Category: Viewership

  • Demystifying news television viewership in 2017

    Demystifying news television viewership in 2017

    BENGALURU: On 9 November 2016, a day after Prime Minister Narendra Modi announced demonetisation, the share of news television viewership shot up to 21 percent as compared to the 11 percent during the previous eight weeks. This unscheduled event made news the second most watched genre on television after GECs on that day as stunned Indians grappled to understand the new and unknown tomorrow suddenly thrust upon them by the powers that be. Over the long term, news has grabbed about 8 percent of eyeballs glued to television and is generally the third most watched genre after GECs and movies.

    This and other data was shared by the Broadcast Audience Research Council of India (BARC) in a newsletter titled ‘Breaking the News Story.’ Divided into three parts, the newsletter delves into the contribution of the news landscape to television viewership; viewership analysis of a scheduled event; and viewership analysis of an unscheduled event.

    BARC has used its own and BMW data from week 8 to week 48 of 2017, the target group being all India. It says that it has considered all the news channels in India.

    The news landscape

    News in India is a dynamic and an extremely diversified genre. It has witnessed a 15 percent increase in the number of channels from 142 channels in 2017 to 163 channels in 2017.

    In terms of the number of news channels, viewership numbers are skewed in favour of Hindi news–36 percent of the news channels are in Hindi whereas news in the language attracts 47 percent of the eyeballs (total impressions) that watch the news genre. Regional channels, of which there were 93 regional news channels in 2017 spread across multiple regional languages, (eight percent more than in 2016) or 57 percent of the total, had a 52 percent share of the total impressions in the genre. English news channels made up 7 percent of the total number of 163 news channels in the country in 2017. Their combined viewership share of the genre was, however, a measly 1 percent. Despite this, the number of English news channels have grown by 33 percent to 12 active channels in 2017 as compared with 2016.

    People like to know of events and incidents happening around them that have a direct impact on their lives. BARC says that this is probably why the largest share of the viewership takes place on regional channels. BARC explains the large consumption of Hindi language news to the large number of Hindi-speaking markets in the country with 58 news channels catering to them currently versus 47 channels in 2016.

    Viewership by state markets

    Across zones in the country, consumption of news was highest in South India–its share of viewership was 36 percent, followed by the North with 26 percent, the West with 23 percent and the East with 15 percent.

    Among states, Uttar Pradesh, Uttarakhand and Delhi had the highest relative market share for the news genre. The Punjab, Haryana, Chandigarh, Himachal Pradesh, Jammu & Kashmir, Assam, North East, Sikkim and Kerala markets also showed a higher preference towards the news genre.

    Two states–Maharashtra and Goa–accounted for more than 50 percent of the news viewership in the West but contributed a relatively less share of eyeballs for news content as compared to total television.

    Audience profile

    Looking at the audience profile of the news genre, the gender ratio is skewed towards males–54 percent male to 46 percent female as against an even split of 50 percent for both males and females for total
    TV consumption.

    News viewership is quite fragmented between all age groups. The share of viewership at 14 percent for news is far higher for kids between 2 to 14 years as compared to that of mature people between 51 and 60 years at 12 percent and seniors who are 61 years or older at 9 percent. BARC attributes this anomaly to the fact that most households own a single TV set and hence there is co-viewing and also because kids form the largest age group in India.

    NCCS A and B show a marginally higher preference for news channels as compared to total TV while the preference among NCCS C, D and E is relatively lower.

    On an all-India level, the news genre audience is skewed towards males, age group of 22+ and NCCS A and B as compared to total TV viewership. Hence, further analysis in BARC’s newsletter has been done on the target group of males 22+ years of age.

    Viewership trends in the context of events

    BARC has looked at viewership trends from October 2015 to October 2017. Over the two-year period, BARC concludes that news is a dynamic genre with viewers moving in and out depending upon the stories and events being covered with some events leading to a higher spike in viewership than others. The biggest spike in viewership during the period under consideration took place at the time of the demise of Tamil Nadu’s chief minister Jayalalitha on 5 December 2016. The next bigger spike was demonetisation as stated earlier. Politically significant events such as elections also lead to spikes in viewership.

    Viewership analysis of a scheduled event–state elections

    BARC has considered state elections from 2016 and 2017 and shared all-day time-band trends for viewership data for pre-election week versus election-day versus results day for West Bengal, Kerala, Tamil Nadu/Pondicherry and Uttar Pradesh/Uttarakhand.

    According to BARC data, election results day received significantly high viewership throughout the day across all markets as compared to election day as well as the days leading up to the event.

    The importance of election day and result day varied across markets. Growth was highest for Kerala on result day as compared to the pre-election days and least for Uttar Pradesh/Uttarakhand. The difference in viewership in pre-election day and election day was the maximum in the case of Tamil Nadu/Pondicherry indicating the importance of election day for this market, while the other markets were predominantly results oriented. Viewership in the Tamil Nadu/Pondicherry market had a more fluctuating trend through the day with viewership peaking in the morning and then again in the afternoon between 1400 and 1430 hours.

    The viewership trendline for pre-election weeks and election-day was similar for Uttar Pradesh/Uttarakhand with very minor deviations indicating that election did not hold too much significance for this market.

    West Bengal/Kerala registered high viewership in the morning hours between 0730 and 1030 hours on results day. After this time period, viewership in case of Kerala dropped down steeply, while in the case of West Bengal the decline was gradual.

    On election day, viewership on regional channels was significantly higher for each of the state markets. It may be noted that BARC has considered the respective news channel for each market as the regional channel. This means that Bangla news channels in the West Bengal market, Malayalam news for Kerala, Tamil for Tamil Nadu and Hindi for Uttar Pradesh/Uttarakhand have been considered regional channels for each market respectively. The two southern markets of Kerala and Tamil Nadu did not register any viewership on Hindi language news. The viewership on national news channels (English news channels) also remained negligible because the event was very local and state specific in nature.

    BARC says that its data reveals that news bulletins were the most popular formats of news consumption on election result day for various markets. The next most popular format was interviews and discussions. The share of news viewing was comparable for West Bengal and Tamil Nadu/Pondicherry. While audiences in West Bengal also had some preferences for talk shows/chat shows, in Tamil Nadu/Pondicherry, the viewership was only split between the bulletins and interview formats.

    Reviews/reports were popular in only market–Kerala while Uttar Pradesh/Uttarakhand had a preference for only one story format–news bulletins—and other formats accounted for very little viewership there.

    On election result day, the break duration on the channels on average went down and the programming increased. In all likelihood, the channels were trying to ensure viewer stickiness by covering the results from various perspectives and angles and, hence, taking fewer breaks.

    Viewership analysis of unscheduled events

    Unscheduled events cannot be predicted and can happen at any time and, hence, are very immediate and sudden in nature and are covered by channels as the story breaks.

    BARC analysed trends on 8 November 2016, the day the Prime Minister announced demonetisation. Television viewership did not vary significantly from previous weeks until 2000 hours as this was when Narendra Modi announced demonetisation. In the aftermath of the announcement, on 9 November 2016, viewership of the news genre remained substantially higher through the day than the previous weeks’ average as people tuned in for updates and implications of the situation. While the overall viewership trend of news channels across various hours was the same across various day parts in line with the regular viewership pattern, a lot more people watched the news on 9 November 2016.

    On 9 November 2016, though GEC remained the most preferred genre, its viewership impressions declined by 5 percent to 49 percent from the previous 8-week average of 54 percent. Movie genre viewership impressions declined by 4 percent and brought the genre down to third place from second with a viewership share of 18 percent on that day as compared to the previous 8-week average of 22 percent. As mentioned above, viewership impressions of the news genre climbed up to second place from the third place to 21 percent from the previous 8-week average of 11 percent. Viewership impressions of the music genre declined by a percentage point to 3 percent from the previous 8-week average of 4 percent. The kids, sports, infotainment, business news and other genres retained their 8-week average viewership shares of 4 percent, 2 percent,1 percent, 0 percent and 1 percent, respectively.

    News bulletins were the most popular formats of news consumption on 9 November with 78 percent viewership, followed by interviews and discussion, while the other story formats seeing a relative decline in share.

    BARC has surmised that in the case of unscheduled events, viewers preferred quick takeaways while viewers were also interested in more detailed formats in the case of scheduled events.

    BARC has analysed the impact of demonetisation on advertisement by considering the 15-day periods before and after demonetisation. It says that the difference between total advertising FCT pre and post demonetisation was a staggering decline–10 percent down in the case of total television and an even higher 13 percent decline in the case of news television.

    Post demonetisation, ad insertions for anywhere banking, ATM services/debit cards went up significantly as compared to pre-demonetisation.

    Also read:

    BARC ratings: BBC World, News Nation enter top 5 in news genre

    Star Bharat leads Hindi GEC (U+R) in BARC week 52

  • Star Bharat leads Hindi GEC (U+R) in BARC week 52

    Star Bharat leads Hindi GEC (U+R) in BARC week 52

    MUMBAI: Star Bharat emerged as the leader in the Hindi GEC (U+R) genre dethroning Zee Anmol according to Broadcast Audience Research Council (BARC) all India data for week 52 of 2017.

    Zee TV and Star Plus exchanged their second and third positions in GEC urban markets this week as compared to the week 51. Moreover, Big Magic climbed to eighth position from tenth position this week in GEC rural markets.

    Hindi GEC (U+R)

    Star Bharat has garnered the top slot this week with 692154 impressions (000s) swapping its position with Zee Anmol at second position with 682234 impressions (000s).

    Colors retained its third position with 600546 impressions (000s). Star Utsav climbed to fourth position with 600396 impressions (000s). Zee TV stood at fifth position with 591855 impressions (000s). 

    Sony Pal, Star Plus, Rishtey, Sony Entertainment Television and Sony Sab retained their sixth, seventh, eighth, ninth and tenth positions respectively with 561552 impressions (000s), 501322 impressions (000s), 465438 impressions (000s), 420804 impressions (000s) and 388490 impressions (000s).

    Hindi Rural GEC

    Zee Anmol, Star Utsav, Sony Pal, Star Bharat, Rishtey, Dangal, Zee TV and Colors retained their first, second, third, fourth, fifth, sixth and seventh slots respectively with 513156 impressions (000s) sum, 436095 impressions (000s) sum, 377872 impressions (000s) sum, 357402 impressions (000s) sum, 332561 impressions (000s) sum, 247713 impressions (000s) sum and 237327 impressions (000s) sum.

    Big Magic jumped to eighth position pushing down Colors to ninth with 177951 impressions (000s) sum and 161655 impressions (000s) sum respectively.

    Star Plus garnered last position with 147332 impressions (000s) sum.

    Hindi Urban GEC

    In urban GEC, Colors retained its leadership with 438891 impressions (000s) sum. Whereas, Zee TV and Star Plus exchanged their slots to second and third positions with 354527 impressions (000s) sum and 353989 impressions (000s) sum respectively.

    Star Bharat, Sony Entertainment Television, Sony Sab and Sony Pal retained their fourth, fifth, sixth and seventh positions respectively with 334751 impressions (000s) sum, 298884 impressions (000s) sum, 290669 impressions (000s) sum and 183680 impressions (000s) sum respectively.

    Zee Anmol, Star Utsav and &TV also stood at the same eighth, ninth and tenth positions respectively with 169078 impressions (000s) sum, 164300 impressions (000s) sum and 148076 impressions (000s) sum respectively.

    Also Read:

    BARC week 51: Zee Anmol leads Hindi (R+U) & rural market 

    Mr Panchal continues to help Star Bharat top Hindi GECs across genre

  • BARC ratings: BBC World, News Nation enter top 5 in news genre

    BARC ratings: BBC World, News Nation enter top 5 in news genre

    MUMBAI: Carrying on from its good form since its launch in week 19 of BARC All India ratings, Republic TV continued its leading streak in the last week of the year. BBC World News entered the top five in week 52 in the English news genre.

    Aaj Tak retained its top slot in all the three markets—Hindi news (U+R), Hindi news (U), and Hindi news (R). Zee News and News 18 India climbed two places to second and third positions, respectively. India TV and ABP news dropped two places to fourth and fifth positions in the Hindi news (U+R) market.

    English News

    The English news genre witnessed a drastic fall in viewership across all the channels. Republic TV still retained its numero uno position with 1039 Impressions (000s) sum compared with 1480 Impressions (000s) sum last week. Times Now’s viewership has nearly come down by half from 1203 Impressions (000s) sum last week to 613 Impressions (000s) sum. India Today Television managed to climb up a spot to the third position witnessing a slight dip in the rating from 424 Impressions (000s) sum last week to 305 Impressions (000s) sum in week 52. CNN dropped to fourth position with 229 Impressions (000s) sum. BBC World News entered the list at fifth place with 174 Impressions (000s) sum. NDTV 24X7 could not maintain viewership to remain in the top five.

    English Business News

    CNBC TV 18 sits at the top slot with 441 Impressions (000s) sum followe by ET Now with 230 Impressions (000s) sum. BTVi, NDTV Profit and NDTV Prime and CNBC Tv 18 Prime HD are at third fourth and fifth positions respectively with 116 Impressions (000s) sum, 37 Impressions (000s) sum and 11 Impressions (000s) sum.

    Hindi New (U+R)

    Aaj Tak led the genre with 109647 Impressions (000s) sum. Zee News and News18 India climbed two slots to the second and third positions, respectively, with 90945 and 88320 Impressions (000s) sum. India TV and ABP News dropped two places to fourth and fifth spots, respectively, with 82086 and 74406 Impressions (000s) sum.

    Hindi News Rural

    Aaj Tak topped the rural chart as well with 47358 Impressions (000s) sum. News18 India climbed three places to the second position with 36310 Impressions (000s) sum as against 41466 Impressions (000s) sum followed by Zee News, which moved up a slot at third position with 35521 Impressions (000s) sum. ABP News lost two places to fourth position with 35019 Impressions (000s) sum. News Nation made an entry to the top five at the fifth position with 33662 Impressions (000s) sum. India TV, which was at third position last week, failed to figure in the top five in week 52.

    Hindi News Urban

    Aaj Tak topped the chart in the urban market, too. The channel has witnessed a dip in the rating from 80177 Impressions (000s) sum last week to 62288 Impressions (000s) sum in week 52. Zee News and News18 India climbed a slot each to second and third positions, respectively, with 55423 and 52010 Impressions (000s) sum.

    India TV lost two places and was at fourth position with 49719 Impressions (000s) sum followed by ABP News with 39387 Impressions (000s) sum at fifth position.  

    Also Read:

    Making the news: A look at what news broadcasters did in 2017

    Assembly elections catapult English news genre viewership

    Republic TV continues lead as genre ratings rise

  • Star Bharat continues leading Hindi GECs across genres

    Star Bharat continues leading Hindi GECs across genres

    BENGALURU: Star India’s free-to-air (FTA) Hindi GEC Star Bharat continued its leadership in the genre in Broadcast Audience Research Council’s (BARC) list of top-10 channels across genres in week 51 of 2017 (Saturday, 16 December 2017 to Friday, 22 December 2017) for the third week in a row. The channel was ranked second in the across genres list, behind the Sun Network’s flagship Tamil GEC Sun TV.  Sun TV was the most watched GEC in India. In BARC’s top-10 Hindi GEC channels list, however, Star Bharat dropped a rank in week 51 from the previous week’s pole position. Comedy sitcom Kya Haal Mr Panchal rose to first rank in week 51 as the most-watched Hindi GEC programme during primetime in the Hindi-speaking urban and rural market – HSM (U+R) during primetime from week 50’s third rank.

    BARC’s list of top-10 channels across genres in week 51 featured the same channels as in week 50 but with different rankings. Seven Hindi GECs and one channel each from the Hindi Movies, Tamil GEC and Telugu GEC genres made it to the across genres list in week 51 of 2017. From the networks’ perspective, three channels from Star India, two channels each from the Sony Pictures Network India (SPN), Sun Network and Zee Entertainment Enterprises Limited (Zeel) respectively and one channel from Network 18 (Viacom 18) comprised the top-10 channels across genres. Of these channels, six were pay TV channels and four were FTA.

    Sun TV maintained its unassailable first rank in week 51 of 2017 with 1,044.767 million weekly impressions, a shade higher than the previous week’s 1,024.516 million weekly impressions. As has been the norm in 2017, all the top-five Tamil programmes in the Tamil Nadu/Puducherry markets during primetime were from Sun TV. Star Bharat was ranked second with 697.634 million weekly impressions again tad higher than the 690.538 million weekly impressions in week 50.

    Zeel’s FTA Hindi GEC Zee Anmol climbed up a rank to third place in week 51 of 2017 with 695.320 million weekly impressions as compared to 646.612 million weekly impressions. The Balaji Telefilms-produced Kumkum Bhagya aired on the channel featured among the top-five Hindi GEC programmes in HSM –(R) during primetime.

    Network 18’s flagship Hindi GEC Colors climbed down one rank to fourth place in week 51 of 2017 with 622.522 million weekly impressions as compared to 648.788 million weekly impressions in the previous week. The channel’s Indian Hindi series produced by Rashmi Sharma Telefilms Limited – Shakti-Astitva Ke Ehsaas Ki was among the top-five Hindi GEC programmes in HSM-(U) during primetime.

    Zeel’s flagship Hindi GEC Zee TV retained its fifth rank in week 21 of 2017 with slightly higher ratings in week 51 of 622.034 million weekly impressions as compared to 612.024 million weekly impressions of week 50. As has also become a norm, Kumkum Bhagya and its spinoff Kundali Bhagya were among the top five Hindi GEC programmes in HSM-(U+R) and HSM-(U) during primetime.

    Star India’s flagship Hindi GEC Star Plus climbed up one rank to sixth place with 577.847 million weekly impressions as compared to 525.123 million weekly impressions in week 50. The channel’s Balaji Telefilms-produced Ye Hai Mohabbatein featured among the top-five Hindi GEC programmes in HSM-(U+R) and HSM-(U) during primetime.

    Star Plus was followed by Star India’s Hindi FTA channel Star Utsav which jumped up three ranks to seventh place in week 51 of 2017 with 573.464 million weekly impressions as compared to 526.123 million weekly impressions of week 50. The Sphere Origins-produced sequel soap opera Is Pyaar Ko Kya Naam Doon-Ek Bar Phir was among the top-five Hindi GEC programmes in HSM-(R) during primetime.

    SPN’s Hindi movies channel Sony Max descended two ranks to eighth place in week 51 of 2017 with 555.122 million weekly impressions as compared to 599.399 million weekly impressions. Hindi Feature Films’ (HFF) Bahubali the Beginning and DJ in HSM (U+R) and HSM-(U) and HFF Kanchana in HSM-(U) were among the top five programmes in week 51 of 2017. These films were aired on Sony Max during the week under review.

    SPN’s women-focused FTA channel Sony Pal retained its ninth rank in week 51 of 2017 with slightly lower ratings of 546.834 million weekly impressions as compared to 552.968 million weekly impressions in the previous week. The children’s Indian television series of a boy with supernatural powers Baal Veer, produced by Optimystix Entertainment, which aired on Sony Pal, was among the top five Hindi GEC programmes in HSM-(R) during primetime in week 51.

    The Sun Network’s flagship Telugu GEC Gemini TV completed the top-10 channels across genres list in week 51 of 2017 with 520.374 million weekly impressions at tenth rank as compared to eighth rank in week 50. The channel had garnered 562.485 million weekly impressions in the previous week.

    Also Read :

    BARC week 51: Zee Anmol leads Hindi (R+U) & rural market

    Four Star India channels among top 10 channels across genres

    Panchal helps Star Bharat top Hindi GECs across genres

     

  • BARC week 51: Zee Anmol leads Hindi (R+U) & rural market

    BARC week 51: Zee Anmol leads Hindi (R+U) & rural market

    MUMBAI: Zee Anmol dominated two markets this week – by dethroning Star Bharat in the Hindi GEC (U+R) market and continued ruling in rural markets – according to Broadcast Audience Research Council (BARC) all India data.

    Colors continued to rule the urban markets with a slight fall in the impressions. Star Utsav and &TV exchanged their ninth and tenth positions in GEC urban markets this week as compared to the previous week.

    Star Utsav and Sony Pal swapped their fifth and sixth positions as compared to week 50 in the Hindi GEC (U+R) market.

    Dangal TV jumped to sixth and Zee TV fell to seventh in Hindi GEC rural market this week.

    Hindi GEC (U+R)

    Zee Anmol has emerged as the leader in the genre with 692817 impressions (000s) followed by Star Bharat at second position with 692427 Impressions (000s).

    Colors and Zee TV stood at the third and fourth positions with 598691 and 584373 impressions (000s) sum, respectively.

    Star Utsav jumped to fifth position with 568254 impressions (000s) sum, while Sony Pal fell to sixth position with 542658 impressions (000s) sum.

    Star Plus, Rishtey, Sony Entertainment Television and Sony Sab have retained their seventh, eighth, ninth and tenth spots with 531495 impressions (000s), 467713 impressions (000s), 403512 impressions (000s) and 371595 impressions (000s) sum, respectively.

    Hindi Rural GEC

    Zee Anmol garnered the leading position with 520761 impressions (000s) sum. Sony Utsav and Sony Pal retained their second and third slots respectively with 417285 impressions (000s) sum and 367643 impressions (000s) sum respectively.

    Star Bharat and Rishtey stood at the fourth and fifth position with 359720 impressions (000s) and 340623 impressions (000s), respectively.

    Dangal TV and Zee TV interchanged their slots with Dangal TV at sixth place with 232190 impressions (000s) sum and Zee TV on seventh slot with 229254 impressions (000s) sum this week.

    Colors, Star plus and Big Magic also retained their eighth, ninth and tenth positions respectively with 161018 impressions (000s), 155558 impressions (000s) and 153796 impressions (000s) sum.

    Hindi Urban GEC

    In urban GEC, Colors, Star Plus, Zee TV, Star Bharat and Sony Entertainment Television retained their first, second, third, fourth and fifth positions with 437673 impressions (000s), 375937 impressions (000s), 355119 impressions (000s) and 332706 impressions (000s) sum and 292281 impressions (000s) sum, respectively.

    Sony Sab, Sony Pal and Zee Anmol also retained their sixth, seventh and eight positions with 278135 impressions (000s), 175014 impressions (000s) and 172055 impressions (000s) sum, respectively.

    Star Utsav and &TV swapped their ninth and tenth positions with 150969 impressions (000s) and 143501 impressions (000s) sum, respectively.

    Also read: 

    Zee TV leads Hindi GEC (R+U) & urban market: BARC week 44

    Most watched Hindi GEC primetime programmes by urbanites in 2017

    Colors tops urban market: BARC week 43

  • Average time spent on TV skyrockets

    Average time spent on TV skyrockets

    MUMBAI: The idiot box is still alive! Despite all the talk of television taking a back seat to online streaming platforms, the average time spent (ATS) per viewer was at an all-time high in the penultimate week of the year. According to week 51 of Broadcast Audience Research Council India (BARC) viewership report, people are spending more time watching TV. This phenomenon is driven by the holiday season with schools and offices being closed on account of the Christmas vacation.

    During the week, Hindi speaking markets (HSM) registered a record high ATS of 3 hours 38 minutes, four per cent more than the previous 13-week average ATS, which stood at 3 hours 29 minutes. The ATS in the urban HSM market stood at 3 hours 54 minutes, five per cent more than the 13-week average ATS of 3 hours 43 minutes.

    Earlier this year, on its TV premiere, Baahubali 2 received a mind-numbing 26054 Impressions (000s) sum in week 41 of BARC data even though the movie was available on several digital platforms prior to the TV release.

    The top-5 HSM markets that grew the most were:

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    There were several reasons for growth in ATS in the HSM market. The jump in the viewership of sports, news and kids genre was the trigger for this exponential rise in TV watching.

    The two T20 matches and the One-Day International (ODI) played between India and Sri Lanka during the week contributed to the spike in the viewership of sports. Both T20 matches started at 7:30pm whereas the ODI match was a day-night game that led to the prime time ATS growth. Furthermore, PV Sindhu’s Dubai International Masters matches helped enhance the ATS.

    Another factor that was responsible for the increase in TV time was news with the Gujarat and Himachal Election results boosting viewership in the Hindi news genre. Morning and mid-day coverage of the results did wonders to hold viewers’ interest. Moreover, thanks to the holiday season, kids’ channels grabbed a significant number of eyeballs.

    Top-5 genres that registered maximum growth in ATS in HSM:

    public://2_2.jpg

    In spite of the burgeoning content consumption on streaming services and OTT platforms, TV is far from dead. While Indian viewers are consuming more online content, the appeal of linear TV has not dulled for the average viewer. BARC’s numbers suggest that TV reigns supreme when it comes to sports, news and kids’ content.

    Also Read:

    Marathi GECs see a surge in viewership

    BARC ratings: DD Sports in top 5 after 37 weeks

    Guest Column: How 2018 could become a landmark year for OTT entertainment in India

  • TED Talks India’s first episode garners 42.4 million reach

    TED Talks India’s first episode garners 42.4 million reach

    MUMBAI: The inaugural episode of TED Talks India Nayi Soch, which aims to inspire people across the country with a new way of thinking, has received a rousing response across platforms when it premiered earlier this month. The first episode of the weekly show—which aired on Sunday, 10 December, 2017-was telecast across six channels (Star Plus, Star Pravah, Star World, Star Gold, Star Jalsa, and Movies OK) and garnered an aggregated reach of 42.4 million (Source : BARC All India 2+) on opening day.

    This, and the continuing momentum behind the seven-episode series, is borne by viewers’ reactions on social media as the show over two episodes so far has received over 140,000 mentions on social media from more than 31,000 unique users translating into over a billion impressions.

    “We are extremely pleased with the way TED Talks India Nayi Soch has been received by our audiences. The show appeals to the intellect and inspires people to think about and bring about change,” says Star India CEO Entertainment Amit Chopra. “The objective with this show is to inspire young minds and more so to encourage them to share more and more ideas. It’s very heartening to see the response.”

    Some of the innovations showcased in the first two episodes of TED Talks India Nayi Soch included Anirudh Sharma’s ink made from pollution particulates, Shubhendu Sharma, who quit his engineering job at Toyota to grow forests, Dr. Gautam Bhan’s work on rehabilitation and upgradation of slums. Also featured were outstanding personalities such as Javed Akhtar and Deepak Ramola.

    Also Read:

    Star Plus says #DontKillIdeas in first Ted Talks India campaign  

    TED Talks Nayi Soch on Star Plus, Hotstar: Content should feed passion for knowledge, says Uday Shankar

    TED Talks to get Hindi version on Star with SRK as host

  • Panchal helps Star Bharat top Hindi GECs across genres

    Panchal helps Star Bharat top Hindi GECs across genres

    BENGALURU: Optimystix Entertainment’s Indian comedy sitcom Kya Haal Mr. Panchal on Star India’s FTA Hindi GEC Star Bharat has been amongst Broadcast Audience Research Council of India’s (BARC) weekly list of top-five Hindi GEC programmes in the HSM markets, more so during primetime. In week 49 of 2017: Saturday, 2 December 2017 to Friday, 8 December 2017, Star Bharat, at second rank, was the most watched Hindi GEC channel in BARC’s weekly list of top 10 channels across genres: All India (U+R) : 2+ Individuals with 733.533 million weekly impressions. Star Bharat also topped BARC’s top Hindi 10 channels in the across genres and HSM U+R (hereby referred to as the HSM market) markets.

    The pole position in the across genres list is of course the domain of the Sun Network’s flagship Tamil GEC Sun TV which scored 1,052.240 million weekly impressions in the across genres list. As has become the norm, the channel topped BARC’s list of top 5 Tamil channels and all the top five programmes from the Tamil – TN/ Puducherry (U+R): NCCS All: Prime Time (1800 – 2330 hrs) : 2+ Individuals market were from Sun TV.

    Three GEC channels each from the Star Network and Zee Entertainment Enterprises Limited (Zeel), two channels from Sony Pictures Network India (SPN) and one GEC channel each from Network 18 (Viacom 18) and the Sun Network made up the top 10 channels across genre’s list. Of the ten, nine were GECs’, whilst one was a Hindi Movies channel. From the genre’s perspective, seven Hindi GEC channels, one channel each from the Tamil, Telugu and Hindi Movies genres comprised the list for week 49 of 2017. Four of the channels were free to air (FTA) and six were pay TV.

    Following Star Bharat was Zeel’s flagship Hindi GEC Zee TV with 679.282 million weekly impressions. The Balaji Telefilms produced Kumkum Bhagya and its spinoff Kundali Bhagya were among the top five most-watched Hindi GEC programmes in the HSM markets during primetime. Zee TV was ranked third in the top 10 Hindi GEC channels in the HSM market. Retaining its fourth rank of week 48 during the week under review was Viacom 18’s flagship Hindi GEC Colors with 673.554 million weekly impressions. The channel also topped BARC’s top 10 channels list in the HSM urban market, and its soap Udaant was among the top-five Hindi GEC programmes in the HSM urban markets during primetime.

    Zeel’s FTA Hindi GEC Zee Anmol was ranked fifth with 613.455 million weekly impressions in week 49 of 2017. The channel topped BARC’s Hindi GEC list of top 10 channels in the HSM rural market. At sixth place (same as week 48) was SPN’s FTA women focused Hindi GEC Sony Pal.  The Optimystix Entertainment produced children’s television story of a boy with supernatural powers Balveer was among the top five programmes in the HSM markets. Three programmes from Sony Pal–Balveer; Tarak Mehta ka Ooltah Chashma; and Chintu Ban Gaya Gentleman were among the top five Hindi GEC programmes in the HSM rural markets. At seventh place was Star India’s FTA Star Utsav with 551.278 million weekly impressions.

    Star India’s flagship Hindi GEC Star Plus was at eighth place in week 49 of 2017 with 536.017 million impressions. SPN’s Hindi Movies channel Sony Max was at ninth place with 528.872 million weekly impressions. Hindi feature film (HFF) Poster Boys in the HSM and HSM urban markets; and HFFs’ Sarrainodu, Kanchana Returns and Son of Satyamurthy in the HSM urban market were among the top five programmes in the Hindi movies genre for week 49 of 2017.

    Zeel’s flagship Telugu GEC, Zee Telugu, was at tenth place with 506.275 million weekly impressions. Zee Telugu also topped BARC’s list of top-five Telugu channels in the AP/ Telangana (U+R) : NCCS All : 2+ Individuals market. One programme – Mudda Mandaram and one Telugu feature film – Rarandoi Veduka Chudham were among the top five Telugu programmes in the AP/ Telangana (U+R) : NCCS All: Prime Time (1800 – 2330 hrs) : 2+ Individuals – market.

    Also read:

    Sunny Leone in Discovery JEET’s show Man Vs Wild

    Sun TV’s unassailable lead continues, while Zee TV leads Hindi across genre

    Sri Lanka’s higher TV content import levy to hurt Indian TV channels 

  • Nakul Chopra is new BARC chairman

    Nakul Chopra is new BARC chairman

    MUMBAI: Nakul Chopra, currently president of Advertising Agencies Association of India (AAAI) and senior advisor of Publicis Communications, has been elected as the next chairman of BARC India. Chopra succeeds Viacom18 group CEO Sudhanshu Vats, who has completed his one-year tenure as chairman.

    Chopra will be the third chairman of BARC India. He joined the BARC India Board in September 2016 and since then has been an integral part of the various decisions taken by the Board.

    “BARC India has been very busy in the past one year, as it further consolidated its TV measurement business. 2017 has also been the year when groundwork was done for key future projects, and in the year ahead I am looking forward to oversee their implementation. Top on that list is the rollout of EKAM – our digital measurement products. Expansion of TV sample using Return Path Data will be the other big piece to watch out for. We are all thankful to Sudhanshu for his leadership over the past year and I very much look forward to working closely with Partho and his excellent team over the coming year,” said Nakul Chopra on being elected as BARC India Chairman.

    Under chairmanship of Vats, BARC India expanded its sample panel homes from 20,000 to 30,000. Under his tenure, BARC India also announced its partnership with multi-system operator DEN Networks for return path data and announced the digital measurement partner.

    “BARC is a bold, paradigm-changing initiative that has already started to redefine our industry. Since inception, BARC has tackled several challenges while several remain. Going forward, I would urge all stakeholders to continue to take cognizance of the pace of change in our sector and the urgent need for us to adapt. A few years out, the next generation of industry leaders needs to look back and admire our shared legacy. This means creating a future-ready, sustainable organization with each of us making some concessions for the greater good. I wish Nakul the very best as he takes on the reins of a hard-working, industry-critical operation in a fast-changing operating landscape,” said Vats.

    Vats has been on the board of BARC India since its inception and will continue in his capacity as a board member.

    Said BARC India CEO Partho Dasgupta, “I am thankful to Sudhanshu for his guidance and support to the team. Our focus now is to establish ourselves as an insights company. Nakul in his new role as BARC India chairman will be a great driving force in launching our digital-measurement products, expanding sample homes via RPD, and launching a suite of new products.”

  • Food content dominates viewership on lifestyle channels

    Food content dominates viewership on lifestyle channels

    MUMBAI:  Living foodz seems to rule the roost among all other lifestyle channels on Indian television. The channel not only has a large female fan following but also a substantial male viewership that craves food content.

    In what seems to be a trend, Indian audiences prefer to watch food shows. Some of the most watched shows include The Great Indian Rasoi (14 Impressions [000s] sum) and The Dream Kitchen (11 Impressions [000s] sum) in week 47 of 2017. Living Foodz leads the charts as four of its shows feature in the lifestyle genre’s top-five programmes.

    Top 5 Programmes in the lifestyle genre:

    TG : 6 Mega Cities, 2+ AB

    All Days, 24 hrs

    Wk 47’2017

    public://food1.jpg

    According to BARC data, Living Foodz emerged as the leader in weeks 40 to 47 with average 1375 Impressions (000s) sum. Fox Life (average 900 Impressions [000s] sum), TLC, Food Food and Travel XP HD stood at second, third, fourth and fifth positions respectively with, 568 Impressions (000s) sum, 520 Impressions (000s) sum and 314 Impressions (000s) sum respectively.

    Bafflingly, the 2-14 years age group makes up for a significant portion of the viewership in the genre as compared to the age bracket of 15-21 years. The viewership of males and females is nearly identical rebuffing the notion that lifestyle channels are predominantly watched by women.

    Male-Female and Age wise split for the genre

    TG: 6 Mega Cities

    Impressions ‘000s

    public://food2.jpg

    Talking about the weekend slots, according to BARC data, Living Foodz—Northern Flavours Meethi Masti and Fox life’s Bikini Destination were at the first and second positions in week 47 with 10 Impressions (000s) sum. Moreover, Living Foodz—Soups and Salads, Fox Life’s Follow Donal and FYI TV18’s Food Paradise were at the third, fourth and fifth positions with 9 Impressions (000s) sum, 8 Impressions (000s) sum and 7 Impressions (000s) sum respectively.

    Fox Life last emerged as the leader in the lifestyle genre, according to BARC’s all-India data in week 36, dethroning Living Foodz from the pole position.