Category: Viewership

  • BBC & Disney partners for next season of ‘Doctor Who’; announces major logo change

    BBC & Disney partners for next season of ‘Doctor Who’; announces major logo change

    Mumbai: The BBC and Disney Branded Television—two giants of entertainment—have come together to transform Doctor Whointo a global franchise for UK audiences and the rest of the world.

    Disney+ is now the exclusive home for new seasons of Doctor Who outside the UK and Ireland. The announcement—which was made by the next Doctor Who, Ncuti Gatwa, during an appearance on live with Kelly and Ryan—begins a new collaboration between the BBC and Disney Branded Television.

    Both partners have aligned under returning showrunner Russell T. Davies, who takes control of the Tardis in 2023. He was responsible for Doctor Who’s revival in 2005 and is credited with propelling the show into one of TV’s biggest hits.

    The new episodes will premiere on the BBC and Disney+ beginning in late 2023 for fans all over the world.

    The show will be produced in Wales by Bad Wolf in association with BBC Studios Production.

    Speaking on the collaboration, Davies said, “I love this show, and this is the best of both worlds—with the vision and joy of the BBC and Disney+ together, we can launch the Tardis all around the planet, reaching a new generation of fans while keeping our traditional home firmly on the BBC in the UK.”

    BBC chief content officer Charlotte Moore said, “We are thrilled to announce this exciting global partnership with Disney, who are the perfect partners to bring this very British show to the rest of the world. Russell T. Davies’ vision for Doctor Who has always been out of this world, and we are committed to ensuring that audiences across the globe get the opportunity to enjoy the Doctor’s epic adventures with the scale and ambition that they deserve. Joining forces with Disney will elevate the show to even greater heights and reach new audiences, so it’s an extremely exciting time for fans in the UK and across the world.”

    Disney+ president Alisa Bowen added, “We’re excited by the opportunity to bring new seasons of this beloved franchise exclusively to Disney+ and introduce the show to the next generation of audiences in more than 150 markets around the world. The series is a perfect addition to our ever-growing catalogue of global content that continues to make Disney+ the home for exceptional storytelling.”

    Disney Branded Television president Ayo Davis said, “Doctor Who has captivated the imaginations of families around the world for the past six decades. We are so excited about this collaboration with the BBC and the opportunity to bring this iconic franchise—and Russell T. Davies’ brilliant vision—to life for a huge new global audience. Grab your sonic screwdrivers and prepare to travel through time and space!”

    BBC Studios’ CEO and global distribution Rebecca Glashow said, “We’re delighted to join forces with a partner who shares our vision and ambition for one of the most iconic shows in British TV history. This is great news for everyone who loves Doctor Who and for all the new fans we will reach through this powerful partnership.”

    Bad Wolf executive producers & co-founders Jane Tranter, Julie Gardner said, “For Doctor Who to have the backing of two of the most innovative and respected media organisations in the world is a testament to the unique drive and vision at the heart of this show. Bad Wolf are beyond delighted to be once again working with the genius that is Russell T. Davies and, with the exciting new partnership between the BBC and Disney, we can together reach even greater heights, producing from Wolf Studios Wales ambitious stories through time and space for audiences around the globe.”

    The new episodes of Doctor Who will return to screens in November 2023 to coincide with the 60th anniversary and will premiere exclusively on the BBC in the UK and Ireland. David Tennant will play the Fourteenth Doctor for three specials, before Ncuti Gatwa takes over the role as the Fifteenth Doctor over the festive season.

    A new Doctor Who logo has also been unveiled for the new era.

  • Zee & Sony agree to sell three hindi channels to address CCI’s anti competition concerns

    Zee & Sony agree to sell three hindi channels to address CCI’s anti competition concerns

    Mumbai: Sony and Zee have agreed to sell three hindi channels voluntarily – Big Magic, Zee Action, and Zee Classic – in order to address potential anti-competitive concerns raised by their proposed mega-merger. The regulator made public its detailed 58-page order on Wednesday, more than three weeks after giving its approval for the transaction.

    According to the order, the two groups have agreed to divest Big Magic, a hindi general entertainment channel, as well as Zee Action and Zee Classic, both Hindi film channels.

    They voluntarily agreed to the modification to the proposed deal after CCI determined that the deal would have a significant adverse effect on competition.

    They presented their proposal to the Competition Commission of India (CCI), which approved the deal with conditions on 4 October.

    CCI announced on October 4 that it had approved the “merger of Zee Entertainment Enterprises Limited (ZEEL) and Bangla Entertainment Private Limited (BEPL) with Culver Max Entertainment Private Limited (CME), with certain modifications”.

    Previously, CME was known as Sony Pictures Networks India Pvt Ltd. (SPNI). In September 2021, ZEEL announced a non-binding term sheet with SPNI to merge their linear networks, digital assets, production operations, and programme libraries.

    Deals exceeding a certain threshold must be approved by CCI, which seeks to ensure fair competition in the marketplace.

    CCI announced on 4 October that it had cleared the proposed Zee-Sony merger deal, which was announced in September of last year.

    To ensure fair competition in the relevant markets, the regulator has also mandated that the purchaser meet a number of requirements before purchasing the three channels.

    One of the requirements is that the buyer not be “Star India Private Limited or Viacom18 Media Private Limited (including their respective affiliates)”.

    The purchaser should be completely independent of and unconnected to the resulting entity and its affiliates. According to the order, it also cannot be a former or current employee or director (or the spouse or child of such an employee or director).

    Among other things, the purchaser must have the financial resources, expertise, and incentive to keep and grow the divestment business as a viable and active competitor to the parties and/or the parties’ affiliates.

    “The purchaser should neither be likely to create any prima facie competition concerns, nor give rise to a risk that the implementation of the order will be delayed, and must, in particular, reasonably be expected to obtain all necessary approvals from the relevant regulatory authorities for the acquisition and operation of the divestment business,” the order said.

    The CCI further stated that the planned merger would be judged to have had a significant detrimental impact on competition in India if the parties did not comply with the voluntary adjustments presented.

  • Mattel renews licensing agreement with Pokémon

    Mattel renews licensing agreement with Pokémon

    Mumbai: Mattel has renewed its licensing partnership with The Pokemon Company International in the building sets category. Through the agreement, Mattel will continue to produce Pokemon toys and building sets under its Mega property.

    As a partner to The Pokemon Company International and by way of its Mega brand, Mattel has over the years produced buildable characters, playsets, building blocks and sets featuring some of the most popular Pokemon in the beloved entertainment franchise, such as Pikachu, Bulbasaur, Charmander, Squirtle, Gyarados, and Eevee. Following a strong response from consumers, the continued partnership between Mattel and The Pokémon Company International means they can create new Mega products for Pokémon fans for years to come.

    “The Pokemon Company International has built an incredible franchise for more than 25 years. We are proud to continue creating amazing products that allow fans to build and experience everything they love about Pokémon,” said Mattel senior vice president of entertainment partnerships Nick Karamanos.

    “Mattel continues to be an ideal partner in helping us deliver fun and innovative ways for fans to engage with Pokemon through construction play. Toys play an integral role in the Pokemon brand’s goal of bringing the joy of the brand to all types of Trainers, and we look forward to our renewed collaboration in supporting this mission,” said The Pokémon Company International senior director of licensing and promotions Amy Sachtleben.

  • 8Bit Creatives becomes the talent partner of DreamHack 2022

    8Bit Creatives becomes the talent partner of DreamHack 2022

    Mumbai: 8Bit Creatives has become the official talent partner for DreamHack 2022, India’s largest esports festival, which will take place in Hyderabad from 4 to 6 November.

    The global gaming festival is taking place in India for the first time since the pandemic. The event will feature an exciting set of live events and activities over three days that will bring together speakers from some of the most renowned brands, esports pro players, fans, and gamers from across the country under one roof. It promises to give fans an unrivalled experience of the festival that is unimaginable.

    This collaboration will be a great experience for the fans as well as the industry, which stands to interact and learn from the experts in the esports fraternity and grow with it.

    Speaking of this partnership, 8Bit Creatives CEO & founder Animesh Agarwal said, “It’s funny how some stories have their beginnings, twists and turns, and surprise endings. Participating in the first DreamHack event back in 2018, was the inception point of 8Bit Creatives, and now we have indeed come full circle, as the official talent management partner for India’s biggest gaming festival. 8Bit Creatives and NODWIN Gaming have always worked together to grow gaming in India. We envision this partnership as being a celebration of esports fans, players, and creators. Truly, this is big—DreamHack 2022, here we come!”

    NODWIN Gaming co-founder Akshat Rathee added, “DreamHack is a dream festival for the esports community where like-minded people get together and celebrate their love and passion for esports. We’ve put together an action-packed three-day itinerary in Hyderabad and are delighted to have on board our talent partner 8Bit Creatives, who will help spread the word not only among our live audience but also to the world at large!”

    8Bit Creatives co-founder Lokesh Jain said, “8Bit Creatives is built with the love of fans and we are really excited that our fan family is growing with India’s largest digital gaming festival—DreamHack. NODWIN Gaming has been making waves since its entry into the market. We share similar beliefs in providing the best to our fans, and we are really excited to celebrate all the gaming fun at the event and revolutionise the esports market together.”

  • After two years of muted celebrations, India’s festive spirit is back once again: Disney-Star India’s Kevin Vaz

    After two years of muted celebrations, India’s festive spirit is back once again: Disney-Star India’s Kevin Vaz

    Mumbai: With the return to normalcy and restrictions having been lifted, broadcasters are upbeat about revenue growth during the festive season. Disney Star head of network entertainment channels, Kevin Vaz, is no exception. He tells Indiantelevision.com that the festive season this year is one of the best so far.

    “The sentiment of both the viewers and the advertisers is extremely positive. As a network, we have always celebrated the festive season with much fervour, and our goal this year is to up the entertainment quotient for our viewers when families sit down to watch their favourite content together. This year, we have an exciting content line-up across our Hindi and regional channels to ensure the same. With our strategically planned content pipeline, this festive season, we aim to enhance the viewing experience with more exciting content and build a deeper connection with our viewers. “

    Talking about how he sees the overall TV Adex faring during the festive season, he said that the overall market is extremely positive. “After two years of muted celebrations owing to the pandemic, India’s festive spirit is back once again. There is a great deal of optimism in the market this year and brands are eager to spend.”

    When asked about price hikes that the broadcast industry has gone for, he pointed out that local advertisers have come back after two years and high pricing categories are also reviving, which is adding to the AdEx this festive season. “Also, to ensure higher absorption capabilities, we have lined up our best festive content to entertain the viewers. There are various tentpole properties, festive events, and blockbuster movies planned, improving the overall monetisation capacities of the broadcasters. The advertisers will leverage these to reach out to their customers during the festive season, thus driving overall adex growth.”

    When asked if inflation has been a challenge to yield maximisation during the festive season, he explained that brands have not had the opportunity to engage with their target audience in the last two years and this year there is no stopping them.

    He elaborated on the strategy to work with national and local brands in India. Onam always sets the tone for the festive season. He said, “From what we have witnessed on our Malayalam channels, I can say the season is off to a great start. There is a rise in the local/retail sectors coming forward, aided by positive consumer sentiment. Similarly, Ganesh Chaturthi and Dasshera were great for Star Pravah and Star Jalsha, respectively. All of this has already paved the way for the upcoming Diwali outputs.”

    He also noted that there is more brand integration compared to last year. “Brands are increasingly looking for innovative brand solutions to engage the audience. Maruti Suzuki launched its latest car, the Grand Vitara, on Star Plus’ non-fiction show Ravivaar with Star Parivaar. Reliance Trends collaborated with us on Star Jalsha to launch the celebratory campaign, Trends Saj Parbon 2022, to usher in the spirit of Durga Puja and inclusivity. We are also seeing brands like Flipkart and Max Fashion doing vignettes to increase their festive sales.”

    In terms of spending by various categories, he said that categories like consumer durables, electronics, retail, jewellery, fashion, and lifestyle are going all out this season. “These categories provide the boost and make the difference between a festive quarter and a regular quarter. Some categories have not been able to advertise for the last two years; they are coming back with a bang.”

    When asked about how much of TV’s annual ad spend happens during the festive season, normally, he said that in the last two years, the share of TV’s annual spend during the festive season increased drastically due to other months impacted by the pandemic. “This year we are seeing similar trends to the pre-pandemic year 2019, where the share during the festive quarter was higher than other quarters marked by categories like consumer durables, electronics, retail, jewellery, fashion, and lifestyle.”

    “The festive season is a great time for categories like consumer durables, electronics, retail, jewellery, fashion, and lifestyle to advertise. While the regular categories like FMCG and e-commerce continue to advertise all year round, it is these categories that drive the festive spending.”

    He, however, added that the biggest icing on the cake is the auto industry. “Normally we would see two or three manufacturers advertising during Onam. But this year, every manufacturer was advertising. That will be the standout category this time. In fact, Maruti Suzuki launched its latest car, the Grand Vitara, on Star Plus’ non-fiction show Ravivaar with Star Parivaar.

    Content line-up

    For Onam celebrations, Asianet had a line-up of movies and shows like Bro Daddy, Bheeshma, Twenty One, and Lalitham Sundaram. During the season, the channel brought special non-fiction formats, including cookery and celebrity chat shows.

    Asianet announced the tagline “Anudinam Valarunna Atmabandham” (a relationship that grows every day). The theme and proposition of Onam, he explains, was to help Malayalis celebrate with the best entertainment on offer – blockbusters, events, Onam themed shows etc.

    In Maharashtra, viewers witnessed Star Pravah Ganeshutsav 2022 to welcome Ganesh Chaturthi. In West Bengal, the prime attraction was Mahalaya. This was a two-hour pre-festive event paying special tribute to Devi Durga, and Vaz said that it witnessed more colour and energy.

    Star Jalsha launched a non-fiction show called Dance Dance Junior Season Three (on 6 August) in Bengal, in which the participants celebrated Durga Puja through the dance medium.

    Tamil and Telugu audiences were delighted by the grand and much loved show Bigg Boss at Star Maa on 4 September and at Star Vijay on 2 October. 

    In Hindi, Star Plus launched Rajjo on 22 August.

    For movie-loving audiences, blockbusters were aired across the Disney Star network – Vikram (Star Gold, Star Vijay, Star Maa, Star Suvarna and Asianet), Akshay Kumar starrer Samrat Prithviraj and Ranbir Kapoor’s Shamshera (Star Gold), Kaathuvaakula Rendu Kaadhal on Star Vijay, Kishmish & Belashuru on Star Jalsha.

  • Zee Biskope curates consumer centric content with innovations

    Zee Biskope curates consumer centric content with innovations

    Mumbai: If you enjoy Bhojpuri content, then Zee Biskope should be your go-to channel to fully immerse yourself in it. Since its inception, Zee Entertainment Enterprises’ first curated Bhojpuri movie channel, Zee Biskope, has been creating content with the aim of addressing the audience with specific needs, aspirations, and psychographic content & projections. The brand has won 104 marketing awards within the first two quarters of financial year 2023, a never-before-seen feat in the category.

    ZEEL’s chief cluster officer (east) Samrat Ghosh & Bhojpuri cluster chief channel officer Amarpreet Singh Saini in an exclusive chat with Indianyelevision.com shared how Zee Biskope takes the help of the audience to curate content and tries to engage with new innovations.

    Consumer centric content 

    Ghosh believes that the channel is consumer-centric and has a very robust research mechanism by which they try to stay in touch with their audience 365 days a year. “At the center, we have always kept the consumer in mind, whether in terms of the content that we create or in terms of the marketing that we do.”

    Speaking about the reality shows, he explained, “We thought about creating a platform wherein we go across the length and breadth of India to find the talent. We select to shape them, and they eventually turn out to be a household name.”

    Saini noted that the channel always tries to do something that has not been done in the category, keeping the audience in mind before being innovative and experimental. “We are here to serve entertainment to the viewers the way they want it. In whichever form they bought it. We didn’t want to do the already done thing.”

    He continued by saying that having a distinct content arm for marketing Zee Biskope was always the plan. “This allowed the audience to experience the brand and its values while also establishing a relationship with the brand, similar to how content does, and it was from there that the entire vertical of engagement initiatives arose.”

    The channel curated the content for worldwide holidays like Valentine’s Day, Mother’s Day, International Camera Day, etc., by taking into account a variety of other relevant days.

    The core philosophy of the channel, whether for content or marketing, has been that it will not do what has been done, but rather something new. However, that new thing will be embedded in the region’s rootedness.

    Bhojpuri fandom 

    The channel is focused on showcasing Bhojpuri movies to the audience and is now also delving into Bhojpuri fandom. “Nobody has explored this space of Bhojpuri fandom; there’s a lot of love for the stars and their movies; when someone is a movie fan, especially a Bhojpuri, it doesn’t stop with watching the film and turning off the TV. There are numerous other emotions. And so much more that you live alongside the movies, which is what the channel will be exploring.”

    It is also coming up with international events like Bhojpuri film awards and taking it to the international diaspora to give a sense of pride to the viewers in the region.

    Speaking of success, Ghosh believes it is not only confined in terms of the weekly gross rating points (GRPs), it goes much beyond that. “With the audiences, you develop a sort of complete branch community by the kind of experience you give them, and your only goal is to gain the greatest possible share of voice in terms of the consumers’ mind space.”

    OTT  emergence 

    Ghosh believes TV and OTT will coexist. He said, “It is not either-or. It is a plus because, at the core, we are creating a robust content offering for the consumer so that content turns out to be relevant and has some relevance in their lives. So we’ll keep creating content that could be on television, an OTT, or a different platform. But at the core, what we try to do as a brand is try to touch the heart of the consumer. The channel’s content is also available on the media giant’s OTT platform  Zee5.”

    Saini added that the big distinction between TV and the other platforms in India is that TV is still a collective medium. “The whole family watches TV. India still has a higher prevalence of single-TV households, which brings the family closer. Everyone watches in the living room. When watching TV content, people search for a particular ethos or set of nuances because it must satisfy all family members without causing discord and instead strengthen the sense of community that already exists in the home, as opposed to other platforms, which cater to more individualised consumption.

    “The fact that people watch TV on their mobile devices is widely known, but TV remains distinctive in that it produces content that is more, how do you phrase this, collective consumption content, and that content has a power of its own. And it continues to be the most potent force you now have, at least in this nation,” he expressed.

    Zee Biskope engages with users by focusing on user-generated content with shows like Kamariya Kare Hip Hopand Talent Camera Action. “We have seen a hunger among the people in the region to become stars, to be celebrated, and to be known; they have the talent, but they lack the means, so we have harnessed the entire power of UGC in these initiatives,” he noted.

    Challenges 

    While talking about challenges, Ghosh pointed out that the Bhojpuri television and film industry is scattered and needs to have a hub for more content . “The entire television & film industry is locally based; if we create a Bhojpuri media hub, more professional players will attend the market, allowing the category to grow as a whole.” And, most likely, it will result in a more robust ecosystem that will be locally based outside of the region, providing job opportunities to local technicians as well.”

    Zee Biskope is soon coming up with Bhojpuri originals to make it a movie channel. Speaking on this development, Saini said that the consumer has the capacity to grow more, but this growth will be slow and somebody will have to take the leadership position of experimenting, inviting that challenge. “There will obviously be a failure rate, because every new experiment will not work the first time. Some would require fine tuning, while others would necessitate some level of investment to get people used to a new kind of entertainment, like we are attempting to make it a movie, plus people are so used to seeing only movies on a movie channel. In the initial attempt, we are attempting to bring original shows based on Bhojpuri fandom as another vertical, as well as homegrown movies as a different vertical, ” he concluded.

  • Taki launches staking feature & advanced creator benefits to its over 650K users

    Taki launches staking feature & advanced creator benefits to its over 650K users

    Mumbai: Taki, the global web3 social media network, has launched its staking feature after surpassing a milestone of over 6,50,000 users. Built on the Solana blockchain, Taki will now enable all of its users to earn rewards by locking up some of the tokens they own for a set amount of time. Furthermore, the platform is preparing to introduce new features that will allow creators to earn exclusive sign-up benefits that will boost their earning potential.

    As a significant advancement, Taki now allows its users to stake using the $TAKI token. To begin staking, users need to have the tokens in their Taki wallet. People will be able to choose how long they want to stake their tokens from a list of predefined time periods. Users can redeem the stake of both the original tokens and additional earned rewards once the staking period is complete. Taki users will initially have one active stake per token. The platform is working on future plans to build even more rewarding staking opportunities that will be available to the most active users.

    Taki co-founder Sakina Arsiwala said, “We are witnessing an active rise in the demand for Taki tokens in web3. In support of the growing number of content creators on the platform, we are constantly adding utility and value-driven features for participants. With this staking feature, we are working towards supporting monetisation opportunities and bringing higher value benefits to the users.”

    A global token-powered social network, Taki is a platform where everyone can earn a daily income by simply posting content and chatting with others about things that interest them. As a part of its latest update, Taki will now allow users to earn a $TAKI token on every post, adding to their higher daily earning levels.

    SuperLayer venture partner Saad Rizvi said, “This is a very crucial update for all of us at Taki as it reflects our ultimate vision to build a creator-focused platform, where people posting content are financially rewarded without depending on advertisers. These new innovative platform features increase the value for users who are engaging with social media in a web3 environment.”

    Taki social network participants will also get a unique invite link, especially made for creators to bring their audiences to Taki, where everyone can earn. Creator accounts will receive higher visibility for their content by qualifying for the list of Taki’s top users on the leaderboard, including opportunities to be in the top feed. Anyone who wants to start their own creator account can fill out the form here.

  • Barc week 40’22: 1st India News consolidates leadership in Rajasthan

    Barc week 40’22: 1st India News consolidates leadership in Rajasthan

    Mumbai: 1st India News has claimed that, according to Barc data for Week 40, the channel is ahead of News18 Rajasthan with a 44 per cent share in the 15+ ALL TG.(SOURCE: Barc TG: 15+ ALL; MKT: Rajsthan (urban); Wk 40, 2022; 24 Hrs ; share of top  three channels basis impressions 000’s )

    On a weekly basis, 1st India News has consistently outperformed the competition in the Rajasthan urban market among the key TG of 15-50 year old males and female ABC TG.

    In the same TG, 1st India Rajasthan has prevailed over the competition on a week-on-week basis, with a 46 per cent share in week 39 and a 45 per cent share in week 40, respectively. (Source : Barc  TG: 15-50 years MF ABC; MKT: Rajasthan (urban ) ; Wk 39 & 40, 2022; 24 hrs ; share of top  three channels basis impressions 000’s)

    1st India News chief business officer Manoj Jagyasi said, “For regular updates and high-impact news days, viewers tune into 1st India News for its credible and diverse news content. Key national advertisers and top clients in Rajasthan trust 1st India News to effectively deliver on their brand campaigns. We offer a wide range of customised media solutions, which has increasingly attracted the interest of advertisers and media agencies alike”

    1st India News, which was founded in 2013, has a strong reporter network of over 2,000 reporters and has placed a reporter in each Rajasthan constituency. The channel is usually the first to report on breaking news. According to the most recent Barc data, 1st India News is the preferred news channel among discerning Hindi news viewers in Rajasthan.

  • Barc Wk 37-40’22: News18 India outperforms GECs in terms of reach

    Barc Wk 37-40’22: News18 India outperforms GECs in terms of reach

    Mumbai: News18 India has outperformed popular GECs in terms of reach. News18 India claimed that they have outperformed top general entertainment channels such as Star Plus, Sony and Zee TV with a cumulative reach of 8.7 crore.

    According to Barc data (HSM; All 15+; Avg. Wk 37-40’22), the cumulative reach of Star Plus stood at 7.6 crore, whereas the cumulative reach of Sony and Zee TV stood at 6.56 crore and 6.52 crore, respectively.

    Commenting on the viewership data, Network18 Hindi News CEO Karan Abhishek Singh said, “News18 India has a reach significantly better than all the major GECs. Our reach and viewership numbers show the kind of audience trust we enjoy. For advertisers, it’s a great opportunity to use the news genre as their preferred vehicle and to take their brand to audiences in a much more efficient and impactful way.”

    For over three months now, News18 India has been number one in terms of both viewership and reach in the Hindi news genre.

    This week, News18 India maintained its lead in the national Hindi news channel segment with 15.9 percent (Wk. 40’22, TG: 15+, HSM), compared to TV9 Bharatvarsh’s 13.0 per cent, India TV’s 12.6 per cent, and AajTak’s 12.5 per cent market share.

    The channel has performed exceptionally well in the highly sought-after 9 – 10 p.m. prime time slot.

    Kishore Ajwani of News18 India has a market share of 18.4 per cent, while Sudhir Chaudhary of AajTak is ranked fourth with a market share of 14.1 per cent.

    Furthermore, News18 India has nearly three times the viewership of ABP News during the prime time period of 9 to 10 p.m.

  • News18 Network presents L’Aspiration Summit

    News18 Network presents L’Aspiration Summit

    Mumbai: In a rapidly evolving social milieu, the idea of what constitutes luxury is fast changing. An upwardly mobile and hugely aspirational young India is fundamentally altering the space that was once the exclusive preserve of the uber-rich and royalty.

    News18 Network presented L’Aspiration Summit, a one-of-a-kind event that brought a unique perspective on the changing definitions of what constitutes aspiration and luxury in the country. This summit was held on 10 October 2022 at The Marriott, Chandigarh.

    The L’Aspiration Summit featured various discussions on the opportunities, challenges and trends that are shaping the rarefied world of luxe, including definitions, formats, and access.

    Various dignitaries came together to provide a rare glimpse into a world and a lifestyle that most can only dream of.

    The speakers included Lakshyaraj Singh Ji Mewar from Mewar Royal, Baisa Priyamvada Kumari (princess of Talcher State, Orissa), Tikka Amrinder Singh Brar from Faridkot Royal, Zoravar Shersingh Kalsia from Kalsia Estate, Haryana, actor, physician, and Mrs. World 2001 Aditi Govitrikar, Swiss Military MD & actor Anuj Sawhney, artist fashion designer Jatin Kochhar, Sardar Tegbir Singh Brar from Muktsar Stud farms, Karanvir Singh Sibia from Jind Riyasat Nazam family, chef Manish Mehrotra, stylist & designer Raghavendra Rathore, and singer, actor & poet Satinder Sartaaj.

    Sharing his thoughts about the L’Aspiration Summit, Network18 CEO Hindi Cluster Karan Abhishek Singh said, “News18 Network is renowned for pushing the envelope on content and formats, and category-first initiatives. L’Aspiration Summit is another such addition to our portfolio, a reflection of our commitment to innovation and contemporary and fresh thinking. I am certain our audiences, especially the younger viewers, will find this summit highly engaging as it explores the various nuances of changing aspirations and lifestyles.”