Category: Specialised and Niche

  • Sanjeev Kapoor on FoodFood’s FTA avatar, DD Free Dish & TRAI tariff order impact

    Sanjeev Kapoor on FoodFood’s FTA avatar, DD Free Dish & TRAI tariff order impact

    MUMBAI: With the new tariff order bringing in a major change to India's television distribution, several broadcasters are adopting alternative ways to stay relevant in the ecosystem. Chef Sanjeev Kapoor-promoted FoodFood channel is among those trying to negate the impact of the new regulatory framework by converting it into a free-to-air channel from its current pay model to maintain its reach. Ahead of its 11 July FTA launch, Kapoor interacted with Indiantelevision.com to outline the reasons behind the decision and offered insights into the category his channels operates in.

    What was the objective behind taking this call?

    When the tariff order was released, we were contemplating how to approach this. We realised that we should keep it the way it was and when the dust settles, we will take the call depending upon which way the viewership is moving. We studied and evaluated what the viewership patterns are, how things are moving, what is happening in the market, what is happening to specialty content, what’s the best way to approach it and we realised that for a single channel without bouquet strength the best way is to approach it differently. When there are bouquets, no matter what the order says that this can not be done, the reality is that bouquets for large players are much simpler and easier. Whether it is through Facebook, Youtube, we see that food content consumption has gone up exponentially on digital whether. The only way to bring it at par with what the consumer needs and demands is to increase the reach and that’s why we took this call.

    What were your key observations from three-four months of tariff order implementation?

    So as we know the overall viewership has dipped, that is because the reach is not there because you aren't there. Then, how does the viewer find you? Whether it is an MSO, DTH, small LCO, how do you get discovered? In a-la-carte, when you try to educate a person, it takes time and effort and when a single channel does not have the power to fight that, then it becomes very difficult. Even in my house it took my personal intervention to get Food Food, so it would be difficult for normal viewers. So to break this resistance, one must go the FTA way. We believe it will be better now because if the pressure of paying the broadcaster is not there, hopefully, it will be better. We evaluated Free Dish as well. It format have any specific advantage for a smaller channel. For devotional channels, there is a lesser fee but for specialty channels like us it is not beneficial.

    Do you see consolidation, mergers or more channels being added in the category you are operating in?

    Difficult to say. Bigger broadcasters with 40-50 channels have their own challenges. Some of them are shutting down, some of them are rationalising. In such a case, consolidation is the most obvious choice but really we have not seen that happen yet because these are early days. For people like us, fortunately, it's not something that bothers us too much because we have over 1200 hours of high quality HD content. We have the ability to syndicate, licence and monetise through multiple ways. So we are not too worried.

    Do you have to spend more on content to attract consumers as the new tariff order puts power in their hands to pick and chose?

    I would say that even if the power is given, if the consumer cannot use it how is it going to help. You can be FTA and still not be present as the must-carry rule is no longer there. How do you ensure that? Though digital has come to the rescue but at whose cost? It’s not at the cost of content creators or at the cost of distributors. There used to be a normal camera now there are more digital cameras. There could be transitions. Three years ago when I visited the US, people were talking about cutting the cords and if that is a global phenomenon that has to come. The power of content will stay. We consider that as content creators we distribute content through different platforms and whenever consumers find it convenient to access our content, they will consume it there.

    How do you plan to monetise your content across digital?

    We already do. We have a fairly large plan on digital. So, our overall community including Food Food is over 20 million that across platforms could be Facebook, Twitter, YouTube etc. We use that community to reach out to core Food lovers. We work very closely with brands. We are launching a series on biryanis. We have Dawat Biryani Rice on board as a large partner for that.

    Do you see your revenue more skewed towards digital in the near future?

    I would guess so.

    Do you tweak your programming in terms of going from pay to FTA?

    Our focus does not change. We want to stay focused on who we are. We don’t want to really change the programming too much.

    Do you see a change in nature of your core viewer given that you are a free platform now?

    It’s difficult to say. We want to stay core to our value and we will see if in each market we have enough consumers. We want to work with all the distributors in creating something unique and special for them. So, we don’t want to change the core product. We want to give a few things which no other TV channel can do.

  • Budget 2019: Finance Minister reveals plan for TV programme dedicated to startups

    Budget 2019: Finance Minister reveals plan for TV programme dedicated to startups

    MUMBAI: While presenting the first Union budget under Prime Minster Narendra Modi's second term, finance minister Nirmala Sitharaman announced a plan to come up with television programme dedicated to startups.

    "We propose to start a television programme within the DD bouquet of channels exclusively for start-ups. This shall serve as a platform for promoting start-ups, discussing issues affecting their growth, matchmaking with venture capitalists and for funding and tax planning. This channel shall be designed and executed by start-ups themselves. Later in this speech, I shall deal with taxation matters of the start-ups." Sitharaman said. 

    It was highlighted in the latest Economic Survey of India that nearly 85 per cent of companies in India were small-scale firms that employed fewer people. With the emerging importance of media and entertainment industry, nine pages have been devoted the sector in Economic Survey this year from zero space in previous editions.

  • Megha Tata on transforming Discovery, TRAI tariff order impact, content strategy & OTT play

    Megha Tata on transforming Discovery, TRAI tariff order impact, content strategy & OTT play

    Megha Tata describes her current gig as a ‘dream job’. She draws parallels between her rise as a top media executive with brand Discovery’s journey in India. “I feel at home. This is the kind of genre I can relate to, not only as a consumer but also as a business proposition,” the American broadcaster's new managing director for south Asia admits. The possibilities of what can happen to Discovery Communication India and its brands in the country are what Megha is most excited by. She's taken up the top job at a crucial juncture with several challenges that need addressing. The disruption in regulation and the overall ecosystem has made matters more tricky. In order to gain a better perspective of how Megha intends to navigate a complex terrain and steer Discovery forward, Indiantelevision.com caught up with her for a wide-ranging chat.

    As a company, at which stage do you see Discovery in at the moment in India?

    I think Discovery has gone through its ups and downs in the last 25 years. I think more ups than downs, which is fine because that’s how life is. At this stage, for me, it’s more in the space of transformation. There was a transition, and now we are moving into the transformation phase and that is not only true to India but globally as well.

    I have spent the last two months observing and absorbing what is happening not only in India but globally. I have spent time with my regional counterparts around the world and it was heartening to see that I’m not the only one who is going through that change which is happening around the world. That's great because when globally the company is moving in a direction and you’re going to be moving along, you know, the pace of that movement will be much faster. So that is where we are, we are in the process of transition and transformation from linear to non-linear.

    There is so much to be done. We have to prioritise our focus areas especially in the next 12 to 18 months. We have put together a strategy, which is very clear cut with three pillars at its core that would help to grow our business.

    Which are the problems that you have inherited and what problems do you see ariseing in the future?

    I see the glass always half-full, that is my attitude in life so I don’t see the problems. I only see opportunities and let bygones be bygones. The future is beautiful and that’s what I’m focusing on.

    As part of the whole ecosystem, who is to predict how it will play out? We know what our strengths are and what are our weaknesses, and accordingly, we play to our strengths and that is the plan. Discovery is in that phase now which is great because that only makes our job in India that much more, I won’t say easy, but at least aligned to what the global mandate is as well. I am seeing it as a great opportunity for stuff we can do in India with all our brands.

    There is a perception that Discovery’s brand in India has been diluted over the years. As the head of the company, how would you like viewers to perceive the brand going forward?

    On the contrary, Discovery’s brand continues to be strong in India. Given huge focus on never seen before thrilling content, we have an opportunity to take Discovery brand to a greater high in the country.  You will see emerge even stronger in the time to come!

    How do you see each of the brands in your portfolio in terms of their position in their respective segments?

    We have identified three key pillars that we want to focus on.

    We want to have an unparalleled leadership in the infotainment space. While we are the leaders, we want to scale it up further. Between Animal Planet and Discovery, we intend to do that. That will happen through not only the global content which we intend to bring in a bigger and better way, but also by investing in local Indian production.

    Second is the kids’ genre. We have a great play in the Discovery Kids so far. It is the fastest growing kids’ channel. We want to grow that business to become a formidable top three player. So not only our existing IP, but adding new IPs to it which we believe will have a resonance with Indian kids. Little Singham has done extremely well, so we are going to add more episodes, acquire more content, add another IP.

    And the third integral part is getting into the D2C space, which is the way to go if you want to survive. We will be coming up with an OTT platform very soon. We are very uniquely positioned to be different in terms of what is out there.

    Will your OTT platform work on an AVoD or SVoD model?

    Both.

    When are you launching it?

    Hopefully, early next year.

    What sort of content can we expect on your streaming service?

    The beauty about Discovery Networks is that we have 300k hours of content and we add about 8000 hours of content every year to it. That is the depth of the library we have. It is huge. We are not going to use all of that and put it up on our OTT platform. We will see what the Indian audiences would like and then divide it by genre. We will be an aggregator of this content. Our partnership with Dailyhunt is a testament to the fact that there is keenness for content like this. 

    When we partnered Dailyhunt, the audience reaction and consumption we got was outstanding. 400 million views, seven million MAUs and a lot of that are coming from regional content. We decided to invest in languages early on. We are already available in five languages, adding three more. So, Discovery will have eight languages. Kids will have six languages, Animal Planet will have three. It is a big thing for us to be available in so many languages, with rationalisation and localisation of our products.

    Does your partnership with Netflix continue to exist?

    Yes.

    What does the future hold for Discovery Jeet?

    Jeet has done its bit and it will play its course out. There is no plan to resurrect it. It will have its own course for an exit at some point.

    What about DSport?

    It is in a happy place, it is doing what it was meant to do.

    Any other partnership you have struck for content distribution?

    Not specifically with content distribution but there are many conversations on, with big players wanting to partner with us especially after what they saw with Dailyhunt. Now that we are saying that we will officially be launching our OTT, so more conversations are building up. It is pretty positive.

    How did the TRAI tariff order impact your subscription and advertising revenues?

    It is still playing out, there are many moving parts to it, and maybe it will take another few months before it settles down. So, we have also been impacted like any other company. We fared well given that we are a special interest proposition. We could have had the worst impact, but the main reason it didn’t was that our brand pull is so strong that the consumer demand remained high.

    With the TRAI order and the explosion of digital content has some of the advertising money moved out of TV?

    I think overall there has been a movement from linear to non-linear. Advertising is moving to digital but there are areas of challenge. An independent research mechanism does not exist in the ecosystem, and that becomes a question mark for a lot of marketers in terms of how the money is getting spent. There are many questions related not only to us but at an industry level and the issue which is being discussed in many forums. In our case linear has been our mainstay of revenue whether it is through ad sales or affiliate sales. OTT is yet to happen, it just recently happened. We are very new to the digital revenue space.

    What’s your take on advertising expenditures on television for the year?

    I think there is a positive story and I feel overall there is going to be growth. There were lots of cricket happening and elections were a positive spin. There is an India positive story. That will translate into advertising growth.

    Are you facing a challenge in selling your inventory?

    I think for Discovery, FCT is a challenge and that’s true for every genre, not just us. But what’s unique for our genre, I think we are probably the other genre after news which has the possibility to create branded content through branded solutions. I think there is an opportunity for growth there. We have done a bit, but we have really touched the tip of the iceberg. There is a huge opportunity for us to drive revenue from branded solutions.

    We are doing some of it. We have a dedicated team to deliver that content and promise. It has to go beyond content. I think it’s an opportunity to bring brand solution as a proposition far deeper and stronger connect with a brand, so the brand looks at you not from a transactional point of view but as a partner.

    Ok. What’s your take on the current TV audience measurement system?

    Let's put it this way. From where it was to where it is, there has been growth. They are now in 40,000 odd homes. That’s much better than 8000 homes. Is that enough? Not according to me. In a country of over a billion, 40,000 homes is not a benchmark. In that, special interest channels lose out because you know your allocation of boxes is so minuscule. If a person puts off one box, you have a huge drop in ratings, it does not make sense. It is an evolving conversation. BARC has its own view, there's a cost angle to it. So, it’s multiple layers of conversations.

    You’re now making a move into digital. How do you view the current scenario around a unified currency for digital measurement?

    Absolutely the need of the hour. Because that is what is missing in the whole digital economy. I won’t take names, but you know there are only two players making money on digital in the country. So, is there actual revenue out there in digital? That’s the question.

    What has been the rise in your topline?

    I can't say exact numbers, but we have a good growth story and we are a profitable company in India. A lot of our revenue growth has come from affiliate sales. And we have a good mix of revenue which is coming from affiliate as well as ad sales. It’s a good healthy mix, it’s skewed towards affiliate sales.

    Your vision for the brand in the next two-three years?

    Unparalleled leadership in the infotainment genre, among the top three positions in kids segment, and to be the number one real-life entertainment OTT service in India.

    For the ecosystem at large, are there any potential hurdles that need to be solved to amplify the growth?

    I think the biggest is the NTO and TRAI challenge that every broadcaster is facing. That needs to be addressed in some form or other. There is so much ambiguity right now that needs to be addressed very quickly.

    Has the TRAI tariff order resulted in adding more pressure on a network like yours?

    In the new regime, content has become a bigger king. The proposition has to be very distinctive. If you are one of many you, may lose out. We are so distinctively different and our proposition is so specific and so strong, that we continue to have a strong pull even after NTO.

    Going back to your OTT proposition, how do you see India’s OTT landscape? Is there space for all or we will see consolidation?

    There is bound to be consolidation. There are bound to be some exits in larger OTT space. I think five or six could be a happy mix in the existing play out. What we propose is very different. We will be the only one to come out with that kind of proposition. Hence, we believe there is a good opportunity, audience out there for us to offer such a proposition. But I think some form of consolidation or exits might happen.

    In terms of OTT content, there seems to be a gap on the documentaries front. Do you feel you are uniquely positioned to fill that gap?

    Yes, definitely. If you look at the existing players, the kind of content they have in their real-life entertainment, all of them put together would be ranging between the 600 to 1200 hours of content. We will be launching with 8000-10,000 hours of content. Our repository is so huge. So, that's our edge, that's our USP.

    Where will OTT consumption happen going forward – small screen or larger one?

    More small screens, more mobile phones, data getting cheaper, more people will be watching it on mobile. 

  • Epic TV launches IN10 Media to house multimedia ventures

    Epic TV launches IN10 Media to house multimedia ventures

    MUMBAI: Epic TV, the infotainment channel, has divulged strategic expansion plans through diversification across various media verticals. The company has revealed a vision of organising and building itself as a media network, with new ventures across every touch-point of the content life-cycle that would consolidate under the banner of IN10 Media.

    As part of its expansion plans, the company also announced the launch of two new television channels to go on air later this year – EPIC Plus, an HD offering, and ShowBox, a free-to-air channel.

    Epic TV MD Aditya Pittie would be spearheading the expansion as managing director of IN10 Media. Speaking on his plans, he said, “We are very confident that the media space and the business opportunities in it are set to explode in the near future, and our vision is to bite into a significant portion of that pie. Content, we believe, will play a pivotal role within the media universe and our mission is to create a content hub that identifies, seeds, nurtures, and delivers quality content to viewers.”

    Epic Plus would be a separate feed and the content offering would strengthen Epic’s positioning and further its brand promise of showcasing high quality, premium, India-centric content. 

    ShowBox is slated to be a regional youth and music channel, high on appeal and energy that will push the boundaries of quality entertainment in the regional space. IN10 will also house LatestLY which is a digital news portal. The company also operates an OTT platform – EPIC On – a freemium app available across all devices and several platforms including Amazon Fire TV, Android & Apple TV. It provides both catch-up opportunity, and selectively curated acquired content that has high affinity to its loyal audience base. EPIC On too would be under the IN10 umbrella.

    While the EPIC brand aligns under the headline of ‘India’s Storytellers’, IN10 Media also disclosed the upcoming release of a worldwide OTT offering in the niche of global documentaries. Named ‘DocuBay’ the premium SVOD service is scheduled for an exclusive first look of its beta release for the documentary community at Cannes, France, later this month. The company hinted at announcements of other upcoming verticals in the near future, including its ambitions of being a platform-agnostic content creator, for which it intends to set up a production house catering to the ever-rising demand for content, especially in the booming digital market, while also servicing other broadcasters. 

  • LF launches new show ‘Dakshin Diaries’

    LF launches new show ‘Dakshin Diaries’

    MUMBAI: Lifestyle channel LF has launched a new show Dakshin Diaries which includes avenues that are familiar but when explored reveals a curated mix of culture, cuisine, travel, music, and faith. The show is hosted by chef Rakesh Raghunathan, starting 21 March, airing every Thursday and Friday at 8.30 pm.

    The entire series revolves around the one thing that makes it relevant – the people. Be it the people making the temple ‘prasadam’ and adding their extra faith to it, the people rapping about current issues and trying to make a difference or even the housewives and grandmothers who, for centuries, have cooked with their own recipes with just a pinch of salt or just a hint of turmeric while making the best cooked dishes in the world. Dakshin Diaries, as the name suggests, is a record of experiences that revolve around garnering a sense of familiarity to the unknown. Each episode starts with a spiritual passage in a new city, a new temple and a new ‘Madapally’ (royal temple kitchen). Here the heritage of the city is explored whilst speaking about traditions that uphold the beliefs with which the locals live together.

    Living Foodz business head Amit Nair said, “South has been a relatively less explored place for the rest of India. On films and Tv and whenever it finds a mention its mostly in cliches. What we have therefore tried to do thru this show is to un-streotype the south which also is our key communication peg. The people, culture and tastes combined with distinct traditions make it a unique part of the country and the show manages to capture south in all its glory. I’m very confident that combining great quality of human stories and the unique milieu, the show will be a success and will look forward to more seasons.”

    Dakshin Diaries’ tagline rightly says ‘Dakshin dekho desh samjho!’ A conversation on the sports culture of Chennai at the Madras Cricket club – Chepauk with a senior journalist and active member of the club R Mohan reveals a time when India lost a match but the entire stadium did a standing ovation for the Pakistan team’s victory lap. From touching the ‘Golden Lizard’, searching for Saurashtrian weavers in Kanchipuram, trying to get tickets for a Rajnikanth movie, learning the recipe for the bestselling halwa by a North Indian in Kumbakonam, cooking from recipe books left by Serfoji the Maratha ruler, Dakshin Diaries has it all, and more.

    Raghunathan said, “As someone who has looked at food culturally, historically and enjoyed the journey where I have travelled the length and breadth of the South  of India, I have been able to meet interesting people, document recipes, culinary practices, cooking techniques and local legends. I am thrilled about the association with the LF channel, for they continue to set new standards in showcasing food the way it must be shown. I strongly believe that this show will give viewers a nuanced understanding of South India culturally, historically and gastronomically. I am already looking forward to season 2 of Dakshin Diaries.

    Each episode then seamlessly transitions into speaking about musicians, art, culture and more. Chef Rakesh meets people from various walks of life each offering something exceptional. An auto-driver who has given a talk at TEDx and provides free Wi-Fi to all his customers since he realizes the importance it may have especially for his expat riders. A Mylapore Mystical Magical Food Walk with the budding generation to break certain stereotypes. Meeting Dabba Chetty the owner of a traditional medicinal store over a century old selling various herbs, ingredients and medicines some of which one may have never heard of. A visit to ‘SoFar’ which is an underground music concert community that welcomes music collaborations between the locals and expats and also where Chef Rakesh joins in for a session.

  • Discovery Channel’s unique docu-series ‘Planet Healers’ to feature India’s most promising start-ups seeking to find innovative solutions to environmental hazards

    Discovery Channel’s unique docu-series ‘Planet Healers’ to feature India’s most promising start-ups seeking to find innovative solutions to environmental hazards

     Mumbai – Bustling with more than 1.3 billion people, there is a huge pressure on resources and sustainable living that is in turn leading to India grappling with several environmental issues like air and water pollution, and those related to plastic and solid waste management. According to a WHO report, 9 of its top 10 polluted cities in the world are in India. The Ganges is amongst the 10 most polluted rivers in the world. Notably, India lost an average of 63 football fields worth of forest land every day between 2014 and 2017. The country produces almost 1,00,000 metric tonnes of waste every day. There is an urgent need for us to find long-term sustainable solutions.

    Recognizing the problem, Discovery Channel, India’s leading destination for factual entertainment, is set to air a four-part original docu-series ‘Planet Healers’ featuring eight of India’s most promising environment friendly start-ups, who are innovating ways to pave a path to a sustainable tomorrow. The show has garnered traction from marquee advertisers – Cars24.com has come on board as an Associate sponsor while 100 Pipers and Housing.com have come on board as Co – Powered by Sponsors. To be hosted by Bollywood actor, Jim Sarbh, the series will deep dive into the journey of how these start-ups are working out innovative technology led solutions to environmental hazards faced by our country.  This first of its kind series will premiere on 8th March 2019 at 7 pm on Discovery Channel and Discovery HD World.

    The selected start-ups are focused on multiple issues. For example, Farm2Energy claims to have found a solution to use stubble – burning of stubble burning creates air pollution crisis in Northern India every winter.  Absolute Water converts 17 lakh liters of sewage water into drinking water every day while Saahas Zero Waste specializes in treating and recycling waste without disturbing the ecosystem. NaMo E Waste is working towards not just recycling but also ensuring safe disposal of e-waste. Afforest creates natural, wild, maintenance free, native forests using Miyawaki technique.  Rudra converts plastic into poly fuel on the other hand Chakr Innovation has created world’s first retro-fit emission control device for diesel generators which can capture over 90% of particulate matter emissions. Urban Kissan empowers people to grow their own safe, fresh and high-quality food with the help of Hydroponic farming technique.

    “Planet Healers is not just a TV show; it is an attempt by Discovery to create mass awareness about environmental hazards faced by our country which will have significant long-term impact,” said, Zulfia Waris, Vice President, Premium & Digital networks, Discovery Communications India. “We have focused this series on individuals who have dedicated themselves to create innovative technology led solutions for the conservation and preservation of our planet. They are common people with uncommon ambitions and incredible self-belief who are making a difference.”

    Speaking about the show, the host, Jim Sarbh said, “I don’t believe in the separation between mankind and nature. Mankind is nature. It is only natural, that nature would find a way to heal itself, through mankind. And so, it falls to us to create solutions and products that not only serve our purpose but also help save the environment. Discovery Channel’s Planet Healers will provide a look into how businesses can exist for more than just making profits, how they can help create a better and sustainable future.”

    The special screenings of Planet Healers have been scheduled for the prestigious collages like Indian Institute of Technology and Indian School of Business to inspire and encourage the new age upcoming technicians, engineers and aspiring entrepreneurs.  Get ready to be inspired by eight environment friendly startups with Planet Healers, a Discovery Channel Original that will premiere on 8th March 2019 every Friday at 7 PM only on Discovery Channel and Discovery HD World.

  • History TV18 set to premiere new unscripted series ‘Road Hauks’

    History TV18 set to premiere new unscripted series ‘Road Hauks’

    MUMBAI:  History TV18 has planned to come up with a new unscripted series Road Hauks, taking the inspiration from American designs, which will be premiering on 23 February at 6 pm. The show follows the creation of custom off-road vehicles that pay homage to the past while maintaining a modern, rugged look.

    In the premiere episode, the crew transforms a 2007 Jeep Wrangler body into a World War II fighter plane-inspired off-road vehicle. Steering yokes, an aircraft aluminum body, and thousands of rivets help make this jeep look like a fighter jet with a build of a modern monster truck.

    Hauk began his business out of his parents’ garage and has grown the company into an off-road automotive shop. The team’s inspiration for vehicles has no limits. He executes his designs with the help of his team including lead mechanic Rick, lead fabricator Rob, mechanic Clint, operations manager Justin, technician Josh Moe, and his wife and part owner Vianna.

  • Niche channels bank on differentiated content in new TRAI tariff regime

    Niche channels bank on differentiated content in new TRAI tariff regime

    MUMBAI: One worry that broadcasters seem to have from the impending TRAI tariff scheme that will commence from 1 February 2019 is the reception of their niche and differentiated channels. While GECs, sports and news channels don’t have much to worry, the others will have to fight for TV space.

    Here, differentiated content will play a role in ensuring genres like kids, infotainment and lifestyle are picked by viewers. 9x Media chief business officer and group business head Punit Pandey explained that out of 100 FTA channels, 26 are Doordarshan (DD) channels that are mandatory and the remaining are left with cable operators to choose. This choice depends on consumer pull and commercial deals with broadcasters. “I have commercial deals with almost all the big operators, where there is no reason for them not to give my channel. Music as a category is something that people like to have. So my commercial deal, consumer pull and music as a genre are the three reasons that will help us get in the 74 slots. But, according to me, a commercial deal is enough to get listed in the slot of 74 because I’ve paid to get in there,” he said.

    About the music genre’s content strategy, Pandey said that the cluster, except for 9xo that plays English songs, plays popular Bollywood songs which cut across divisions. He said, “As a Bollywood channel, our reach is far more than a non-film music channel, which is typically niche. For 9xm, we continue playing popular hit music. What adds to our advantage is our footprint in the regional market. Regional is going to grow and we are already there.”

    Viacom18, which has youth and a music channels MTV and MTV Beats, claims to not fall under the niche category.Viacom18 youth music and English entertainment head Ferzad Palia claims that it caters to a wide audience of 309 million viewers. He said that broadcasters who have not invested in differentiated content or have not found a clear way to differentiate themselves are the ones who may face the pressure of being selected or rather not being selected.

    MTV claims to follow a content-focused strategy while having differentiated product. Palia feels that if you have become an integral part of someone’s viewing habit, they will select you anyway. The channel also recently informed that the time spent on its channel had doubled. “Therefore, if our time spent has doubled that means we are doing something right because more people are watching us and we are becoming closer to the audience. I think we are in this advantageous position because of the unique offering that we have for the youth’s life,” he said.

    Zee TV business head Aparna Bhosle expects this order to usher in good days for the industry. Being a leader in the GEC category, it doesn’t have to worry much but she expects significant changes in viewing patterns to take place. According to her, people consume at max 130 channels when surfing. So, some channels may not make it to a viewer's list.

    Sony Sab, Pal business head Neeraj Vyas firmly believes that segmentation of audiences will be a reality. Till now, people were copying mass-pulling shows from competitors, but now each will have to focus and create for their own audience.

    Meanwhile, Disney India revamped its Disney XD channel to Marvel HQ. It is pertinent for one to assume that it might be its strategy due to the new tariff regime. The Walt Disney Company (India) executive director and head of product media networks Devika Prabhu said that the channel was creating a base so that it is ready by summer and kids would be habituated to it.

    Apart from content, bundling of the channels also plays a major role which is done by the broadcasters, cable and DTH operators. Apparently, Sony pulled the plug from a few of its channels—Sony Le Plex HD, Sony ROX HD and Sony Ten Golf HD since it didn’t rake in sufficient viewership. Simultaneously, others are converting to FTA channels. Recently, Business Television India (BTVI), an English business news channel, converted to FTA following the new regime. This could be a sigh of relief for the advertisers where their reach would be higher. FTA channels have the advantage of having advertising revenue because of higher reach.

    As far as ad rates are concerned, Pandey is confident it won’t be impacted while Vyas prefers to wait and watch for the MRP to unfold and the consumers' response. It will take four to five months for the regime to settle and advertisers, according to Pandey, are likely to wait and watch before changing pricing. He said, “Ad rates are not increased or decreased by one month’s performance. The advertisers or the agencies look at consistency; they do not change rates in a month’s time till the time it settles. Moreover, there are big events such as IPL, and the elections which will have serious pull.”

    Broadcasters have taken it upon themselves to educate consumers about the new tariff regime and also hinting at picking their own packs and channels. Pandey is bullish about the reach of his network and does not feel the need for full-page ads or outdoor hoardings.

    Palia replied that Viacom18 has been informing the consumers because it’s the network’s duty to educate consumers on how they can access their channels and their favourite shows under the new tariff order. “We are not trying to hard sell our channels to anyone,” he clarified.

    We are inching closer to the D-date and hoping that TRAI does not give in to another extension demand, as it has been prone to do previously. By early or mid-February, we are likely to get a sense of direction that the industry will be taking.

  • EPIC channel announces exclusive programming line-up to honour soldiers

    EPIC channel announces exclusive programming line-up to honour soldiers

    Mumbai, 14th January 2019: For Army Day, celebrated on the 15th of January, EPIC Channel, India Ka Apna Infotainment has just announced an engaging programming line-up. The day shall feature exclusive series that includes documentaries that celebrate the Indian army, its history and traditions, and recounts the brave who earned everlasting glory through supreme sacrifice.

    The day-long special airs 1 pm onwards and features episodes from the popular show ‘Regiment Diaries’; that documents the story of the various regiments that constitute the India Army. The one hour episodes included in the line-up are Punjab Regiment, Madras Engineers Group, Rajput Regiment and the Jat Regiment.

    Also featuring in the programming mix are two riveting documentaries narrated by, and featuring Kargil war veteran Major General G.D Bakshi. ‘Fall of Dhaka’ based on the Bangladesh  Liberation War of 1971, and ‘Turning Point At Tololing’ that walks viewers through the capture of the Tololing Peak during the 1999 Kargil War; are the two specials that will be featured in the curated line-up.

    Content and Programming Head, EPIC Channel, Akul Tripathi said “Reality is a scriptwriter beyond compare; and the stories about the Indian army and the triumphant feats of our soldiers in times of peace and war, are more compelling than anything that could be scripted. This is our small tribute to our men in uniform.”

    Tune in to EPIC Channel on 15th January from 1 pm onwards to watch stories of the legends of Indian Army.

  • Doordarshan launches new educational channel DD Roshini

    Doordarshan launches new educational channel DD Roshini

    MUMBAI: Doordarshan has launched a new educational channel DD Roshini as part of Bruhat Bengaluru Mahanagara Palike’s (BBMP) project.

    In association with Microsoft Aspire School Program, the new channel will present live television and Skype lectures in the classroom to assist teachers in BBMP schools.

    As part of BBMP’s initiative ‘to transform BBMP schools into world class educational institutions’, and to achieve the vision of ‘No Child is Left Behind’ it is implementing state-of-the-art technology such as augmented reality, virtual reality, artificial intelligence and machine learning, STEM and STEAM (Robotics) usage of cloud, IOT and bots etc, by improving the infrastructure to meet the highest standards, training teachers in the 21st century skills and coaching students to be future ready.

    The launch of the new educational channel was confirmed by Doordarshan director general Supriya Sahu on Twitter.