Category: Regional

  • Fakt Marathi up the ante at content creation

    Fakt Marathi up the ante at content creation

    MUMBAI: Fakt Marathi channel which was launched 2016, is upping the ante by coming up with fresh shows from July 2019 onwards. Fakt Marathi has launched two new shows catering all age audiences. Fakt Marathi now has an enriched hour and half of original content in prime-time from 8-9.30pm.

    The channel is currently offering its audience a fictional show titled 'Sindhu' and a nonfictional skit-based comedy show called 'Dhoomdhadaka'. In today's day and age of tension, 'Dhoomdhaka…Comedicha Surgical Strike' serves as a humorous stressbuster. This show aims to jolt out the current Marathi Tv comedy and promises to deliver unlimited fun for all the humour loving audiences.

    On the contrary, marathi audiences are witnessing 19th century era on their screens through a new serial titled Sindhu. Setting self apart from the typical Saas-Bahu saga, this costume drama shall definitely be a visual treat to the audiences.

    Original content shows along with the few others in the pipe-line are touted to give audiences something fresh in terms of its content and artists. Both the new shows have thrown some interesting results. So, now the channel airs its devotional content in the morning, best of Marathi cinema at noon and original content at the evening prime time slots.

    Thus the audience can witness cinematic excellence as well as the right mix of programming catering to all entertainment needs. Overall, Fakt Marathi now is a complete package of entertainment and drama, available across all DTH and cable platforms.

    Fakt Marathi is a favourite Marathi television channel dedicated to all entertainment needs of viewers with best programs and exhibition of choicest Marathi Cinema. The free to air Marathi channel is ready to change the experience of entertainment for its audiences. Now, Fakt Marathi is one of the fast growing Marathi GECs. It is all set to compete with the competitors through medium of original content creation.

  • Zee Telugu’s Zee Heroes – Episode 3, an art of ‘Picasso’

    Zee Telugu’s Zee Heroes – Episode 3, an art of ‘Picasso’

    MUMBAI: Zee Telugu’s latest show Zee Heroes had showcased the contestants performing stunts that have not only kept the audience on the edge but also brought the participants face – to – face with their biggest fears. As the tasks and the competition gets tougher; the ability and courage of the contestants are getting challenged at every level. An amalgamation of thrill, adventure, courage, reality, entertainment and a whole lot of fear, Zee Heroes goes on-air every Sunday at 9:00 PM only on Zee Telugu and Zee Telugu HD.

    As a sneak peek to the next episode, in the wilderness of Thailand, 10 daredevils perform a dynamic stunt atop a moving truck. Team Ashwa gets the opportunity to play first, while Gaja team contestants distract their opponents by throwing the water balloons on them, as Ashwa team is painting a sketch on a moving truck. Amidst the game, Akarsh Byramudi from Ashwa team gets hurt due to water balloons.

    The end of every episode will witness a face-off task, and the winner of this task will be elected as Garuda contender. This week Vidhyulaekha, Milind, Sunanda and Samrat will fight for the title of Garuda contender and the Garuda winner would earn the power to save themselves or a friend from elimination.

  • Krishna Janmashtami special: watch Bhojpuri songs of Shree Krishna on new show “Jai Kanhaiya Lal Ki”

    Krishna Janmashtami special: watch Bhojpuri songs of Shree Krishna on new show “Jai Kanhaiya Lal Ki”

    MUMBAI: In the last few days, in the holy month of Shrawan, the devotees saw long queues in large small temples across the country. At the same time, the enthusiasm of the Shiva devotees swinging on the beautiful Kanwariya songs on the special show, “Kanwariya Bole Bam Bam” was worth watching. For the the devotees of Shree Krishna, this Janmashtami is going to be a treat as B4U Bhojpuri is going to bound its audiences with its powerful programs, from Valley to Gujarat including the states of Purvanchal. B4U Bhojpuri on the occasion of this Janmashtami is bringing a special show “Jai Kanhaiya Lal ki” for the devotees of Shree Krishna. This will be telecasted under Bhajan Sagar Show at 5’o clock in the morning. This show will be aired from 21 August to 25 August showing different phases of Shri Krishna’s life, taking from his childhood to his Bhagwan Avtaar in the form of songs and hymns.

    This is the first time in the Bhojpuri TV world that one can watch festival special shows, super hit Hindi-Bhojpuri movies and compelling mixers of favorite daily soaps in a single channel. The famous show “Jai Kanhaiya Lal ki”, introduced by legendary singers like Bhajano Pawan Singh, Sanjana Raj, Kumar Vishnu, Devi and Pramod Premi, is being run exclusively on the occasion of Janmashtami. Pawan Singh, is known for his famous songs like Tani rang da na chiza, Abhinandan ka abhinandan, Falana bo dharaili ho holiya me.

    Famous hymns of Lord Krishna can be seen on the show 'Jai Kanhaiya Lal Ki' from 5 am to 8 pm through Bhajan Sagar Show of B4U Bhojpuri. However, it will be the first time that Bhojpuri audiences will get a chance to enjoy Krishna hymns in the melodious Bhojpuri voice of the veteran singers of the industry. The promotional activities of the show, “Kanwariya Bole Bam Bam” aired on the channel in the past month were carried out in full swing, with more than 500 rickshaw drivers motivating people to join the show as campaigners in different areas of the district.

  • Agencies should add news genre to regular planning: Network18’s Karan Abhishek Singh

    Agencies should add news genre to regular planning: Network18’s Karan Abhishek Singh

    MUMBAI: The news genre should be included by agencies for its impact as a full planning platform and not just an add-on. This was the view echoed by News18 Network CEO-languages Karan Abhishek Singh at Tele-Wise Tamil 2019 organised by Indiantelevision.com on 6 August 2019.

    At the event, Singh spoke on the relevance of the news genre in the Tamil Nadu market which is dominated by GECs and movies. He said that news as a genre has grown fastest in the past one year.

    Mapping the growth of regional news channel in the state, Singh urged advertising agencies to add the news genre to their regular planning. He explained that in the last one year the peaks in news are significantly higher from the demise of Tamil Nadu former CM M Karunanidhi to cyclone Gaja to the national election to Article 370. The peak has been breached around 18 to 19 times. “These are the big event days which create an impact on the viewers and the advertisers. Two or three impacts in a month is an opportunity for the advertisers,” he said.

    The top categories on news channels are largely retail outlets. Apart from male-targeted products, news genre is delivering to response-driven categories like retail, film, real estate etc. and these categories have been using the genre consistently. The genre also has the potential to drive long term brand imagery for brands- auto, travel and tourism and insurance.

    He also mentioned that auto categories have started advertising on regional channels. Travel and tourism has also become a critical mass category on news. “So the news genre on its own needs to be looked at very differently and not just a frequency builder as part of an advertising campaign because it is the platform that delivers impact consistently month after month,” he said.

    Singh believes that news is the fastest growing genre in the country and a large part of this is because of regional news channels. “The genre is growing largely across regional channels and partly in Hindi but not so much in English which was the traditional forte of news consumption,” he said.

    “In regional space, the south market is extremely news intensive. When it comes to news consumption, Tamil Nadu out-consumes some of the states by as much as 2:1 ratio,” he said.

    Within the South, the interesting part is that Tamil Nadu has very unique pattern of consuming news. The Tamil Nadu audience watches more news in the early morning. About 55-56 per cent of the day’s viewership comes from the time band of 6 am to 2 pm. “Tamil Nadu news has given a completely new definition to news primetime. There is no other market which has this kind of pattern,” opined Singh.

    Singh also said, “At overall TV level, Tamil Nadu is one of the largest viewership markets in the country based on the component of early morning and mid-day news viewership and traditional primetime viewership on GECs and movies. And with every spike in the news cycle, the overall TV viewership increases. News is consistently among the top three genres in the state and continuously reducing the gap with the second genre i.e. movies.”

    Singh concluded, “A few years ago, the reach of news was 52 – 53 per cent and today news reaches 70 per cent of the viewership on a weekly basis. The news genre is rapidly growing in Tamil Nadu because of its sticky content. Regional news channels have the opportunities to build and by this I don’t mean by sensationalising the news but going deeper into what matters in that particular region. We need to engineer the revise brain drain from the larger national platform into the regional platform.”

  • Nihar Naturals partners with Zee Bangla for the 2nd season of ‘Akai Aiksho’

    Nihar Naturals partners with Zee Bangla for the 2nd season of ‘Akai Aiksho’

    MUMBAI: After a successful debut season of Akai Aiksho last year, Marico’s Nihar Naturals is back with the 2nd season of the show in association with Zee Bangla. Akai Aiksho, which means ‘one with the power of a hundred’, is the brand’s annual property that celebrates inspirational stories of women who have overcome all odds to showcase their inner strength and make a visible change in the society. The 1st season of the Akai Aiksho campaign last year showcased and rewarded several extraordinary stories of such women- be it Bengal’s first woman taxi driver who struggled to make ends meet but still didn’t give up or the social reformer who works with jail inmates to educate them through music and art; all of these are women worthy of being celebrated as Akai Aiksho!

    As part of this year’s show, Nihar Naturals and Zee Bangla will air a series of four episodes on a weekly basis celebrating real life ‘Akai Aiksho’ women. The first episode of the show was aired on Aug 4, 2019.The show will also feature a special, digital-only webisode series for the first time with a Lok Sabha MP and one of the most popular Bengali actors – Mimi Chakraborty. This digital only episode aims to reach out tothe young, modern Akai Aiksho women of Bengal who are already inspiring many others to overcome all odds and make a difference in the society. 

    The final episode of the show will also have Nihar Naturals’ brand ambassador,VidyaBalan, in conversation with all the women whose stories are part of this year’s season. Vidya has long been associated with the brand and is the perfect embodiment of the Nihar Akai Aiksho woman. 

    Koshy George, Chief Marketing Officer, Marico Limited said, “Nihar Naturals has always championed the cause of women’s progress and believes that every woman is Akai Aiksho- an army of one with the inner might of a hundred. With the first season of the campaign, the brand brought alive extraordinary stories of grit of such inspirational women that inspired others in every corner of the country to live big and dream bigger. The second season of the show aims to reach out to a much larger set of young, modern Akai Aiksho women who can be the torch bearers of change in the society and evoke more such stories of inner strength. Nihar Naturals is the perfect embodiment of this Akai Aikshospirit with the promise of strong hair for these strong, extraordinary women who we are celebrating as part of this show.”

    Unlimited potential and strength of a woman is the brand ethos of Nihar Naturals Coconut Hair Oil, the leading hair oil brand from Marico in West Bengal. With this thought, it aims to inspire and awaken the power within each woman through this new season of Akai Aiksho!

    Commenting on her association with the Akai Aiksho campaign this year, Mimi Chakraborty said, “I am proud to partner with Nihar Naturals Akai Aiksho 2019. This campaign is very close to my heart and Akai Aiksho as a concept is something I’ve seen all through my life. We all have Akai Aiksho women in our lives- those who have shown their inner strength equal to a 100 at times when it's needed the most and inspire us through their stories. I have met and been inspired by many such women in my life- right from my mother to people I work with on an everyday basis. I’m looking forward to meeting more such inspirational women through the digital episodes and sharing their stories with all of you.”  

    The brand has also worked closely and backed these women to achieve their dreams through material or infrastructural support and aims to continue to build this community. The campaign this year will feature more such stories and through this season of the show,Nihar Naturals wants to inspire more consumers to bring about a social change. The show is inviting viewers to send in their entries for the Akai Aiksho women in their lives through online submissions or by calling on the toll free number. Select women whose stories are featured will be invited on the show to talk about their Akai Aiksho journeys!
     

  • Tamil TV faces the challenge of attracting younger audiences

    Tamil TV faces the challenge of attracting younger audiences

    MUMBAI: TV viewership is growing in the regional market and TV broadcasters do not fear the OTT threat. Instead, regional players are looking at attracting younger audiences to television. Tele-Wise Tamil 2019, which was organised by Indiatelevision.com on 6 August 2019, gave the industry a platform to discuss the issues faced in the regional market.

    The event witnessed a panel discussion on ‘Changing face of TV’ moderated by Horse Pictures partner and YuppTV former head Vijay Adhiraj with the panel as Colors Tamil business head Anup Chandrasekharan, Sun Life content acquisition and Sun TV Network Ltd Kids Entertainment Kavitha Jaubin, Trend Loud CEO Chidambaram Natesan, Star Network deputy business head for Vijay TV Balachandran Ratnavel, Bodhitree Multimedia Pvt Ltd co-founder and director Mautik Tolia, and Polimer TV strategic advisor and consultant Suresh Iyer were the panelists.

    The panelists discussed evolving content trends and challenges faced by the industry in attracting younger audiences in the regional space and the importance of weekly ratings in creating content.

    Adhiraj began the discussion by understanding how content creators decide what kind of content will work. To which Natesan replied, “Content has always being a priority to us. What makes us decide what kind of content work well for us is basically to understand what the need of the hour is. We go by the data and data makes us change our decision every day. We decide content based on the power of engagement.”

    On understanding the audience's need, Tolia commented, “Over the last one and a half years, especially with my company, we have broken our company into three verticals, one with Hindi GEC content, another with digital web content and one with regional content. That’s what makes the job of a content creator more complex. The digital market itself has very different kind of audiences; there is Netlfix audience, catch-up TV audience. There is a different scale of digital model which has started operating. We need to be very clear about who is our audience.”

    Ratnavel believes that TV and OTT share same universe so there is no need to come up with separate kind of content for both the platform. He said, “BARC data gives very different picture on television. TV is growing and in Tamil Nadu TV viewership has grown 10 to 15 per cent Y-o-Y. The time spent has substantially grown, it is beyond the national average which means there is a huge appetite for TV in Tamil Nadu. There is no need to change the kind of content for digital and television because the people on both the platforms are same.”

    “I would say 80 per cent of the content has succeeded by default not by design. For a content to succeed, there are three key stakeholders- content creator, marketer and advertiser. They are all inter-linked with each other,” Iyer opined.

    Sharing his view on whether metric defines the content, Chandrasekharan said, “In our business we are not governed by the metrics that keep popping-up every week. We focus on trying to create a clutter breaker, how do we make it relatable and how do we ensure that every day people come and consumer our content.”

    He further said, “There is a great amount of experimentation that happens with content in Tamil Nadu and content keeps evolving. There are three stages in which the content is designed i.e. to get a content that will attract the audiences; second is liking the content and third is addiction which makes one to follow the content.”

    Speaking about Sun Life, Jaubin said, “I strongly believe that today the viewers are no more massive viewers instead they are the co-creators through their feedback. They want to be active and social media is highly interactive because of the fact that they have been given the space to be active 24/7. So we thought of creating something for a younger demographic but it is not out of the box, it includes family audiences as well.”

    “We need to be continuously in touch with them. When we know to meet our consumer then we understand better about the exact filter that we need to apply to our content. Staying in constant touch with our audiences, speaking to them and understand their life and daily routine actually helps us to create most of the contents especially on TV,” said Ratnavel.

    Chandrasekharan said, “If we specifically take Tamil Nadu into consideration, if we decode the kind of content Sun TV was offering was largely family drama, Vijay TV was largely into romantic kind of content, Zee Tamil brought in romance and family. The content offering in Tamil Nadu has evolved from within the family to the outer circle of the family. In the next two years, the kind of content offering would be not just around the mother and daughter but around the outer world of the family like neighbours and society. The average consumer is also getting exposed to different kinds of content, so their expectations are also pretty high.”

    Jaubin also expressed the need to take technology like AI and augmented reality into account so that the broadcasters start producing some of the best formats on TV.

    Speaking on the challenges, Tolia said, “Nowadays Facebook and Hotstar have become our competitors as the women are spending more time on social media platforms. That is the major challenge for Hindi GEC and regional market has still not faced it because we are growing but the challenge is going to be on how to attract the younger audiences to TV who are engaging themselves in very different kinds of entertainment. That is something we really need to look into.”

  • SITI Networks’ subscription revenue surges 36% y-o-y, ARPU grows 2x

    SITI Networks’ subscription revenue surges 36% y-o-y, ARPU grows 2x

    MUMBAI: SITI Networks Limited, an Essel Group company, on Monday released its consolidated audited financial results for Q1 FY20.

    Continuing with the strong performance from last fiscal, SITI reported growth in its Operating EBITDA by 1.5x to Rs.841 Mn in Q1 FY20. Capitalising on the growth opportunity provided by New Tariff Order, SITI has delivered by growing the revenue at a phenomenal rate while maintaining the strict control over the operational efficiencies. This manifested itself in Operating EBITDA Margin expanding significantly by 471 bps y-o-y to 21.4%

    Subscription revenue increased by more than 36% y-o-y to Rs. 2,932 Mn in Q1 FY20, aided by improving monetization and upselling better value offerings to customers. Total Revenue (excluding activation) also surged ~20% y-o-y to Rs. 3925 Mn.

    To better serve the subscribers under the new regime, SITI has created multiple offerings for the consumers which cater to multiple demographics and geographies.

    As a result of these customer-oriented offerings more than 57% of the base opted for these curated MY SITI plans as it gives them the best of content and economic value with minimal effort which has resulted in Digital Subscriber ARPU leaping 2x y-o-y & 1.5x over the previous quarter to Rs.125. This transition has resulted in the choice belonging to the consumer now.

    While commenting on the results, Rajesh Sethi of SITI Networks mentioned:

    “SITI has successfully started to incorporate the New Tariff Order to the very roots of our business and this is validated by the stellar results displayed in the first quarter of current fiscal. Our subscription revenue grew over 36% y-o-y with total revenue (excl. activation) increasing by more than 19% y-o-y. With the increase in collection & operational efficiencies we saw our Operating EBIDTA grow 1.5x y-o-y to INR 841 Mn and the EBIDTA margins subsequently rose 1.3x y-o-y to 21.4%. Our product strategy to provide the optimal entertainment choices to our subscribers is bearing fruit as the ARPU has grown 2x y-o-y and we are sure that this growth momentum will only grow stronger.”

  • Vikatan Group’s B Srinivasan on TV-OTT dynamics, air time barter model, first digital-only daily soap

    Vikatan Group’s B Srinivasan on TV-OTT dynamics, air time barter model, first digital-only daily soap

    MUMBAI: Tele-Wise Tamil witnessed a one–on-one conversation between Vikatan Group managing director B Srinivasan and Indiantelevision.com founder, CEO and editor-in-chief Anil Wanvari which brought out interesting facts on the journey of Vikatan Group. The duo also discussed the company’s road ahead in the Tamil market.

    The group creates content for various streams from television to YouTube and has its own YouTube channel with 10 million subscribers. The company is also looking forward to cater to the audiences in Tamil Nadu through OTT platform.

    Taking the audience through the journey of Vikatan Group, Srinivasan said, “It has been 29 years since I joined. After the launch of Sun TV it took us around five years to gain the courage that we had lost in 1993. That time I decided at least to produce if I am unable to start a satellite channel. We were having our own fiction and that was the bread and butter of Ananda Vikatan. We have had the best creators working for us so we thought it was a natural extension to enter into production. We started in 1998 with a weekly serial called Akshaya.”

    “We had an interesting journey; we consistently worked with some of the best channels in the industry. Daily soap is not easy to come by, it is tough to bring out the cassette at the end of the day and since the last three years it has become six days a week. 26 episodes a month is not a joke,” he commented.

    Talking on the presence of Vikatan’s content on digital platform, Srinivasan said, “Since 2011 we are on YouTube as well. Today across fiction and non-fiction we have around 10 million subscribers on our YouTube platform. We crossed 150 million views last month. Today we got into a place where we can produce content beyond television. We are in talks with a couple of OTT players and trying to understand how it works since it is nothing like television.”

    Wanvari mentioned that apart from Doordarshan and Sun TV, most producers operate on a commission model, then why did they choose the air time barter model. “In 1998, Sun was the dominant player in the television market and it had air time commission model, they did not have commissioning model at that time. That gave us one of the biggest advantages of creative independence and I can guarantee that none of the producers today have that. Creative independence is cherished a lot by our creators today,” replied Srinivasan.

    Tamil TV is under-indexed compared to the share of viewing it gets, sharing his views on the impact of the same on Vikatan Group, Srinivasan said, “The market is rough but we have been having an amazing relationship with our advertising clients and they know us from different days. There is a trust that we have been able to build in the market.”

    He further said, “Because of the market dynamics we have not been able to make money always but we have been able to supplement our presence through YouTube.”

    Wanvari also inquired whether Vikatan Group would be opened to get commissioned from the broadcaster. To which Srinivasan replied, “I would rather get commissioned in the OTT space than on the television because our product will make lot of money with the kind of IPs we have.”

    Going further he said, “The OTT space is completely different. On television, the investment that is required in a single episode can run into almost Rs 1 crore. So, that is something that we wouldn’t want to go ahead with.”

    The group also shared his plan to produce the first digital daily soap for YouTube. Srinivasan said, “We have been fortunate enough to be the first producer commissioned by YouTube to produce the first digital daily soap and that’s likely to come out in the next few months.”

    “There are going to be digital avatars of the characters. There will also be digital interaction which will lead to the storytelling and those will lead to the social interaction. That’s how the story will pan out. It’s a 120-episode series which will air from Monday to Friday,” explained Srinivasan.

    If the show does well then it would be the first daily soap which will be told exclusively on YouTube. Srinivasan is hoping to get the interest of advertisers on the same and also plans to come back with seasons of the show.

  • Saam TV leads in Maharashtra with 5.9 cr impressions in BARC India week 31 ratings

    Saam TV leads in Maharashtra with 5.9 cr impressions in BARC India week 31 ratings

    MUMBAI: Saam TV has gained number one position among all channels for week 31 (27 July 27 to 2 August 2019) of BARC India ratings in Maharashtra. According to the BARC India report, Saam TV recorded over 5.9 crore impressions in Maharashtra and is followed by ABP Majha at over five crore.

    The channel showed a massive rise in its viewership from the previous week, attaining an increase of 45.9 per cent. During the same timeframe, Saam TV created more than double the impressions recorded by Aaj Tak (2,99,60,000), which leads the roost in Maharashtra among non-Marathi channels. Among the channels in the Marathi news and information category, Saam TV has recorded a market share of 25 per cent, followed by ABP Majha at 20.8 per cent.

    BARC India data for week 30 and 31 of 2019, for Maharashtra and Goa for audience above two years, Saam TV was at leading position with 59,253 weekly impressions (000), followed by ABP Majha with 50,447 weekly impressions (000) and TV9 Marathi with 48,827 weekly impressions (000).

    Saam TV channel head Nilesh Khare called the channel’s understanding of Maharashtra second to none, attributing it one of the reasons for its growth. “Saam understands the pulse of Maharashtra. We understand the common man, their plights and their triumphs. We listen to them and become their voice,” said Khare. Crediting the channel’s neutral stance in news delivery for its continued success, Khare further added, “We have remained neutral in our political stance and also focused on social causes that concern their day-to-day life. That’s the reason the viewers have preferred us and have taken us to No.1 spot.”

    Sakal Media Group managing director & AP Globale Group chairman Abhijit Pawar thanked the viewers through a congratulatory tweet and recognised Saam TV’s neutrality for the sustained success.

    “The numbers are a testimony to our neutrality in news delivery and relentless efforts to serve Maharashtra by being its reflection,” said Pawar.

    Saam TV also benefits from the Sakal ecosystem and approaches journalism in sync with today’s age. Journalists engage in a collaborative approach for collective success and ensure optimum news delivery.

    Saam TV also continues to dominate among top programmes in Marathi news and information category with 67 programmes in the top 100 across channels. Shows like Viral Satya, 36 Jille 36 Reporters, Top 50 News, Spotlight, etc. have consistently garnered high numbers and remained among the top-performing programmes.

    Saam TV, a part of the Sakal Media Group (SMG), was launched in 2008. Saam TV is the group’s first venture into broadcast media business bringing a global outlook to the regional television. 

  • Sun Tv ex-IPL numbers up in Q1 2019

    Sun Tv ex-IPL numbers up in Q1 2019

    BENGALURU: The Kalanithi Maran-headed Sun TV Network Ltd (Sun TV) reported almost flat y-o-y standalone operating revenue (down 0.1 percent) for the quarter ended 30 June 2019 (Q1 2020, quarter or period under review) as compared to the corresponding year ago quarter Q1 2019. Without the income generated from Sun TV’s IPL franchise ‘Deccan Chargers’, the company’s operating revenue increased 16 percent y-o-y in Q1 2020. Sun TV reported standalone operating revenue of Rs 1,101.36 crore for Q1 2020 as compared to Rs 1,120.39 crore for Q1 2019. Ex-IPL, the company reported standalone operating revenue of Rs 856.97 crore for the quarter under review as compared to Rs 738.59 crore for Q1 2019. Sun TV reported subscription revenue of Rs 396.94 crore for Q1 2020, which was 27.5 percent higher than the Rs 311.27 crore for Q1 2019.

    The board of directors of Sun TV has recommended an interim dividend of Rs 2.50 per equity (50 percent) share of face value of Rs 5 each.

    Calculated simple standalone EBITDA for Q1 2020 at Rs 682.91 crore (62 percent of operating revenue) was 7.1 percent lower y-o-y than the Rs  734.71 crore (65.6 percent of operating revenue). Standalone profit after tax for Q1 2020 declined 6.7 percent y-o-y to Rs 381.87 crore as compared to Rs 409.14 crore in Q1 2019.

    The company reported income from its IPL franchise of Rs 244.39 crore for Q1 2020 as compared to Rs 385.92 crore in Q1 2019. IPL franchise costs for the quarter under review were Rs 138.40 crore as compared to Rs 186.66 crore in Q1 2019. Sun TV paid IPL franchisee fees of Rs 46.31 crore in Q1 2020 as compared to Rs 71.33 crore in the corresponding year ago quarter.

    Let us look at the other standalone numbers reported by the company:

    Standalone Total Expenditure (TE) in Q1 2020 increased 8.7 percent to Rs 578.99 crore as compared to Rs 532.71 crore in the corresponding quarter of the previous year.

    Standalone Operating expense in Q1 2020 more than doubled (increased 100.7 percent) y-o-y to Rs 162.38 crore from Rs  80.90 crore in the corresponding quarter of the previous year. Employee Benefits Expense in Q1 2020 reduced 13.7 percent y-o-y to Rs 73.49 crore as compared to Rs 85.16 crore in Q1 2019. Other expenses (OE) in the Q1 2020 reduced 8.1 y-o-y percent to Rs 136.27 crore as compared to Rs 148.29 crore  in the corresponding quarter of the previous year.