Category: Viewership

  • BARC week 21: Star Utsav tops the list of Hindi GEC platforms

    BARC week 21: Star Utsav tops the list of Hindi GEC platforms

    Mumbai: Star Utsav has topped the list of most-watched Hindi GEC channels across all platforms, released by the Broadcast Audience Research Council of India (BARC) for week 21 (22 May to 28 May 2021). The channel also bagged the top spot in the list of free platforms, while it was placed sixth in the list of paid platforms. 

    In the list of paid platforms, Star Plus continued its dominance with 2792.69 Average Minute Audience (AMA), followed by Sony SAB in the second spot with 2520.82 AMA. Colors and Sony Entertainment Television bagged the third and fourth spot in the pay platform with 1449.93 and 1294.56 AMA respectively. The remaining channels in the top 10 list of Hindi GEC pay platforms are Zee TV (1278.53), Star Utsav (928.53), Star Bharat (721.95), Sony Pal (629.86), Dangal (467.47), and Colors Rishtey (429.25). Star Utsav topped the category of free platforms with 2037.08 AMA, followed by Colors Rishtey (1077.12) and Zee Anmol (1043.52) in the second and third spots respectively. Sony Pal bagged the fourth spot in the free category with 945.33 AMA.

    Other television channels that found their place in this BARC list of free Hindi GEC are Dangal (778.15), The Q (772.12), Big Magic (326.58), Shemaroo TV (137.4), DD National (21.77), and DD Retro (21.29). The most-watched Hindi GEC in the rural market is Star Utsav with 2104.48 AMA. Other Hindi GECs included in the top 10 list of the rural market are Colors Rishtey, Zee Anmol, Sony Pal, Star Plus, Dangal, Sony SAB, The Q, Zee TV, and Colors. 

    In the urban market, Star Plus topped the list with 1869.27 AMA, followed by Sony SAB (1721.53), Colors (983.04), and Sony Entertainment Television (918.03) in the second, third and fourth spots respectively. Other channels in this list of top Hindi GECs in the urban regions are Star Utsav, Zee TV, Sony Pal, Star Bharat, Dangal, and Colors Rishtey. 

    Star Utsav topped the all-category list which is a compilation of both pay and free platforms with 2965.61 AMA, followed by Star Plus, Sony SAB, and Sony Pal in the second, third and fourth spots respectively. Other channels in the all-category list are Colors Rishtey, Colors, Sony Entertainment Television, Zee Anmol, Zee TV, and Dangal. 

  • BARC week 20: Star Plus tops the list of Hindi GEC pay platforms

    BARC week 20: Star Plus tops the list of Hindi GEC pay platforms

    Mumbai: Star Plus has topped the list of pay platform channels in the report released by the Broadcast Audience Research Council (BARC) for week 20 (15 May to 21 May 2021). The Hindi GEC was ranked second with 2357.44 Average Minute Audience (AMA), followed by Sony SAB (2159.02) and Colors (1375.48) ranked second and third respectively. 

    Zee TV bagged the fourth spot with 1180.56 AMA, while Sony Entertainment Television (1132.23) and Star Utsav (928.8) grabbed the fifth and sixth spots respectively. The remaining channels in the top 10 list of Hindi GEC pay platforms are Star Bharat (701.35), Sony Pal (598.01), Dangal (422.79), and Colors Rishtey (419.06).

    Star Utsav topped the BARC’s free platform list of Hindi GECs with 2101.41 AMA. Zee Anmol, Colors Rishtey, and Sony Pal were listed on the second, third, and fourth spots with 1078.96, 1016.59, and 956.05 AMA respectively. 

    Dangal (737.22), The Q (708.76), Big Magic (360.83), Shemaroo TV (143.4), DD National (19.75), and DD Retro (18.12) are the other channels that find their spot in BARC’s list of most-viewed free platforms. 

    In the urban market, the top 10 channels were Star Plus, Sony SAB, Colors, Star Utsav, Sony Entertainment Television, Zee TV, Sony Pal, Star Bharat, Colors Rishtey, and Dangal. 

    The top 10 channels in the rural category were Star Utsav, Zee Anmol, Colors Rishtey, Sony Pal, Star Plus, Dangal, Sony Sab, The Q, Zee TV, and Colors. 

  • Cyclone Tauktae damages TV shooting floors, adds to producers’ woes

    Cyclone Tauktae damages TV shooting floors, adds to producers’ woes

    Mumbai: As cyclone Tauktae wreaked havoc all along the western coast of India, along with it mauled Mumbai’s famed television industry. Gale-like winds and incessant rain battered not only homes and offices all through Sunday night and Monday, they also tore through TV production sets in different locations in Mumbai and its outskirts.

    According to an estimate, at least 20-30 shooting floors were severely damaged when water seeped into them, which could lead to losses running into crores of rupees.

    Said Indian Film & TV Producers Council (IFTPC) chairman JD Majethia: “Almost all sets, whether outdoors or indoors, were impacted and reported some damage at least. On the sets of my production house, a tree fall occurred and a boundary wall was also damaged. Besides this, water is seeping in through sections of the roof. It is really a daunting time for us.”

    Added IFTPC CEO Suresh Amin: “It is akin to rubbing salt upon one’s wounds. Television producers were already reeling under the Coronavirus pandemic. Shooting for several (popular) shows then got stalled due to the restrictions imposed. Now this cyclone has devastated at least 30 shoot-ready sets. It will cost Rs. 20 lakhs per film set for rebuilding the damaged sections. It is really a back-breaking predicament for producers and production houses.”

    Although forewarning cyclone advisories issued a week ago by weather department officials had sounded the alert, TV production units could not gear up sufficiently well during this time with preventive measures in place. The reason: under pressure to deliver daily episodes for the telecast, most of them shifted their shoots to other states after Maharashtra imposed a suspension of both indoor shootings as well as outdoor filming schedules. 

    According to Majethia, “challenges for the TV production community are increasing day by day. Usually around the middle of the month of May is the time, when producers focus on aspects of monsoon preparedness before rains are scheduled to arrive in the month of June. Unfortunately, the cyclone hit Mumbai now.”

    But he says no one from the production trade is willing to get beaten down by the continuous hammering their businesses have been getting over the past year, on account of the pandemic and then by nature’s fury. “We will immediately undertake repair efforts and rebuild our sets so that work may be restarted in right earnest once again. We accord high priority to safety over everything else,” revealed Majethia.

    The IFTPC chief also expressed hope that the Maharashtra government led by Udhav Thackeray would go-ahead green signal film and television shootings in the state given that the peak of the second wave appears to be ebbing and a decline in growing infections is being actively reported.

  • FMCG ad volumes show record growth amid pandemic threat

    FMCG ad volumes show record growth amid pandemic threat

    In a piece of good news for the television industry amid these pandemic times, ad volumes for the FMCG sector in April witnessed a record growth, said Broadcast Audiences Research Council (BARC). 

    According to BARC data released on Thursday, ad volumes for FMCG grew by 166 per cent and 42 per cent compared to 2020 and 2019 respectively. In April 2021, ad volumes for the building equipment category also witnessed a steep 200 per cent growth over April 2020. 

    Ad volumes for durables on Ugadi/Gudi Padwal Festival were at an all-time high in 2021, and 39 new advertisers debuted in the durables sector in April 2021. Some of the top brands that advertised in the durables sector include Symphony Air Coolers, Bajaj Ceiling Fans, Bajaj Air Coolers, LG Linear Cooling, and Liebherr refrigerators. 

    Despite the looming threat of Covid-19 in the country, TV ad volumes for January to April 2021 were at an all-time high when compared to previous years. The television monitoring agency revealed that the first four months of 2021 started on a very positive note with more ads on air as compared to the last four years. 

    Total ad volume increased by 39 per cent for the January to April 2021 period as against 2020, which also happens to be the all-time highest compared to the same period in previous years. 

    BARC India client partnership and revenue function head Aaditya Pathak said that the steady growth in ad volumes is an indication of advertisers’ belief in television to market their product even in these difficult pandemic times. 

    “Television continues to be resilient even during the most difficult times and data from January to April 2021 reinstates this sentiment. Advertisers continue to rely on television to reach out to the right audience in spite of Covid-19 limitations and lockdowns in various parts of the country. We are also witnessing many new advertisers turning to TV in this quarter adding to the positive sentiment for the medium,” added Pathak. 

  • ‘Coolie No.1’ TV premiere garners over 1 crore impressions: BARC

    ‘Coolie No.1’ TV premiere garners over 1 crore impressions: BARC

    KERALA: The world television premiere of Coolie No.1 has received an overwhelming response from TV viewers. According to the BARC data for week 17, the television premiere of the movie garnered a remarkable viewership of over 1.03 crore impressions. 

    The light-hearted comedy entertainer also became one of the top five premieres on television in the last 12 months. Adding another feather to its hat, Coolie No.1 also marked its place in the all-time top 25 films which delivered one crore+ impressions on its premiere. The movie premiere also captivated the young target audience with Mumbai, Delhi, and Maharashtra being the top markets.

    Directed by David Dhawan, Coolie No.1 stars Varun Dhawan, Sara Ali Khan, and Paresh Rawal in the lead roles. Due to the Covid2019 outbreak, the film did not have a theatrical release, and had a direct to OTT outing exclusively on Amazon Prime Video on 25 December. 

    Coolie No.1 is the remake of the 1995 film of the same name which was also directed by David Dhawan. The original movie starred Govinda, Karisma Kapoor, and Shakthi Kapoor in the lead roles. Upon the release of Coolie No.1 on Amazon Prime Video, several critics noted that this modern-day remake had failed to recreate the magic of its original.

  • Star Movies garners record viewership in week 17: BARC

    Star Movies garners record viewership in week 17: BARC

    KERALA: Star India’s English films channel Star Movies is a popular destination for television audiences who love to watch Hollywood movies. The latest BARC data suggests that Star Movies has garnered a record viewership over the past couple of months. The channel has successfully maintained the top spot for six consecutive weeks (week 12 to 17) in 2021 under the target group 15+AB, 1Mn+.

    Star Movies’ average minute audience (AMA) in week 12 was 2779, and it increased to 3287 and 3365 in week 13 and 14 respectively. In week 15, the AMA witnessed a slight dip with 3128 minutes, followed by 3,810 minutes in week 16 for the target group 15+AB, 1Mn+ (SD and HD). 

    In week 17, Star Movies’ AMA reached a record high with 4,642 minutes, the highest since week 20, 2020 when the channel premiered Avengers: End Game. 

    When it comes to the reach of the channel in millions, Star Movies garnered 1.8 million viewership in week 12, 2021, followed by a rise to 2 million and 2.2 million in week 13 and 14 respectively. Week 15 witnessed a viewership of 2.4 million, and in week 16, it rose to 2.6 million. In week 17, the viewership crossed 2.7 million, the highest reach since 38 weeks. 

    Star Movies’ growth in viewership in week 17 is also the highest non-premiere week rating ever since week 44, 2018. The recent statistics indicate that Star Movies is way ahead of its competitors Sony Pix, Movies Now, and MNX.

  • TV advertising stares at a stressful quarter amid low market sentiment

    TV advertising stares at a stressful quarter amid low market sentiment

    KOLKATA: Television advertising is expected to bounce back this year, courtesy a power-packed live sports line-up. While the January-March period has been exceptionally good for the industry, there has been a sudden reversal since then – IPL 2021 has been halted midway, partial lockdown has been imposed in several states, and the augury of a third wave of the Covid2019 pandemic have raised the question whether the year will pan out as initially forecast. It is for certain that this quarter will be under stress, experts said in a virtual roundtable organised by Indiantelevision.com.

    One of the major talking points at The Television Ad Room, moderated by Indiantelevision.com founder, CEO & editor-in-chief Anil Wanvari, was how the spend on IPL would be reallocated. As the cricket festival is a high-profile media event, cancelling it would result in a massive setback, Madison Media Sigma CEO Vanita Keswani acknowledged. However, it should be taken in true spirits by the advertisers and stakeholders involved due to health and safety concerns.

    Undoubtedly, monies will have to be switched around, plans for upcoming launches and campaigns will need to be recalibrated, panelists concurred. In this highly volatile situation, planners have to be more agile than ever, Keswani noted.

    Policybazaar brand marketing head Samir Sethi agreed that the suspension of the IPL will be tough for brands that planned around the league, albeit the safety angle should be considered. Now, advertisers will have to look somewhere else to make up for the loss of eyeballs. Nonetheless, it would not be possible to fully compensate for the loss due to the mammoth viewership of IPL.

    “We went in with the mindset that what if there is a cancellation. We had a Plan B early on and ensured to be nimble to switchover. Half the event is gone – which is the good news, because there’s exposure for brands to that extent,” OMD India CEO Priti Murthy said.

    Moreover, this May is a month when advertisers don’t want to go aggressive on media. Looking at the market reality, the spike in cases, lockdowns in different states, suspending IPL could be a blessing in disguise; otherwise, advertisers would not have been able to pull out easily. Hence, they can now look at more digital-led, content-led campaigns, Murthy added.

    While a pre-planned strategy can be more focused on content-led high impact digital marketing, Keswani is of the view that the roles of TV and digital are intertwined, not exchangeable. The television spend for IPL will not go totally into digital but can be fragmented and dispersed. However, a lot of the brands may not want to put the same amount of money in the quarter.

    Already, many businesses have decided to go slow and want to look at the next quarter. In addition to that, consumer sentiment is also not right in the present scenario.

    Following the outbreak of the pandemic, several brands had pulled out of advertising entirely last year, but 2021 will not repeat the trend. Although many categories will be affected, this year will see work in motion. For example, auto, luxury FMCG, consumer durables will be affected but essential FMCG, e-commerce will continue to grow.

    “Businesses have figured out a way to operate in this volatile environment. Spends are not going to be completely pulled back in any category. There will be recalibration and rethinking but things are going to keep moving,” Policybazaar’s Sethi commented.

    Yamaha Motor India Sales marketing head Vijay Kaul added that if a brand has already invested money in a regular platform, it’s also not good to hold back. In case of the IPL, it would be wise for brands that have already carried out launches not to stopper their advertising spends and lose the momentum they have gained. There will be a rejig in terms of switching to digital, he agreed, but the brands will back it up with TV too.

    For Yamaha Motor, both TV and digital are the preferred modes of advertising. But with the IPL off the table now, the kind of money that they had set aside may be reallocated to subsequent quarters. While the brand will not pull out of media, it will be cautious with its ad budget given the unpredictability of the situation. However, the two-wheeler maker may double its spends in the festive season again if the current state of affairs improves.

    While every business is differently affected, they will continue to spend depending on the nature, dynamics of business, Sethi said. But brands will try to be very careful when spending big bucks. Big-ticket launches may get delayed in the next one-two months, events like sale days may get postponed, he noted.

    Despite the momentary headwinds, TV advertising will grow this year, at a double-digit rate, experts asserted.

  • Reinvented Oscars ceremony witnesses record new low in TV viewership

    Reinvented Oscars ceremony witnesses record new low in TV viewership

    NEW DELHI: Amid the pandemic, the Academy of Motion Picture Arts and Sciences announced winners of the 93rd Academy Awards, better known as the Oscars, on 25 April. However, this year, the awards gala failed to attract eyeballs and preliminary Nielsen data suggests that the US television ratings for Sunday’s event witnessed an all-time low in TV viewership. 

    According to a Reuters report, TV viewership on Walt Disney Co’s (DIS.N) ABC broadcast network averaged 9.85 million, 58 per cent lower than last year’s final tally of 23.6 million viewers. The complete data regarding the final number of people who tuned into the award ceremony is expected to be released soon. 

    To draw viewers during the pandemic time, producers tried several innovative ideas in this year’s Oscars. The awards were broadcast for the first time at a historic train station in downtown Los Angeles, where only guests and award winners were present. There was a format revamp and the runtime was also shortened. These switch-ups, however, evidently failed to thrill the audiences.

    “The Oscars were a train wreck at the train station, an excruciatingly long, boring telecast that lacked the verve of so many movies we love,” wrote USA Today reviewer Kelly Lawler. 

    However, Time Magazine wrote that this year’s event, which went host-less for the third year running, was pretty much entertaining when compared to pre-Covid Oscars. 

    The dip in ratings shouldn’t come as much of a surprise to industry watchers – after all, television viewership hit an all-time low during the live telecast of this year’s Emmy Awards and Grammy Awards. TV ratings for the Golden Globes also plummeted by 60 per cent. 

    Due to the Covid outbreak, several giant production houses had to hold back their films, and as a result, small-budget movies that were streamed on OTT platforms were part of this year’s Academy Awards. 

  • TV advertising shows record growth in Jan-Mar 2021: BARC

    TV advertising shows record growth in Jan-Mar 2021: BARC

    NEW DELHI: The overall growth in television ad volumes during the first two months of the year has further consolidated in March, said Broadcast Audience Research Council (BARC) on Friday.

    According to the television monitoring agency, 456 million seconds of ad volumes was recorded during the January to March period, the highest since 2018.

    The latest data offers a glimmer of hope to the television industry which has been struggling to get back on its feet amid the second wave of Covid2019.

    The growth in ad volume was observed across all genres. While the news genre recorded a growth of 25 per cent, the surge in the GEC space was 21 per cent. The movies genre saw an uptick of 23 per cent.

    According to BARC, growth of ad Volumes on TV observed in Jan-Mar 2021 was broad-based, with advertisers across the spectrum accounting for the higher levels. The top 10 advertisers, as well as the next 40, registered healthy growth at 37 per cent and 31 per cent respectively.

    E-commerce sector continued to show a healthy growth of 13 per cent in January to March 2021 compared with the same period in 2020.  

    The digital-native brands under education (3X growth), pharma/health care (7X growth) and BFSI (55 per cent growth) categories also continued to propel growth of the ECOM sector in Jan to March 2021 compared to 2020. The top 20 advertisers drove more than 50 per cent of ad Volumes during this period, showed the data.

    Festivals and special events like Sankranti and Republic Day in January garnered the highest ever ad volumes in 2021 since 2018, reported BARC.

    With a promising start to the year, the expectations for higher ad spends have definitely gone up for the coming months.

  • BARC week 14: Lizol leads the brands list

    BARC week 14: Lizol leads the brands list

    NEW DELHI: The Broadcast Audience Research Council (BARC) of India has released its data for top advertisers and brands for the period between 3 April and 9 April 2021.

    The data reflects the top 10 advertisers and brands across genres on India’s television, 2+ Individuals, NCCS. All demonstrating ads that were inserted the most in week 14 of 2021.

    Top advertisers:

    Reckitt continued its run as the biggest advertiser of the week with 247483 ad AMA. HUL came in second with 225461 insertions.

    Cadburys bagged the third rank this time with 42088 ad generations. Brooke Bond placed fourth with 37982 ad insertions.

    Lakme and Pepsi Co secured fifth and sixth place with 28032 and 27096 ad views respectively.

    Other top brands in the pecking order were as follows: Godrej Consumer Products, Ponds India, P&G, and Colgate.

    Top brands:

    This week Lizol led the chart with 22833 ad impressions. Dettol Antiseptic Liquid came in second with 22334 ad views. Dettol Toilet Soaps secured the third position with 21780 ad insertions.

    The fourth and fifth spots were acquired by PolicyBazaar and Dettol Intense Cool Soap with 19683 and 15902 ad AMA respectively.

    Dettol Liquid Soap bagged the sixth spot with 12858 ad views.

    Other top brands in the pecking order were as follows: Lalithaa Jewellery, Harpic Bathroom Cleaner, Dermi Cool, and Clinic Plus Shampoo.