Category: People

  • Filmmaker Jitendra Mishra takes the global stage with CIFEJ presidency win

    Filmmaker Jitendra Mishra takes the global stage with CIFEJ presidency win

    MUMBAI: Forget red carpets and film festival fanfare – this win’s about kids, culture, and a camera roll full of global vision. Indian filmmaker and flagbearer of meaningful cinema Jitendra Mishra has just snagged the big seat as International Centre of Films for Children and Young People (CIFEJ) president, and he didn’t need a vote-off to do it. His unopposed, unanimous election was a rare feat, backed by over 50 members across 40 countries. Yes, that many.

    The UNESCO-supported body, which has been promoting culturally relevant children’s cinema since 1955, now has a fresh Indian face at its helm – someone who’s walked the walk with Smile International Film Festival for Children and Youth (SIFFCY). As SIFFCY festival director and long-time cinema-for-change crusader, Mishra’s latest role is no accident.

    It’s a perfect reel-to-real story.

    “I am deeply honoured and grateful for the trust and support of my fellow members at CIFEJ. This unanimous success is not just a personal achievement but a testament to our shared vision of empowering young minds through meaningful cinema. I am also sincerely thankful to the management of Smile Foundation for their unwavering support and commitment towards this. Together, we will continue to champion films and related activities that inspire, educate, and celebrate cultural diversity for children and youth worldwide,” said Mishra.

    CIFEJ, born in Brussels and now headquartered in Athens, Greece, isn’t just a symbolic outfit. It’s a full-throttle platform pushing for top-notch audio-visual content that speaks to, with and for young people. And with Smile Foundation backing and cultural clout on his side, Mishra is expected to turn that volume way up.

    Backing the sentiment, SIFFCY chair & producer of I Am Kalam, Santanu Mishra added, “I believe that audio-visual medium, especially good cinema, has the power to stimulate discussion and contemplation in young minds about personal, emotional, societal and moral duties. Thus, it can enable young global citizens to become better, stronger and empathetic individuals. Our support and good wishes are there for CIFEJ to help bring positive societal change that begins with the young minds.”

    The newly elected board reads like a film festival guest list: Pamela Bisson (Canada), Doros Demetriou (Cyprus), Huang Jun (China), Anis Lassoued (Tunisia), Emma Pendiuc (Romania), Elham Shrivani (Iran), and Mitsuo Tahira (Japan). Greek representatives Vassilis Karamitsanis and Irene Andriopoulou will serve as secretary general and executive director respectively.

    “We aspire for the transfer of the CIFEJ headquarters in Athens, through EKOME, to mark the beginning of a new era for the organisation and to strengthen high-quality children’s audio-visual content in Greece as well. The new CIFEJ president and board do hold great credentials to this direction,” said Karamitsanis.

    So, while Mishra sharpens his vision for youth-driven global storytelling, the message is clear: popcorn isn’t the only thing worth warming up. The future of cinema is in the hands of young minds—and the man leading the charge is ready to roll.

  • One Life Studios brings in syndication veteran Govind Shahi as strategic advisor to sharpen global playbook

    One Life Studios brings in syndication veteran Govind Shahi as strategic advisor to sharpen global playbook

    MUMBAI: In a plot twist worthy of its own primetime drama, One Life Studios has just cast a syndication superstar in a key behind-the-scenes role. The content licensing and syndication powerhouse has brought on board industry heavyweight Govind Shahi as strategic advisor. And no, this isn’t just another boardroom shuffle—it’s a strategic power move with its eyes on the global prize.

    Announced on 24 March 2025, the appointment comes as One Life Studios doubles down on its mission to take Indian storytelling to far-flung corners of the globe. With a legacy of distributing epic serials like Mahabharat, Porus and RadhaKrishn, the company is already India’s leading ambassador of mythological multiverses.

    Shahi, previously international business head at Viacom18’s Indiacast, knows the international syndication game like the back of his remote control. Under his watch. And now, with Shahi in the driver’s seat, One Life Studios plans to fast-track its global conquest.

    “At One Life Studios, our mission has always been to take powerful Indian stories to the world while curating exceptional global content for Indian audiences. Govind’s deep understanding of international markets and his strategic expertise make him the perfect partner to help us accelerate this vision. We are excited to have him join us as we continue to push boundaries and bring great stories to viewers everywhere,” said One Life Studios CEO & founder Siddharth Kumar Tewary.

    Clearly, the company isn’t looking to paint by numbers. With a robust content library featuring short films, infotainment, movies, digital and television shows, One Life Studios has been building a content arsenal since 2017 that could rival any OTT behemoth.

    Shahi, in his new role, stated: “I am excited to collaborate with the team at One Life Studios. As the company expands its boundaries and enters a further growth phase, my focus will be on leveraging my experience to elevate its global presence and accelerate expansion into emerging markets, forging key partnerships. I look forward to bringing the studio’s creative vision to international audiences and pioneering new standards in the industry.”

    If the strategy pans out, this won’t just be a boost for One Life Studios—it’ll be a win for Indian storytelling across continents. With the global content bazaar more crowded than a Mumbai local, this is a well-timed wicket.

    With Shahi’s appointment, One Life Studios is eyeing expansion with a sharper, savvier playbook. Acquiring, licensing, and distributing premium content isn’t just their business model—it’s their battleground. And now, with a seasoned general on board, they’re ready to win the next global content war.

  • Harshit Sahni steps up as senior director at Warner Bros. Discovery

    Harshit Sahni steps up as senior director at Warner Bros. Discovery

    MUMBAI: Big moves, bigger responsibilities—Harshit Sahni has taken on a new leadership role as senior director – cluster revenue head for factual & lifestyle, eurosport, international business – south Asia at Warner Bros. Discovery. With over two decades of experience in media, advertising, and revenue strategy, Sahni is all set to steer the business into new territories of growth and innovation.

    Having already made an impact as cluster revenue head since September 2024, Sahni now takes the reins at a crucial time for the industry. With advertising dynamics shifting and digital transformation accelerating, he aims to push the boundaries of content monetisation and strategic partnerships in south Asia’s evolving media ecosystem.

    His track record speaks volumes. At Warner Bros. Discovery and previously at Discovery Inc., Sony Pictures Networks, and Star News, Sahni has consistently driven advertising revenue, built strategic partnerships, and spearheaded innovative sales models. From launching ad-sales operations in Bangladesh, Sri Lanka, and the Maldives to securing 80 per cent market share in key partnerships, he has been a key player in shaping the industry’s revenue streams.

    A results-driven leader, Sahni has a history of crafting integrated advertising solutions, establishing new revenue streams, and pioneering business models that redefine commercial success. His ability to forecast trends, optimise advertising strategies, and execute high-impact campaigns makes him a force to reckon with in the world of factual entertainment and lifestyle content.

    The future of factual & lifestyle media in south Asia looks promising, and with Sahni leading the charge, expect innovative advertising models, strategic brand partnerships, and bold revenue strategies that redefine content monetisation.

  • How brands are redefining women’s day: beyond platitudes to authentic empowerment

    How brands are redefining women’s day: beyond platitudes to authentic empowerment

    MUMBAI: In a marketplace saturated with female-focused messaging, Indian brands are pivoting toward more authentic approaches this International Women’s Day. Gone are the predictable pink-washing campaigns and hollow empowerment slogans. Instead, companies across beauty, entertainment, sports, and finance are crafting initiatives that address real challenges faced by women while celebrating their multidimensional identities.

    The beauty industry—traditionally criticised for propagating unrealistic standards—is experiencing a remarkable transformation. Shryoan Cosmetics has launched “True Beauty. Unstoppable You,” a digital movement encouraging women to share their journeys of self-acceptance across Instagram, YouTube, and Facebook.
    “Beauty is about confidence, authenticity, and embracing oneself without fear,” explains Shryoan co-founder and makeup expert Drishti Madnani.The campaign emphasises beauty as a form of self-expression rather than conformity to trends.

    Meanwhile, Glam21’s “Haq Se Haseen” campaign directly confronts beauty stereotypes through a short film featuring three women who confidently break norms—whether by embracing their curves, sporting short hair, or challenging conventional beauty ideals.

    “We want women to own their beauty with pride, free from outdated standards,” says Glam21 marketing head Yuvika Saxena. . The campaign’s name, which translates roughly to “Beautiful by Right,” reinforces that beauty is every woman’s right, not a privilege.

    Taking an even bolder stance, The D-wave has introduced “Untrending Skincare,” rejecting the ephemeral beauty trends that dominate social media in favor of evidenc e-based solutions.

    “The skincare world thrives on fleeting fads that exploit insecurities,” notes The D-wave fonder Deepthi M.R..”Women are bombarded with false promises that lead to frustration rather than results.” The campaign promotes scientific innovations like Phyto Stem Cell Technology that blend biotechnology with natural ingredients for genuine, lasting outcomes.

    Similarly, Clinikally’s “The Skin We Hide” campaign directly addresses the pressure women face to conceal their natural skin. The campaign film follows three women struggling with judgment over acne, dark spots, and natural skin tones, ultimately choosing healing over hiding.

    “This isn’t just a campaign—it’s a movement,” states Clinikally  head of brand marketing Isha Godboley.. “We’re inviting women across India to take control of their skin health with expert guidance.”

    Terribly Tiny Tales (TTT) is taking a refreshingly different approach with “Mud Ke Naa Dekh” (Don’t Look Back), a film celebrating the strength of female friendships. Written and directed by Sonam Nair, it stars Kareema Barry and Aditi Dot as best friends navigating heartbreak, revenge, and self-discovery together.

    “This is more than just a Women’s Day film—it’s a celebration of friendships that shape us, heal us, and remind us of our own strength,” explains Anuj Gosalia, founder and CEO of TTT. It  premiered on 6 March  on TTT’s YouTube channel, the film captures the essence of unwavering female camaraderie in times of crisis.

    Himalaya Wellness is looking beyond celebration to create tangible opportunities through its “1derwoman project.” Partnering with the Royal Challengers Bengaluru women’s cricket team, the initiative offers aspiring female cricketers mentorship and training sessions.

    “Every girl has the potential to be a leader, a changemaker, and a wonder woman in her own right,” says Himalaya Wellness  business director Rajesh Krishnamurthy. “Through the 1derwoman project, we aim to inspire the next generation to dream fearlessly and break barriers.”

    In a similar spirit of recognition, Barbie is honoring five trailblazing Indian women who have shattered stereotypes in their fields: Harmanpreet Kaur (India’s women’s cricket captain), Neeti Mohan (acclaimed singer), Anamika Khanna (fashion designer), Beena Noronha (groundbreaking chef), and Meghna Sakpal (third-generation firefighter).

    Some brands are addressing practical challenges faced by women. YoloBus, in collaboration with AbhiBus (ixigo’s bus division), is launching India’s first women-only intercity bus service on 8 March, starting with the Gurgaon-Chandigarh route. The service will feature a female conductor for additional support, responding to the growing demand for safer travel options.

    “We believe this initiative will set new benchmarks for secure intercity travel, empowering female travelers with greater confidence,” says YoloBus. CEO Sanjay Jadoun. AbhiBus reports a 50 per cent year-on-year increase in solo female traveler bookings, indicating a significant market need.

    The financial sector, traditionally male-dominated, is also making strides. Motilal Oswal Financial Services Ltd. (MOFSL) hosted “Researcher” on 5 March  to honor the top 20 women researchers for their excellence in the field. The event featured a panel discussion titled “Breaking Barriers, Building Legacies: Women Redefining Research,” followed by a masterclass by Raamdeo Agrawal.

    “The financial markets have long been male-dominated, but women are slowly taking their rightful positions,” notes Agrawal, co-founder and chairman of MOFSL. “Through ‘Researcher,’ we aim to inspire more women to step into financial research and shape the future of investing.”

    This initiative comes at a critical time, as new research from Mastercard indicates that Indian women are embracing entrepreneurship at unprecedented rates. Nearly 45 per cent  of Indian women have considered starting their own business, with millennials (46 per cent) and Gen Z (45 per cent) leading the charge.
    The study highlights the top motivators for Indian women venturing into business: pursuing their dreams (51 per cent), seeking better work-life balance (44 per cent), and breaking free from traditional work structures (40 per cent). Interestingly, 46 per cent of Indian women already run a side hustle, with baby boomers (61 per cent ) being the most financially driven to explore additional income streams.

    Women business owners also demonstrate greater optimism than their male counterparts, with 38 per cent expecting revenue increases of over 50 per cent in the next five years, compared to just 20 per cent of men. The preferred industries for women entrepreneurs include education (28 per cent), food and beverage (21 per cent), and e-commerce (16 per cent). .

    As Women’s Day evolves from a single-day celebration to a catalyst for year-round initiatives, brands are recognizing that authentic engagement requires more than surface-level messaging. The most impactful campaigns address real challenges, celebrate women’s multidimensional identities, and create tangible opportunities.

    While challenges remain, this year’s shift toward authenticity, community support, and practical solutions suggests a maturing approach to women’s empowerment in Indian marketing. As consumers increasingly demand meaningful action over empty platitudes, brands that genuinely invest in women’s advancement may find themselves not just winning hearts and minds, but fostering lasting loyalty in an increasingly competitive marketplace.

  • BBC Studios names Robi Stanton EVP & GM of global media & streaming ANZ

    BBC Studios names Robi Stanton EVP & GM of global media & streaming ANZ

    MUMBAI: BBC Studios Australia & New Zealand has just made a bold move, appointing Robi Stanton as EVP & general manager of Global Media & Streaming for the region. If the name sounds familiar, that’s because she’s been a media heavyweight for over 25 years, shaping the industry with her expertise in distribution, commercial strategy, marketing, and advertising sales at some of the world’s biggest media companies-including CNN International Commercial, Warner Bros. Discovery, and Turner International. Now, she’s set to make waves at BBC Studios.

    Working closely with Global Entertainment ANZ EVP & GM Kylie Washington, Stanton will spearhead content sales, channels and streaming, and advertising sales. Their mission? Delivering innovative, pan-business growth solutions that elevate BBC Studios’ footprint across Australia and New Zealand. No small feat—but if anyone can do it, it’s her.

    Her appointment comes at a time when BBC Studios Global Media & Streaming ANZ is already firing on all cylinders. Recent milestones include enhancing BBC.com and the BBC app, launching six FAST channels on Nine, bringing BBC First to Sky NZ, extending natural history deals with Nine and TVNZ, and renewing a long-standing premium content partnership with ABC. It’s clear—BBC Studios is on a roll, and Stanton is here to push it even further.

    With ambitious plans for content, digital platforms, and streaming services, BBC Studios is doubling down on its global media dominance. Stanton is expected to bring her strategic acumen to the table, further solidifying BBC’s standing as a content powerhouse.

    One thing’s for sure—this is not just another corporate shuffle. It’s a game-changer for BBC Studios in Australia and New Zealand. The countdown begins—Robi joins later this month, and we’re here for the action.

  • Charlotte Moore takes over from Andy Harries as Left Bank Pictures CEO & SPT EVP

    Charlotte Moore takes over from Andy Harries as Left Bank Pictures CEO & SPT EVP

    MUMBAI: BBC’s chief content officer Charlotte Moore and one of the UK’s most influential media executives, is making a power move. Moore has been named CEO of Sony-owned Left Bank Pictures, the powerhouse behind hit shows like The Crown. But that’s not all-she’s also stepping into a newly created role as EVP, Sony Pictures Television (SPT) International Production Group creative director.

    A career-defining transition, Moore’s appointment places her at the helm of one of the UK’s most prestigious production houses while also shaping Sony’s broader global creative vision. She takes over from the Left Bank co-founder and long-time CEO Andy Harries, who is moving into an executive chair role after 18 years steering the company’s success.

    At Left Bank, Moore will oversee its award-winning slate, ensuring the studio remains at the forefront of premium storytelling. But her remit doesn’t end there. As EVP, creative director of SPT International Production Group, she will drive the creative direction for Sony’s expanding global content strategy, influencing projects across multiple territories.

    Moore expressed her enthusiasm for the challenge ahead, stating, “The opportunity to lead Left Bank Pictures, a studio with such an extraordinary legacy, while also shaping Sony Pictures Television’s international creative vision, is truly exciting. I look forward to working with the exceptional teams at both companies to continue delivering world-class storytelling.”

    Moore’s departure from the BBC marks the end of an era. She has been instrumental in shaping the corporation’s content strategy, overseeing major successes across drama, entertainment, and factual programming. Under her leadership, the BBC launched groundbreaking hits, strengthened its digital footprint, and reinforced its position as a global content powerhouse.

    At Left Bank Pictures, she inherits a studio with an enviable track record. Founded in 2007, Left Bank has delivered acclaimed titles such as The Crown, Outlander, and Three Pines. As Moore takes the reins, expectations are high for the studio’s next wave of premium productions.

    As Moore steps into this high-profile role, all eyes will be on how she shapes the next chapter for Left Bank Pictures and Sony’s international content ambitions. One thing is certain-Hollywood and beyond will be paying attention.
     

  • Rajat Sharma’s birthday celebration draws elite crowd as India defeats Pakistan

    Rajat Sharma’s birthday celebration draws elite crowd as India defeats Pakistan

    MUMBAI: Media mogul Rajat Sharma’s birthday celebration attracted a star-studded gathering of Bollywood celebrities, political heavyweights and business leaders at the Grappa Bar.

    Hosted by his wife Ritu Dhawan, the soirée welcomed Bollywood star Salman Khan, musicians Jasbir Jassi and Anu Malik, and filmmaker Madhur Bhandarkar. 

    The political sphere was represented by Piyush Goyal, Vasundhara Raje, Kamal Nath, Raghav Chadha and Manoj Tiwari.

    piyush goyalFashion luminaries Kavita Bhartia, Tikka Shatrujit Singh and Sunil Sethi mingled with business leaders including C K Birla, Rajan Mittal, Hari Bhartia, Ajay Singh, Sandeep Jajodia and Ajay Shriram. Distinguished members of the judiciary, legal profession and medical fraternity were also present.

    The festivities coincided with India’s six-wicket victory over Pakistan in cricket, sparking jubilant celebrations amongst guests and transforming the evening into a dual celebration.

    Sharma, whose contributions to Indian journalism have been widely lauded, had received an outpouring of social media tributes earlier in the week from fans and industry colleagues alike.

    The gathering showcased Sharma’s remarkable ability to unite individuals from diverse professional backgrounds, with conversations flowing effortlessly against a backdrop of fine dining and entertainment.

  • South Indian media market poised for global impact, says JioStar CEO Kevin Vaz

    South Indian media market poised for global impact, says JioStar CEO Kevin Vaz

    MUMBAI: JioStar Entertainment CEO &  FICCI Media & Entertainment committee chairman Kevin Vaz has highlighted the transformative growth of south India’s media and entertainment sector, emphasising its evolution from regional prominence to global recognition.

    Speaking at the Media and Entertainment Business Conclave, Vaz noted that south Indian cinema led the post-pandemic box office revival, citing blockbusters such as RRR, KGF-2, and Kantara. The success continued into 2024, with Pushpa 2 making significant inroads in the Hindi market, contributing 20% of Hindi box office collections through its dubbed version.

    The region’s creative output has garnered international acclaim, including RRR’s historic Academy Award win in 2023 and the recognition of Kannada short film Sunflowers Were The First Ones to Know at the 2024 Cannes Film Festival.

    Television remains a crucial platform for South Indian content, commanding over 30 per cent  of India’s media and entertainment market share. Vaz pointed to successful content adaptations, such as a leading Star Plus show based on the Tamil programme Siragiddika Aasaai,  demonstrating the increasing travelability of Southern content to national audiences.

    Contrary to global trends, Vaz emphasised that television continues to maintain strong youth engagement in India, attributing this to its affordability and accessibility. He characterised India as an “AND market rather than OR”, suggesting that television and digital platforms can coexist and thrive simultaneously.

    Looking ahead, Vaz identified the upcoming Waves forum as a significant initiative to drive innovation and growth in the sector. He emphasised the need for content creators and platforms to balance creative freedom with social responsibility, particularly in the digital space where social media has redefined audience engagement with audio-visual content.

    The executive’s remarks underscore the growing influence of south Indian media content and its potential to shape the future of Indian entertainment on the global stage.

  • CNN inks south Asian digital distribution deal with Rahul Sood’s Brandwidth Mediae

    CNN inks south Asian digital distribution deal with Rahul Sood’s Brandwidth Mediae

    MUMBAI: There’s life beyond employment. No one is proving this adage better than former NDTV senior exec Rahul Sood who spends his time working for select clients  and improving his golf handicap, when he can grab a few hours off from work. Which is pretty often.

    Recently, his firm Brandwidth Mediae of which he is co-founder and managing director signed on CNN International Commercial to handle its digital content distribution across six south Asian markets. 

    The agreement allows regional platforms to access CNN’s video-on-demand content, including flagship shows Fareed Zakaria GPS and Anderson Cooper 360, across the Maldives, Sri Lanka, Nepal, Bangladesh, Bhutan, and Pakistan.

    “This collaboration will offer audiences greater access to world-class coverage at their convenience,” said Sood who also represents Al Jazeera, India Today Network, global streaming platforms like Hallmark Movies and Frammer AI on the tech side.

    “We are excited to work with CNN International Commercial to enhance their presence across the South Asian region by leveraging leading telcos and OTT platforms,” added co-founder & managing partner Rohit Jaiswal, 

    The partnership aims to expand CNN’s presence in South Asia through telecom and OTT platform partnerships.
     

  • JioStar launches JioHotstar platform, merging JioCinema and Disney+ Hotstar

    JioStar launches JioHotstar platform, merging JioCinema and Disney+ Hotstar

    MUMBAI: It’s a giga merger. Two of India’s leading brands fusing into one.

    Can the branding, the logo, and brand ident  that emerge be any less?

    The brands in question are; Jio and Disney+Hotstar, both very well-known of their own accord. One a leader in providing mobile telephony services which runs a streaming platform called JioCinema; the other a leader in streaming, the best in its class. Both have tremendous recall value and have customers running into hundreds of millions.What you get when you open up to JioHotstar

    A tough ask for any one to find a solution that would do justice when they unite – where the sum of the united two will be greater than the sum of both as individuals .

    One simple possibility was calling it JioHotstar.  Quite simple right?

    And that’s what JioStar, the joint venture formed by the merger of Viacom18 and Star India,  decided upon. The  birth of JioHotstar  will see the demise of both JioCinema and Disney+ Hotstar.

    It will have a reach of 500 million users and will offer 300,000 hours of content including films and shows from major Hollywood studios including Disney, NBCUniversal Peacock, Warner Bros. Discovery HBO, and Paramount, alongside Indian entertainment across 10 languages.

    “At the core of JioHotstar is a powerful vision—to make premium entertainment truly accessible to all Indians,” said  Jiostar chief executive digital Kiran Mani. The platform will offer free content to all viewers, with premium subscription plans starting at Rs 149.
    The Three Merry Men

    Jiostar chief executive entertainment Kevin Vaz emphasised the platform’s commitment to digital-first content, while sports chief executive Sanjog Gupta highlighted its enhanced sports viewing features, including ultra-HD 4K streaming and AI-powered insights. JioHotstar will also have a new segment called Sparks which India’s digital content creators can call their home.

    There was some debate in media circles on what the back end of the new service will be. Would it be the JioCinema one or would it be Disney+ Hotstar’s? At the time of writing, folks within JioStar had confirmed to indiantelevision.com that it was indeed Hotstar’s tech stack that was being used to power the JioHotstar app as it proved to be more superior on several fronts. The main ones being: ability to handle high concurrency of users, serve high end, high quality 4K videos,  even at low bandwidths, the tech innovations in terms of vertical video and interactivity that it supported. AI-powered insights, real-time stats overlays, multi-angle viewing and range of ‘culture’ and ‘special interest’ feeds — ensuring fans enjoy deeper, more immersive access to the sports they love.

    The logo itself is a standout and can have several interpretations. Here’s two: a star doing a Swan Lake like dance;  a heavenly body arms open wide ready to embrace one and all. Clearly, for those who have been so used to seeing the Disney Star and existing JioCinema logos, it  will take some getting used to. The font for the brandname is sans serif, which fits well with the star burst.

    JioHotstar’s new brand identity  created and developed by venture3 embodies its vision for boundless entertainment. The Big Bang’ symbolises the dawn of a new era, while the Ripples radiate outward, representing energy, transformation, and innovation. The background colours are tetradic (psychedelic) with bright pinks, mauves , indigos and blues being thrown in for good measure and are eyecatching and hypnotic. Step one of the battle to attract viewers won! And the tagline carries with it a lot of promise: Infinite possibilities begin here!  SparksExisting JioCinema and Disney+ Hotstar subscribers will be able to transition seamlessly to the new platform.

    The service will stream major sporting events including ICC tournaments, IPL, WPL, Premier League and Wimbledon, alongside entertainment content in multiple Indian languages.