Category: Viewership

  • Industry needs to understand on-ground changes in distribution, not question flux in data, says Partho Dasgupta

    ‘Works at something sometimes somewhere’. That’s the description of the work profile on the Facebook page of Partho Dasgupta, chief executive of Broadcast Audience Research Council of India or BARC India. And, that probably also gives a hint to all about the personality of the man, who sits on a hot seat balancing the delicate (and, may be, at times challenging, some would say) interests of various stakeholders of the organization, including the government.

    When Dasgupta is not busy absorbing the data collated and crunched by his team at BARC India, he is, probably, strategizing along with his core team about the initiatives to be rolled out in a complex and diversified market like India or reading about branding and getting an insight into Indian media through books like ‘Behind a Billion Screens: What Television Tells Us About Modern India’.

    And, when he does get some family time, he would love nothing better than to travel along with his family and follow the F1 races around the world (speed helps me breathe, he says on his FB page) with a single malt whiskey – the older it is the better, his friends chuckle.

    A media industry veteran,  Dasgupta’s stints at various organizations also do give a glimpse at his various areas of interests, which include organizations like the Times of India Group, Future Group, BARC India and also an entrepreneurial jab at a start-up that he mentored. Though he’s a hard taskmaster, as claimed by some of his past and present colleagues, he is also looked up to as a ‘yaroon ka yaar’ or a true friend who’s always around when you need him most.

    On the occasion of BARC India’s second anniversary, Indiantelevision.com engages Dasgupta on a wide range of subjects in an interview. Excerpts:

    How would you describe the journey till now — challenging or a process of evolution?

    Any change is challenging and it’s true for us as well. From the time BARC India started reporting TV viewership, it has been a process of evolution for the industry, including us. The industry evolved when they understood fidelity of BARC India data, which was a true representative of actual viewership behavior. With support of industry, we have grown in both size and experience over the last two years. We have hired the right talent who have successfully reduced client queries and helped in a smooth transition for adopting the data.

    Apart from addressing data needs of our clients, we also made an effort to reach out to the public at large, and sensitize them about BARC India data. We have made headline viewership data available to all through our mobile app and social media platforms. While we have achieved some of the things we had set out for, there is still a lot we aspire to do.

    Going forward, how do you see BARC making progress? What are the timelines and signposts?

    This year we will see our panel expanding from 20,000 to 30,000 reporting homes. Combined with the newly added homes, we will also be seeding some new homes as part of our regular churn policy. We will also stop reporting on all analogue homes across the country with the exception of Tamil Nadu state from 1 July 2017. With the current digitization mandate for TN, hopefully the state’s analogue reporting will also stop soon.  All this may lead to some interim flux, but in the long term will improve robustness of our viewership data. We are also trying to innovate panel expansion by tying up directly with key DTH and digital cable operators to enable return path data (RPD).       

    This year is also crucial for us as we will launch something that hasn’t been attempted in the country as yet — a third party digital viewership measurement. We have set the ball rolling by announcing the umbrella brand EKAM under which our digital products will be offered. We are hoping to roll out the first EKAM product this year.

    Apart from ensuring a stable weekly data service, we have launched THiNK (a monthly insights newsletter), Alpha Club (a report on viewership trends of NCCS A1, A2, A3 of 6 mega cities), and kids genre special report for the benefit of our subscribers. Earlier this year, we successfully rolled out our new universe estimate. We have also set up an independent disciplinary committee to check attempts at panel infiltration. Very soon industry will also be able to access designated independent consultancy firms who would provide strategic consultancy services.

    Unlike some other global audience measurement currencies, BARC India’s impressions method seems a tad complex. How is it explained to clients, data users and the regulator and the government?

    The terminology and methodology for data outputs is in keeping with global standards. BARC India Media Workstation (BMW) software used by subscribers for viewership data is easy to operate and is being used across 27+ countries. We also engage with our clients to understand their needs and that helps us align our services accordingly. We have a strong training team, which trains and provides support to every subscriber, new and existing.

    In fact, last year we launched a BMW certification programme for our subscribers  to enable them to test their knowledge of the software. The results have been very encouraging. We also meet the regulator and government from time to time to update them about the developments.

    While it is endorsed by the industry, BARC India still faces some criticism from certain quarters and smaller TV players about security and its biases towards the biggies who are funding it. Your reactions.

    While we are a joint industry company (JIC), we have never functioned like a monopoly and so we always welcome feedback from subscribers. As far as funding goes, we got the funding without any substantial equity investment from any shareholder. Our operations are built upon a unique debt funded model. So, it would be incorrect to say that “biggies” funded BARC India. We have a common pricing philosophy for all broadcasters, irrespective of whether it is a small or big broadcaster. For transparency, we have also placed it (the subscription methodology) on our website.

    Talking of security, BARC India didn’t hold back any punches while taking action against those involved in panel infiltration and it included some of the big names as well. Yes, there are some issues which our subscribers face. But that is more to do with understanding the data. Our team is working day in and day out to help them. This is normal for any new system and for all measurement companies around the world.    

    Did BARC India and its top management foresee some of the problems and controversies that have beset the organization in recent times? Like the court cases arising out of chastising some users of paid/subscribedBARC data for alleged attempts at data manipulation?

    If acting against defaulters who try to infiltrate our panel homes leads to controversy, we would happily get into it. That’s because we are answerable to our subscribers and it is our responsibility to ensure that the data we release holds value. Panel infiltration is a legacy issue, but BARC India has decided to take it head on. With advertising expenditure on TV in an upward trend, it is very important for us to ensure infiltration activities are rooted out.

    While the defaulters have been crying foul, we have received tremendous support from the industry. Our intent is to always produce a currency which is fair, transparent and representative.

    Was the formation of the disciplinary council, which seems a revamp of the ethics committee, a result of such cases mentioned above?

    The independent six-member disciplinary council, under the leadership of Justice Mukul Mudgal, will further strengthen transparency and credibility of our measurement system. As it is an independent body, cases of infiltration or any such issue can be heard by the committee. This will ensure that both the subscribers and BARCIndia get a fair hearing in matters like these.

    We have our on-ground vigilance team, which keeps a track of any malpractice. The disciplinary council will independently examine vigilance team reports and where culpability is clearly established, it will be empowered to order punitive action appropriate to the level of an offence. This has again been done in keeping with our philosophy of transparency.

    Rolling out digital measurement was announced by you in a Hong Kong conference almost two years back. What has held back the rollout so far?

    Third party digital viewership measurement has never been attempted in India. In fact, some of the products we are launching are a global first. Also, we are a JIC, which takes a 360 degree feedback from all its stakeholders. We had to first understand the industry needs and then design services accordingly. That apart, consumption pattern in India is very different from what exists globally. This only makes the task more challenging. We wanted to come out with a product that is robust and meets everyone’s needs.

    It is important to understand that nowhere in the world have these kind of services been launched in less than at least four to five years. They are still evolving. In fact, we are being extremely ambitious when we say 18-24 months roll out of all products, which will start in a phased manner from 2017 onwards.

    Did the digital measurement rollout get entangled in lack of consensus amongst various stakeholders and plain industry politics?

    Frankly, I do not feel that there has been any unjustifiable delay. We have a digital technical committee, just like for TV. We went to several countries to understand digital measurement in those markets. Also, we had to set up a new digital team from scratch. We have invested a lot of time in understanding the needs of the industry and setting up a team which could give us the best product. We always wanted to come up with a product, which is as strong as our TV measurement. As regards consensus, I guess we are the only JIC in a major country, which has digital publishers, platforms and broadcasters on the same table, taking consensus decisions.

    What lessons have you and the organization learnt in these two years of operation in a complex, but diversified and a big market like India?

    Learning has been a continuous process and we still learn every single day from the market. What we have understood is that nothing here is permanent. Someone might be happy with the data released this week and the same person might be upset the next week as he might feel the data isn’t in his favour. I, frankly, don’t blame them. Our subscribers have been used to seeing data with hardly any variation, for years. Now, when we capture data from more number of panel homes, use better and advanced technology to monitor and measure data, the data is bound to faithfully fluctuate, which arises out of normal human behavior. This does not mean our data is not accurate, but it shows that we are capturing what India is watching.

    To give an example, in months when Indian kids are busy preparing for exams or are giving exams, kids’ genre (ratings) is bound to fall. This picks up again from March onwards when the vacation season kicks in. Our data captures such nuances and changes. Not just this, take, for instance, total TV viewership in the country. Instances of heat waves and power cuts across the country from March onwards leads to a drop in TV viewership — when compared to the October-December period. This has been a trend for long and this education is an ongoing task for us.  

    Personally you have held a view that TV is far from dead despite digital’s impressive march. What gives you so much of conviction?

    Look at advertising expenditures. Yes, digital is growing, but TV remains the most important medium for advertisers to get eyeballs. Talking of statistics, while more people are moving to digital, TV with 64 per cent penetration contributes to almost 45 per cent of ad revenue. Not just this, print, even today, contributes to 30 per cent of ad revenue and this happens only in India. With penetration of TV increasing in the next few years, its contribution to ad revenue will only go up and so, while digital is a significant contributor, it is still a small base and thus would take a while for any such tectonic shift to happen in India.

    India is an under-marketed country with the ad:GDP ratio of 0.38 per cent, while the global averages are 0.7 per cent. Countries like China and Brazil have 0.46 per cent and 1.02 per cent, respectively. Good measurement being one of the drivers, I feel advertising spends will increase in India substantially and all mediums will grow, led by TV and digital.

    How much of growth in TV viewership do you foresee in the short to medium term of one to three years? What will fuel this growth — rise of multi-TV homes in rural areas or simple one-TV homes coming under the measurement radar and, thus, increasing the total number of TV HHs in India?

    As of 2016, India boasts of 183 million TV households, a 19 per cent growth from 2015. Sixteen years ago, one-third of Indian households had TV, but today close to two-thirds of households own TV. These figures will only go up in the coming years, led by rural. Of the 183 million TV households, rural contributes to 99 million homes, but its TV penetration remains at 52 per cent. This leaves huge headroom for growth.

    Multi-TV homes in the country today stands at 3.4 per cent of total TV homes. Increase in TV homes will also be driven by this.

    Our Broadcast India 2016 survey shows a drop of 19 per cent in NCCS D/E. This means that people are moving up the affluence chain. The relative share of NCCS `A’ homes has also come down due to the rise of nuclear families. This has led to growth in NCCS `B’ and `C’ homes, and, thus, increase in TV homes. Such phenomena of nuclear families will increase in the future, leading to further growth in NCCS `B’ and `C’ as well as TV homes. Hence, overall, we still feel there is big headroom for TV growth still.

    BARC India was supposed to have been in talks with DTH operators for return path data (RPD) to boost data generation. What’s the status of that proposal?

    Yes, we are in talks with a number of DTH and MSOs. We should be making some announcement on this front soon. These are complex solutions and some of them will be world firsts.

    What are some other initiatives being planned by BARC in the short term to bring more robustness in its data generation?

    Expansion of panel size will help build higher degree of accuracy in our data. The RPD initiative is also aimed at the same objective. Annual universe updates will allow us to map changes on the ground, and that will reflect in accuracy of the data as well.

    Will the technology and the methodology used be future proof?

    Yes. In fact, the reason we chose to use unique audio watermarking technology in the first place was to ensure that it is future-ready. BARC India system captures data about TV content consumed through any form of distribution — terrestrial, DTH, analogue cable, digital cable and digital.

    Would BARC look at STB-embedded software rather than a separate meter to counter attempts at hacking and manipulations? Sign-ins could be like in Netflix where profiles sign in and tracking/recommendations happen based on profile of user.

    Our tie-ups with DTH operators and MSOs for RPD are an attempt to do this. This will not only increase the number of sample panel homes, but will also make infiltration efforts ineffective. We will innovate more with our meter technology to make it as much hack-proof as possible.

    With the movement towards handset consumption of video growing, what tech is BARC looking at monitoring such trends? When would the rollout happen and who’d fund it?

    EKAM Pulse, the first digital product will be rolled out by this year. EKAM Pulse will allow granular level ad campaign measurement. It will measure reach of ad campaigns at multiple levels of an ad campaign. Some of the metrics it will provide are unique reach, frequency, on-target percentage and demography by geography. The other digital products will be rolled out in a phased manner in the next 18-24 months. All these products will be funded byBARC India.

    Do you see BARC working with clients just as the former TAM is with Tata Sky to offer them viewing solutions?

    Yes.

    With AI coming in, how do you see that being put to viewership enhancement/tracking/recommendation and how do you see BARC reacting/using it, if at all?

    We have already deployed AI at two levels. One at the panel level, which is then extrapolated to know TV viewing habits of TV universe and the other that helps us track any aberration in the viewing pattern of our panel. We use technology in a big way and are looking to move all our applications to the big data environment and accessible through cloud to make us future ready.

    Is BARC contemplating measurement of radio listenership?

    Not as of now. The radio industry should be able to support the cost of measurement to make it viable for any player.

    What would be your message to the industry, players, the regulator and the government on the occasion of BARC India’s second anniversary?

    The industry has been very supportive in the last two years and we hope that it would continue to offer its support. In fact, I would like to take this opportunity to thank all our stakeholders and subscribers.

    One point that I would like to raise is that factors like analogue switch offs in Phase IV (of digitization), TRAI order(s) and seasonal swings will continue to impact TV viewership. However, we would like the industry to understand these on-ground changes before questioning the flux in data. While the MIB mandate is to increase the panel size by 10k each year, till our fourth year of operation, we are aiming at multi-fold increase. We would like the industry to come together and support us to achieve this target.

    Also Read :

    BARC India to halt analogue measurement from July, up overall data collection

    ‘Common standard’ good to measure ‘unbundled’ viewership & ads cost-effectiveness: EKAM

    BARC India gets thumbs up for 2016…but challenges remain

    BARC India suspends three errant channels’ review

  • BARC India to halt analogue measurement from July, up overall data collection

    NEW DELHI: India’s audience measurement company Broadcast Audience Research Council of India (BARC India) will stop reporting on analogue TV homes’ data from 1 July 2017 with the exception of one State and will add homes with new boxes to augment data collection.

    “We will also stop reporting all analogue homes across the country with the exception of Tamil Nadu from 1July 2017,” BARC India CEO Partho Dasgupta told indiantelevision.com, adding that hopefully the South Indian state too would soon come within the ambit of normal measurement process.

    The move to stop collecting and make available analogue home audience data seems to be aimed at nudging distribution platforms to stop analogue signals and a big hint to TV channels that in a digitized India it was best to go the digital way.

    Dasgupta, who was interacting with indiantelevision.com in an exclusive interview on the occasion of BARC India’s second anniversary, while dwelling on temporary hiccups, said, “With the current digitization mandate for Tamil Nadu, hopefully, analoguereporting will also stop soon there too. All this may lead to some interim flux, but in the long term will improve robustness of our viewership data.”

    The Tamil Nadu-Government run Arasu Cable TV Corporation (TACTV) was granted provisional digital license by the Ministry of Information and Broadcasting (MIB) in April 2017 to operate as a multi-system operator in the state. The late clearance was based on a rider that the MSO switches off analogue signals in the entire state within three months.

    As part of a wide-ranging interview, Dasgupta informed that BARC India’s annual exercise, which is also part of a government mandate, will also see new meter homes (called BAR-o-meters) added this calendar year.

    “This year we will see our (pan-India measurement) panel expanding from 20,000 to 30,000 reporting homes,” Dasgupta said, adding, “Combined with the newly added homes, we will also be seeding some new homes as part of our regular churn policy.”

    The government while giving clearance to BARC India, a joint venture amongst IBF, AAAI and the Indian Society of Advertisers, had made it clear that the number of homes used for data collection should reach 50,000 within a five-year period. BARC India’s predecessor was TAM India, a joint venture between global companies Nielsen and WPP-owned Kantar Media.

    Confirming an earlier indiantelevision.com new story on BARC exploring avenues to collaborate with Indian DTH platforms for return path data (RPD) to augment data collection, Dasgupta said, “We are trying to innovate (with) panel expansion by tying up directly with key DTH and digital cable operators to enable return path (audience) data.”       

    Without disclosing a time-frame for such data-boosting tie-ups with DTH ops, Dasgupta explained, “Our tie-up with DTH operators and MSOs for RPD is an attempt (to bring about more robustness). This will not only increase the number of sample panel homes, but will also make infiltration efforts ineffective. We will innovate more on the meter technology front.”

    Stay tuned for the full interview of Dasgupta, which will be on air soon.

    ALSO READ:

    BARC India in talks with DTH ops, MSOs for RPD to boost robustness

    Arasu gets provisional MSO licence subject to analogue switch-off in three months

    BARC EKAM: Learning online behaviour & ROI from specific campaigns will be easier, industry says

     

  • IPL 10 doesn’t guarantee Sony SIX ‘Top 10′ seat, Zee Telugu enters across genres’ list again

    MUMBAI: Sony Max continued its dominance over the viewership ratings in week 16, according to Broadcast Audience Research Council of India (BARC) data Top 10 Channels *Across Genre: All India (U+R) : 2+ Individuals. Zee Telugu returned to the top 10 channels across genres list after a week’s hiatus, whereas Sony Six exited the list, the trendy IPL10 viewing notwithstanding.

    (Zee Telugu has been present in the top 10 channels across genre list for 12 of the 16 weeks in 2017 so far). As a matter of fact, the top eight ranks in week 16 were unaltered as compared to week 15. There was generally a drop in Impressions in week 16 as compared to week 15. with Gemini being the only channel in the top 10 list that bucked this trend

    Three channels from the Network18 (Colors, ETV Telugu and Rishtey) stable appeared in the Top 10 list of channels. Others in the list were two channels each from ZEEL (Zee TV and Zee Telugu), Sony Pictures Network (Sony MAX and Sony Pal) and Sun Network (Sun TV and Gemini TV), and one from Star India (i.e., Star Plus).

    Based on the Impressions (000s), six channels from the Hindi-speaking (HSM) market, three from the Telugu market and one from the Tamil market figured in the top list.

    Sony MAX clocked 13,16,227 Impressions (000s) Sum in BARC week 16 to claim the top slot, followed by Sun TV with 11,30,699 Impressions Sum. Star Plus was on the third spot with a distant 6,97,572 Impressions (000s) Sum. In week 15, Star Plus had garnered 7,60,241 Impressions (000s) Sum.

    At the fourth place was Network18’s Colors with 6,00,514 Impressions (000s) Sum followed by Sony Pal which retained its week 15’s fifth spot with 5,98,821 Impressions (000s) Sum. Gemini TV with 5,93,814 Impressions (000s) Sum (5,61,209 Impressions (000s) Sum in week 15) was at the sixth position followed by Zee TV with 5,37,631 Impressions (000s) Sum.

    Network18’s Rishtey was at the eighth spot with 5,16,690 Impressions (000s) Sums followed by Zee Telugu with 4,67,102 Impressions (000s) Sum. Network18s ETV Telugu completed the list at the tenth spot with 4,62,987 Impressions (000s) Sum.

  • News: India TV climbs & ABP slips in two categories

    MUMBAI: Despite a general fall in ratings across the news genre, Times Now continued to be the leader in the English news genre and CNBC TV maintained the top slot in the English business news genre.

    In Hindi news (U+R), Aaj Tak witnessed a dip in ratings but continued to lead the genre across the market. India TV climbed a spot each in Hindi news as well as Hindi news -rural, and Zee News upgraded to a higher spot in Hindi news. CNBC Awaaz, too, continued to dominate the genre with a hike in the ratings, according to BARC India week 16 ratings.

    English News

    Times now continued to lead the genre although it witnessed a dip in the rating this week. The channel registered 552 Impressions (000s) followed by NDTV on the second spot with 345 Impressions (000s) and India Today Television on the third spot with 301 Impressions (000s). CNN News18 with 237 Impressions (000s) stood at number four and BBC world news grabbed the fifth spot with a slight increase in the rating.

    English Business news

    Even after witnessing a dip in rating this week, CNBC TV retained the number one position with 492 Impressions (000s) as compared to last week’s 510 Impressions (000s) whereas ET Now with a great hike in the ratings of 414 Impressions (000s) as compared to last week’s 232 Impressions (000s) grabbed the second position. NDTV profit and NDTV Prime were at third position with 44 Impressions (000s). 

    BTVi was on the fourth spot with 20 Impressions (000s). CNBC TV18 Prime HD took the fifth place with three Impressions (000s) as compared to last week’s 32 Impressions (000s).

    Hindi News

    Aaj Tak, with decreased ratings, retained its number one position with 98608 Impressions (000s) in BARC week 16. India TV and Zee News climbed up one position each with 85342 Impressions (000s) and 78099 Impressions (000s), respectively. ABP news dropped to fourth position from second last week with 77731 Impressions (000s). News18 India is at fifth position with 65610 Impressions (000s).

    Hindi Rural news

    Aaj Tak, with a fall in its ratings, emerged as the number one channel in the rural market with 45151 Impressions (000s) as compared to 50951 Impressions (000s) last week. India TV climbed one spot with 35448 Impressions (000s) as ABP News slipped by one slot with 34882 Impressions (000s). India News and Zee news, respectively, took the forth and fifth place with 33580 and 31486 Impressions (000s).

    Hindi Urban news

    Aaj Tak, with a decrease in its viewership, emerged as the leader in the urban market with 53456 Impressions (000s) as compared to 58914 Impressions (000s) last week. India TV bagged the second slot with 49894 Impressions (000s) and Zee News took the third position with 46613 Impressions (000s). ABP news was at the fourth position with 42849 and News18 India took the fifth position with 39006 Impressions (000s).

  • GEC leaders retain respective positions with drop in ratings

    MUMBAI: Viewership ratings in GEC seemed to seeing a slow yet continuous drop week after week. Although all the leaders in the respective genres retained their positions, they witnessed a further drop in the ratings as compared to previous BARC week. Ditto was the case with other GEC channels in urban as well as rural and GEC (U+R) genres.

    Hindi GEC

    Though Star Plus witnessed a drop in ratings, it continued to remain the leader of the space with 639788 Impressions (000s) followed by Sony Pal on the second slot with 595069 Impressions (000s) and Colors on the third with  570624 Impressions (000s).

    Rishtey grabbed the fourth spot with 513153 Impressions (000s).  Zee TV stood at number five in week 16 with 503735 Impressions (000s) and Zee Anmol bagged the sixth spot with 459352 Impressions (000s).  Sab TV,  Star Utsav and Sony Entertainment Television garnered seventh, eighth and ninth spot with 442185 Impressions (000s), 437567 and 378091 Impressions (000s), respectively.

    Life OK registered 350232 Impressions (000s) on the tenth spot.  

    Hindi GEC Rural 

    This week, Sony Pal garnered the first position with 448116 Impressions (000s) followed by Rishtey on the second slot with 386138 Impressions (000s) and Zee Anmol replaced Star Utsav and stood at number three position with 363852 Impressions (000s).

    Star Utsav stood on number four level with 322067 Impressions (000s) and Zee TV bagged fifth position with 222967 Impressions (000s). Star Plus  and Colors  grabbed the sixth and seventh spot with 211408 Impressions (000s) and 197436 Impressions (000s), respectively.

    Sab TV, Big Magic and Life OK bagged 167596 Impressions (000s), 135120 Impressions (000s) and 124684 Impressions (000s) respectively.

    Hindi GEC Urban

    Star Plus led the chart with 428379 Impressions (000s) followed by Colors on second position with 373187 Impressions (000s).

    In week 16, Zee TV get back to its  third slot with 280767 Impressions (000s) and Sab TV bagged the fourth spot. The channel registered 274589 Impressions (000s).

    Sony Entertainment Television maintained its fifth slot with 254251 Impressions (000s).

    Life OK stood on number six with 225547 Impressions (000s).  Sony Pal, Rishtey and &TV bagged seventh, eighth and ninth slot with 146952 Impressions (000s), 127014 Impressions (000s) and 117641 Impressions (000s) respectively. Star Utsav grabbed tenth spot  with 115500 Impressions (000s).

  • Convenience & personalised content prompts 78% India’s TV viewers’ shift to OTT

    MUMBAI: There has been a steep decline over the past year in the percentage of India’s consumers who prefer to view TV shows on TV sets. That percentage dropped 78 per cent, from 47 per cent to 10 per cent. In the United States, the number fell 57 per cent (from 59 per cent to 25 per cent), and the U.K. it dropped 55 per cent (from 56 per cent to 25 per cent).

    Signaling an accelerating shift in the digital video market consumer behavior, the percentage of consumers who prefer watching TV shows on television sets plummeted by 55 per cent over the past year, from 52 per cent to 23 per cent, according to findings from the Accenture 2017 Digital Consumer Survey.

    “The massive and accelerating push by communications and media companies to provide ubiquitous content – TV everywhere including over-the-top – has empowered consumers to access high-quality content across multiple devices.”

    The global online survey of 26,000 consumers in 26 countries* reveals that consumers increasingly prefer to watch TV shows on (over the top or OTT) devices such as laptop and desktop personal computers and smartphones. More than four in 10 consumers (42 per cent) said they would rather view TV shows on a laptop or desktop, up from 32 per cent in last year’s survey. Thirteen per cent said they prefer watching TV shows on their smartphones, compared with 10 per cent last year.

    The decline in TV viewing over the past year tracks with a four-year trend. As recently as 2014, the survey revealed that nearly two-thirds (65 per cent) of consumers preferred the TV set for viewing TV shows.

    The most-recent findings, summarised in a new Accenture report titled Winning Experiences in the New Video World, show that only one in five consumers (19 per cent) now prefer to watch sports games on their TVs, down from 38 per cent in the prior-year survey.

    “The dominance of the TV set as the undisputed go-to entertainment device is ending,” said Accenture’s broadcast business global managing director Gavin Mann. “While a great number of people still watch plenty of TV shows on TV sets, our research uncovers a rapid acceleration in their preference for viewing on other digital devices — especially laptops, desktops and smartphones.”

    “Driving this rapid shift in consumer preferences is the growing convenience, availability and quality of more personalised and compelling content on laptop and desktop personal computers and smartphones,” Mann added. “The massive and accelerating push by communications and media companies to provide ubiquitous content – TV everywhere including over-the-top – has empowered consumers to access high-quality content across multiple devices.”

    While consumers increasingly prefer to watch TV shows on laptops and desktops, the smartphone is becoming the preferred device for watching short video clips. In the most-recent survey, more than one-third (41 per cent) of consumers said they would rather view these clips on their mobile handsets, a substantial increase from 28 per cent last year. In contrast, the number of consumers who said they would rather watch video clips on their laptops and desktops dropped slightly, from 47 per cent to 44 per cent over the last year, while the number who said they prefer to view these clips on their TV sets dropped even more, from 16 per cent to only five per cent.

    The report makes several recommendations for how media companies should respond to the shift in consumers’ video consumption habits from TV sets to other devices.

    These include:

    Identifying new ways to engage consumers with more-personalized video content across more types of screens; using more granular consumer data, segments and predictive analytics to help anticipate consumer preferences and find content they desire; and focusing more on their target audiences to identify exactly what content their viewers want to receive – and when, for how long and on what type of screen.

    Methodology

    Between October and November 2016, Accenture conducted an online survey with approximately 26,000 consumers in 26 countries: Australia, Brazil, Canada, China, Czech Republic, France, Germany, Hungary, India, Ireland, Italy, Japan, Mexico, Netherlands, Poland, Romania, Saudi Arabia, Singapore, Slovakia, South Africa, Spain, Sweden, Turkey, United Arab Emirates, the United Kingdom and the United States. The sample in each country was representative of the online population. Ages of respondents ranged from 14-to-55 and over. The survey and related data modelling quantify consumer perceptions of digital devices, content and services, purchasing patterns, preference and trust in service providers, and the future of their connected lifestyles.

    (*These findings are derived from a multiple-choice question answered by survey participants: “Which types of device (s) do you prefer to use when accessing different types of content?” The options included ‘laptop and desktop personal computers,’ ‘smartphones,’ ‘tablets,’ ‘TV screens,’ ‘game consoles,’ ‘other’ and ‘none.)

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  • India Today & ABP slip, NDTV 24X7 & India TV climb a slot each as Aaj Tak reigns

    MUMBAI: Times Now continued to be the leader of English news genre with a hike in ratings whereas, in English business news genre, CNBC TV witnessed a downfall in ratings but maintained the top slot. In Hindi news (U+R), Aaj Tak witnessed a dip in ratings but continued to lead the genre across the market. CNBC Awaaz too, after a fall in ratings, continued to dominate the genre.

    English News channel

    Times Now continued to lead the genre with a slight hike in the ratings this week. The channel registered 595 Impressions (000s) followed by NDTV 24×7 on the second spot with 383 Impressions (000s) and India Today Television on the third spot with 304 Impressions (000s). CNN News18 with 258 Impressions (000s) stood at number four and BBC World News grabbed the fifth spot with 111 Impressions (000s).

    English Business channels

    Even after witnessing a dip in ratings this week, CNBC TV retained the number one position with 510 Impressions (000s) as compared to last week’s 630 Impressions (000s). ET Now too saw a downfall but managed to pocket the second position with 232 Impressions (000s) this week. NDTV Profit and NDTV Prime were at the third position with 63 Impressions (000s). BTVi was on the fourth spot with 45 Impressions (000s) and CNBC TV18 Prime HD took the fifth place with 32 Impressions (000s).

    Hindi News

    Aaj Tak, with decreased ratings, retained its numero uno position with 109866 Impressions (000s) in BARC week 15. ABP News was at the second position with 89800 Impressions (000s). At the third and fourth slots, respectively, India TV and Zee News interchanged their past week’s positions with 88759 Impressions (000s) and 82865 Impressions (000s). News18 India took the fifth position with 68385 Impressions (000s).

    Hindi News Rural

    Aaj Tak, with a fall in its ratings, emerged as the number one channel in the rural market with 50951 Impressions (000s) as compared to 57455 Impressions (000s) last week. ABP News was at the second place with 42510 Impressions (000s) and India TV grabbed the third position with 37382 Impressions (000s). India News and Zee News, respectively, took the fourth and fifth place with 33452 and 31853 Impressions (000s).

    Hindi News Urban

    Aaj Tak, with a decrease in its viewership, emerged as the leader in the urban market with 58914 Impressions (000s) as compared to 68054 Impressions (000s) last week. India TV bagged the second slot with 51430 Impressions (000s). Zee News took the third position with 51011 Impressions (000s) followed by ABP News at the fourth position with 47290 Impressions (000s). News18 India took the fifth position with 41217 Impressions (000s).

    Hindi Business News

    CNBC Awaaz continued to dominate the genre as ratings fell from 1719 Impressions (000s) last week to 1692 Impressions (000s) this week. The second spot was taken by Zee Business with 1190 Impressions (000s).

  • Sony Sab upgrades in two genres, SET drops out of Top 10

    MUMBAI: Although leaders maintained their respective leads in all the genres, Sony Entertainment dropped out of the Top 10 list of Hindi GEC rural, and was replaced by Life OK in BARC week 15.

    Sony Sab jumped from the ninth to the seventh position in GEC (U+ R) whereas it climbed from fifth to third position in GEC (Urban) while Rishtey upgraded itself by two levels from the ninth position, according to the all-India ratings. In GEC (rural), Star Utsav replaced Zee Anmol on the third position.

    Hindi GEC

    Star Plus continued to maintain its leadership in the space and grabbed the first spot with 678258 Impressions (000s) followed by Sony Pal on the second slot with 599008 Impressions (000s) and Colors on third with  590632 Impressions (000s).

    Rishtey grabbed the fourth spot with 530127 Impressions (000s). Zee TV stood at number five in week 15 with 511986 Impressions (000s) and Star Utsav bagged the sixth spot with 446036 Impressions (000s).  Sab TV, Zee Anmol and Sony Entertainment Television garnered seventh, eighth and ninth spots with 434006 Impressions (000s), 426141 Impressions (000s) and 390474 Impressions (000s), respectively.

    Life OK registered 347207 Impressions (000s) on the tenth spot.

    Hindi GEC Rural

    In week 15, Sony Pal pocketed the first position with 464588 Impressions (000s) followed by Rishtey on the second slot with 395211 Impressions (000s) and Star Utsav stood at number three with 334630 Impressions (000s).

    Zee Anmol stood on number four with 326174 Impressions (000s) and Zee TV bagged the fifth position with 226920 Impressions (000s). Star Plus  and Colors  grabbed sixth and seventh spot with 221702 Impressions (000s) and 196819 Impressions (000s), respectively.

    Big Magic, Sab TV and Life OK collected 158304 Impressions (000s), 145307 Impressions (000s) and 130514 Impressions (000s), respectively on eight, ninth and tenth position. Sony Entertainment Television exited the Top 10 list of Hindi GEC Rural.

    Hindi GEC Urban

    Star Plus led the chart with 456555 Impressions (000s) followed by Colors on the second position with 393812 Impressions (000s).

    In week 15, Sab TV managed to grab the third slot with 288698 Impressions (000s) and pushed Zee TV on number four. The channel registered  285065 Impressions (000s). Sony Entertainment Television maintained its fifth slot with 268781 Impressions (000s).

    Life OK stood on number six with 216693 Impressions (000s) whereas Rishtey, Sony Pal and &TV bagged seventh, eighth and ninth slot with 134915 Impressions (000s), 134419 Impressions (000s) and 120696 Impressions (000s) respectively.

    Star Utsav grabbed the tenth spot  with 111405 Impressions (000s).

  • IPL 10 catapults Sony Max to second place across genres

    BENGALURU: The Indian Premier League (IPL) has helped Sony Pictures Network India Private Limited (SPN) channels rake in the ratings during each of the seasons that that the network has purchased rights to beam the cricketing bonanza event to Indian homes for.

    This year, IPL’s season 10 is no different. It has catapulted the network’s Hindi movie channel Sony Max to the second place in terms of ratings across genres for week 14 (Saturday, April 2017 to Friday, 7 April 2017) of 2017. IPL 10 started on 5 April, 2017. So, it must be borne in mind that only three days of IPL broadcast – 5, 6, 7 April numbers are included in week 14’s ratings.

    The mega cricketing event has also pushed Sony Max to the pole position in the Hindi Movies, Hindi Movies Rural and Hindi Movies Urban genres. IPL programmes are also the most watched programmes in the Hindi Movies, Hindi Movies Rural and Hindi Movies Urban markets as well as the Sports genres.

    Three channels from Network 18 (Viacom 18), two each from SPN, the Sun Network and Zee Entertainment Enterprises Limited (Zeel) and one channel from Star India made it to the top 10 most watched channels across genres list for week 14 of 2017. To group it into languages – six Hindi, 3 Telugu and 1 Tamil language channels made it to the top 10 channels across genres list in week 14 of 2017.

    Broadcast Audience Research Council of India (BARC) data for week 14 – Top 10 Channels Across Genre: All India (U+R): 2+ Individuals, show that the long reigning Tamil language channel Sun TV from the Sun Network was still numero uno across genres with 12,06,478 Impressions (000s) Sums in week 14. Sony Max, which made its place in the weekly top 10 channels across genres list for first time in calendar year 2017, was a distant second with 8,53,494 Impressions (000s) Sums. In third place was the Hindi GEC and Hindi GEC Urban markets’ leader Star India’s Star Plus with 7,48,745 Impressions (000s) Sums.

    The Sun Network’s Telugu GEC Gemini TV was at fourth place with 6,41,089 Impressions (000s) Sums followed by Network 18’s Hindi GEC Colors with 620414 Impressions (000s) Sums. SPN’s Hindi GEC channel Sony Pal was at sixth place with 6,07,407 Impressions (000s) Sums followed by Zeel’s flagship GEC Zee TV at seventh place with 5,23,858 Impressions (000s) Sums.

    Two channels from the Network 18 stable – the networks second GEC – Rishtey and its Telugu GEC – ETV Telugu were eighth and ninth in week 14 of 2017 with 4,99,400 Impressions (000s) Sums and 4,71,237 Impressions (000s) Sums respectively, followed by Zeel’s Telugu GEC Zee Telugu with 4,53,361 Impressions (000s) Sums at tenth place.

  • Drop in news viewership rating, Aaj Tak & Times Now retain respective leads

    MUMBAI: Times Now continued to dominate the genre though the players in the space witnessed a fall in their viewership this week. Players in the English Business News space, which was led by CNBC TV18, observed mixed ratings in BARC week 14.

    Although Aaj Tak was at the number one position, channels in both, Hindi News and Hindi News Rural space, saw a decline in ratings, according to Broadcast Audience Research Council (BARC) India data. Players in the Hindi News Urban genre observed mixed ratings this week.

    In the Hindi Business News space, the channels witnessed a substantial decline in ratings this week.  

    English News

    Times Now with decrease in ratings dominated the genre with 562 Impressions (000s) followed by India Today 356 Impressions (000s).  NDTV 24×7 grabbed the third place with 328 Impressions (000s). CNN News18 with 318 Impressions (000s) and BBC World News with 137 Impressions (000s) took the fourth and fifth position, respectively.

    English Business News

    CNBC TV 18, with hike in ratings, retained the number one position 630 Impressions (000s) as compared to  547 Impressions (000s). ET Now with 352 Impressions (000s) came at the second spot this week. NDTV Profit and NDTV Prime were at the third position with 76 Impressions (000s). CNBC TV18 Prime HD was on the fourth spot with 52 Impressions (000s) and BTVi took the fifth place with 29 Impressions (000s).

    Hindi News

    Aaj Tak, with decreased ratings, continued at its number one position with 125509 Impressions (000s) as compared to 129150 Impressions (000s) in week 13. ABP News was at the second position with 111995 Impressions (000s). At the third and fourth slots respectively, India TV and Zee News interchanged their past week positions with 94477 and 85727 Impressions (000s). News18 India took the fifth position with 70636 Impressions (000s).

    Hindi News Rural

    Aaj Tak, with a fall in its ratings, emerged as the number one channel in the rural market with 57455 Impressions (000s) as compared to 59143 Impressions (000s) last week. ABP News was at the second place with 52678 Impressions (000s) and India TV grabbed the third position with 38492 Impressions (000s). Zee News and India News respectively took the fourth and fifth place with 34507 and 33778 Impressions (000s).

    Hindi News Urban

    Aaj Tak, with decrease in its viewership, emerged as the leader in the urban market with 68054 Impressions (000s) as compared to 70007 Impressions (000s) last week. ABP News was at the second position with 59316 Impressions (000s). India TV took the third position with 55985 Impressions (000s) followed by Zee News at the fourth position with 51220 Impressions (000s). News 18 India took the fifth position with 41498 Impressions (000s).

    Hindi Business News

    CNBC Awaaz continued to dominate the genre as ratings fell from 2348 Impressions (000s) last week to 1719 Impressions (000s) this week. The second spot was taken by Zee Business with 1261 Impressions (000s).