Category: Viewership

  • IPL 2020 logs record-breaking viewership

    IPL 2020 logs record-breaking viewership

    MUMBAI: When the Indian Premier League (IPL) went on hiatus in March due to the Covid2019 pandemic, fans wondered when they would get to see their favourite teams and cricketers play, if at all. But the IPL did return – with a bang. In spite of being held in the UAE, that too without in-stadia audience, the tournament has logged a record-breaking increase of 28 per cent in viewership as compared to the previous edition.

    From September 19 through November 10, the IPL enthralled fans with non-stop action which involved cliffhanger matches, splendid bowling spells, and spectacular batting. It not only enlivened the people after months of Covid-induced gloom, but also lifted up certain sections of the economy. In fact, IPL 2020 had 18 sponsors and 110 brands on board, which is the highest number of partners and advertisers in the history of the league.

    There are many noteworthy firsts for IPL 2020. For the first time, the title sponsor of IPL is a sports brand, Dream11. Fan engagement was driven digitally by creating digital fan walls in the stadium and the commentary box. The four large virtual fan walls include pre-recorded videos of cheerleaders on branded walls of sponsors. IPL teams like Mumbai Indians and Rajasthan Royals launched digital initiatives to connect with fans. Mumbai Indians launched ‘MI Live’ and ‘Paltan Play’ and Rajasthan Royals started a community-based programme called ‘Super Royals’.

    IPL chairman Brijesh Patel said, “IPL has always endeavoured to provide a world-class sports event for its fans.”

    He thanked title sponsor Dream11, which associated itself with the hugely popular league after the BCCI parted ways with its earlier partner, Vivo.

    “With Dream11 coming on board as the title sponsor for IPL 2020, we are happy to see a  digital sports brand like Dream11 increasing fan engagement through fantasy sport. It is equally heartening to see how Dream11 has integrated its users in all Dream11 IPL match activations. The match countdown, Dream11 champion fans wall and the virtual guest box have all been brought about to bring the fans to the forefront.”

    Similar fan activity and engagement was witnessed on the fantasy sports app Dream11 too. The platform experienced a surge of 44.4 per cent traffic volume as against the final match of IPL 2019 and achieved above 5.3 million user concurrency.

    Dream11 chief marketing officer Vikrant Mudaliar said, “IPL is the biggest sports event in India that witnesses extremely high fan fervour, and we are happy to see similar engagement on Dream11. Fantasy sports have increasingly become integral to fan engagement with every IPL. Sports fans are at the centre of everything we do, and we have integrated our users in all Dream11 IPL match activations.”

  • BARC week 44: Dettol Toilet Soaps bags top brand spot

    BARC week 44: Dettol Toilet Soaps bags top brand spot

    MUMBAI: The Broadcast Audience Research Council (BARC) of India has released its data for top advertisers and brands for the period between 31 October to 6 November 2020.

    The data reflects the top 10 advertisers and brands across genres on India’s television, 2+ Individuals, NCCS. All demonstrating ads that were inserted the most in the 44 week of 2020.

    Top Advertisers:

    Hindustan Unilever continued to be the biggest advertiser this week also with 295719 impressions.

    It was followed by Reckitt Benckiser India which ranked second with 149331 ad generations.

    Wipro Ltd bagged the third rank this time with 38113 ad impressions. Ponds India came in fourth with 29701 ad generations.

    Godrej Consumer Products Ltd and ITC Ltd secured fifth and sixth place with 29569 and 28529 ad views.

    Other top brands in the pecking order were as follows: Colgate Palmolive India Ltd, Cadburys India Ltd, Amazon Online India Pvt Ltd and Brooke Bond Lipton India Ltd.

    Top Brands:

    This week Dettol Toilet Soaps led the chart with 20931 ad impressions, followed by Lizol with 19874 ad views. Dettol Antiseptic Liquid secured the third position with 18276 ad insertions.

    The fourth and fifth spots were acquired by Amazon.in and Close Up Ever Fresh with 16786 and 13349 ad generations.

    Lux Toilet Soap bagged the sixth spot with 12930 ad views.

    Other top brands in the pecking order were as follows: Clinic Plus Shampoo, Santoor Sandal And Turmeric, Boost, Myntra.Com.

  • Sony Sab set to challenge gender stereotypes with its latest campaign – ‘Sapno ka koi gender nahi hota’

    Sony Sab set to challenge gender stereotypes with its latest campaign – ‘Sapno ka koi gender nahi hota’

    MUMBAI: Sony Sab has been successfully bringing to the fore unique values-driven, positive and progressive content that not only entertains but also inspire audiences. Taking this ideology forward, Sony Sab has unveiled a new campaign around the thought, ‘Sapno ka koi gender nahi hota’ for its upcoming show Kaatelal & Sons. The campaign also features a video that challenges deep rooted gender stereotypes with a message ‘Khol Dimaag Ka Shutter’. The music video, starring show’s protagonists Jiya Shankar and Megha Chakraborty, is set to a foot-tapping number composed by Mayur Jumani who also features in it. Mayur Jumani is a popular music producer who has composed, mixed and produced for a range of projects and is also the man behind several viral mashups. The catchy lyrics of “Khol Dimaag Ka Shutter” take a cheeky spin to question clichéd notions of gender biases in careers and job roles.

    Inspired by a real story, Kaatelal & Sons will narrate a heartening tale about ‘un-gendering’ your dreams. It brings forth the story of two sisters, Garima (Megha Chakraborty) and Susheela (Jia Shankar), who take on their father’s business of running a local men’s hair salon in Rohtak when adversity strikes. While their father, Dharampal, (Ashok Lokhande) believes that his ancestral shop, aptly named Kaatelal & Sons, cannot be passed on to his daughters since girls are not meant to pursue such a profession, the daughters are adamant on keeping the shop in the family and taking the business to new heights.

    The campaign will see a 360-degree integrated marketing outreach through print, digital, outdoor, a strategic promotional plan with Paytm and Big Bazaar. A strong digital plan is in place to promote the show and a focused influencer outreach to spotlight the innovative music video – Khol Dimaag Ka Shutter.

    Sony Sab marketing & communications head Vaishali Sharma said, "Kaatelal & Sons is a beautiful and true testament of Sony Sab’s forward-looking approach where we continue to offer shows that have hope and meaning. With Sapno Ka Koi Gender Nahi Hota campaign, we aim at challenging the deep-rooted stereotypes of gender roles in our society. We want to embody this promise not only through our on-air content but also through our marketing campaign that can be entertaining while raising some meaningful questions that can spearhead a change in people’s lives. Khol Dimaag Ka Shutter is a fun musical take on the concept of Kaatelal & Sons with a thought-provoking message. We are encouraging everyone to #ungender their dreams. "

    Tune in to Kaatelal & Sons and watch Jiya Shankar, Megha Chakraborty and Ashok Lokhande, among others, starting 16 November, Monday to Friday at 7:30 pm only on Sony Sab

  • Chrome DM week 43: Hindi news genre emerges as top gainer

    Chrome DM week 43: Hindi news genre emerges as top gainer

    NEW DELHI: Hindi news genre is the top gainer for week 43, 2020 of Chrome Data Analytics and Media data, with a marginal growth. The genre has grown by 0.49 per cent.

    In this genre, ABP News has gained the highest OTS with 99.9 in the HSM excl < 1 market. OTS is the actual census-based percentage connectivity of a channel spread across 81 million homes, as reported by Chrome DM, across analogue cable, digital cable, and DTH.

    This week, English GEC genre has emerged as a close second on top gainers list with a growth of 0.37 per cent in the six metros market. In this genre, Comedy Central has gained the highest OTS with 43.3 per cent.

    Read more coverage on ChromeDM

    Among other genres, Religious, English movies, English news, kids, have grown negligibly.

  • Fresh content, new subscribers vital for long-term growth: Zeel

    Fresh content, new subscribers vital for long-term growth: Zeel

    KOLKATA: An unstable regulatory environment compounded by an unprecedented global pandemic has stymied growth in FY21 for the already-ailing broadcasting sector. In some ways, the second half of the year could be better for the industry, with advertising coming back. Zee Entertainment Enterprises Ltd (Zeel) has also pinned its hopes on the last two quarters, especially Q4.

    Zeel CEO and MD Punit Goenka said in an earnings call that the company has seen significant improvement, but acknowledged that the ad pricing has not returned to pre-Covid level yet. Goenka estimated that it would normalise in Q3 and start seeing growth in Q4.

    “Q3 and Q4 base anyways are soft but we expect that in Q3, we will only be able to maintain what we had received last year; very insignificant, moderate growth if at all possible. But Q4 certainly will have heavy growth over the last year,” he remarked.

    While Zeel has been able to stay ahead of the pack in some markets in terms of viewership, it has fallen behind in regional spaces like Marathi and Bengali. Goenka is of the view that a new and improved content pipeline could be a cure for this.

    “Obviously, the current pipeline seems jaded to the viewers and therefore they have chosen to go and consume more on the competition. But the good part is we have not lost reach on the channel as yet, therefore we will have to revamp the content there,” he said.

    He did go on to add that Zeel is already seeing a recovery in the Bengali market and it will clock faster growth in the next couple of months. For the Marathi market, the company expects a recovery in the next one or two quarters. However, Goenka is sanguine about making a comeback with their audience.

    “Certainly the new line-up that competitors have introduced post the lockdown has refreshed content for them and the consumers may have preferred that over the legacy shows that we have been serving. As you know, there is always an up and down in this kind of a business so we are confident that we will regain our viewership back,” he said.

    In terms of domestic subscription growth too, FY21 would be difficult for the company. It has cited instability of NTO 2.0 as a key reason because it has frozen the pricing for the year. But going forward, it hopes double-digit to low-teens is quite possible as the directive should be out of the way, either implemented or disposed of.

    “What has happened is when we implemented NTO 1.0, we had a complete blueprint of how we were going to take up pricing and how product launches would happen over a period of time and how we will drive our subscription revenue. In fact, in the third and fourth quarter of last year we launched four new channels. So that was also a part of it. Now because of NTO 2.0, all the plans of our bouquet as well as taking up the pricing is on hold and that is the reason why subscription revenue for this year would be impacted on the domestic broadcast side,” Zeel FPA and investors relations, corporate strategy head Bijal Shah commented.

    In the long term, the network sees a two-fold opportunity in the domestic broadcast sector. There are around 100 million homes in the country that do not have TV yet, which could be a significant opportunity for a deeper subscriber base. On the pricing side, it thinks that the ARPUs are pretty low. ZeeL has already planned price increases in some of the markets. Moreover, the company aims to launch more products.

    On EBITDA margin, Zeel hopes to see an improvement every quarter. Once FY22 proves to be a normal year without any disruption on the advertising side or subscription side, the margin trajectory should gradually return to normal.

  • BARC Week 43: Amazon India emerges as top brand

    BARC Week 43: Amazon India emerges as top brand

    NEW DELHI: The Broadcast Audience Research Council (BARC) of India has released its data for top advertisers and brands for the period between 24 October to 30 October 2020.

    The data reflects the top 10 advertisers and brands across genres on India television, 2+ Individuals, NCCS All demonstrating ads that were inserted the most in week 37 of 2020.

    Top advertisers

    Hindustan Unilever continued to be the biggest advertiser this week with 270150 ad impressions. It was followed by Reckitt Benckiser India which ranked second with 155931 ad impressions.

    ITC Ltd bagged the third spot with 52932 insertions. Godrej Consumer Products Ltd and Wipro secured the fourth and fifth place with 52358 and 37982 insertions respectively.

    Ponds bagged the sixth spot with 31150 ad insertions.

    Other top brands in the pecking order were as follows: Colgate Palmolive India, Amazon Online, Cadbury’s India, and Brooke Bond Lipton India.

    Read more stories on BARC

    Top Brands

    Amazon.in was once again the top brand this week with 20492 ad impressions. Dettol Antiseptic Liquid came in second with 18035 ad insertions. Surf Excel Easy Wash bagged the third spot with 17637 ad impressions.  

    The fourth and fifth spots were acquired by Lizol and Glow & Lovely with 16671 and 14429 ad insertions respectively.

    The sixth position went to Dettol Toilet Soaps with 14409 ad insertions.

    Other top brands in the pecking order were as follows: Lux Toilet Soap, Wheel Active 2 in 1, Clinic Plus Shampoo and MPL.

  • BARC week 43: Zee TV retains second spot on pay platform

    BARC week 43: Zee TV retains second spot on pay platform

    MUMBAI: Zee TV continued to hold on to the second spot on pay platform in week 43 (Saturday 24 October 2020 to Friday 30 October 2020) of Broadcast Audience Research Council of India (BARC) data. Sony Entertainment Television has climbed up to the fifth position on pay platform. Star Utsav has slipped to number six in the same category. In the rural market, Dangal made it into the top three.

    On Pay platform Star Plus, Zee TV, Colors, Sony Sab, Sony Entertainment Television, Star Utsav, Sony Pal, Star Bharat, Colors Rishtey, and Dangal were the top 10 channels in week 43 of BARC India ratings.

    Urban

    In the urban market, the top ten channels were Star Plus, Colors, Star Utsav, Sony Sab, Zee TV, Sony Entertainment Television, Sony Pal, Colors Ristey, Dangal, and Zee Anmol in week 43 of BARC India ratings.

    Rural

    Star Utsav, Zee Anmol, Dangal, Colors Rishtey, Sony Pal,   Star Plus, Zee TV, Big Magic, Sony Sab and Colors were the top ten channels in the rural market.

    Free platform

    Star Utsav, Zee Anmol, Dangal, Colors Rishtey, Sony Pal, Big Magic, Shemaroo TV, DD National, DD Retro and DD Uttar Pradesh were the top ten channels on the free platform in week 43 of BARC India ratings.

  • Some people’s misdoings cannot put BARC under spotlight: Shashi Sinha

    Some people’s misdoings cannot put BARC under spotlight: Shashi Sinha

    NEW DELHI: Ever since it was unearthed, the TRP gaming racket has caused a lot of upheaval and drawn broadcasters, regulators and research agencies into its web. The incident has raised a big question mark on the functioning and standing of the industry. Now, chairperson of BARC’s technical committee Shashi Sinha has come on record to slam the parties involved in the case, without mentioning them by name.

    “Rating is all about egos and keeping their masters happy… What they don’t play is that they are number 1 of 0.1 per cent or one per cent ratings. Some people’s misdoings cannot put BARC under spotlight. They have done undue damage,” said Sinha in a webcast with Governance Now MD Kailashnath Adhikari during the Visionary Talk series.

    Speaking in defense of BARC, the media veteran called it “one of the best systems in the world.” The problem, in Sinha’s view, is its getting into controversy with news genres.

    “News is a niche genre and not bought on ratings. At any given time one per cent people watch English prime time news. So one per cent of 44,000 homes is 440 homes that watch the 16 news channels and the average is 20-25 homes. The ratings are rounded off to 0.2, 0.3 or 0.01 etc,” he explained, adding that the level of rating error is very high and a channel with high ratings may not get best rates.

    Sinha, who is also the CEO of IPG Media Brands India, claimed that since there is a lack of self-regulation in the industry, people have started blaming the ratings agency, which is not right. He stated that BARC is already working to plug the gaps in its system.

    “BARC will do course correction. We are working to ensure sample sizes do not misrepresent. In the next few weeks we will find a solution. I think all big newscasters are realising we should not hurt the body,” he said.

    He went on to say that an industry body like BARC, where the board is governed by stakeholders including agencies, clients and broadcasters coming together to run it, exists only in France and some other countries worldwide. “I think BARC is a strong currency… Very basic things are right about it. The marking technology in place is more advanced than many other markets and the panel of 45,000 is the largest and more than double of China, a country more advanced than India. The funders i.e. the big networks and broadcasters are credible people.”

    The Mumbai police had on 8 October alleged that three channels — Republic TV, Box Cinema and Marathi channel Fakt Marathi — were rigging TRP ratings to increase their advertisement revenue.

    The TRP scam came to light when BARC filed a complaint through Hansa Research Group, alleging that certain television channels were rigging TRP numbers.

    In the meantime, BARC has hit the pause button on the weekly measurement of TRP for news channels for three months.WWWSWSAA
     

  • IPL 13 scores better than IPL 12

    IPL 13 scores better than IPL 12

    NEW DELHI: IPL 13 was the most awaited live property of the year, especially after Covid2019 turned us all into house-bound hermits. It provided people with a much needed break from the pandemic-induced stress and negativity. Starting from day one, audiences have been glued to their screens (TV & mobile) to watch their favourite team progressing up the IPL scoreboard. It was widely reported that the opening match of IPL scored over 269 million views, making it one of the biggest opening day numbers for any live event in history. In the most recent update, BARC India has shared that IPL 13 has clocked over 108 million cumulative reach which is 11 per cent higher than IPL 12, which clocked 98 million cumulative reach.

    On the other hand, the tournament has already clocked 7 billion viewing minutes while the previous instalment clocked just 5.5 billion minutes. For IPL 12, the data analysed includes Week 13, 14, 15, 16 and 17, which covers 44 matches aired across 24 channels. For IPL 13, the data analysed includes week 38, 39, 40, 41, 42, which covers 41 matches aired across 21 channels. This season of IPL began on 19 September and will culminate on 10 November. The matches are aired on Star Sports and streamed on Disney+ Hotstar.

  • BARC week 42: Amazon retains top brand spot

    BARC week 42: Amazon retains top brand spot

    NEW DELHI: The Broadcast Audience Research Council (BARC) of India has released its data for top advertisers and brands for the period between 10 October to 16 October 2020.

    The data reflects the top 10 advertisers and brands across genres on India television, 2+ Individuals, NCCS All demonstrating ads that were inserted the most in the 42 week of 2020.

    Top Advertisers: –

    Hindustan Unilever continued to be the biggest advertiser this week also with 257236 impressions.

    It was followed by Reckitt Benckiser India which ranked second with 151804 ad generations.

    ITC Ltd this time bagged the third rank with 56162 ad impressions. Godrej Consumer came in fourth with 429297 ad generations.

    Amazon Online India and Cadbury India secured fifth and sixth place with 40599 and 35852 ad views.

    Other top brands in the pecking order were as follows: Ponds India, Wipro, Colgate Palmolive India Ltd and  Procter and Gamble.

    Top Brands:

    This week Amazon.in led the chart with 30390 ad impressions, followed by Dettol Antiseptic Liquid with 22372 ad views. Lizol secured the third position with 18091 ad insertions.

    The fourth and fifth spots were acquired by Dettol Toilets Soaps and Surf Excel easy wash with 17313 and 16746 ad generations.

    Myntra.com bagged the sixth spot with 14833 ad views.

    Other top brands in the pecking order were as follows: Flipkart.com, Glow & Lovely, Whitehat Jr, and Lux Toilet Soap.