Category: Viewership

  • No let-up in Times-Republic on-air spat

    BENGALURU: Over the past few weeks on Thursdays’, just post 1100 am, both the top ranked Indian English News channels-Times Now and Republic TV started flashing BARC data, each claiming the number one spot based on ratings. The channels have continued this on-air spat once again. Republic TV says that it has topped ratings for an unprecedented sixth week in a row. The channel claims that Indian ratings monitor Broadcast Audience Research Council of India (BARC) data for week 24 (Saturday, 11 June 2017 to Friday, 17 June 2017) has declared it number one across all segments at primetime and super primetime in week 24. It claims 36 per cent viewership.

    BARC data flashed by Republic TV about viewership: Republic TV 48.42 per cent; Times Now 25.05 per cent; CNN News 18 – 9.38 per cent; Indian Tiday 9.68 percent; NDTV 6.3 percent; News X- 1.11 per cent.

    ‘Pecking Order Firmly Established’ ‘Slice & Dice Won’t Work’ ‘Self Styled Claims Don’t Matter’ announced some of the slides on Republic TV

    In the meantime, Times Now has been flashing on its channel that it is the number one in the English News genre with a relative viewership of 42 per cent while putting Republic TV at second place with a relative viewership of 32 per cent. Times Now puts CNN News 18 7 percent India Today TV’s relative share at 12 per cent, and NDTV 24×7 at 5 per cent.

    “The viewership debate is over, we are number 1. It is now one month since we have been in operation and we have now become undisputed leaders in this genre. The game has just begun and we are now absolutely unstoppable. We will take the game to the next level,” Republic TV editor-in-chief Arnab Goswami had declared in week 22, during a live telecom with Republic TV anchor Hariharan aired on his channel, just after 11:15am on that day.

    It may be recalled that in a coordinated move, English News channels had pulled out of BARC on 18 May, only to return to the BARC fold on from midnight of 26 May. English News channels backed by the News Broadcast Association had stripped their signals of BARC audio watermarks. The NBA had requested BARC not to publish Republic TV’s ratings, alleging that the channel has resorted to rampant multiple LCN placements on cable TV networks across the country.

  • Colors & Zee TV slip two slots, DD Nat surprises in Top 10

    MUMBAI: The week 23 of BARC (Broadcast Audience Research Council) India witnessed an interesting fluctuation in terms of ratings. Although Star Plus retained its lead the Hindi GEC (U+R), it witnessed a drop in ratings but Colors dropped more. Life OK exited the Top 10 list in the same market. Backed by ICC championship, DD National entered the list this week in all the three markets. 

    Hindi GEC (U+R)

    Star Plus retained its lead the genre with 617771 Impressions (000s) followed by Sony Pal on number two with 539747 Impressions (000s) and Rishtey on third with 530771 Impressions (000s). Zee Anmol stood on number four with 489593 Impressions (000s) whereas Zee TV garnered the fifth slot with 487877 Impressions (000s) followed by DD National at sixth with 435065 Impressions (000s). 

    Colors dropped to number seven with 422356 Impressions (000s) followed by Sab TV at the eighth spot with  418957 Impressions (000s) and Star Utsav stood at the ninth position with 323416 Impressions (000s). Sony Entertainment bagged the tenth spot with 323416 Impressions (000s).

    GEC RURAL

    Sony Pal continued to remain at the top position with 402620 Impressions (000s) sum this week as compared to 444094 Impressions (000s) sum in week 22. 

    Rishtey and Zee Anmol stood at second and third position with 398172 Impressions (000s) sum and 380513 Impressions (000s) sum respectively as in the last week. 

    DD National made a new entry in the rural GEC with 256623 Impressions (000s) sum. Star Utsav slipped from the fourth position to fifth position with 243395 Impressions (000s) sum.

    Star Plus is still on the sixth position, whereas Zee TV slipped to the seventh position from the fifth position. Big Magic jumped to the eighth position from the ninth position as in the last week. Sony Sab is now on the ninth position from the seventh position, whereas Colors also came down to the tenth position from the eighth position as in the last week.

    GEC URBAN

    Star Plus sat pretty at the top position with 406489 Impressions (000s) sum this week as compared to 440978 Impressions (000s) sum in week 22.

    Zee TV, Colors, Sony Sab and Sony Entertainment Television retained their respective second, third, fourth and fifth positions with 289515 Impressions (000s) 286759 Impressions (000s) 282948 Impressions (000s) 237581 Impressions (000s) as in the last week.

    Life OK stood at the sixth position as in the last week. DD National made an entry in the urban GEC at the seventh position replacing Sony Pal, whereas Sony Pal slipped to the eighth position from seventh position as in the last week. Rishtey and &TV slipped a slot each to the respectively ninth and tenth positions.

  • DD Sports emerging as chart-topper with 93.9% OTS (updated)

    MUMBAI: English GEC genre grew by 0.28 per cent with Colors Infinity emerging as the leader with 48.2 per cent OTS. The English news genre saw a gained of 0.48 per cent in metros, with Loksabha TV leading the tally with 94.8 per cent OTS.

    Meanwhile, witnessing a drop of 0.20 per cent, the Hindi news channels’ genre in the HSM stood at third number in the loser category with India TV scoring 99.2 per cent OTS. Last but not the least, the kids genre too witnessed a decline of 0.24 per cent across India with Cartoon Network leading the space with 84.4 per cent OTS.

    Meanwhile, witnessing a drop of 5.3 per cent, the Hindi news channels’ genre in the HSM stood at third number in the loser category with India TV scoring 99.2 per cent OTS. Last but not the least, the kids genre too witnessed a decline of 3.3 per cent across India with Cartoon Network leading the space with 84.4 per cent OTS.

    Among the toppers of this week, the sports channels’ genre in All India Market noted a growth of 0.70 per cent with DD Sports emerging as the chart-topper with 93.9 per cent OTS. English Movies genre increased by 0.49 per cent with Movies Now leading the list with 48.7 per cent OTS in six metros.

    The Hindi Movies space garnered the fifth slot with 0.38 per cent growth. Star Gold ledu the genre with 93.6 per cent OTS. Hindi GEC was the next in the tally, which witnessed a growth of 0.21 per cent with DD National taking a lead with 98.7 per cent OTS.

    (This story has been updated after receiving inputs from Chrome DM at 130pm on 14 June, 2017)

  • Movies Now tops with almost 2x ratings & Zee Cafe trumps Comedy Central

    MUMBAI: Zee Cafe climbed to the first position in the English entertainment genre in BARC India Week 22 ratings with 314 impressions (000s) sum from last week’s second slot with 269 impressions (000s) sum and Movies Now climbed

    English Entertainment

    Comedy Central HD slipped to the second slot with 219 impressions (000s) sum this week as compared to 277 impressions (000s) sum last week. FX climbed a slot and reached the third rank this week with 203 weekly impressions (000s) as compared to 139 impressions (000s) sum last week.

    While Star World bagged the third slot this week with 187 impressions (000s) sum, Colors Infinity SD, which was at the fifth rank last week, exited the Top 5 channels’ list this week. AXN slipped to the fifth position this week with 149 impressions (000s) sum from the third position last week with 179 impressions (000s) sum.

    English Movies

    Movies Now climbed a slot to the first position with 4122 impressions (000s) sum as compared to last week’s 2201 impressions (000s) sum. Sony Pix also jumped a slot to the second position this week with 2685 impressions (000s) sum as compared to last week’s 1974 impressions (000s) sum.

    Star Movies slipped two slots to the third position with 2295 impressions (000s) sum against last week’s 3253 impressions (000s) sum.

    Movies Now 2 retained its fourth position this week with a decreased 1924 impressions (000s) sum from last week’s 1970 impressions (000s) sum and HBO too stayed put at the fifth position with a reduced 1569 impressions (000s) sum as compared to last week’s 1962 impressions (000s) sum.

    Infotainment

    Discovery Channel jumped a slot to gain the first position this week with 4096 impressions (000s) sum against last week’s 3724 impressions (000s) sum dislodging History TV18 with 4041 impressions (000s) sum.

    National Geographic Channel, Nat Geo Wild and Animal Planet remained at the fourth, fifth and sixth positions, respectively, with 2843, 2374 and 2288 impressions (000s) sum against last week’s 2631, 2614 and 2600 impressions (000s) sum.

    Lifestyle

    Living Foodz dethroned the leader FYI TV18 with 1500 impressions (000s) sum climbing a slot from the last week’s with 1273 impressions (000s) sum. FYI TV18 slipped to the second spot with 1060 impressions (000s) sum against last week’s 1452 impressions (000s) sum.

    Food Food maintained its third position with 787 impressions (000s) sum against 736 impressions (000s) sum last week. TLC jumped a slot with 695  impressions (000s) sum this week from the fifth position with 524 impressions (000s) sum.

    Fox Life slipped a slot to the fifth position with 628 impressions (000s) sum as compared to last week’s 524 impressions (000s) sum.

  • Landing page a promotional tool, works only for a finite period, says Chrome DM CEO

    In the television news ecosystem, the latest battle that has burst out is that of landing pages on distribution platforms such as DTH and cable TV operators being hijacked by older rivals for promotional feeds. Chrome DM founder and CEO Pankaj Krishna spoke to indiantelevision.com (excerpts):

     

    After Dual LCNs, channels taking over landing pages seems to be the latest trend. Your take?

    If you look at historical trends, broadcasters have been actively using landing pages to garner trials and thereby viewership for years together. The idea was that higher the availability, the greater the chances that the channel would attract repeat viewing. Until about a year back, MSOs had been monetising landing pages as a source of additional revenue stream by running promos and commercials. But broadcasters taking over landing pages in totality had actually started as a deal between a major broadcaster and a big MSO, and was quickly replicated by others.

    In more recent times however, it is the media coverage of the competition in the English News genre which has actually brought it to the forefront.  

    What we have also seen is that there seems to be an effort to achieve Dual LCN through the surrogate route of being present on the landing page, and then again at the channel’s usual point of placement. I would also like to add that, strictly speaking, a channel’s mere presence on the landing page does not automatically denote it being present on Dual LCNs. In other words, all landing pages do not constitute dual LCN.

    How does taking over a landing page increase viewership?

    According to Chrome OAP, when you switch on your TV, it takes an average time of 43 seconds to arrive at the desired programme or the channel, thus potentially adding to the landing page’s viewership under the present ratings system.

    In terms of trends, where is the landing page phenomena going/headed?

    According to the Chrome Landing Page Report (LPR), in Week 22 between 27th May and 2nd June, the Teleshopping genre has the highest instances of landing pages at 178 counts, followed by Hindi GEC and English News.

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    Source: Chrome LPR, Wk-22 (27th May to 2nd June)

    If you compare this data with data from the past few weeks, I am glad that there has been a considerable fall in the number of landing pages across genre s. Furthermore, if we examine data region-wise, compared to metro cities, the landing pages have been most visible in smaller market segments. For example, UP with a 1-10 lakh population segment has witnessed maximum instances of landing pages followed by Maharashtra and Goa. Interestingly, Kerala in its 10-75 lakh market category had the third largest number of headends with instances of landing pages. If we go a step further and make a content-wise assessment, it is teleshopping which emerges as the top genre with instances of landing pages followed by Hindi GEC and English News. Yet the over-all trend seems somewhat inconsistent in view of the fact that the landing pages on channels for kids had shot up almost three times in the 22nd week before taking a drastic plunge in the third week. Moreover,

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    Telugu channels have been relatively flat through the three weeks.

     

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    Source: Chrome LPR, Wk-22 (27th May to 2nd June)

    But, wouldn’t MSOs be the bigger beneficiaries here?

    It is certainly an additional source of revenue generation for the MSOs considering that the landing page is priced on the higher side. For broadcasters on the other hand, they get to increase their viewership as well as the OTS (Opportunity-to-see). Based on a back-of-the-envelope calculation, on DTH platforms, it could run into almost Rs. one crore a day!

    How ethical is it to resort to landing pages to increase viewership?

    From the broadcaster’s standpoint, the concept of landing page as of now is open-ended. Otherwise, this would amount to a clear distortion of market stemming from exorbitant biddings offered to Multi system operators (MSOs) and the DTH Operators, who control landing pages.

    Given the tricky nature of the subject, it’s a matter of subjectivity and only the designated regulators can take a call, one way or another. I would say that taking over landing pages to boost viewership should not be used as it would force others to follow suit thus eventually triggering a bidding war.

    As a matter of fact, landing page is a promotional tool which works only when it is utilised for a finite period. If allotted to broadcasters, it would make no sense as it would amount to converting a neutral advertorial space to a full-time channel effectively, unfair for the rest of the competition.

     

  • Most watched Hindi GEC channels across genre until week 22

    BENGALURU: Three channels have been present during all the first 22 weeks of 2017 (Saturday, 31 December 2017 to Friday, 2 June 2017) in Broadcast Audience Research Council’s weekly list of Top 10 channels across genre-

    All India (U+R) : 2+ Individuals – They are (in order of the combined sum of weekly impressions while present in the top 10 channels across genre list) : Star Plus (16.128 billion CWI, Colors (13.67 billion CWI) and Zee TV (11.800 billion CWI).

    This paper is based on the information available in the public domain. Hence, It must be noted that the CWI figure mentioned in this paper is the sum of the weekly impressions of the channel mentioned in the BARC list of top 10 channels across genre – if a channel is not present in the list during any of the first 22 weeks of 2017, then its actual Combined Weekly Impressions will be much higher. Hence the author has refrained from mentioning the CWI for channels that were absent even for one of the first 22 weeks of 2017.

    None of the Hindi GEC channels have been ranked at no. 1 during the first 22 weeks of 2017 in the list.Star India has been ranked no 2 for 13weeks and Colors and Zee TV once each in the weekly list of Top 10 channels across genre during the first 22 weeks of 2017.

    Network 18’s second Hindi GEC – Rishtey was present in the weekly list of Top 10 channels across genre for 21 weeks; Sony Pictures Network India’s (SPN) Sony Pal was present in the for 16 of the first 22 weeks of 2017, followed by Zee Entertainment Enterprises Limited Hindi GEC – Zee Anmol which was present in the list for 13 of the first 22 weeks of 2017. The other channels that were present in the  list include SPN’sSony Entertainment Television, SPN’s Sony Sab, Star India’s StarUtsav and DD National during the period under consideration.

    Rank 1 has been held by the Sun TV Network’s flagship Tamil GEC Sun TV for 17 weeks and Hindi Movies channel Sony Max for five weeks (weeks 15 to 19 of 2017).SPN’sSony Max aired the tenth edition of the Indian Premier League (IPL 10 or IPL 2017) during the five weeks it was numerounoand the two weeks it was ranked second in the weekly list of Top 10 channels across genre. Sony Max had entered the weekly list of Top 10 channels across genre for the first time in week 14 of 2017 at rank 2. It was placed at rank 6 in week 22 of 2017.

    Top 10 channels across genre in week 22 of 2017

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  • GEC: Star Plus regains & retains two top slots albeit with lower ratings

    MUMBAI: Star Plus trumped Zee TV in Hindi GEC (U+R) reclaiming and also retaining in Hindi GEC (Urban) its top position. Although Kumkum Bhagya lead the GEC programmes’ list with 10626 Impressions (000) sum, Zee TV slipped to the third position whereas Star Utsav made an entry into the GEC (Urban) Top 10 list replacing Zee Anmol at the tenth position.

    GEC (URBAN & RURAL)

    Star Plus lead this week by in Hindi GEC (U+R) but with a decrease in its ratings with 648274 Impressions (000s) sum this week as compared to 676078 Impressions (000s) sum in week 21. Sony Pal with 591764 Impressions (000s) sum witnessed a fall in ratings but jumped to the second position from the third position. 

    Last week’s leader Zee TV slipped to the third position with 528060 Impressions (000s) sum and Rishtey retained its fourth position with 503431 Impressions (000s) sum.

    Colors, Zee Anmol, Sony Sab, Star Utsav, Sony Entertainment Television and Life OK also retained their respective fifth, sixth, seventh, eighth, ninth and tenth positions as in the last week.

    GEC RURAL

    Sony Pal retained its top position with 444094 Impressions (000s) sum this week as compared to 477157 Impressions (000s) sum in week 21. 

    Rishtey and Zee Anmol retained their second and third positions with 375688 Impressions (000s) sum and 333799 Impressions (000s) sum, respectively. Star Utsav jumped a slot and came to the fourth position with 305909 Impressions (000s) sum. Zee TV slipped a slot reaching the fifth position with 221806 Impressions (000s) sum.

    Star Plus, Sony Sab, Colors, Big Magic and Life OK retained their respective sixth, seventh, eighth, ninth and tenth positions.

    GEC URBAN

    Star Plus retained its top position with 440978 Impressions (000s) sum this week as compared to 453359 Impressions (000s) sum in week 21. Star Utsav made an entry into the Top 10 list with 100483 Impressions (000s) sum replacing Zee Anmol.

    Zee TV, Colors, Sony Sab and Sony Entertainment Television retained their second, third, fourth and fifth positions respectively with 306254, 298458, 264620 and 264556 Impressions (000s) sum.

    Life OK and Sony Pal also retained their sixth and seventh positions, respectively. Rishtey and &TV exchanged their positions and now stood at eighth and ninth positions, respectively.

  • BARC: CESP validates TV Measurement Panel Apr ’17 & Establishment Survey ’16 representativeness

    MUMBAI: The representativeness of BARC India’s Panel – the cornerstone of its TV Viewership measurement system – has been certified by CESP, a global multi-media body that audits media research. CESP is a joint industry committee that specializes in audience measurement audits and has worked in more than 20 countries. The certification further strengthens BARC India’s credentials of capturing “What India Watches”, basis a truly representative TV panel.

    CESP’s certification validates that BARC India in April 2017 has successfully aligned its research design and data collection methodology with the best international practices. BARC India has also received representativeness certification on Broadcast India 2016 – the Establishment Survey which was the basis for the new universe estimation that was rolled out earlier this year, and also forms the basis for ongoing panel home expansion.

    The certification has been awarded on the strength of quality benchmarks defined by BARC India Board and Technical Committee. The BARC India representativeness certification was also mapped against “Global Guidelines for Television Audience Measurement” (GGTAM) and CESP best practices based on panel audits conducted in more than 20 countries in the world.

    “CESP Scientific Committee fully certifies the representativeness of BARC India panel. Our Scientific Committee was really impressed with the quality of BARC India’s research design and deployment of panel homes. Considering the size of India and challenges for representativeness, the mission was fully achieved,” said Olivier Daufresne, Director of International Projects, CESP.

    “It is a proud moment for all of us at BARC India. Panel home selection is the key to true representation and robust TV viewership measurement. It is important to have the right mix of panel homes to be able to then extrapolate the data and report “What India Watches”. The certification is a stamp on the great work that our team has been doing,” said Partho Dasgupta, CEO, BARC India.

  • Dangal & programmes catapult Zee TV’s week 21 ratings

    BENGALURU: Zee TV, the flagship Hindi GEC channel of Zee Entertainment Enterprises Limited (Zeel) topped the HSM (U+R) : NCCS All : 2+ Individuals market ratings for the first time in in 2017 in week 21 – Saturday, 20 May 2017 to Friday, 26 May 2017. The channel garnered 679.456 million weekly impressions according to Broadcast Audience Research Council of India (BARC) data, the ninth highest ratings by a channel in 2017 until week 21 for the HSM (U+R) market.

    Zee TV was placed second in BARC’s weekly list of top 10 channels across genre – NCCS All India (U+R) : 2+ Individuals with 735.093 million weekly impressions. This was the eight highest ratings by any Hindi GEC channel in the across genre ratings. It may be noted that no Hindi GEC channels has ever topped the viewership across genre – that is a place that Sun TV reserved for itself (except during 5 of the 8 weeks during IPL 10). Hindi GEC’s have been ranked second for only14 of the first 21 weeks of 2017 in BARC’s lists for the most watched channels across genre.

    So what catapulted Zee TV to the top of the ratings chart among its peers in the HSM (U+R) and the across genre All India (U+R) charts?

    Zee TV’s success in week 21 can be attributed in part to the viewership of the world television premiere of Dangal; the viewership of its programme – Kumkum Bhagya and the viewership of the launch episode of a new soap opera – Aisi Deewangi Dekhi Nahi Kahi.

    The Aamir Khan starrer Dangal had an average viewership of 16.254 million on the day it was aired. Please refer to the chart below for the ratings garnered by the world television premiere of Dangal:

    Pragya and Abhi’s story – Kumkum Bhagya has taken the fancy of primetime viewers. It has been among BARC’s weekly top five most watched programmes list in the HSM (U+R), sometimes behind the Balaji Telefilms production – Naagin 2, for most of the first 21 weeks of 2017. However, Kumkum Bhagya has topping BARC’s weekly list of top five programmes (HSM (U+R) : NCCS All : Prime Time (1800 – 2330 hrs) : 2+ Individuals) for the past few weeks. In week 21, the programme had raked in 11.905 million weekly impressions, far ahead of Naagin 2’s 9.459 million impressions in the HSM (U+R) market.

    The launch episode of a new Indian Hindi soap opera on Zee TV – Aisi Deewangi Dekhi Nahi Kahi, improved the channels viewership in week 21 on launch day (Monday, 23 May 2017) 19:30 to 19:59 primetime slot by 72 percent as compared to the previous week. Please refer to chart below.

    The Eseel group television broadcast companies had a few more reasons to cheer in week 21 of 2017.

    The Zee News: Interview With UP CM “Yogi on Zee” improved viewership by 63 percent during the Wednesday – 19:55 – 20:48 slot as compared to the previous four weeks average. Please refer to the chart below:

    The Essel group celebrated its Ninetieth anniversary recently. The event was aired on 47 of the group’s television channels – it reached 75.96 million and attracted 27.65 gross impressions.

  • TV subs rev may expand to Rs 907 bn by ’21 at 11.6% CAGR: PwC

    MUMBAI: India’s entertainment and media sector is expected to expand steadily over the next four years as per PwC’s Global entertainment and media outlook 2017-2021. The industry is expected to exceed Rs 2910 billion by 2021 increasing at compound annual growth rate (CAGR) of 10.5% between 2017 and 2021.

    • Television will grow at an overall CAGR of over 11.4% during 2017-21, with subscription TV households to reach 16.7 Cr by 2021. 
    • Despite fewer screens and low admission prices, India to be the third largest Cinema market in the world by 2021 with a double digit CAGR of 10.4% over the Outlook period.
    • Unlike the Global trend, Indian newspaper industry to showcase a positive growth rate of 1.1% CAGR during 2017-2021.
    • Internet advertising to register the fastest growth as compared to other advertising platforms at a CAGR of 18.6%.

    PwC India partner & leader – entertainment & media Frank D’Souza comments: “Unlike the global economy, which will see a shrinking contribution from the Entertainment and Media sector over the Outlook period, in India the sector’s growth rate will outpace the overall GDP growth rate. Being a relatively under-developed market in terms of per capita spend on entertainment and media, will allow India to grow at 10.57% over the next five years to an overall size of INR 290,539 Cr. Also, being the least digitised market, will allow the traditional media to grow without being disrupted by digital competition. Whereas one may be tempted to conclude that India’s growth in this sector is divergent from the world’s, it will do well for Indian players to keep their eyes on changing landscape globally and prepare for its eventual impact on the Indian market.”

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    Key highlights of the report:

    Television: TV Subscription revenues are expected to grow from INR 52,755 Cr in 2016 to INR 90,713 Cr in 2021 at a CAGR of 11.6%. Though subscriber numbers are still growing, explosive growth levels of the recent past will not be replicated in the future. The cable market is approaching a saturation point but will still account for over 55% of the total pay-TV market in 2021. In terms of advertising, TV will continue to hold the larger share of the pie from INR 21,874 Cr in 2016 to INR 37,315 Cr in 2021, even though Internet advertising is expected to growth a much faster rate of 18.6% as opposed to TV advertising at 11.1% from 2017-2021.

    Cinema: India’s cinema sector is expected to experience strong growth throughout the forecast period. Box office revenue will rise from INR 10,957 Cr in 2016 to INR 18,047 Cr in 2021, at a healthy CAGR of 10.4%. Admissions will rise from an estimated 200 Cr in 2016 to 230 Cr in 2021 (at a CAGR of 2.4%) and ticket prices will rise at a CAGR of 7.9% in the same period. This is one of the few major cinema markets in which 100% digitisation of screens has not yet been achieved – and it is not expected to occur over the forecast period. 

    Publishing: Publishing in India is expected to grow from INR 38,601 Cr in 2016 to INR 44,391 Cr in 2021 at a CAGR of 3.1%. Book publishing is projected to grow at 6.1% CAGR over 2017-2021 whereas Magazines are expected to grow at a CAGR of 3.3% for the same period. The Indian newspaper industry continues to grow from INR 23,161 Cr in 2016 to INR 24,447 Cr in 2021, but the growth rate is tailing off as the effects of digital disruption begin to be felt in a market that had long enjoyed print expansion. 

    Internet: In terms of Internet advertising revenue, India is ranked eighth in the Asia Pacific region. One reason for the immature online ad market is the lack of Internet access among Indians – fixed broadband penetration remains low at just 6.9% in 2016. Today, mobile Internet advertising only comprises 27.6% of total online spending, marking a clear gap between Indians with mobile access and brands reaching out to the mobile audience.  India’s internet video segment has produced revenues of INR 560 Cr in 2016 and will grow at 22.4% CAGR to reach a new high of INR 1540 Cr in 2021. Transactional video-on-demand will account for over 61% of total Internet video revenues in 2021, with many households not wanting to commit to the regular payments of subscription video-on-demand.

    Major digital tipping-points are occurring or in prospect across all segments globally…

    • Internet advertising now generates more revenue than TV advertising globally. In 2016 an important tipping point was reached in the global advertising industry, with revenue from Internet advertising exceeding that generated by TV advertising for the first time. That lead, thanks to the rapid growth of mobile ad revenues in particular, is set to increase significantly in the next five years. 

    • Internet video revenues will overtake physical home video in 2017. The Internet video segment has expanded rapidly in recent years, and will overtake the physical home video market for the first time in 2017. Internet video revenues are projected to grow at a CAGR of 11.6% to reach USD 36.7 bn (INR 236,111 Cr) in 2021, while the terminally declining market for DVDs and Blu rays will have fallen to USD 13.9 bn (INR 89,426 Cr). Demand has shifted towards the more immediate and convenient video-on-demand (VOD) market, with content accessible via a wide range of connected devices allowing consumers to view when and where they desire. 

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    • Global newspaper circulation revenue overtook global advertising revenue in 2016.  While newspaper circulation revenue has been on a downward trajectory since 2015, publishers have had the useful lever of cover price rises to partly offset the rapid fall in units. However, the year-on-year falls in newspaper advertising revenue have been more pronounced – reflected in the overall de-growth in the newspaper segment.

    • Virtual reality video revenue will exceed interactive application/gaming revenue in 2019. The consumer virtual reality (VR) content market will grow at a CAGR of 77.0% over the forecast period to be worth USD 15.1bn (INR 97,147 Cr) by 2021. Of this, USD 8.0bn (INR 51,468 Cr) will be spending on VR video (rising at a CAGR of 91.2%), surpassing interactive experiences and games in 2019. This is one segment to look out for in the future.

    • Smartphone traffic will exceed fixed broadband data traffic in 2020. Although mobile usage is a key driver of growth in overall data traffic, fixed broadband will continue to account for the majority of data traffic in the 19 markets for which we have developed detailed forecasts. Many consumers still prefer to access data-heavy content – notably high-quality video – via fixed broadband rather than their mobile device. But the shift towards the smartphone will continue.