Category: Viewership

  • Chrome Data: English entertainment channel genre sees growth in OTS

    Chrome Data: English entertainment channel genre sees growth in OTS

    MUMBAI: Week 12 of opportunity to see (OTS) collated by Chrome Data Analytics & Media, saw a spike in the English Entertainment channels genre in the eight metros. With a 11.3 per cent growth, the genre was led by Comedy Central with 54.7 per cent OTS. 

     

    This was followed by the English movie space, which grew by 4.9 per cent in the eight metros. Movies Now topped the category with 67.1 per cent OTS.

     

    English News channels in the eight metros too saw a hike and noted 2.6 per cent with Times Now leading the chart with 76.7 per cent OTS.

     

    Last but not the least; Infotainment channels saw a growth of two per cent in all India with Discovery topping the chart with 82.8 per cent OTS.

     

    Talking about the losers this week, Business News channels in the eight metros and Hindi News channels in the Hindi Speaking Market (HSM) saw a dip in their OTS. While Business News channels dropped by one per cent OTS, the Hindi news channels dropped by 0.4 per cent OTS.

     

    In the Business News channel space, Zee Business topped the chart with 81.3 per cent OTS, while ABP News topped in the Hindi news channels with 95.9 per cent OTS.

     

  • &TV gains big with 100 GVM mark; Colors reclaims second spot

    &TV gains big with 100 GVM mark; Colors reclaims second spot

    MUMBAI: Zee Entertainment Enterprises’ newest baby &TV is riding high on success. With a brilliant opening of 90.6 GVMs last week, the channel further went on to create a mark for itself in the Hindi general entertainment space. In week 11 of TAM TV ratings, the channel crossed 100 GVM mark with 105 GVMs.

     

    For the rest Hindi GECs, it was a ‘bad’ week as almost all of them witnessed a drop in viewership. Colors turned out to be the only winner in the week 11 of TAM TV ratings for two reasons. Firstly, it was the only channel to gain and secondly, it jumped back to number two spot with 428 GVMs, up from 424 GVMs.

     

    Zee TV slipped to number three with 407 GVMs, down from 427 GVMs. Star Plus observed a huge drop and reported 592 GVMs, down from 604 GVMs. Life OK continued to enjoy its stability at fourth position with 307 GVMs, down from 314 GVMs.

     

    Both the siblings from the MSM stable, Sab and Sony too discovered loss in ratings at number five and six positions respectively. Sab generated 288 GVMs, down from 312 GVMs and Sony registered 221 GVMs, down from 247 GVMs.

     

    Big Magic reported a marginal rise and noted 42 GVMs, down from 40 GVMs. It seems re-runs of old shows from the Sony stable is working wonders for Sony Pal. It stood at 42 GVMs, up from 38 GVMs. Zindagi scored 23 GVMs, up from 22 GVMs.

  • Chrome Data: Hindi News channels gain maximum in week 11

    Chrome Data: Hindi News channels gain maximum in week 11

    MUMBAI: In week 11 of opportunity to see (OTS) collated by Chrome Data Analytics & Media, Hindi News channels in the Hindi Speaking Markets (HSM) gained the maximum. With 0.9 per cent growth, the genre saw ABP News leading the chart with 95.5 per cent OTS.

     

    Second on the list was Hindi Movies channels, which observed a growth of 0.8 per cent in the HSM markets. Max topped the category with 95.0 per cent OTS.

     

    Hindi general entertainment channels (GECs) in HSM markets too saw a hike and noted 0.5 per cent with Zee TV leading the chart with 96.6 per cent OTS.

     

    Last but not the least; Music channels noticed a growth of 0.4 per cent in the HSM markets with 9XM topping the chart with 90.9 per cent OTS.

     

    Talking about the losers this week, English Entertainment channels across eight metros dropped 12.3 per cent with Comedy Central topping the chart with 50.6 per cent OTS.

     

    Second on the losers list was English Movies channels across eight metros, which dropped by 6.6 per cent. Movies Now lost the maximum with 62.9 per cent OTS.

     

    Sports across all India dropped by 3.2 per cent and Kids too saw a fall across all India with 2.3 per cent. Cartoon Network lead the category with 79.3 per cent OTS.

  • Television ad revenue in UK touches new high in 2014

    Television ad revenue in UK touches new high in 2014

    NEW DELHI: The total television advertising revenue in the United Kingdom increased by six per cent in 2014 to reach a new record high of ?4.91 billion.

     

    This is the fifth consecutive year that TV ad revenue has grown in the UK, according to full year revenue figures provided to Thinkbox, the marketing body for commercial TV in the UK by the UK commercial TV broadcasters.

     

    The figure represents all the money invested by advertisers in commercial TV: linear spot and sponsorship, broadcaster VoD, and product placement. 

     

    TV advertising investment is forecast to grow again in 2015. The Advertising Association/Warc predicts TV ad revenue to grow by 5.5 per cent in 2015.

     

    TV advertising prices in 2014 were some 40.7 per cent cheaper in real terms than 20 years ago and commercial TV dominated viewing with viewers watching 45 ads a day. Around 65.8 per cent of TV set viewing in 2014 was to commercial TV channels, meaning that the average person watched two hours and 25 minutes of commercial TV a day.

     

    A significant trend in TV advertising is the increasing investment from online brands and services, such as Amazon, Google and Netflix. Based on data from Nielsen, which details advertising investment, when online brands and services are grouped together they form the second biggest spending category on TV having doubled investment since 2010 to over ?400 million. According to Nielsen, in 2014 Amazon and Google each invested ?10.5 million in TV advertising in the UK for their online services and Netflix invested ?8.5 million.

     

    There were 800 new or returning advertisers to TV in 2014 (returning after no TV advertising for at least five years), based on Nielsen and Sky’s AdSmart data. Notable new or returning investors were Ryanair, Booking.com and Swinton Insurance.

     

    Commercial impact – the number of TV ads watched at normal speed – during 2014 decreased by 3.3 per cent compared with 2013 but have grown by 27 per cent over the last ten years. The average viewer watched 45 ads a day – seven ads more a day than ten years ago. Collectively the UK watched an average of 2.65 billion ads a day in 2014.

     

    Thinkbox chief executive Lindsey Clay noted that 2014 was the fifth consecutive year that TV advertising revenue had increased in the UK. 

    “Confidence in TV advertising reflects its unrivalled ability to create business profit and sales. It is also a testament to the brilliant content invested in by the UK broadcasters and the unique qualities of TV as a medium. No other form of advertising can do what TV does. And, as TV viewing evolves to become more flexible for viewers, this is opening up new opportunities for brands to harness its power,” she said.

  • &TV opens big with 90.6 GTVMs

    &TV opens big with 90.6 GTVMs

    MUMBAI: With only five and half days in the opening week, the newly launched flagship Hindi general entertainment channel (GEC) &TV from the Zee Entertainment Enterprises Limited (ZEEL) stable has emerged as a major gainer in the ratings game.

     

    This is for the first time that a GEC as new as &TV has opened at 90.6 GTVMs creating waves in the Hindi GEC space. The high octane flagship shows saw both critics and audiences appreciating the progressive and relatable content of the channel.

     

    Be it &TV’s flagship show hosted by Shah Rukh Khan, India Poochega – Sabse Shaana Kaun? or the strong fiction line up with shows like Razia Sultan, Bhaghyalakshmi, Gangaa, Begusarai, Bhabi Ji Ghar Par Hai!, and the weekend offering with Killerr Karaoke and Tujhse Naaraaz Nahi Zindagi; the programming seems to have struck a chord with the audience.

     

    On the other hand, week 10 witnessed Sab emerging as the biggest gainer. At number five, it registered 312 GTVMs, up from 265 GTVMs. Moreover, the week also saw the channel competing closely with Star Plus’ sister channel Life OK, which reported 314 GTVMs, up from 312 GTVMs at number four.

     

    At number six, Sony Entertainment Television (SET) too observed a huge hike in viewership and noted 247 GTVMs, up from 235 GTVMs. 

     

    Amongst the first three leading players on the ratings chart, Star Plus saw a drop and garnered 604 GTVMs, down from 638 GTVMs. Despite a drop, Zee TV continued to secure number two position with 427 GTVMs, down from 442 GTVMs. Colors remained stable at number three with 424 GTVMs, up from 419 GTVMs. 

  • New age of TV viewing: Do you trust your friends or followers?

    New age of TV viewing: Do you trust your friends or followers?

    MUMBAI: With 115.6 million television viewing homes in the US, watching a favorite program is nothing like it used to be. In the world of social media and mobile devices, people don’t huddle around one television set at night and discuss their favorite TV moments over the water cooler at the office the next day in the same way anymore.

     

    Individuals are tuning-in with a “second screen,” like an iPad or laptop computer, and are interacting in new ways with TV. With social media, a television program can get positive or negative feedback from a viewer almost instantaneously. Given this growing trend, one would think social media is dominating the battle for TV viewership.

     

    But, surprisingly, social media does not rule the tube and old-fashioned word-of-mouth, or “water cooler conversation,” still holds more influence over viewers, according to new research from Simon Business School at the University of Rochester titled, “Talking Social TV 2.”

     

    While social media, especially Twitter, can benefit a television show in real-time, offline word-of-mouth is more influential to get a new viewer to watch a new program, thus increasing a show’s ratings.

     

    Simon Business School associate professor of marketing Mitchell Lovett and The Jerusalem School of Business Administration associate professor of marketing Renana Peres conducted the original study in 2012 and built on their original findings with this latest installment. This research comes out of a collaboration between Lovett and Peres as the academic research team, the Keller Fay Group, a marketing research company specializing in word-of-mouth research, and the Council for Research Excellence, a body of senior-level research professionals in the media and advertising industry. The research examines the likelihood a viewer would tune in to a program after receiving a message about the show via word-of-mouth, promotions, social media, or SMS/text message.

     

    “Our research, which included a major data integration effort, shows that television viewing is influenced by all types of communication, whether it’s social media, offline word-of-mouth, or a text message,” said Lovett.

     

    Results show that for repeaters (individuals who watch the same program regularly) and infrequents (individuals who do not view the same show regularly) offline word-of-mouth is the strongest form of communication that influences their television viewing. For infrequents, social media communications are actually more influential than promotions for shows, whereas for repeaters the opposite is true.

     

    This new study comprised 1,665 respondents between the ages of 15 to 54, who used a mobile app to report any time they saw, heard, or communicated something about primetime television shows over the course of 21 or more days. This data set contains 78,310 diary entries for approximately 1,596 shows from September 2013 through October 2013.

     

    Researchers took into account the potential effect of all forms of communications on different types of programs, whether network or cable, new or returning. According to their model, they predicted that reach-focused word-of-mouth would raise ratings for returning shows like The Voice, as well as new shows like Brooklyn Nine-Nine.

  • Chrome data: English News channels the only losers

    Chrome data: English News channels the only losers

    MUMBAI: In week 10 of opportunity to see (OTS) collated by Chrome Data Analytics & Media, English News channels in the eight metros was the only genre to witness a loss. It saw a drop of 0.5 per cent. Times Now topped the category with 77.1 OTS.

     

    As for the gainers, Business News channels across the eight metros gained the maximum. With 4.3 per cent growth, the genre saw CNBC Awaaz leading the chart with 81.4 OTS.

     

    On the other hand, English Movie channels across the eight metros gained 3.4 per cent with Movies Now topping the space with 67.8 OTS.

     

    Next in the line were English Entertainment channels across the eight metros, which gained 3.3 per cent. Comedy Central was the chart leader with 56.2 OTS.

     

    Lastly, Kids channels across all India too registered a two per cent gain. Cartoon Network noted maximum with 81.4 OTS

  • Udaya TV tops in the Kannada market

    Udaya TV tops in the Kannada market

    MUMBAI: In week nine of TAM TV ratings, let’s take a look at how regional channels have fared across the country. 

     

    In the Bihar + Jharkhand region in the CS4+ market, Big Magic Ganga led the chart with 2,365 GVTs followed by Mahuaa Plus with 1,122 GVTs and Anjan at the third spot with 666 GVTs.

     
    In the Marathi general entertainment channel (GEC) space, Z Marathi topped the Maharashtra region with 152,047 GVTs followed by Star Pravah at second position with 51,124 GVTs. ETV Marathi stood third with 49,906 GVTs.

     
    In the Bengali market, Star Jalsha continued to hold its number one position in West Bengal with 100,948 GVTs followed by Z Bangla with 81,658 GVTs and ETV Bangla at number three with 24,930 GVTs.

     
    In the Tamil GEC space, Sun TV registered number one position with 216,150 GVTs followed by Star Vijay with 90,069 GVTs and Z Tamil ranked number three with 21,000 GVTs.

     
    On the other hand, in the Kannada market, Udaya stood at number one spot with 68,402 GVTs. ETV Kannada ranked second with 53,460 GVTs and Suvarna at number three scored 47,679 GVTs.

     
    In the Telugu GEC space, Gemini became the chart leader with 108,013 GVTs followed by Maa TV with 95,444 GVTs and ETV at number three scored 82,710 GVTs.

     
    Lastly, in the Kerala region, Asianet scored the highest in the Malayalam category with 52,390 GVTs. Surya reported 13,104 GVTs and Asianet Plus garnered 5,170 GVTs.

  • Zee TV clinches back second spot from Colors

    Zee TV clinches back second spot from Colors

    MUMBAI: It’s been a continuous game of tug-of-war between Zee TV and Colors, each vying for the second and third spot on the TAM TV ratings chart.

     

    Week nine saw Zee TV overtaking Colors and occupying the second spot. Zee TV gained the maximum viewership as it recorded 442 million GVTs, up from 418 million GVTs. On the other hand, Colors moved back to the third spot with a huge decline and noted 419 million GVTs, down from 444 million GVTs.

     

    Apart from Zee, the numero uno in the Hindi general entertainment space, Star Plus witnessed a growth in the viewership. It observed a marginal rise from 636 million GVTs to 638 million GVTs this week. 

     

    Talking about the losers this week, Life OK retained its number four position with 312 million GVTs, down from 316 million GVTs. Sab, at number five, stood at 265 million GVTs, down from 286 million GVTs. Sony Entertainment Television (SET), at the bottom of the chart scored 235 million GVTs, down from 254 million GVTs.

     

    Other players like Big Magic too lost some numbers and noted 40 million GVTs, down from 47 million GVTs.

     

    Sony Pal dropped from 39 million GVTs to 38 million GVTs this week, while Zindagi reported 20 million GVTs, down from 22 million GVTs.

  • BARC India rolls out pricing philosophy

    BARC India rolls out pricing philosophy

    MUMBAI: As  Broadcast Audience Research Council (BARC) India reaches its last week of training sessions across Mumbai and Delhi, the team is in high spirits gauging the encouraging and positive response from all those who attended the BMW – User Software training programme.

     

    The Council is now reaching out to broadcasters and media agencies to inform them about the pricing philosophy. 

     

    BARC India has designed a standard pricing model for its principal stakeholders.

     

    While the industry as a whole will pay out roughly the same amount as it would have been paying, the way it works out to individual entities would be more scientific, objective and different.

     

    The pricing philosophy for broadcasters is a flat cess as a per cent of net TV advertising billing. This cess percentile will be constantly reviewed at periodic intervals to account for any change in the base cost due to change in sample size etc.  

     

    The philosophy for media agencies is based on the equaliser model which works on three parameters that distinguish one agency from the other.

     

    *Billing (Number of clients serviced by the agency).

     

    *Footprint (Markets being catered for planning & servicing e.g. All India, HSM, South etc).

     

    *Scale (Number of categories handled by the agency). 

     

    Weights have been assigned to each factor to arrive at the final pricing which has been designed and vetted by Ernst & Young. 

     

    Discounts on early payments, premium subscription packages, customised reports etc. have all been laid out for the customers to choose from.

     

    In continuation of its technical prowess, BARC India has designed a secured online pricing widget wherein both broadcasters and agencies fill their respective subscription details basis which proposals are sent out.