNES: Toonz Entertainment, a preeminent content and animation company which incorporates flagship division Toonz Animation in India, has entered into an agreement to acquire 100 per cent of Imira Entertainment, one of Spain’s leading production and distribution company specialising in youth programming.

     

    At the on-going global market for entertainment content across all platforms held in Cannes, MIPCOM 2014, Toonz Animation CEO P Jayakumar and Imira Entertainment CEO Sergi Reitg today announced the development. The transaction is set to be finalised on completion of due diligence.

    The far-reaching agreement will see Imira continue to operate as a separate production and distribution entity with its existing management structure, but the companies will jointly exploit the opportunities and synergies created by the acquisition to offer combined content creation strength and global distribution.

     

    Imira will handle television and licensing rights for Toonz Animation-produced content in regions where is has an established foothold including Europe, US, Latin America and Africa with Toonz utlilsing its relationships in Asia and Pacific territories on behalf of Imira.  Imira will also benefit from investment and production partnership potential from its parent company.
     

    Jayakumar said: “Adding Imira Entertainment to the Toonz Group brings significant complementary services and areas of expertise to our offering. Sergi and his team have a tremendous track record and we look forward to working with them to leverage our combined strengths.”

     

    Reitg adds: “Toonz Animation has a world-class pedigree in television and film. It is an exciting home for Imira Entertainment and a natural fit, and we are looking forward to working with our new colleagues to maximise the potential of our partnership.”