Category: Viewership

  • Are women able to make their presence felt in M&E industry?

    Are women able to make their presence felt in M&E industry?

    Mumbai: Media and entertainment companies must take deliberate action to foster gender diversity at the workplace. This includes instituting mentorship programmes for emerging leaders, flexible work policies and empowering the female workforce to take up non-traditional roles.

    In the corporate world, women are not just encumbered by low female labour force participation of 27 per cent, they also face deeply embedded biases in leadership roles and emerging disciplines such as technology, product development and data science. Women have always been an integral part of the Indian media and entertainment (M&E) industry since its inception. The sector which employs four million people, both directly and indirectly, has a higher female labour force participation compared to other industries with more women represented in leadership roles every year.

    In the last decade, the M&E industry has seen a transformative shift led by increasing digitisation of workflows and emerging technologies. While women are well represented in creative fields they still lack a presence in management positions. Although this trend is changing, corporates have an outsized role to play in ushering in an era of gender inclusivity and diversity at the workplace. This includes policy changes that engender not just an egalitarian work culture but also encourage women to aspire to leadership roles. For example, the Companies Act 2013 mandated that every board should have at least one woman and today women hold 17.1 per cent of board seats in India.

    “I don’t think any organisation begins by saying ‘I do not want a woman for this role’.  Nor women begin by saying ‘I do not want a challenging role’,” remarked Wunderman Thompson South Asia chief talent officer Roopa Badrinath. “By now, all organisations are aware of the benefits of having more women in their workforce.  I would like to believe that it is not that organisations do not want to hire women, it is just that they do not know where to find them.”

    “With digital becoming mainstream only in the recent past, tech and product are still relatively new roles. However, of late, we have seen the emergence of many women entrepreneurs who are creating their own digital businesses,” observed Josh country manager Rubeena Singh. “We are also seeing more women in management roles today, as compared to a few years ago. It takes years of work and experience to get to the top step and with more women today in middle management roles, there is hope of seeing many more women leaders in the coming future.

    A recent study by Grant Thornton India showed that the percentage of women in senior management roles in India is at 39 per cent versus 31 per cent globally. This pace of change has been aided by changing perception of women in the workplace as well as the shift towards hybrid style of working. “Covid-19 has taught us all to work from home at scale. This has provided women with the luxury of flexibility, a big positive, as it has enabled us to balance work and family responsibilities seamlessly,” explained Singh. “With this increased flexibility, women now have the opportunity to explore more with their careers and experiment with it.”

    In India, women do seven times more unpaid labour, i.e., household chores, as compared to men. This huge disparity was considerably reduced during the lockdown, enforced in 2020, when both men and women were working from home and divided domestic duties more fairly. “Work from home is a blessing for both genders. I see men enjoying it equally as much as women. Women are more challenged to work from home because while working from home, and you are expected to take care of the home chores, cooking, cleaning, kids, exams, tuition, teachers, etc. So, yes, I think work from home or a hybrid model is good, and it should encourage more diverse talent to come into the industry. It is suitable for the companies because A) your infrastructure cost is less and you can hire talent from vast geography,” said Altbalaji SVP marketing partnerships and revenue Divya Dixit.

    “Organisations like ours were quick to understand this and relentlessly emphasized on the importance of an empathy and trust driven leadership.  We encouraged our leaders to course correct their leadership style if need be and be more mindful of such challenges of women and focus on the well-being of their people.  The hybrid workplaces where we do not work 100 per cent from home or 100 per cent from the office will be empowering this under-served population to make choices which will be in their career interest and eventually be beneficial to the organisations,” said Badrinath.

    According to an industry observer, women in M&E have been confined to traditional roles such as HR, creative, media planning, business development, legal, corporate communication and marketing and have shied away from male dominated roles such as distribution, product development, strategy and operations. Strongly disagreeing with this view, Dixit said, “I’ve seen women take up leadership roles and challenges across industries and not just in the M&E sector. I think what needs to be kept in mind is that more women are reinstating themselves in non-traditional roles despite the glass ceiling. Today, I still think the male workforce is paid about 15-20 per cent more than women.”

    Women in corporate roles are judged by different standards by men and often face gender biased appraisals, found a McKinsey study. There is a need to retrain HR managers in the way they evaluate women candidates for leadership roles. “As an industry which almost always works on changing perceptions, attitudes and behaviours of consumers, we have a huge role to play through the work we do in breaking societal stereotypes imposed upon women,” noted Badrinath.

    “Social change takes a long time and we’re in the process of change,” according to Zee Entertainment Enterprises chief creative officer special projects Shailja Kejriwal. “If you’re a business leader you’re expected to be the ‘alpha’ and until you change the concept of a leader being ‘alpha’ a business won’t be run by women leaders who are perceived as empathetic.”

    I think as an industry and society we are heading towards a more empathetic way of working, whether it is flexible working hours or leave policies, and this is brought about by the pandemic,” she added. “It has made people question a lot of embedded beliefs and, therefore, you see things such as ‘The Great Resignation.’ What happens if corporates start realising that you need to nurture talent regardless of whether it is a man or a woman, otherwise your business won’t run? Then there is no choice but to go in the direction of dealing with things differently.”

  • Our USP is interactive innovations: ShowBox’s Clyde D’Souza

    Our USP is interactive innovations: ShowBox’s Clyde D’Souza

    Mumbai: The music channel from the house of IN10 Media Network is all set to conquer the music genre as it captures the pulse of the ‘naya’ India. In conversation with ShowBox VP – programming and strategy Clyde D’Souza, to understand the channel’s growth and upcoming plans…

    Edited excerpts:

    ShowBox was revamped last year. How has been the response, so far?

    Since its launch, ShowBox has received an extremely positive response from young Indian audiences. In 2021, we decided to revamp the packaging to make the channel look sexy, young and energetic. Our promise to the viewers is ‘ek naya India ka naya music channel.’ The channel caters to an India which listens to its heart and follows its dreams. The music, therefore, is Bollywood hits along with independent and regional – Punjabi and Haryanvi.

    According to you, what is the USP of the ShowBox channel in the cluttered market?

    Fortunately, Indian viewers are spoilt with choices, but what makes us stand out is our curation of music from across India. While our core remains Bollywood, India is seeing a change in music tastes and the rise of regional content consumption. ShowBox is happy to ride the wave of Punjabi and Haryanvi artists with dedicated music blocks like ‘Bamb Gaane’ and ‘Tau Ki Playlist.’ Our USP is also the innovative interactive shows that we have brought to Indian music television.

    Your tagline is ‘Dil ki Sun,’ how are you connecting with today’s viewers?

    Whether it’s streaming or start-ups we are seeing India and Indians taking over the world from content to products. An outcome of young India following its heart and passion. Uplifting music, especially from their hometowns plays a big role in this and ShowBox is finding a huge connection with this ‘naya’ India.

    What are the innovations that ShowBox offers to its viewers?

    We all live in a hyperactive social media universe and we want our channel to also reflect this. ShowBox has various innovations like the duration timeline which helps a viewer know how much of a song remains. In addition, our show ‘Luv You Zindagi’ has questions regarding love which viewers can vote for in real-time and see their comments on air. 

    With music now available on the go, what steps are you taking to keep the viewers hooked on?

    As I mentioned earlier, we are a social media friendly channel. In keeping with this, ShowBox has dynamic Wikipedia-like trivia and Instagram photos with up-to-date information about artists that are showcased while the song is playing. Our show ‘Reel Top 10’ is a social media-driven countdown featuring Top 10 songs and Top 10 celebrity reels of the week. These constant innovations keep us trending with our viewers.

    How is 2022 looking for the channel?

    Now that we have seen viewers love ShowBox, we will continue to build on interactive innovations and soon a few more will be launched. In addition, we will also be giving new musicians a platform on ShowBox by creating and showcasing their original music. Stay tuned to ShowBox for a rocking 2022!

  • Sun TV becomes most watched channel in week 8: Barc

    Sun TV becomes most watched channel in week 8: Barc

    Mumbai: With 2483.04 AMA against last week’s 2543.31, Sun TV was once again at the top position in Barc’s most watched channels list for the eight week of 2022 (19 to 25 February). The Tamil GEC was followed by Star Maa and Star Plus at 2387.79 and 2380.09 (‘000s), respectively.

    Star Utsav, Dhinchaak, Star Vijay, Colors, Sony SAB,  Zee TV and Sony Pal grabbed the remaining slots.

    Maintaining hold over the mega cities and south, Sun TV registered average ratings of 437.65 and 2471.44 in the two markets respectively. Star Plus, Colors, Sony SAB and Star Vijay were other top performers in the mega cities. The remaining four slots in the south market were grabbed by Star Maa, Star Vijay, Zee Telugu and Zee Kannada.

    Among the regional markets, Maharashtra/Goa was led by Star Pravah at 1415.89 (‘000s), West Bengal by Star Jalsha at 1232.89, Odisha by Tarang (481.37), Karnataka by Zee Kannada (1310.72), and Rajasthan and UP/Uttarakhand by Star Utsav at 231.62 and 390.29, respectively. 

  • Option of further delaying news channel ratings being discussed: Reports

    Option of further delaying news channel ratings being discussed: Reports

    Mumbai: The Broadcast Audience Research Council (Barc) India is contemplating the option of postponing the date of resuming TRP ratings. The TV measurement body had announced in February that ratings for news channels would resume on 17 March.

    As per a PTI report, several news channels have reached out to Barc asking for the release of TRP rating data from different periods.

    Some have asked that only data from mid-March be released, while others have suggested data of the previous three months be released. Different bodies of TV news channels have also expressed their views. So, the ministry is looking into the option on whether to extend the date for TRP rating resumption, according to the report.

    Barc suspended ratings for individual channels in the news genre in October 2020 following a TRP rigging scam allegedly involving some private channels.

    The I&B ministry directed Barc to maintain the status quo in February 2021 in view of alleged reports of manipulation of ratings data and review the whole ecosystem of publishing of ratings. It instituted a committee under chairmanship of Prasar Bharati CEO Shashi Shekhar Vempati to make recommendations on strengthening the TV ratings ecosystem in India.

    The ministry had asked Barc to resume the release of news ratings on 12 January after review of steps taken by the TV measurement agency on corporate governance, streamlining of processes and their transparency.

  • Wonder Women 2022: Shaping a new class of women entrepreneurs in the business world

    Wonder Women 2022: Shaping a new class of women entrepreneurs in the business world

    Mumbai: Women entrepreneurs are accelerating India’s business growth story. Businesses led by women entrepreneurs are expected to grow by 90 per cent in the next five years. Wonder Women 2022, organised by Indiantelevision.com on 4 March, will stage women from across the business fraternity. The virtual conference will be a platform where insights will be deliberated and pertinent issues related to the rise of women entrepreneurs in India will be discussed. The topic of discussion will be ‘Women Entrepreneurs: Driving the Next Wave of Business Growth.’

    The roundtable conference will highlight how women entrepreneurs are driving business growth in the modern world. To motivate women entrepreneurs, the virtual meet  will bring together eminent personalities from the business space. These include The Woman’s Company founder & CEO Anika Parashar; IBM director – digital sales India & AseanNZK Digital Sales Centre Bangalore Deepali Nair; Kotak Mahindra Bank joint president-consumer, commercial &  wealth marketing Elizabeth Venkataraman; Technicolor India head of  studio Kranti Sarma; Clovia founder & director Neha Kant, and Pro Panja League founder-director (actress and producer) Preeti Jhangiani. Indiantelevision.com founder, CEO and editor in chief Anil NM Wanvari will be in conversation with them.

    Research reveals that women outscore men by being better leaders, team workers, innovators, and problem-solvers. Women have an immense potential to show when given a level playing field in major aspects such as mentoring, decision-making, capacity building, financial judgment, access to credit as well as new-age skills like critical and analytical thinking, which are imperative for the success of entrepreneurs. Women are the ones who have to play multiple roles and juggle different responsibilities. Constant multitasking and brain drain in the workforce are also compelling women to choose entrepreneurship. Flexibility is important for women, and this is why being the boss bestows females with more freedom. Women are realizing it and planning things as per their wishes, thereby, enforcing them to become entrepreneurs.

    Working for yourself means you can make self decisions, have full control of your business activities and directly network with business partners. Not surprisingly, women are becoming entrepreneurs to move quickly up the career ladder and taste success in life. The eminent speakers in the roundtable will deliberate their views on the opportunities women entrepreneurs will have in India in the next few years and actively contribute to the economic growth of the country.

    Join us to listen to the leaders and know their viewpoints. Indiantelevision.com will also be announcing the names of a  select and curated list of 100 women professionals and executives who made a difference in 2021.

  • ‘Jugaad Mania’ fame Chandan Anand shares about his journey

    ‘Jugaad Mania’ fame Chandan Anand shares about his journey

    Mumbai: In a quick chit chat session with IndianTelevision.com, the anchor of “Jugaad Mania” Chandan Anand shared his experience of being a part of the Epic channel show. He also opened up about how this show turned into an opportunity for him to meet some of the talented and creative minds of the nation.

    “Jugaad Mania” is a show about unique innovators, who have made an immense impact on society by their unique innovations with minimal or near to none resources. “It was an opportunity for me to share my real self and that’s what you will see in the show – the real me, I am thankful to the entire team and my director Ranjeet for believing in me,” stated Anand.

    From his first film “Mr Ya Miss” to “Gunjan Saxena,” we have seen Anand in some really impressive characters. On being asked how “Jugaad Mania” fit in among the characters he has played so far, he said that he’s trained to create different characters on screen. “As a trained actor, I have honed my skills to create different characters on screen and so far I have been lucky to portray varied roles,” he highlighted.

    He believes that actors get guided by the script and director’s vision and as an actor, his job is to bring out different shades of human characters to make them enthralling and justify the character that he plays.

    Talking about “Jugaad Mania,” Anand feels it is a unique show by Epic channel, and he has been lucky to be part of the channel with “Dharmkshetra” and “Rabindranath Tagore Stories” by Anurag Basu as he always loved its content.

    “When I was asked to test for the anchor’s part in ‘Jugaad Mania’ with just a few lines, I liked the concept and wanted to be a part of it. It was my gut feeling that the journey would be fun-filled with learnings for life,” he said.

    Sharing how he conducts himself with this show, Anand said, “actors are dreamers, each one has a dream to make it big in this ‘Maya Nagari’ and it’s just their belief that makes them strive for bigger things in the city.”

    He elucidated his points by sharing his story. “When I came to Mumbai in 2004, I had just Rs 2000 in my pocket. I just knew one thing: I have the skills of an actor and I need roles, I need platforms to showcase my skills and I will achieve it. So there was an idea, a dream and how would that happen I didn’t know. Just the belief had made me stick to my work, this city. So, a dream is a common thread with this show – Jugaad Mania. All the Jugaadus are dreamers; they had an idea and wanted to make it a reality without any professional training or knowledge, but it was their belief that kept them going and not give up. Stories of their struggle and success are what makes this show unique,” Anand said.

    Furthermore, he also shared how this show allowed him to explore different territories as a professional with the variety of new content offered on the platform. 

    Anand thinks that there’s a wave of unique content around the world and it’s the best time for all the artists and creatives to explore and experience all the unique content creation happening on various platforms. “So far I have explored many varied characters and roles and this show is definitely on top of my list. It’s a blessing and I am very much hopeful for a fulfilling future,” he noted.

    From a maker’s perspective, there are various factors that play a crucial role in deciding the success of  a particular show. But from an actor’s perspective, how do you decide what works for a particular show? Anand answered, as an actor, the first lesson we are taught is not to ‘decide,’ but just be. Where you are not performing but are living the part, role, or character; and that comes with years of training.

    Sharing his experience of preparing for “Jugaad Mania,” he said, before every story, it was really important for me to listen and understand the life journey of every person. I used to ask a million questions, which might not be used in the show but I wanted to know the emotion which ignited each one of them to achieve who they are today.

    Despite all the efforts, audiences’ mood remains unpredictable and with remote control in their hands, you never know what the audience is looking for!

    On being asked what extra he has made to ensure that the audience is not switching to other channels, Anand took a hilarious route. He jokingly said, “Agar main kahun, ek second bhi nazar padi to hata nahi paoge.”

    Further, keeping the jokes aside, he said it is true even if for a second someone tunes in to “Jugaad Mania” on the Epic channel, they will watch it not for me but for such amazingly interesting, motivating stories from varied regions of India.

    “India is a nation of all seasons and all reasons. This show has some unique creative talents, their real stories, with different colourful locales, music, and of course me. So don’t miss it. Phir mat kehna bataya nahi,” he uttered.

    While the world has been on a halt ever since the first lockdown was imposed and no doubt film and TV is one of the severely hit industries during this time. During such hard times, it was the urge of going out and traveling which motivated Anand to be a part of this show. 

  • Discovery-WarnerMedia merger gets clearance from European Commission

    Discovery-WarnerMedia merger gets clearance from European Commission

    Mumbai: Discovery Inc has received unconditional clearance from the European Commission to move ahead with its merger agreement with WarnerMedia and is on track to close the deal by second quarter 2022. The company filed a merger proxy earlier this month and has scheduled a stockholder meeting on 11 March.

    “We, of course, are pleased to receive unconditional clearance from the European Commission, the expiration of the HSR waiting period, and clearance from other key international markets, and AT&T having received a favorable private letter ruling from the IRS,” said Discovery president and chief executive officer David Zaslav. “We also filed our merger proxy earlier this month and have scheduled our stockholder meeting for March 11th. Following the vote, and assuming the deal is approved by our stockholders, we expect to be on track to close in Q2.”

    Discovery reported its fourth quarter results for the year 2021. The company posted revenue of $3.18 billion, an increase of 10 per cent to the prior year quarter. Its direct-to-consumer business added two million subscribers since the end of Q3 totalling to 22 million subscribers.

    “2021 was by all measures an exceptional year for our company, in which we achieved significant operational, financial, and strategic objectives,” added Zaslav. “We grew our global DTC paying subscribers to 22 million, a tailwind for our strong distribution revenue growth of 11 per cent, while global advertising revenues grew 10 per cent due to continued strength in our key markets and share gains. Additionally, we ended the year with nearly $ four billion of cash on hand and generated robust cash flows, supporting our ability to invest in growth initiatives. Further, the successful recent broadcast of our second Winter Olympic Games across Europe, on the heels of our first broadcast of the Summer Olympic Games, underscores one of our key differentiators: in-language and locally relevant content. All of which position us well to take advantage of the remarkable opportunities ahead for Warner Bros. Discovery, which we believe will be among the world’s most dynamic media companies.”

  • Star Maa topples Sun TV as most viewed channel in week 6: Barc

    Star Maa topples Sun TV as most viewed channel in week 6: Barc

    Mumbai: In an interesting development Star Maa has displaced long-time leader Sun TV from the top position in Barc’s top ten channels list for week 6 (5 to 11 February). The Telugu GEC clocked in 2511.21 AMA to emerge as the most viewed channel.

    After ruling the charts for weeks consecutively, Sun TV dropped to the third position this week with ratings of 2496.27 (‘000s). Star Utsav, the Hindi GEC that has been challenging the status quo of Sun TV, Star Plus and Star Maa at the top three slots for some time now, was second at 2505.85 AMA.

    Star Plus was at number four, followed by Dhinchaak, Star Vijay, Zee TV, Star Jalsha, Sony Pal and Sony SAB.

    Maintaining hold over the mega cities and south, Sun TV registered average ratings of 430.03 and 2487.54 in the two markets respectively. Star Plus, Colors, Star Vijay, and Sony SAB were other top performers in the mega cities, in that order. The remaining four slots in the south market were grabbed by Star Maa, Star Vijay, Zee Telugu and Zee Kannada.

    Among the regional markets, Maharashtra/Goa was led by Star Pravah at 1321.8 (‘000s), West Bengal by Star Jalsha at 1356.09, Odisha by Tarang (453.05), Karnataka by Zee Kannada (1315.07), Rajasthan by Star Utsav (248.61) and UP/Uttarakhand by also by Star Utsav at 417.06.

  • ARASU to pay deficit of Rs 138.7 cr to SPNI as per DAS audit : TDSAT order

    ARASU to pay deficit of Rs 138.7 cr to SPNI as per DAS audit : TDSAT order

    Mumbai: In a landmark ruling, the Telecom Disputes Settlement and Appellate Tribunal (TDSA) has directed Tamil Nadu Arasu Cable TV Corp (TACTV) to pay Rs 138.75 cr to Sony Pictures Networks India (SPNI) for underreporting the subscriber base as revealed in the DAS audit, leading to financial loss to the broadcaster.

    The amount needs to be paid within two months from the issued order (16 February), said the Tribunal, posting the matter for further proceedings on 9 March. As per the order, the amount is 50 per cent of the original claim amount of Rs 277.58 cr sought by the broadcaster in its petition before the Tribunal in May 2021.

    According to the guidelines of the Telecom Regulatory Authority of India (Trai) pertaining to the NTO regime 2019, all distribution platform operators (DPOs) are required to conduct a Digital Addressable Audit (DAS) audit of their head-ends mandatorily once in a calendar year. The DPOs can choose any of the empanelled auditors listed by Trai for the purpose. In case of any DPO not conducting such audits, the broadcaster can conduct the same via the empanelled auditors for the said calendar year.

    In its petition before the Tribunal, SPNI had stated that TACTV ARASU had been consistently postponing the DAS audit. Despite several reminders by the SPNI distribution team, the distributor kept postponing the audit till November 2020 citing the Covid situation. Finally, the audit was done by the Trai empanelled audit agency- BDO India LLP in December 2020. As per the audit procedures, all the data extraction was done by the ARASU representatives along with the CAS/ SMS vendors in front of the auditors.

    The Auditors submitted the findings and reports to both ARASU and SPNI on 19 January 2021, which on careful analysis revealed that seven ARASU packs that had SPNI channels were not disclosed in the monthly subscriber reports (MSR’s) submitted to SPNI. “This amounts to piracy and under declaration of sub-bases led to a revenue impact for SPNI,” the broadcaster argued.

    Further, a close analysis of the CAS data recovered from 19 February till November 2020 revealed that two packs out of undisclosed seven packs carrying SPNI channels were available to the entire universe of 2.8 million subscribers of ARASU and again, none of these numbers was disclosed to SPNI in the Monthly MSR’s. According to the broadcaster, this has resulted in a huge financial accumulated outstanding impact month on month amounting to a value of Rs. 277.52 Crores, unpaid by ARASU.

    After receiving no response from ARASU despite several reminders, SPNI approached TDAST in May 2021 and submitted the entire case and a prayer for a hearing and resolution on this matter. After prolonged arguments and counter-arguments by the SPNI counsel represented by senior advocate Gopal Jain and Kunal Tandon, the Tribunal was convinced that ARASU has been underreporting the subscriber base due to which SPNI’s legitimate rightful monthly fee accrual was way below the actual rightful amount.

    “If 50 per cent of the amount indicated above is paid within two months, the petitioner (SPNI) shall not issue disconnection notice without seeking leave of the Tribunal,” the order stated.

  • Sansad TV’s YouTube channel restored after alleged hacking attempt

    Sansad TV’s YouTube channel restored after alleged hacking attempt

    Mumbai: The YouTube channel of Sansad TV ran into trouble on Tuesday after its telecast was suspended due to an alleged hacking attempt. According to the statement issued by Sansad TV, the YouTube channel got compromised due to ‘unauthorised activities by some scamsters’ on 15 February at 1 am, which also affected its live-streaming.

    Viewers who tried to watch the streaming were greeted with a disclaimer from YouTube stating, “This account has been terminated for violating YouTube’s community guidelines”.

    However, the channel was restored later in the evening. “Sansad TV’s YouTube channel has been restored. You can get back to all your favourite programmes on the channel,” it announced on Twitter.

     

     

    According to a statement issued by Sansad TV earlier in the day, the channel name was also changed to ‘Ethereum’ by the attacker. “SansadTV’s social media team promptly worked on it and got the channel restored by early morning around 3:45 hrs,” it stated.

    Indian Computer Emergency Response Team (CERT-in), the nodal agency for responding to cyber-security incidents in India had also reported the incident and alerted Sansad TV. Later on YouTube also started fixing the security threats permanently, the channel stated.

     

     

    The channel was launched by prime minister Narendra Modi in September last year after merging Lok Sabha TV and Rajya Sabha TV, and shows the live streaming of the Parliament sessions.