Category: Viewership

  • Sports: Star India channels pocket four out of top five slots

    Sports: Star India channels pocket four out of top five slots

    MUMBAI: One would easily spot Star India taking over four of the top five positions in BARC India’s week 37 sports ratings data, doubling its tally as compared to week 36. Last week, Sony had conquered three slots out of the top five list.

    This week, Star Sports First has retained the top position whereas Sony Six slipped out of the top five channels’ list owing to the conclusion of India-Sri Lanka cricket series. The series had topped the sports programmes’ list in BARC’s all-India ratings in week 36.

    Star Sports First sat pretty at the top position with 182184 Impressions (000s) sum witnessing a hike in rating, from 167947 Impressions (000s) sum last week. Sony Six, which was on the second slot last week, has disappeared from the top five list in week 37. 

    Star Sports 1 Hindi jumped to the second position from the fourth slot with a slight increase in the ratings. Sony Ten 1 climbed two slots to reach the third position with 82642 Impressions (000s) sum. 

    Star Sports 2 and 1 entered the top five list at the fourth and fifth slot, respectively, with 52951 Impressions (000s) sum and 41291 Impressions (000s) sum which brings the tally to four channels of Star India’s sports bouquet in top five list.

    If one looks at the top five programmes in BARC week 37, its Pro-Kabaddi League season 5 all the way — which was telecast on Star Sports First.

  • Fox Life dethrones Living Foodz, Epic climbs but Star World slips

    Fox Life dethrones Living Foodz, Epic climbs but Star World slips

    MUMBAI: NDTV Goodtimes has made an entry in the Top 5 lifestyle channels pushing out TLC from the list, according to BARC’s all-India data in week 36. Fox Life emerged as the leader this week dethroning Living Foodz.

    Nat Geo Wild re-entered the Top 5 list at the fifth position as Animal Planet exited the infotainment genre list. Epic channel, which made an entry on the fourth position last week, jumped to the third slot in week 36.

    MNX climbed a slot to reach the third spot as compared to the last week’s data whereas Sony Pix slid a slot to the fourth position in English movies genre.

    Star World, from its third position last week, slipped to the fifth position in the English movies genre list, according to BARC’s all-India data Week 36.

  • Rebranded FTA channel Star Bharat grabs second position in two markets

    Rebranded FTA channel Star Bharat grabs second position in two markets

    MUMBAI: Star Bharat has made its way to the top, becoming the second best channel in both, urban+ rural as well as rural, markets in week 36 of Broadcast Audience Research Council (BARC) India. Star Plus recaptured its leadership in the urban market, whereas Colors bagged the second slot.

    Hindi GEC

    Zee Anmol continued to lead the market with 819438 Impressions (000s) sum followed by Star Bharat which climbed to the second slot from the fifth slot last week with 669588 Impressions (000s) sum.

    Zee TV retained its third position in week 36 with 625640 Impressions (000s) sum followed by Star Plus on number four with 581618 Impressions (000s) sum. Colors stood on number five with 560456 Impressions (000s).

    Sony Pal, Sony Entertainment Television and Rishtey grabbed sixth, seventh and eighth position with 496335  Impressions (000s) sum, 491965  Impressions (000s) and 438215 Impressions (000s) sum, respectively.

    Sab TV and Star Utsav bagged the ninth spot with 383079 Impressions (000s) and 290273 Impressions (000s) sum, respectively.

    Hindi GEC Rural 

    Zee Anmol garnered the first position with 647267 Impressions (000s) sum followed by Star Bharat on the second with 378234 Impressions (000s) sum and Sony Pal  with 347856 Impressions (000s) sum on the third spot.

    Rishtey stood at number four with 324715 Impressions followed by Zee TV 255624 Impressions (000s) and Star Utsav with 221261 Impressions stood at number six.

    Star Plus, Colors and DD National grabbed the seventh, eighth and ninth spots with 186764 Impressions (000s) sum, 176103  Impressions (000s), and 171068 Impressions (000s) sum, respectively.

    Big Magic stood at the tenth position with 161225 Impressions (000s).

    Hindi GEC Urban

    Star Plus regained its top position with 394853 Impressions (000s) and pushed Colors on second spot with 384353 Impressions (000s) sum and Zee TV on third with 370015 Impressions (000s) sum.

    Sony Entertainment Television stood at number four with 364056 Impressions (000s) sum followed by Star Bharat  on number five with 291353 Impressions (000s) sum.

    Sab TV and Zee Anmol  stood on number six and seven with 273684 Impressions (000s) sum and 172171 Impressions (000s) sum, respectively.

    &TV, Sony Pal and Rishtey grabbed the eighth, ninth and tenth positions respectively with 162519 Impressions (000s) sum, 148479 Impressions (000s) and 113500 Impressions (000s) sum.

  • Business news most benefitted, English GEC most affected genres: Chrome DM

    Business news most benefitted, English GEC most affected genres: Chrome DM

    MUMBAI: With a growth of 1.04 per cent as compared to last week (35), the Business news genre marked the highest opportunity to see (OTS) among all categories in week 36 of Chrome Data Analytics & Media.

    In the business news category, Zee Business gained the highest OTS in six metros with 85.2 per cent whereas NDTV Profit/Prime was the most affected in terms of OTS with 47.5 per cent.

    OTS is the actual census-based percentage connectivity of a channel spread across 81 million homes, reported by Chrome DM, across analogue cable, digital cable and DTH.

    The second position in the gainer’s list of OTS was grabbed by the English movies genre with the growth of 0.50 per cent in six metros. Movies Now was the most benefitted channel in this category with 53.6 per cent whereas Sony Pix was the most affected one with 45.9 per cent OTS.

    Religious genre saw little less growth of 0.16 per cent in week 36 as compared to the last week (35), which was 0.33 per cent. In this category, OTS of Sanskar was leading the genre with 96.2 per cent on an HSM (Hindi-speaking market) excluding 1L-market.

    The youth genre hopped on to the fourth position in the list with 0.12 per cent growth and MTV catered to 88.4 per cent OTS on an HSM (Hindi-speaking market) excluding 1L-market.

    The fifth position in gainers list was bagged by the sports genre with a growth of 0.09 per cent. In this category, DD Sports is topping the OTS chart with 95.6 per cent on an all-India basis in week 36 of Chrome DM.

    Among the losers, the English GEC was the most affected genre with a drop of 0.74 per cent OTS in six metros with AXN recording the highest fall in ratings in the segment with 94.4 per cent whereas Colors Infinity still maintained to keep on the top with 47.7 per cent OTS.

    The Hindi News category recorded a fall of 0.53 per cent OTS on an HSM (Hindi-speaking market) excluding 1L-market. Aaj Tak was the most affected among the top 5 channels in this genre with 94.1 per cent, whereas India TV maintained to be on the top in the list with 99.6 per cent OTS in week 36.

    Infotainment and ‘kids all-India’ pocketed third and fourth positions with a drop of 0.23 per cent and 0.12 per cent, respectively. The Discovery channel in the infotainment genre and Pogo in kids were the most affected channels in the Top 5 chart with 75.8 per cent and 74.3 per cent, whereas NGC and Nickelodeon topped the chart with 91.9 per cent and 88.9 per cent, respectively.

    Hindi Movies genre stood at the fifth position with a fall of 0.11 per cent OTS with Movies OK holding the last position in the Top 5 channels’ chart with 90.4 per cent and Sony Max leading the chart with 93.9 per cent OTS on an HSM (Hindi-speaking market) excluding 1L-market.

  • BARC India to TRAI and MIB: Tweak legislation to make data tamper-proof

    BARC India to TRAI and MIB: Tweak legislation to make data tamper-proof

    NEW DELHI: India’s audience measurement company BARC India has urged broadcast regulator TRAI and Ministry of Information and Broadcasting (MIB) to bring in legislations making TV viewership data tamper-proof and stipulate stringent penalties for offenders.

    “Provisions need to be added in relevant regulations to not only dis-incentivize `viewership malpractices’ but also allow for punitive action against those indulging in such activities,” Broadcast Audience Research Council of India (BARC India) has said.

    In addition, it has also suggested the government and regulator to explore whether digital set-top-boxes and smart TV sets could be mandated by law to be made return path data (RPD)-enabled, moves that could enhance data robustness.

    BARC India is of the opinion that guidelines for uplinking and downlinking of TV channels, issued by MIB, could be “suitably amended to recognize and codify” efforts by TV channels to infiltrate or tamper with data collection processes.

    “A limited number of unscrupulous elements exist in the sector (a carryover from the past) who seek to infiltrate security of BARC India’s sample (panel homes), and unfairly influence their viewership habits. Their goal (and business) is to skew final viewership data in favour of some channels, using unfair means that BARC India defines as `viewership malpractice’,” the measurement body, a joint venture amongst IBF, AAAI and AISA, has said, highlighting it was grappling with legacy issues.

    Over the last 12 months several instances have come to light where TV channels were found to be allegedly attempting to tamper and influence audience data and indulging in other malpractices to boost viewership or TV ratings points, as it’s popularly described in India. In some cases, BARC India undertook counter-measures resulting in alleged offenders taking legal recourse. In some other instances, the regulator had to issue warnings in an effort to do damage control.

    “In terms of specifics, MIB’s channel licensing norms can stipulate that any broadcaster found to be indulging in unfair means to influence its viewership through acts of viewership malpractice can face… actions,” BARC India has suggested in its submission to TRAI’s consultation paper on `Ease of Doing Business in Broadcasting Sector’, adding a “fair system that evaluates complaints and adjudicates on them may also be included” in the regulations.

    Amongst the moves that the government and sector regulator could take, as suggested by BARC India, include measures like errant company facing viewership data blackout for a limited period, telecast ban for a limited period and revoking of license depending on the seriousness of the offense. “A regulatory framework that helps prevent distortions and fraudulent activities in the eco-system would be highly desirable, and valuable to all sections of the industry,” it has said in its submission.

    Why is BARC India pushing for legislative protection?  Pointing out that “incorrect, false and misleading audience ratings can lead to incorrect content decisions”, the measurement organization said, “There are no sections in IPC with reference to which BARC India can file police complaint and this emboldens those involved in such (fraudulent) activities.”

    In addition to seeking legal protection for data generation process, BARC India has also highlighted to TRAI the technological steps that can be taken — and is being explored by it.

    Use of return path data to complement the present TV currency is one such option. RPD involves capturing TV viewing data of homes with addressable set-top-boxes (DTH and digital cable) by enabling “return path” flow of data. “Once enabled, this would allow capture of TV viewership data from several lakh homes, as opposed to the 50,000 sample mandated at present. Additionally, this larger sample would allow more accurate capture of viewership of niche audiences and genres/channels with small viewing base (such as regional language channels and genres like infotainment, etc.),” BARC India has said.

    However, there’s a slight hitch. In the absence of technical standards presently, a large number of STBs in India is not enabled for RPD owing to inadequacies in hardware and software systems.

    BARC India, which is presently in discussions with some DTH and digital cable service providers for return path data collation, has submitted that mandating manufacture and sale of RPD-enabled STBs in India would go a long way in further improving TV viewership measurement system in the country.

    In this context, the organization has also urged TRAI to examine whether RPD-enabled smart TV sets could be mandated in India considering their rising sales as such a move could further add to the robustness in data collection.

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  • DD Sports leads, Sanskar-India TV share second position in top respective genres: Chrome DM

    DD Sports leads, Sanskar-India TV share second position in top respective genres: Chrome DM

    MUMBAI: ‘Sports – all-India’ genre has emerged as the most benefitted genre with 0.74 per cent with DD Sports topping the chart with 95.2 per cent opportunity to see (OTS) in week 35, Chrome Data Analytics & Media reported.

    Next in the tally is the Religious genre which saw growth of 0.33 per cent with Sanskar leading the genre with 96.4 per cent OTS on an HSM (Hindi-speaking market) Excel <1L market basis.

    With a growth of 0.33 per cent, the Hindi news genre shared the second position with the Religious genre. In Hindi news, India TV lead the chart with 99.7 per cent OTS.

    This was followed by ‘Kids – all-India’ genre at the third position with 0.12 per cent growth with Nickelodeon leading the chart with 88.4 per cent OTS.

    public://Top Gainers_0.png

    Hindi GEC genre stood at the fourth position with a growth of 0.08 per cent with DD National leading the chart with 99.2 per cent OTS on an HSM (Hindi-speaking market) Excel <1L market basis.

    public://Top Losers_0.png

    Among the losers this week, the English News segment in six metros recorded a fall of 0.70 per cent. Rajyasabha TV lead the genre with 94.4 per cent.

    The English movies genre dropped by 0.35 per cent in six metros with Movies Now leading the section with 49.1 per cent.

    Music HSM Excel <1L market basis and Business news in six metros grabbed the fourth and fifth spots respectively with 0.10 per cent and 0.09 per cent. Sony Mix and Zee Business lead the genre with 90.8 per cent and 85.4 per cent OTS, respectively.

  • HBO and Epic enter whereas Zee Studio, Nat Geo Wild exit Top 5 list: BARC week 35

    HBO and Epic enter whereas Zee Studio, Nat Geo Wild exit Top 5 list: BARC week 35

    MUMBAI: HBO has recaptured its fifth position after a week’s gap in the top 5 English movies channels’ list, pushing out Zee Studio, according to BARC’s all-India data Week 35. Epic has made its entry in the Top 5 Infotainment channels pushing out Nat Geo Wild.

    Zee Cafe is back on its numero uno position after losing it last week (34) in the top 5 English entertainment channels list. Comedy Central, leader of week 34, and Colors Infinity SD slipped a slot each to second and third positions, respectively, in English entertainment channels’ list.

    Movies Now and Sony Pix climbed a slot and MNX slipped two slots in English movies genre top 5 list.

    English Entertainment

    Zee Cafe has emerged as the leader in the English entertainment genre with 380 Impressions (000s) sum. Comedy Central slipped to the second position with 375 Impressions (000s) sum.

    Star World came to the third position with 317 Impressions (000s) sum jumping a slot from last week. Colors Infinity SD bagged the fourth position with 258 Impressions (000s) sum slipping a slot from last week whereas AXN retained its fifth position with 250 Impressions (000s) sum.

    English Movies

    With a slight fall in the ratings, Star Movies retained its number one position in the English movies genre with 3050 Impressions (000s) sum as compared to 3193 Impressions sum (000s) in week 34.

    Movies Now and Sony Pix hopped to the second and third positions with 2905 and 2421 Impressions (000s) sum, respectively.

    MNX slipped to the fourth position from the second position in week 34 with 2248 Impressions (000s) sum. And, HBO, this week, made an entry into the Top 5 channels list with 2171 Impressions (000s) sum.

    Infotainment

    History TV 18, Discovery Channel and National Geographic Channel retained their respective first, second and third positions with a slight fall in the ratings as compared to week 34 with 3300, 2938 and 2303 Impressions (000s) sum.

    Epic has made an entry this week into the Top 5 list with 2259 Impressions (000s) sum. Animal Planet sat pretty at the fifth position with 1749 impressions (000s) sum.

    Lifestyle

    Living Foods, witnessing a rise in the rating as compared to week 34, still lead the genre this (35th) week with 1570 Impressions (000s) sum.

    Fox Life, FYI TV18, Food Food and TLC sat pretty at the second, third, fourth and fifth positions with 1415, 768, 587 and 353 Impressions (000s) sum, respectively.

  • GEC: Sony climbs in two markets, Star Bharat jumps five slots in U+R

    GEC: Sony climbs in two markets, Star Bharat jumps five slots in U+R

    MUMBAI: Zee Anmol and Colors retained leadership in their respective markets in week 35 of BARC’s all-India data.  On the other hand, Star Bharat (previously called Life OK) has jumped from the tenth position to the fifth in Hindi (U+ R) GEC market and entered the rural market. 

    Piggybacking KBC, Sony Entertainment Television has jumped a position each in two markets.

    Hindi GEC (U+R)

    Zee Anmol continued to be the leader even after a fall in ratings  in Hindi GEC (U+R) market with 771523 Impressions (000s) against 815471 Impressions (000s) in the previous week. 

    Colors retained its number two position with 613679 Impressions (000s) sum followed by Zee TV on the third with 598705 Impressions (000s) and Star Plus stood on number fourth with 574003 Impressions (000s).

    Star Bharat pocketed the fifth slot with 519743 Impressions (000s) climbing from the tenth position.  Sony Entertainment too climbed up to the sixth position with 474425  Impressions (000s). 

    Sony Pal, Rishtey and Sab TV bagged seventh, eighth and ninth spots respectively with 469504 Impressions (000s), 418914 Impressions (000s) and 368444 Impressions (000s). 

    Star Utsav stood at number ten with 290265 Impressions (000s).

    Hindi GEC Rural 

    Zee Anmol bagged the first position with 608797 Impressions (000s) sum followed by Sony Pal on the second with 329928 Impressions (000s) sum and Rishtey with 306972 Impressions (000s) sum on the third spot.

    Star Bharat (Life OK) has entered the rural market this week with 278785 Impressions (000s) sum followed by Zee TV 248559 Impressions (000s) sum and Star Utsav with 219630 Impressions stood at number six. 

    Colors, DD National and Star Plus grabbed the seventh, eighth and ninth spots with 201560 Impressions (000s) sum, 174453 Impressions (000s), and 172688 Impressions (000s) sum, respectively.

    Big Magic stood at the tenth position with 163412 Impressions (000s).

    Hindi GEC Urban

    Colors continued to top with 412119 Impressions (000s) sum followed by Star Plus on the second position with 401315 Impressions (000s) sum and Sony Entertainment Television on the third with 353685 Impressions (000s) sum.

    Zee TV stood at the fourth position with 350145 Impressions (000s) sum followed by Sab TV on the fifth with 261410 Impressions (000s) sum.

    Star Bharat and &TV stood at the sixth and seventh positions with 240958 Impressions (000s) sum and 163766 Impressions (000s) sum, respectively.

    Zee Anmol, Sony Pal and Rishtey grabbed the eighth, ninth and tenth positions, respectively, with 162725 Impressions (000s) sum, 139575 Impressions (000s) and 111942 Impressions (000s) sum.

  • Nielsen estimates US TV homes for ’17-’18 season at 119.6 mn

    Nielsen estimates US TV homes for ’17-’18 season at 119.6 mn

    NEW DELHI: Nielsen’s latest national TV household universe estimates for the United States says there are 119.6 million TV homes for the 2017-18 TV season. In contrast the total number of Indian television homes estimated by Broadcast Audience Research Council of India (BARC India) earlier this year stood at a shade over 183 million.

    Additionally, the percentage of total US homes with televisions receiving traditional TV signals via broadcast, cable, DBS or telco, or via a broadband Internet connection connected to a TV set is currently at 96.5 per cent, an increase of 0.5 percentage points from last year’s estimate, according to data released by Nielsen last week of August 2017.

    Nielsen uses US Census Bureau, combined with information from the national TV panel, to arrive at advance TV universe estimates in early May. It then distributes final universe estimates before the start of each TV season.

    But to put things in perspective, Indiantelevision.com would say that the population of the US in 2017, as per figures available, stood at 326,474,013, which is about 4.34 per cent of the world population. In contrast, as per United Nations data, the population of India is approximately 1.3 billion.

    The number of persons aged two and older in the American TV households is estimated to be 304.5 million, which represents a 0.9 per cent increase from last year. Increases in US Hispanic, black and Asian households were also seen, due to estimated increases in population growth and TV penetration, Nielsen said.

    So, what is the annual American TV season that Nielsen is referring to? According to Wikipedia, it means the 2017-18 network television schedules for the five major English-language commercial broadcast networks in the United States that covers prime time hours from September 2017 to August 2018. The schedule is followed by a list per network of returning series, new series, and series canceled after the 2016–17 season. The commercial networks include NBC, Fox, ABC, CBS and The CW, while PBS or public broadcasting service is excluded from these calculations. The CW data is not included on the weekends since it does not carry network programming.

    public://1_4.jpg

    The 2018 national American universe estimates by Nielsen reflect real changes in population since last year and updated TV penetration levels, differentially calculated for qualifying market break and age/sex demographic categories.

    Nielsen applies TV penetrations to convert the total household and population estimates to TV households and persons therein. The 2018 TV penetration for US households was estimated based on data collected during the recruitment of homes for Nielsen’s people meter panel.

    Nielsen’s national definition of a TV household states homes must have at least one operable TV/monitor with the ability to deliver video via traditional means of antennae, cable set-top-box or satellite receiver and/or with a broadband connection.

    Again, in the Indian context, as per data collated by Indiantelevision.com in the public domain, while total TV homes stand at 183 million, total television viewership stood at 28.9 billion impressions in Week 34 of BARC India ratings. The previous 13-week average viewership was approximately 27 billion, showing a rise of seven per cent.

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  • Unethical viewership enhancing has spiralling effect, leads to carriage fee hike, says Chrome DM

    Unethical viewership enhancing has spiralling effect, leads to carriage fee hike, says Chrome DM

    MUMBAI:  Whether or not a measuring agency or a ratings body approve of members who indulge in unethical means of doing business? Whether or not the business is doing well is only their mandate – however.

    MIB has directed BARC India to stop generating ratings of those channels that use landing pages to boost viewership through high sampling and reach for their channels. On earlier occasions, when a broadcasters body had sought BARC to stop measuring a new channel’s ratings, the platform-agnostic measurement agency did not heed the advice.

    Going by the past trends, broadcasters have been actively using landing pages to boost viewership. The logic is simple – a landing page ensures higher probability of the channel being watched, much like a supermarket where higher visibility of a product leads to impulse buying. Similarly, the channel with higher availability increases the chances of higher visibility, which eventually increases viewership.

    Commenting on MIB’s decision, Chrome Data Analytics & Media CEO Pankaj Krishna said: “We support MIB’s decision of preventing channels using unethical routes to enhance their viewership, for e.g., if a channel opts for dual LCN, the others are compelled to follow it to safeguard their numbers, consequently causing the spiralling effect of increased carriage fees. However, a landing page is purely a promotional exercise. As long as a channel is not running on dual LCN, there is nothing unethical about the concept of channels using landing pages.”

    As per the Chrome DM Landing Page Report- Week 36, 2017, there are over 400 landing pages active as on 05-09-2017 and are spread across channels and genres all over cable and DTH platforms.

    Source: Chrome DM Landing Channel Report, Wk-35, 2017
    Source: Chrome DM Landing Channel Report, Wk-35, 2017

    Dual LCN denotes a channel running on two separate LCN#s within the same cable operator’s/DTH platforms feed.

    He further added, “A channel’s presence on the landing page does not denote it being present on Dual LCN. All landing pages do not constitute dual LCN.”

    Typically, there are, according to Chrome, three cases of landing pages that can arise:

    CASE 1: Channel LCN as a landing page – So for e.g. if a channel is running on LCN #234 – and the set-top box switches on to LCN#234 hosting that Channel, the channel becomes the landing page.   

    CASE 2: Dual LCN with one LCN being a Landing Page – If a channel is running on LCN#234 – but the set-top box initiates a switches on to another LCN#, e.g. LCN#001, also hosting the same channel (as the landing page), that constitutes to a Dual LCN.

    CASE 3: Dual LCN with neither being a Landing Page – When a channel is present on two different LCN#s e.g. LCN#234 & LCN#675 within different genres of the EPG, where neither is a landing page.

    Chrome DM believes that there could be a concern in the latter 2 cases – as they constitute to Dual LCNs leading to an unsustainable model of boosting viewership through higher sampling and reach for these channels.

    Landing pages are simple marketing exercises – mirroring an FMCG company placing its products at the entry/exit cash counters to boost sales. We believe MSOs have been monetizing landing pages as a source of additional revenue stream by running promos and commercials.

    As per the Chrome DM Distribution Investment Index – “The yearly generated revenue ranges from Rs 50 million to as high as Rs 200 million for major MSOs and is all accounted for.

    What is more important as an industry endeavour is to focus more on achieving 100 per cent digitisation in India, which missed its 31 March, 2017 deadline. Interestingly, analogue signals continue to be carried out in many parts of the country, indicating a lack of addressability and transparency that only digitisation can solve.

    It will be interesting to see how BARC India, armed with software to primarily measure viewership for television channels and programmes in different geographies, will deal with the diktat to detect viewership from a particular distribution platform.