Category: Viewership

  • BARC week 27: Nick leads kids genre; CN jumps to second spot

    BARC week 27: Nick leads kids genre; CN jumps to second spot

    MUMBAI: Continuing its reign as a genre lead, Viacom 18’s Nick was again the topmost watched channel in the kids entertainment segment, according to Broadcast Audience Research Council (BARC) India’s all India (U+R) data for week 27 in NCCS All 4-14 Individuals category.

    The channel has bagged 81167 (000s sums) as opposed to 86062 (000s sums) impressions last week showing a drop in its ratings, Nick is followed by Turner International’s Cartoon Network which has jumped from fourth to second position by securing 68299 (000s sums) impressions from 48093 (000s sums) in week 26.

    Cartoon Network is followed by Hungama from Disney India on the third spot with 57530 (000s sums) impressions and Pogo TV 56313 (000s sums) impressions giving it the fourth rank on the list.

    These are followed closely at heel by Disney Channel which has seen a significant drop in its viewership from 61691 (000s sums) last week to 52522(000s sums) this week.

    When it comes to the top five most watched programs in the genre, Motu Patlu and Chhota Bheem has yet again proved itselves as genre favourites.

    Nick’s Motu Patlu In Double Trouble lead the chart with 1071 (000s sums), followed by Motu Patlu Mission Moon from the same franchise grabbing the second spot with with 665 (000s sums) impressions.

    With a slightly lower ratings of 643 (000s sums) Motu Patlu Kungfu King Returns was third most watched show in the category while Chhota Bheem: Dholakpur To Japan was fourth in the list with 522 (000s sums).

    Chhota Bheem: Dholakpur to Kathmandu was fifth in the list with 515 (000s sums) viewership impressions. Overall one could notice a drop in total viewership in the genre.

  • BARC week 27: Nick leads kids genre; CN jumps to second spot

    BARC week 27: Nick leads kids genre; CN jumps to second spot

    MUMBAI: Continuing its reign as a genre lead, Viacom 18’s Nick was again the topmost watched channel in the kids entertainment segment, according to Broadcast Audience Research Council (BARC) India’s all India (U+R) data for week 27 in NCCS All 4-14 Individuals category.

    The channel has bagged 81167 (000s sums) as opposed to 86062 (000s sums) impressions last week showing a drop in its ratings, Nick is followed by Turner International’s Cartoon Network which has jumped from fourth to second position by securing 68299 (000s sums) impressions from 48093 (000s sums) in week 26.

    Cartoon Network is followed by Hungama from Disney India on the third spot with 57530 (000s sums) impressions and Pogo TV 56313 (000s sums) impressions giving it the fourth rank on the list.

    These are followed closely at heel by Disney Channel which has seen a significant drop in its viewership from 61691 (000s sums) last week to 52522(000s sums) this week.

    When it comes to the top five most watched programs in the genre, Motu Patlu and Chhota Bheem has yet again proved itselves as genre favourites.

    Nick’s Motu Patlu In Double Trouble lead the chart with 1071 (000s sums), followed by Motu Patlu Mission Moon from the same franchise grabbing the second spot with with 665 (000s sums) impressions.

    With a slightly lower ratings of 643 (000s sums) Motu Patlu Kungfu King Returns was third most watched show in the category while Chhota Bheem: Dholakpur To Japan was fourth in the list with 522 (000s sums).

    Chhota Bheem: Dholakpur to Kathmandu was fifth in the list with 515 (000s sums) viewership impressions. Overall one could notice a drop in total viewership in the genre.

  • BARC week 27: Star Plus retains its lead position; Zee Anmol tops the rural HSM

    BARC week 27: Star Plus retains its lead position; Zee Anmol tops the rural HSM

    MUMBAI: Even after seeing a drop in ratings, Star Plus continued to lead Urban + Rural genre and Urban Hindi speaking market (HSM),  whereas in Rural HSM Zee Anmol led the genre, according to Broadcast Audience Research Council (BARC) All India data of week 27. 

    Urban+Rural HSM

    In combined market, loss in some ratings did not affect Star Plus’s lead position with 677948 Impressions (000s) against 698563 Impressions (000s) in week 26, while Colors saw a rise in ratings this week to be the second with 625834 Impressions against 618151 Impressions (000s) in week 26. It was followed by Zee TV on third slot with 584403 Impressions (000s). 

    Zee Network’s free to air channel grabbed the fourth position with 473813 Impressions (000s) and Star Utsav at fifth slot with 458291 Impressions (000s). 

    Sony Pal stood at sixth with 408104 Impressions (000s) followed by Life OK at number seven with 387371 Impressions (000s) and Sony Entertainment Television replaced Sab TV at number  eighth with  361369 Impressions (000s). Sab TV fell to number nine with 356611 Impressions (000s) and Rishtey maintained its tenth spot with 289479 Impressions (000s). 

    Top Five Programmes

    In week 27, Zee TV’s prime time show Kumkum Bhagya continued to lead the top five programmes list with 13494 Impressions (000s) followed by Zee Anmol’s Jodha Akbar with 9930 Impressions and Star Plus’ prime time show Yeh Hai Mohabbatein with 9657 Impressions (000s). On the other hand, Colors’ Comedy Nights Live entered the list and stood at number four with 8889 Impressions (000s) and Star Plus’ Yeh Rishta Kya Kehlata Hai bagged fifth slot with 8471 Impressions (000s). 

    Urban HSM

    Star Plus garnered first position with a rise in ratings and recorded  459294 Impressions (000s)  followed by Colors on second position with 435791 Impressions (000s) and  Zee TV with 328823 Impressions (000s) stood at number three.  

    Sab TV maintained its fourth slot with 257375 Impressions (000s) followed by with Sony Entertainment Television 256479 Impressions (000s) stood at number five and Life OK stood at number sixth with 253921 Impressions (000s).

    In Urban HSM,  &TV climbed up at number seven with 121712 Impressions (000s) followed by Sony Pal with 107125 Impressions (000s) on eighth and Zee Anmol bagged ninth spot with 104516 Impressions (000s).  Star Utsav  bagged tenth spot with 104101 Impressions (000s).

    Top Five programmes

    In Urban HSM,  Zee TV’s prime time bagged first position with 7545 Impressions (000s) followed by  Colors’ Comedy Nights Live at second slot with 7176 Impressions (000s) and Star Plus’ Yeh Hai Mohabbatein with 6518 Impressions (000s). 

    Star Plus’ another show Dance + Season 2 bagged the fourth spot with 5915 Impressions (000s) and Colors’ Kasam stood at five with 5734 Impressions (000s). 

    Rural HSM 

    Zee Anmol continued to claim leadership position with 369297 Impressions (000’s), while Star Utsav bagged second position with 354191 Impressions (000s) followed by  Sony Pal on third slot with 300979 Impressions (000s) and Zee Tv stood at four with 255580 Impressions (000s).

    Star Plus replaced Rishtey at fifth spot with 218654  Impressions (000s)  while Rishtey grabbed sixth spot with 204673 Impressions (000s) followed by Colors at number seven with 190043 Impressions (000s) and Life Ok which stood at eight with 133450 Impressions (000s).

    Big Magic grabbed ninth spot with 119435 while Sony Entertainment Television stood at tenth 104890 Impressions (000s).

    Top Five programmes

    In week 27, Zee Anmol’s Jodha Akbar  and Bandini booked the first and second slot with 7686 Impressions (000s) and 6198  Impressions (000s) respectively. Zee TV’s Kumkum Bhagya grabbed the third spot with 5950 Impressions (000s) followed by Zee Anmol Kasam Hai Tujhe Aa Bhi Jaa and Zee TV’s Ek THa Raja Ek Thi Rani bagged fourth and fifth slot with 4191 Impressions (000s) and 3956 Impressions (000s) respectively.

  • BARC week 27: Star Plus retains its lead position; Zee Anmol tops the rural HSM

    BARC week 27: Star Plus retains its lead position; Zee Anmol tops the rural HSM

    MUMBAI: Even after seeing a drop in ratings, Star Plus continued to lead Urban + Rural genre and Urban Hindi speaking market (HSM),  whereas in Rural HSM Zee Anmol led the genre, according to Broadcast Audience Research Council (BARC) All India data of week 27. 

    Urban+Rural HSM

    In combined market, loss in some ratings did not affect Star Plus’s lead position with 677948 Impressions (000s) against 698563 Impressions (000s) in week 26, while Colors saw a rise in ratings this week to be the second with 625834 Impressions against 618151 Impressions (000s) in week 26. It was followed by Zee TV on third slot with 584403 Impressions (000s). 

    Zee Network’s free to air channel grabbed the fourth position with 473813 Impressions (000s) and Star Utsav at fifth slot with 458291 Impressions (000s). 

    Sony Pal stood at sixth with 408104 Impressions (000s) followed by Life OK at number seven with 387371 Impressions (000s) and Sony Entertainment Television replaced Sab TV at number  eighth with  361369 Impressions (000s). Sab TV fell to number nine with 356611 Impressions (000s) and Rishtey maintained its tenth spot with 289479 Impressions (000s). 

    Top Five Programmes

    In week 27, Zee TV’s prime time show Kumkum Bhagya continued to lead the top five programmes list with 13494 Impressions (000s) followed by Zee Anmol’s Jodha Akbar with 9930 Impressions and Star Plus’ prime time show Yeh Hai Mohabbatein with 9657 Impressions (000s). On the other hand, Colors’ Comedy Nights Live entered the list and stood at number four with 8889 Impressions (000s) and Star Plus’ Yeh Rishta Kya Kehlata Hai bagged fifth slot with 8471 Impressions (000s). 

    Urban HSM

    Star Plus garnered first position with a rise in ratings and recorded  459294 Impressions (000s)  followed by Colors on second position with 435791 Impressions (000s) and  Zee TV with 328823 Impressions (000s) stood at number three.  

    Sab TV maintained its fourth slot with 257375 Impressions (000s) followed by with Sony Entertainment Television 256479 Impressions (000s) stood at number five and Life OK stood at number sixth with 253921 Impressions (000s).

    In Urban HSM,  &TV climbed up at number seven with 121712 Impressions (000s) followed by Sony Pal with 107125 Impressions (000s) on eighth and Zee Anmol bagged ninth spot with 104516 Impressions (000s).  Star Utsav  bagged tenth spot with 104101 Impressions (000s).

    Top Five programmes

    In Urban HSM,  Zee TV’s prime time bagged first position with 7545 Impressions (000s) followed by  Colors’ Comedy Nights Live at second slot with 7176 Impressions (000s) and Star Plus’ Yeh Hai Mohabbatein with 6518 Impressions (000s). 

    Star Plus’ another show Dance + Season 2 bagged the fourth spot with 5915 Impressions (000s) and Colors’ Kasam stood at five with 5734 Impressions (000s). 

    Rural HSM 

    Zee Anmol continued to claim leadership position with 369297 Impressions (000’s), while Star Utsav bagged second position with 354191 Impressions (000s) followed by  Sony Pal on third slot with 300979 Impressions (000s) and Zee Tv stood at four with 255580 Impressions (000s).

    Star Plus replaced Rishtey at fifth spot with 218654  Impressions (000s)  while Rishtey grabbed sixth spot with 204673 Impressions (000s) followed by Colors at number seven with 190043 Impressions (000s) and Life Ok which stood at eight with 133450 Impressions (000s).

    Big Magic grabbed ninth spot with 119435 while Sony Entertainment Television stood at tenth 104890 Impressions (000s).

    Top Five programmes

    In week 27, Zee Anmol’s Jodha Akbar  and Bandini booked the first and second slot with 7686 Impressions (000s) and 6198  Impressions (000s) respectively. Zee TV’s Kumkum Bhagya grabbed the third spot with 5950 Impressions (000s) followed by Zee Anmol Kasam Hai Tujhe Aa Bhi Jaa and Zee TV’s Ek THa Raja Ek Thi Rani bagged fourth and fifth slot with 4191 Impressions (000s) and 3956 Impressions (000s) respectively.

  • Sun TV tops rating across genres

    Sun TV tops rating across genres

    MUMBAI: Sun TV continued its run at the top position in week 27 of Broadcast Audience Research Council (BARC) All India data, followed by Star Plus in second place.

    Sun TV reported ratings of 950112 Impression (000s), while Star Plus with a score of 705486 Impression (000s) followed.

    Colors reserved the number three slot in week 27 with 646452 Impression (000s). Zee TV gained fourth place with 608027 Impressions (000s).

    Zee Anmol grabbed fifth space with 474293 Impressions (000s). Star Utsav moved up to sixth place with 459621 Impressions (000’s) , while Sony Max secured seventh place with437187 Impressions (000’s).

    Gemini TV held to eighth place with 433909 Impressions (000s) and Zee Telegu took ninth spot with 430625 Impressions (000s). Sony Pal bagged tenth place with 409663 Impressions (000s).

  • Sun TV tops rating across genres

    Sun TV tops rating across genres

    MUMBAI: Sun TV continued its run at the top position in week 27 of Broadcast Audience Research Council (BARC) All India data, followed by Star Plus in second place.

    Sun TV reported ratings of 950112 Impression (000s), while Star Plus with a score of 705486 Impression (000s) followed.

    Colors reserved the number three slot in week 27 with 646452 Impression (000s). Zee TV gained fourth place with 608027 Impressions (000s).

    Zee Anmol grabbed fifth space with 474293 Impressions (000s). Star Utsav moved up to sixth place with 459621 Impressions (000’s) , while Sony Max secured seventh place with437187 Impressions (000’s).

    Gemini TV held to eighth place with 433909 Impressions (000s) and Zee Telegu took ninth spot with 430625 Impressions (000s). Sony Pal bagged tenth place with 409663 Impressions (000s).

  • BARC week 27: Star World, Movies Now, Discovery and Living Foodz were genre leaders

    BARC week 27: Star World, Movies Now, Discovery and Living Foodz were genre leaders

    MUMBAI: According to week 27 of BARC India, six Mega Cities: NCCS AB : 4+ Individuals rating, Star World replaced Zee Café on top spot in English Entertainment and Movies Now regained its top spot from Star Movies in the respective spaces.

    Infotainment and Lifestyles genres did not see much change with Discovery and Living Foodz leading the spaces.

    English Entertainment

    Star world has moved up a position to number one in comparison to it second spot in week 26 with 176 Impressions (000s). Zee café dropped to second spot with 152 impressions (000s). Comedy central is on third spot with 105 impressions (000s).

    AXN with 102 Impressions (000s) and Colors Infinity SD with 42 Impressions (000s) secured fourth and fifth positions respectively.

    Movies

    Movies Now repossessed its top position with 3338 impressions (000s), pushing Star Movies to second rank with 2939 impressions (000s). Sony Pix secured third spot with 2132 impressions (000s). Zee studio  was on fourth spot with 1383 Impressions (000s), followed by HBO on fifth rank with 1104 Impressions (000s).

    Infotainment

    Discovery continued to lead the space with 4327 impressions (000s), followed by National Geographic Channel on second position with 3627 impressions (000s). Animal Planet with 3010 impressions (000s) is on third position.

    History TV18 with 2768 impressions (000s) and Nat Geo Wild with 2119 impressions (000s) were on fourth and fifth spot respectively.

    Lifestyle

    The space was yet again topped by Living Foodz with 1677 Impressions (000s), followed by Fox Life with 899 Impressions (000s) on second spot. Home Shop 18 was on third position with 822 impressions (000s). Food Food grabbed fourth position with 541 impressions (000s) and Shop CJ dropped a position to last spot with 539 impressions (000s).
     

  • BARC week 27: Star World, Movies Now, Discovery and Living Foodz were genre leaders

    BARC week 27: Star World, Movies Now, Discovery and Living Foodz were genre leaders

    MUMBAI: According to week 27 of BARC India, six Mega Cities: NCCS AB : 4+ Individuals rating, Star World replaced Zee Café on top spot in English Entertainment and Movies Now regained its top spot from Star Movies in the respective spaces.

    Infotainment and Lifestyles genres did not see much change with Discovery and Living Foodz leading the spaces.

    English Entertainment

    Star world has moved up a position to number one in comparison to it second spot in week 26 with 176 Impressions (000s). Zee café dropped to second spot with 152 impressions (000s). Comedy central is on third spot with 105 impressions (000s).

    AXN with 102 Impressions (000s) and Colors Infinity SD with 42 Impressions (000s) secured fourth and fifth positions respectively.

    Movies

    Movies Now repossessed its top position with 3338 impressions (000s), pushing Star Movies to second rank with 2939 impressions (000s). Sony Pix secured third spot with 2132 impressions (000s). Zee studio  was on fourth spot with 1383 Impressions (000s), followed by HBO on fifth rank with 1104 Impressions (000s).

    Infotainment

    Discovery continued to lead the space with 4327 impressions (000s), followed by National Geographic Channel on second position with 3627 impressions (000s). Animal Planet with 3010 impressions (000s) is on third position.

    History TV18 with 2768 impressions (000s) and Nat Geo Wild with 2119 impressions (000s) were on fourth and fifth spot respectively.

    Lifestyle

    The space was yet again topped by Living Foodz with 1677 Impressions (000s), followed by Fox Life with 899 Impressions (000s) on second spot. Home Shop 18 was on third position with 822 impressions (000s). Food Food grabbed fourth position with 541 impressions (000s) and Shop CJ dropped a position to last spot with 539 impressions (000s).
     

  • Pubcasters still account for more than half of broadcast TV viewing, claims Ofcom

    Pubcasters still account for more than half of broadcast TV viewing, claims Ofcom

    NEW DELHI: Even as Prasar Bharati continues to struggle with the Sam Pitroda report which was largely a reiteration of earlier reports, the British Broadcasting Corporation last year brought out a Green Paper to review its working and make changes.

    Now, a report by the British media regulator Ofcom says public service broadcasters (PSBs) still account for more than half of broadcast TV viewing and around three in four viewers are satisfied with their services.

    Investment by PSBs in programmes on their public service channels appears to be stabilising after several years of decline and spending has increased on new factual programmes and original drama. However, spending on children’s shows, the arts and classical music and religion has continued to decline.

    Ofcom has said in is latest PSB Annual Research Report published this week that has shown that 16 to 24 year old people have particularly embraced on-demand services, and spend around a third of their daily viewing time watching free (e.g. BBC iPlayer, All 4, ITV player) or paid (e.g. Netflix, Amazon Video) on-demand services. Live TV accounts for 36% of daily viewing in this age group, a 14 percentage-point decrease in two years.

    The study was based on BBC, ITV, STV in Scotland, UTV in Northern Ireland, Channel 4, S4C in Wales and Channel 5.

    The main five public service channels provided by PSBs1 reached 84% of the TV population in a typical week, and accounted for 51% of all broadcast TV viewing in 2015, according to a report on the OfCom website.

    This share is similar to the last three years but represents a decline from ten years ago when PSBs held a 70% share of viewing. When PSBs’ ‘portfolio’ channels – such as BBC Four, ITV2 or E4 – are included, their share of viewing was 71% in 2015.

    Overall, TV viewing has fallen in recent years with viewers now watching 26 minutes less a day than in 2010. While the average person watched three hours and 36 minutes of TV per day in 2015, there is a widening generational gap in the viewing habits of the youngest and oldest audiences.
    People under 25 are watching around a quarter less broadcast TV than in 2010, while the average viewing of those aged 55 to 64 has only declined by 5%.

    The PSBs spent £2.50 billion on new UK programmes3 on their public service channels in 2015, a 2% increase since 2013; the most recent comparable year due to the absence of major sporting events4 .

    PSBs’ spending on new UK factual programmes rose by 8% to £522m, more than any other genre and the highest investment in this type of programme since 2008. They also spent more in 2015 on original UK drama (up 12% to £311m), and showed more of it – 416 hours, up from 371 hours.

    However, the hours of original UK children’s programmes decreased in 2015 – from 672 in 2014 to 580. This was the first time fewer than 600 hours of original UK children’s programmes have been broadcast since 1998. Spending on this genre was £77m, 13% down on 2014.

    The PSBs also spent less on new UK arts and classical music programmes in 2015 – £36m, down 14% from 2014 – as well as religion and ethics (down by 6% to £12m). Original UK comedy also decreased (by 4%, to £99m).

    Audiences continue to value programmes from the public service broadcasters: 73% of viewers said they were satisfied with PSB public service broadcasting overall, while 7% were dissatisfied.
    Nearly nine in ten (86%) viewers of public service channels cited trustworthy news programmes, and showing programmes of a high quality, as an important purpose of public service broadcasting.

    This was the most-cited purpose, followed by programmes that help viewers understand what is happening in the world (83%).

    The BBC, along with ITV, STV and UTV (the ‘Channel 3′ licence holders), spent a combined £270m on programmes specifically directed towards viewers in the particular nations and regions of the UK in 2015.

    At least seven in ten regular viewers are satisfied with BBC One and Channel 3’s delivery of nations and regions news.

    S4C spent £63m on original Welsh-language programmes in the 2015/16 financial year, a slight increase from the previous year.

    Jane Rumble, Director of Market Intelligence at Ofcom said: “Our research shows that UK audiences still watch and value public service broadcasting. But there are significant differences in the viewing habits of older and younger audiences.

    “As media and technology continue to evolve, it is important that broadcasters respond to these changes, so they can keep meeting the needs and expectations of viewers.”

    OfCom clarified that its data was from Ofcom Digital Day research 2016 as there is currently no single industry-wide measurement for understanding the share of viewing to all forms of viewing across all screens.

    It also found that Public service channels typically spend more in even-numbered years (2014), which contain major sporting events such as World Cups, European Championships, Olympic or Commonwealth Games. Spending here covers new UK network programming only, and excludes nations and regions content.

  • Pubcasters still account for more than half of broadcast TV viewing, claims Ofcom

    Pubcasters still account for more than half of broadcast TV viewing, claims Ofcom

    NEW DELHI: Even as Prasar Bharati continues to struggle with the Sam Pitroda report which was largely a reiteration of earlier reports, the British Broadcasting Corporation last year brought out a Green Paper to review its working and make changes.

    Now, a report by the British media regulator Ofcom says public service broadcasters (PSBs) still account for more than half of broadcast TV viewing and around three in four viewers are satisfied with their services.

    Investment by PSBs in programmes on their public service channels appears to be stabilising after several years of decline and spending has increased on new factual programmes and original drama. However, spending on children’s shows, the arts and classical music and religion has continued to decline.

    Ofcom has said in is latest PSB Annual Research Report published this week that has shown that 16 to 24 year old people have particularly embraced on-demand services, and spend around a third of their daily viewing time watching free (e.g. BBC iPlayer, All 4, ITV player) or paid (e.g. Netflix, Amazon Video) on-demand services. Live TV accounts for 36% of daily viewing in this age group, a 14 percentage-point decrease in two years.

    The study was based on BBC, ITV, STV in Scotland, UTV in Northern Ireland, Channel 4, S4C in Wales and Channel 5.

    The main five public service channels provided by PSBs1 reached 84% of the TV population in a typical week, and accounted for 51% of all broadcast TV viewing in 2015, according to a report on the OfCom website.

    This share is similar to the last three years but represents a decline from ten years ago when PSBs held a 70% share of viewing. When PSBs’ ‘portfolio’ channels – such as BBC Four, ITV2 or E4 – are included, their share of viewing was 71% in 2015.

    Overall, TV viewing has fallen in recent years with viewers now watching 26 minutes less a day than in 2010. While the average person watched three hours and 36 minutes of TV per day in 2015, there is a widening generational gap in the viewing habits of the youngest and oldest audiences.
    People under 25 are watching around a quarter less broadcast TV than in 2010, while the average viewing of those aged 55 to 64 has only declined by 5%.

    The PSBs spent £2.50 billion on new UK programmes3 on their public service channels in 2015, a 2% increase since 2013; the most recent comparable year due to the absence of major sporting events4 .

    PSBs’ spending on new UK factual programmes rose by 8% to £522m, more than any other genre and the highest investment in this type of programme since 2008. They also spent more in 2015 on original UK drama (up 12% to £311m), and showed more of it – 416 hours, up from 371 hours.

    However, the hours of original UK children’s programmes decreased in 2015 – from 672 in 2014 to 580. This was the first time fewer than 600 hours of original UK children’s programmes have been broadcast since 1998. Spending on this genre was £77m, 13% down on 2014.

    The PSBs also spent less on new UK arts and classical music programmes in 2015 – £36m, down 14% from 2014 – as well as religion and ethics (down by 6% to £12m). Original UK comedy also decreased (by 4%, to £99m).

    Audiences continue to value programmes from the public service broadcasters: 73% of viewers said they were satisfied with PSB public service broadcasting overall, while 7% were dissatisfied.
    Nearly nine in ten (86%) viewers of public service channels cited trustworthy news programmes, and showing programmes of a high quality, as an important purpose of public service broadcasting.

    This was the most-cited purpose, followed by programmes that help viewers understand what is happening in the world (83%).

    The BBC, along with ITV, STV and UTV (the ‘Channel 3′ licence holders), spent a combined £270m on programmes specifically directed towards viewers in the particular nations and regions of the UK in 2015.

    At least seven in ten regular viewers are satisfied with BBC One and Channel 3’s delivery of nations and regions news.

    S4C spent £63m on original Welsh-language programmes in the 2015/16 financial year, a slight increase from the previous year.

    Jane Rumble, Director of Market Intelligence at Ofcom said: “Our research shows that UK audiences still watch and value public service broadcasting. But there are significant differences in the viewing habits of older and younger audiences.

    “As media and technology continue to evolve, it is important that broadcasters respond to these changes, so they can keep meeting the needs and expectations of viewers.”

    OfCom clarified that its data was from Ofcom Digital Day research 2016 as there is currently no single industry-wide measurement for understanding the share of viewing to all forms of viewing across all screens.

    It also found that Public service channels typically spend more in even-numbered years (2014), which contain major sporting events such as World Cups, European Championships, Olympic or Commonwealth Games. Spending here covers new UK network programming only, and excludes nations and regions content.