Category: Viewership

  • Trai must focus on regulating process, not prices : Broadcasters at CII Big Picture Summit

    Trai must focus on regulating process, not prices : Broadcasters at CII Big Picture Summit

    Mumbai: As a regulator, the Telecom Regulatory Authority of India (Trai) must focus on regulating the process and not the prices, argued broadcast industry stakeholders at the CII Big Picture Summit held on Wednesday. The discussion was around the impact of new tariff order (NTO) 1.0 and 2.0 on linear TV broadcasting and the need for light touch regulation.

    The session was joined by Tata Sky managing director and CEO Harit Nagpal, Disney and Star India chief regional counsel Mihir Rale, House of Cheer Networks founder and managing director Raj Nayak, Ernst and Young Indian media and entertainment practice leader Ashish Pherwani and was moderated by Media Partners Asia co-founder and director Vivek Couto.

    The pay TV industry in India is the cheapest in the world and not by a small margin. Broadcasting is the largest contributor to India’s media and entertainment industry. India’s M&E industry accounts for 1.1 per cent of total GDP whereas in mature markets the contribution is usually 3-4 per cent. Panellists argued that excessive regulation by Trai is holding back the growth of the industry.

    “We belong to the service industry,” said Harit Nagpal. “A product like Tata Sky is aimed at customers who are willing to pay five to ten per cent extra to watch premium quality content. But when Trai regulates the prices, even if the customer is willing to pay extra, we can’t increase the prices. There is no incentive to invest in quality.”

    Trai’s intent seems noble on paper. The NTO regulations want to create parity in prices in linear TV broadcasting. However, there is a wide spectrum of customers in India that watch content. The players in the TV broadcast ecosystem understand the consumer’s needs and try to meet them with attractive prices. Trai’s regulation is akin to saying that a three BHK apartment must be priced the same whether you live in Cuffe Parade or the suburbs of Pune, remarked Raj Nayak.

    “When the regulator framed and implemented NTO 1.0 the stated objective was a-la-carte needs to be pushed in the interest of the consumer. Today, we know that if the consumer picks a-la-carte then his/her content costs will go up,” said Mihir Rale.

    Trai most contentious provisions in the NTO 2.0 were its twin conditions which mandated that average MRP prices of channels in a bouquet must not be more than 1.5 times the bouquet price. The second condition, which was struck down by a Bombay high court judgment, states that MRP of an individual channel in a bouquet should not exceed three times the average MRP of a channel in that bouquet.

    Rale said, “Linking a-la-carte pricing to bouquet pricing is a fundamentally flawed approach. The ability of the broadcaster to subsidise the cost to the consumer is important. Bouquets have an intrinsic value from an advertiser standpoint. We can customise and tailor our prices to everyone’s ability to pay. Why should that be taken away?”

    Stakeholders were of the view that Trai must step back and take a long hard look at the impact of NTO 1.0 regulation before implementing the amendment order. They said that consumer costs have gone up by 25-30 per cent and broadcasters have had to shut down a few of their channels. It was also noted that Trai must not assume every consumer is digitally savvy and will make the transition into the new regulatory mechanism easily. It is estimated that NTO 1.0 implementation resulted in the drop off of 12-15 million pay TV subscribers. 

    “We are in a free economy and the regulatory has come and put a price cap saying it is in the interest of the consumer. In fact, since there is a lot of competition in the linear broadcasting industry the fact is that broadcasters can’t raise prices indiscriminately without losing market share,” observed Raj Nayak.

    Trai has acknowledged that NTO implementation has yielded different results than what they expected. The need of the hour is for the industry to come together with the regulator and introspect on what’s best for the consumer.

    “The M&E industry is a creative industry. What we call different parts of the industry is just distribution. There are 130,000 digital influencers in India. How did this happen? Not by a regulated creative industry,” said Ashish Pherwnai. “The Indian media sector is $ 17 billion in size. How can regulation help us meet our targets in terms of percentage of GDP? Global companies like Disney and Lionsgate Universal get 50 per cent or more revenues from exports. In India that number is less than eight per cent.”

    Pherwani also talked about how the top studios in the US spend $20 billion on content, and in Europe, the top studios spend $40-45 billion. If 10 per cent of that market comes to us, then it is a $4 billion opportunity on a base of $17 billion, he said.

    The panellists hoped that the trust deficit between the regulator and broadcasting ecosystem can be dramatically reduced in the coming years and TV growth returns to 2017 levels.

  • Future lies in direct-to-mobile broadcasting: Prasar Bharati CEO Shashi Shekhar Vempati

    Future lies in direct-to-mobile broadcasting: Prasar Bharati CEO Shashi Shekhar Vempati

    New Delhi: Prasar Bharati CEO Shashi Shekhar Vempati on Wednesday batted for common shared infrastructure for both Television and radio to directly deliver broadcast content to smartphones in future. The public broadcaster’s top executive said convergence across content as well as infrastructure is needed to meet the demands of the future.

    Speaking the CII’s Big Picture Summit, Vempati said, the public broadcaster is already working on bringing convergence across TV and radio, so that a lot of content exclusively available on Radio can be made visually rich and available for TV audiences. “Prime Minister’s ‘Mann Ki Baat’ was the first such radio programme, that was made available for TV audiences. We followed the same format for another show Rangoli and even Vividh Bharti’s anniversary celebrations, where we put camera in the studio all-day long,” said Vempati.

    The Prasar Bharati CEO also talked about the digital transformation that Doordarshan and All India Radio has undergone in the recent years. Every DD channel and AIR station now has a digital presence spanning multiple platforms, like YouTube or social media or app. “Traditionally, Radio has never been measurable. But, now we have people tuning into AIR from everywhere, and choosing content of their liking. Digital an integral part of our network,” he said.

    Vempati said the public broadcaster is driving creativity and innovation on primarily several fronts. The most important being the conversion between TV and Radio. While the two have had a parallel journey of infrastructure and content creation, there was need to bring more convergence.

    “We have also collaborated with IIT Kanpur, and if our efforts bear fruits, we should be able to see smartphones directly receiving broadcast signals,” he said. “In the event of a high-viewership event like an IPL, there is no reason why millions of users need to receive that content on a unicast mode through the internet. If this works, all of the content can be delivered directly on broadcast frequencies to people on their smartphones or smart TVs.”

    Vempati also called for public private participation in developing critical algorithm, and sectors like AI, which will be needed to ensure content is available for multiple platforms, and made accessible to people across the country.

    “We are looking for more collaboration with private sector to identify these technology problems and address them, to create an intellectual capital in India, not only for content, but also for technology to power this content,” he added.

  • Sun TV most viewed channel in week 44: Barc data

    Sun TV most viewed channel in week 44: Barc data

    Mumbai: Clocking 3226.18 (‘000s) AMA, Sun TV regained the top slot in week 44 (30 October to 5 November) according to data released by Broadcast Audience Research Council (Barc). The broadcast network was in the third position last week with 2530.41 AMA. Star Sports 1 Hindi maintained its hold at the second spot with 2832.51 weekly AMA.

    Week 43’s top grosser Star Plus was at number three, as the GEC garnered 2504.93 (‘000s) this week. Star Maa, Star Utsav, Star Vijay, Colors, Sony SAB, Zee TV, and Zee Telugu grabbed the remaining positions.

    Sun TV dominated the Mega Cities at 596.75 (‘000s). Star Sports 1 Hindi, Star Plus, Colors, and Star Vijay followed.  Sun was the leader in the South Market as well with 3215.53 AMA. The remaining slots were occupied by Star Maa, Star Vijay, Zee Telugu, and Zee Kannada.

    Within the regional markets, Star Pravah continued to lead in Maharashtra/Goa with 1354.91 AMA. At 1087.66 (‘000s) Star Jalsha was the most viewed channel in West Bengal, Tarang (478.78) in Odisha, Zee Kannada in Karnataka with 1249.2AMA, Star Utsav (213.02) in Rajasthan, as well as in UP/Uttarakhand where it clocked 405.55 (‘000s). 

  • TV ad volumes increase by 11 per cent YoY in September

    TV ad volumes increase by 11 per cent YoY in September

    Mumbai: TV ad volumes increased by 11 per cent in September year-on-year (YoY), according to data provided by TAM Media Research. The month saw eight per cent growth in categories, 18 per cent growth in advertisers and 15 per cent growth in brands, the data revealed.

    Ad volumes on TV grew in every week of September 2021 over the same weeks in September 2020; the highest growth of 14 per cent was seen in the first week of September 2021.

    Out of 370 categories on TV, the top categories that advertised in September were milk beverages (four per cent), followed by e-commerce/media/entertainment/social media (four per cent), toilet soap (three per cent), toothpaste (three per cent) and shampoo (three per cent). The top 10 categories contributed 31 per cent share of ad volumes on TV.

    During the month, 190+ categories increased ad volumes on TV versus the same period last year. Milk beverages category advertising increased by 74 per cent and e-commerce online shopping advertising increased by 2.5 times.

    The top five advertisers on TV included Hindustan Unilever Ltd (14 per cent), Reckitt Benckiser (10 per cent), Brooke Bond Lipton India (three per cent), Cadbury India (three per cent), and Amazon Online India (two per cent). HUL and RB were top advertisers for both September 2021 and September 2020. The top ten advertisers contributed 39 per cent share of ad volumes.

    Horlicks, Amazon India, Dettol, Lizol, Disney+ Hotstar, Harpic, and Clinic Plus Shampoo were some of the top brands advertised on TV. More than 3900 brands appeared on TV during the month, said the data.

    There were more than 50 categories that were visible in September 2021 but not in the comparative period last year. Some of the top categories include eyewear lenses, adhesives, childcare products, mouth wash, and frozen foods. The top exclusive advertisers were Lux Industries, Google, Parle Biscuits, BPL, and Travelxp India.  The top exclusive brands were Dettol, Airtel Black, Moov Pain Balm, Lux Cozi, and Reliance Digital.

    (Source: TAM AdEx; Figures are based on secodages for TV; commercial ads only; excluding promos and social ads)  

  • Zeel Q2 FY22: New content launches bolsters ad revenue growth

    Zeel Q2 FY22: New content launches bolsters ad revenue growth

    Mumbai: Zee Entertainment Enterprises Ltd (Zeel) announced its financial results for the second quarter FY 2022 ended on 30 September. The company reported 14.9 per cent revenue growth year-on-year (YoY) and 20.1 per cent domestic advertising revenue growth YoY.

    The company’s total revenues stood at Rs 1305 million which was up 17 per cent sequentially. Its EBIDTA was Rs 4121 million and its EBIDTA margins at 20.8 per cent. The company’s advertising revenues stood at Rs 10,893 million and subscription revenues at Rs 7,885 million. Domestic ad revenue grew on a quarter-on-quarter basis by 18.9 per cent. Subscription revenues were down marginally by 1.5 per cent YoY. The company indicated that delay in NTO 2.0 implementation continues to impact pricing. The new timeline for NTO 2.0 rollout was extended till 1 April 2022.

    The broadcaster saw its total TV viewership decrease slightly but grew its network viewership share by 70 bps on account of new show launches across all markets. It released 13 new shows and movies during the quarter. Zee TV, Zee Marathi, and Zee Tamil’s performance was soft during the quarter. The Bengali, Kannada, and Telugu channels posted a strong performance. Genre-wise news and movies led to lower contribution in overall viewership.

    The company reported 93.2 million global monthly active users (MAUs) for its streaming platform ZEE5. Zeel’s film production arm Zee Studios has a strong slate of movies ready for H2 FY22 across Hindi, Tamil, Telugu, Marathi, and Punjabi languages being planned for release.

    In an investor call, Zeel managing director and chief executive officer Punit Goenka shared an update on the merger between Zeel and Sony Pictures Networks India. He said, “After receiving in-principle approval from the board, the due diligence process has commenced and is in steady progress. We are confident that this process will be completed within the stipulated timelines or even before that. Post which we will move on to the next steps as mandated by the law.”

  • Disney Plus subscriber growth decelerates with 2.1 mn additions in Q4 2021

    Disney Plus subscriber growth decelerates with 2.1 mn additions in Q4 2021

    Mumbai: Disney Plus added 2.1 million subscribers in the fourth quarter 2021 much lower compared to the previous quarter where it added over 12 million subscribers. The streaming service saw subscriber growth in domestic and international markets except in India (Disney Plus Hotstar) where the number of total subscriptions decreased.

    The Walt Disney Company’s total subscriptions for its direct-to-consumer (DTC) business stood at 179 million including Disney Plus at 118.1 million, Hulu at 43.8 million and ESPN+ at 17.1 million subscribers.

    The overall subscriber growth stood at 48 per cent on a year-on-year basis whereas for Disney Plus it was 60 per cent. The Walt Disney Company chief executive officer Bob Chapek affirmed that the company would reach its target of 230-260 million subscribers by 2024 and achieve profitability for its streaming service Disney Plus by then.

    Beginning next year, Disney Plus will be doubling its slate of original content from its tentpole brands including Disney, Marvel, Pixar, Star Wars and Nat Geo. The company has 340+ local original titles in various stages of development and production and expects its total content expense to be about $ 8 to 9 billion by 2024.

    While the company is not expecting linear subscriber growth on a quarter-on-quarter basis, it does expect to see an increase in subscriptions based on two factors – its expansion into new markets and increasing cadence of content during the third and fourth quarters of the year.

    In two years, Disney Plus expanded across 60 countries in 20 languages. The streaming service expects a further expansion into 50 additional countries by the end of next year and reach a total of 160 countries by 2023. It recently launched in Japan and will launch in South Korea, Taiwan and Hong Kong on 12 November which is also Disney+ Day. It will continue to expand into markets like Central Eastern Europe, Middle East and South Africa in the future.

    The direct-to-consumer business revenues increased by 38 per cent to $4.6 billion. The average monthly revenue per paid subscriber for Disney+ decreased from $4.52 to $4.12 due to a higher mix of Disney+ Hotstar subscribers in the current quarter compared to the prior year quarter. Disney Plus Hotstar subscribers account for 37 per cent of Disney+ paid subscriber base.

    “As we celebrate the two-year anniversary of Disney Plus, we’re extremely pleased with the success of our streaming business, with 179 million total subscriptions across our DTC portfolio at the end of fiscal 2021 and 60 per cent subscriber growth year-over-year for Disney Plus,” said Bob Chapek. “We continue to manage our DTC business for the long-term, and are confident that our high-quality entertainment and expansion into additional markets worldwide will enable us to further grow our streaming platforms globally.”

  • Bindu Nair elevated to sr vice president marketing at Star TV Network

    Bindu Nair elevated to sr vice president marketing at Star TV Network

    Mumbai : Star TV Network has elevated Bindu Nair to the position of senior vice president marketing. Nair updated her profile on LinkedIn late on Wednesday.

    A senior marketing professional with over 16 years of experience, Nair joined Star TV Network in March 2019 as VP marketing. Prior to this, she was working with Viacom18 Media as associate vice president – corporate strategy and data sciences.

    Nair has also worked at Star TV as assistant VP marketing in 2010 and later as marketing specialist in 2012, when she was involved in the creation and management of the operating plan for the launch of 22 new shows on the network.

  • Govt committee seeks to set up a specialised regulator for media ratings in India

    Govt committee seeks to set up a specialised regulator for media ratings in India

    Mumbai: The committee on TRP ratings formed by the government has pushed for the formation of multiple rating agencies in competition to Barc India, and recommended creating a specialised regulator to oversee all of them.

    The 39-page report submitted by the committee early this year has recently been shared with Broadcast Audience Research Council (Barc) India and other broadcasters to take the discussions forward. The committee led by Prasar Bharti CEO Shashi Shekhar Vempati was constituted last year in the aftermath of the TRP scam in Mumbai.

    According to the report, the regulation of multiple rating agencies should be a specialised function that requires a suitable regulator and cited Securities and Exchange Board of India (SEBI) in regulating credit rating agencies and Media Ratings Council in the United States as successful examples. As per the committee, the regulator can look at end-to-end regulation of audience measurement in India and also provide for an Appellate Authority to redress grievances and mediate disputes between stakeholders and rating agencies with appropriate powers.

    The committee to review the ‘Guidelines on TV Rating Agencies in India’ had made a total of 20 recommendations to the ministry of information and broadcasting (i&b) that includes both immediate and long-term measures that need to be taken to restore faith in the integrity of TV rating system in view of emerging technology trends and market dynamics.

    Most of the recommendations made by the committee in their report accessed by Indiantelevision.com are aimed at strengthening corporate governance at Barc India at the board level. The recommendations have also laid down specific measures to bring independent oversight of Barc India, mandate the use of return-path data, increase the competitiveness in the TV rating space, and put in place a specialised regulatory mechanism for media rating agencies in India.

    It felt that industry stakeholders must come to a consensus over acceptable business practices to ensure faith in ratings. It also recommended that the government may consider temporarily suspending its license to Barc India until it and stakeholder bodies have complied with directives issued by MIB.

    After consultation with stakeholders such as Barc India, MDPL, Zappr Media, Nielsen India, and Tata Sky AMS, the committee had issued several specific and sweeping recommendations on the technical aspects of TV rating measurement in India.

    It found that there was a broad consensus among industry stakeholders in favour of leveraging return data capabilities. However, apart from Barc and a few platforms, there was a lack of ubiquity in approach or consistency in investment in RPD by platforms.

    It also recommended that RPD should be made mandatory for set-top-boxes (STBs) deployed by distributed platform operators (DPOs). “The increasing convergence between STBs and smart media devices and in view of the emergence of hybrid boxes capable of both CAS compliant linear TV viewing and internet streaming-based OT, the committee sees fewer technical barriers to enable RPD capabilities within households” it noted.

    Adding further, it said, “Smartphone-based apps are capable of interacting with such hybrid boxes paving the way for additional avenues of RPD data capture and relay.”

    The collection of viewership data by DPOs is to be governed by privacy norms prescribed by the government/regulator. The sale of such data by DPOs should be governed by guidelines for TV rating systems. A joint industry working group with representation from all relevant stakeholders and independent experts may be set up to specify norms for an industry-wide RPD mandate, according to the report.   

    The report noted that crowdsourcing approaches could be economical alternatives to RPD and should be open to rating agencies to enrich panel-based measurement. However, it noted that owing to the nascent stage of innovations in cloud-based computing and artificial intelligence and the small pool of talent and expertise with an understanding of TV ratings and media audience measurement domain in India, any integration of crowdsourced data is best left to the discretion of stakeholders.

    Another interesting recommendation by the committee for the imperative is to adopt an open data ecosystem. It drew on the experience of similar data efforts in domains such as digital payments (UPI, India stack) and account aggregator system for credit rating (Sahamati), noting that algorithms and raw datasets should be made available to academics and independent researchers to analyse, validate and enrich.

    The committee observed the global shift towards hybrid audience measurement spanning multiple channels (TV+digital) and the rapid technology innovation hastening this shift. It stated that guidelines prescribed by MIB should not be a barrier to the emergence of more efficient business models that are in pace with global trends and local market dynamics.

    Led by Prasar Bharati CEO Shashi Shekhar Vempati, the four-member team also included – IIT Kanpur, professor of statistics, department of mathematics and statistics, Dr Shalabh; C-DOT executive director Dr Rajkumar Upadhyay; Decision Sciences Centre for Public Policy professor Pulak Ghosh.

    The television rating system in India had come under scanner in October 2020 when Mumbai Police claimed in a press briefing that they have probed a case of manipulation of TRPs and found some incriminating evidence. The police said the accused were allegedly bribing the households to keep a particular channel running, leading to several arrests. Three news channels, Republic TV, Fakt Marathi, and Box Cinema were named in an alleged TRP tampering scam. BARC had also temporarily suspended the publishing of weekly data for news channels, which remains in limbo till date.

  • Star Plus regains top spot in week 43: Barc

    Star Plus regains top spot in week 43: Barc

    Mumbai: With weekly AMAs of 2723.92 (‘000s), Star Plus regained the top spot in week 43 (23 October to 29 October) according to data released by Broadcast Audience Research Council (Barc). The Hindi GEC was at the third position last week with 2529.05 (‘000s) AMA.

    Clocking 2616.35 (‘000s), Star Sports 1 Hindi which failed to register its presence last week, re-entered the top-ten list as the second most viewed channel in week 43. Sun TV finished third with 2530.41 AMA. Last week’s top performer Star Maa slipped to the fourth position.

    The remaining slots were grabbed by Star Utsav, Star Vijay, Colors, Sony SAB, Zee TV, and Zee Telugu.

    At 439.69 AMA, Star Plus ruled the Mega Cities. It was followed by Sun TV, Star Sports 1 Hindi, Colors, and Star Vijay. The South market was led by Sun TV at 2520.46 (‘000s). Star Maa, Star Vijay, Zee Telugu, and Zee Kannada were at the number from two to five, respectively.

    Among the regional markets, Star Pravah was the top grosser in Maharashtra/Goa with 1349.95 AMA. Zee Bangla (1109.92 AMA) was the most viewed channel in West Bengal, Tarang (436.04 AMA) in Odisha, Zee Kannada (1361.47 AMA) in Karnataka, and Star Utsav in Rajasthan (243.84 AMA), and UP/Uttarakhand (361.13 AMA).

  • Sun TV Network reports 9.59 per cent growth in Q2 FY22

    Sun TV Network reports 9.59 per cent growth in Q2 FY22

    Mumbai: Sun TV Network has released its results for the financial quarter ended on 30 September. The media company has reported revenue collection of Rs 828.67 crore up by ~9.59 per cent compared to the corresponding quarter in 2020. 

    The company’s advertising revenue increased by ~39.84 per cent to reach Rs 341.77 crore. It reported profit after tax of Rs 393.32 crore up by 13.71 per cent. EBITDA for the quarter stood at Rs 520.58 crore as against Rs 502.03 crore in the corresponding quarter in 2020.  

    Sun TV Network is one of the largest TV broadcasters in India and operates channels in Tamil, Telugu, Kannada, Malayalam, Bangla and Marathi, airs FM radio stations across India and owns the Sunrisers Hyderabad Cricket Franchise of the Indian Premier League.