Category: People

  • Akul Tripathi steps down from Epic Channel

    Akul Tripathi steps down from Epic Channel

    MUMBAI: Akul Tripathi has stepped down as COO of IN10 Media Network, announced the network. Tripathi joined as head of content and programming for EPIC Channel in 2017 and is also CEO of DocuBay, the only global video-on-demand platform for streaming premium documentaries. He he is moving on to pursue his twin passions for creating content and traveling.

    IN10 Media Network managing director Aditya Pittie said: “Akul has played an instrumental role in the repositioning of EPIC Channel and has been at the heart of our growth from a single channel to a media network. As CEO of DocuBay, he has helped build a promising and differentiated global brand for the network. We wish him the best for his future endeavours.”

    He has over 20 years of experience in the business of content creation, curation, and management. Previously he served as head of content and programming for EPIC Television Networks, which is known for airing premium India-centric content.

    He has served as director at ThoughtShop, founding partner at Jumpstart Outdoors, and associate creative with Taurus Video. Tripathi started his career with Brandish Media & Entertainment as content and creative head.

    He holds a masters in broadcast and film management from Bournemouth University and bachelors of mass media, journalism from Mumbai University.
    An impassioned traveller, photographer, and seeker, he writes regularly for several print and online publications.

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  • Sushant Rai joins TVU Networks as VP of sales

    Sushant Rai joins TVU Networks as VP of sales

    MUMBAI: Sushant Rai is the new vice president, sales – South Asia, Middle East and Africa for TVU Networks, a technology and market leader in cloud- and IP-based live video solutions. Sushant will lead strategic sales efforts across all three major regions with sales and solutions teams consolidating under his leadership.     

    Prior to joining TVU, Sushant held multiple senior executive roles in well-respected technology and solutions providers in the broadcast industry. Most recently at Harmonic, he was managing director, sales for South Asia for three years. Prior to that, Sushant was head, broadcast and operator sales for Dolby Labs in India. Before joining Dolby, he was director, media asset management, South Asia for Vizrt.

    “Sushant brings proven sales leadership success and technology acumen to strategically critical regions of the world for us, and we are delighted to welcome him to the TVU family,” said TVU Networks CEO Paul Shen. “During a time of transition globally in the broadcast industry, his deep knowledge of broadcast systems and accomplishments in delivering workflow design and implementation will serve our current and future customers well. As a passionate evangelist for media technology, we are looking forward to having his insights help guide growth across Asia, Middle East and Africa and on global initiatives as a part of the executive team.”

    “During this unprecedented time, our customers are faced with business continuity challenges that require them to rethink the way broadcast workflows can be operated and managed. In order to deliver the same media content their viewers have come to expect, broadcasters must look to more cloud- and IP-based technologies and solutions to overcome the current restrictions which have impacted traditional in-studio workflows,” says Sushant. “TVU is well-positioned to help all broadcasters to transition to cloud and IP solutions that will help minimize disruption and take advantage of efficiency in workflows. I am excited to be able to lead our teams and demonstrate our capabilities to our customers.”

  • The accidental producer: Siddharth Kumar Tewary gets candid on his journey

    The accidental producer: Siddharth Kumar Tewary gets candid on his journey

    MUMBAI: Most popularly known for creating magnum-opus shows like Mahabharat, Karmaphal Daata Shani, Porus, Ram Siya Ke Luv Kush and RadhaKrishn Swastik Productions has successfully managed to win our hearts over the years.  In a virtual fireside chat with Indian Television Group founder, CEO and editor in chief Anil Wanvari, on ‘The evolution of a creator – The maker of the new Mahabharat,’, Swastik Productions and One Life Studios founder and chief creative officer Siddharth Kumar Tewary gets candid about his journey and much more.

    Tewary, who was born and raised in Kolkata, always had a dream of making it big in the city of dreams Mumbai. After quitting his job in advertising, he started working in the marketing department of Sony Entertainment Television. His sheer love for storytelling and writing unique stories inspired him to make Amber Dhara for Sony Entertainment Television. 

    About the idea behind creating Amber Dhara, Tewary said: “A news article about two conjoined twins gave me the idea to speak to Sony Entertainment who I thought believed in unique and progressive shows rather than daily soap operas. Amber means sky and Dhara means earth so they are two distinct characters. The story was about how they are the same but still think differently.”

    Tewary says that he never thought of becoming a producer. The initial idea was to create a story that will be backed by a production house. But later, after figuring out different ways, he and his previous partner Vikas Seth decided to do it themselves, and that gave birth to Swastik Productions in 2007.

    Amber Dhara was a show with a beautiful concept but failed to make money. So, after this show, Tewary went on to make Mata ki Chowki which was aired on Sahara One. The show became a huge success and created new avenues for Tewary. He didn’t have to look back after that; he created another show named Agle Janam Mohe Bitiya Hi Kijo, a story that showcased the issues prevailing in rural India. The show was quite successful. Since then, he has created more than 30 shows.

    On his most favourite television shows Amber Dhara and Mahabharat, Tewary says: “Amber Dhara will always remain close to my heart. We have not even created a set. Because I wanted to write a series where just like human lives you are not stuck in one place. It is a story of two characters that kept moving. My second most favourite will be Mahabharat. In 2009 Vivek Behl from Star Plus called me and said he liked my show Agle Janam Mohe Bitiya Hi Kijo and he wanted me to make a Mahabharat. It took me five years to make that show. Mahabharat has taught me a lot and it has changed me as a person. Porus was the first Indian show that was showcased on the digital platform Hulu in Japan. It taught me to invest more in what you are creating and going around the world to sell your content. We have sold it in more than 14 countries now.”

    Tewary is ecstatic about re-running his show Mahabharat which was made seven years back.

    On parting ways with long-time friend and Swastik Productions managing partner Vikas Seth, he said it was a difficult time. Due to Mahabharat they were in huge debt. But after Mahabharat was launched it did well. “Initially we decided to make 128 episodes, but I was unable to tell the story in those particular episodes so we decided to extend it. Because of the extension Mahabharat did well for us on all fronts. It helped us get back on our feet,” he explained.

    According to Tewary, the formula for being a successful production house is going ahead with your team who share similar ideology. “The sheer passion of the entire team at Swastik Productions kept us going despite the challenges. Me and my elder brother Rahul always dreamt of creating a set, how we will provide shooting facilities. So, slowly we started acquiring land, building set on our own properties. Today we have more than 25 shooting floors which are spread across 25 acres. We have a huge mythological setup in western India. One thing led to the other and we started on investing in infrastructure while we were doing a lot of work on the visual effect front. Where we can have control over the delivery of our own product. That is how One Life VFX came into existence.”

    Elaborating more on One Life, Tewary said that Swastik Productions is a parent company and One Life Studios is a subsidiary of that where they do most of the digital work, syndication, distribution and visual effect work.

    Tewary is currently working on the animation front, where he is busy making a few promos and developing some animation stories. In the near future he wishes to create characters that sustain for much more time. He is also focussing on syndication and distribution where he is taking Indian content overseas and similarly wishes to bring international content in India.

    He adds, “We have acquired some international series that we will be distributing to OTT platforms in India for them to stream. I am also working on an original series called Escape Life for Hostar. I finished the writing; we were about to begin the shoot but due to lockdown things are at halt.”

    He revealed that he has no plans to lay off workers in the wake of the Covid2019 pandemic. "We have deducted salary from April onwards. But there are no plans of furlough or layoffs. Infact, we are taking care of 250 people who are staying at our Umbergaon set in Gujarat," he said. 

     

  • CNN Worldwide appoints Rani Raad as president, CNN commercial

    CNN Worldwide appoints Rani Raad as president, CNN commercial

    MUMBAI: CNN Worldwide has appointed Rani Raad as president, CNN commercial, in a new global position to broaden the company’s new business streams and increase the value that CNN provides to commercial partners around the world.

    By centralizing the management and strategy of its commercial activity in one operation, CNN is creating a more integrated, agile and global approach to the way it assesses market needs, develops solutions and works with partners.

    To achieve this and ensure that CNN is best positioned to continue its commercial success into the decade, Raad will work closely with WarnerMedia Sales and International on its CNN advertising and distribution activity, lead international business through CNN International Commercial, optimize CNN Worldwide’s directly controlled revenue operations and maximize the commercial potential of development of new products.

    Effective immediately, Raad reports directly to Jeff Zucker, Chairman, WarnerMedia News and Sports & President, CNN Worldwide.

    “There has never been a more important time to be strategic and purposeful about revenue generation across the platforms of CNN Worldwide,” said Zucker. “By aligning Rani and his team more closely with the rest of the CNN organization, there is no doubt it will make a big difference in our ability to find new ways of doing business and enhanced opportunities for our clients around the world.”

    Raad, a CNN veteran of 22 years, started his career at the company in New York before holding a number of senior international roles with CNN and WarnerMedia. In 2013, Raad combined all business operations of CNN’s properties outside of the United States within the division CNN International Commercial (CNNIC), including advertising, sponsorship, content sales & licensing, out of home, marketing and audiences & data. Since then, as president of CNNIC Raad has developed the business by introducing a cross-platform and data-led strategy with increased digital capabilities, tailored for a wide range of client and market needs across over 200 countries and territories.

    Raad said: “I don’t think I have ever seen a time when CNN has been so influential, both in the US and internationally. An era of structural change in the media market, the increased demand for verified news and the economic impact of Covid-19 is fundamentally changing the way we need to work with our business partners. With our premium brand, sophisticated solutions and worldwide reach, it’s now more important than ever before that our business partners, wherever they are, have greater and faster access to CNN’s full suite of global capabilities.” 

  • Lalit Agrawal moves on from OMD India, joins ZEEL

    Lalit Agrawal moves on from OMD India, joins ZEEL

    MUMBAI: Senior media professional Lalit Agrawal joined Zee Entertainment Enterprises Limited (ZEEL) in April after ending nearly a decade-old stint with OMD India. He has joined as vice president – sales planning and strategy, as updated on his LinkedIn profile. 

    Prior to that, Agrawal was serving as senior vice president in OMD India. He has worked across the media vertical including Times of India, Star India, Mediacom, and Group M. 

  • ShortsTV appoints Pratik Bhivagaje as partnership and marketing manager for South Asia

    ShortsTV appoints Pratik Bhivagaje as partnership and marketing manager for South Asia

    MUMBAI: ShortsTV, the world’s first 24/7 channel dedicated to short films, has appointed Pratik Bhivagaje as partnership and marketing manager for South Asia. He will be driving growth for ShortsTV in the South Asia market by forging business partnerships & increasing distribution. He will also lead marketing efforts to establish ShortsTV as a key player in the short form content space. His previous stint was with Tata Sky as Content Manager.

    Welcoming Bhivagaje to ShortsTV, ShortsTV chief executive Carter Pilcher said “We’re thrilled to be joined by Pratik. He is an exceptional talent, a clever marketer with critical discernment in content marketing & acquisition. His experience is key as ShortsTV India is growing in leaps and bounds, and Pratik will ensure we are bringing the hottest new shorts to our audience across the subcontinent.”

    An IIM Ahmedabad alumnus, Bhivagaje, has worked across the broadest spectrum of distribution deals, content acquisition, marketing, and new product development at Tata Sky. He has also worked as a consultant in PwC. Pratik will report into Tarun Sawhney President – Asia at ShortsTV HQ in London.

  • TVU Networks offers cloud, IP solutions to Indian broadcasters during COVID-19 lockdown

    TVU Networks offers cloud, IP solutions to Indian broadcasters during COVID-19 lockdown

    MUMBAI: TVU Networks, a technology and market leader in IP and cloud-based live video solutions, is working with Indian broadcasters through its Business Continuity Initiative to help identify and offer the tools needed by customers to help sustain businesses while supporting the larger local community during this unprecedented time.

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    As a part of this initiative, TVU is providing TV stations with the TVU Anywhere mobile app for reporting and anchoring, TVU Producer for cloud-based production and TVU Grid for video pool feeds and cross-sharing of video content for free through the end of May 2020. Broadcasters that are interested in learning more about the free services or to sign up may do so by visiting www.tvunetworks.com.

    The TVU Anywhere mobile app has seen a large increase in global use recently as TV reporters and anchors have migrated from traditional studios to reporting from living rooms, balconies and shared living spaces within their homes and apartments. The app's ease of use and fast set up – requiring just a download to the user’s mobile phone – allows anyone needing to do safe remote reporting to go live instantly.

    In addition to incorporating patented IS+ technology for transmission of a reliable broadcast-quality picture over cellular and WiFi, TVU Anywhere features dual camera operation for simultaneous use of the front and back cameras of a single Apple iOS mobile device. This allows a solo field reporter to do live reporting in Picture-in-Picture (PiP) or in 50/50 split screen mode, capturing live video, audio and metadata simultaneously for two subjects.

    TVU Anywhere can also be used remotely for non-live interview reporting. It’s PiP feature supports the use of prerecorded video. A reporter can comment live while the recorded video is playing.

    Another feature for field reporting within Anywhere is integrated video return feed which allows for the coordination of a live shot with studio producers or directors at their homes or other remote location. Instead of just using audio, the Anywhere app can show a low latency video return feed right on the phone screen in PiP mode. The parties can also have a two-way conversation using TVU Anywhere’s VoIP feature in real-time, allowing the return video feed to become an enhanced confidence monitor and collaboration tool.

    The Token feature for TVU Anywhere makes the setup of remote high-quality briefings and interviews easy and fast. All you need to do is to send a pre-generated QR Code that can be scanned by a smart device to the recipient. To see how it works, view the Token feature on its YouTube page.

    TVU Producer provides the means for cloud-based remote production for stations with a robust feature set, allowing them to move their traditional studios to a home or other remote location. With TVU Producer, you can ingest multiple video streams including live professional sources up-to full HD resolution. It features unparalleled and patented frame accurate switching between two live sources from multiple devices, events or locations as well as enhanced broadcast outputs using picture in picture, picture-by-picture and quad-view. Producer also offers graphics and dynamic overlays including full integration with Singular.live.

    TVU has been working with news stations and government offices in certain countries, including the USA, to set up video pool feeds using TVU Grid, TVU’s IP switching, routing and distribution solution, to streamline the sharing of critical information on COVID-19. Project Pool Feed allows local TV stations to share live content between each other as well as with local government. Officials or spokespersons have the option to use the free TVU Anywhere app on their mobile phone to go live to the pool feed for press briefings. The local stations are all connected using TVU Grid and can distribute the briefings from the pool to their viewers on TV, social media and websites.

    “TVU is committed to working with all broadcasters across India to support their efforts to deliver crucial updates and information to their viewers during this unprecedented time. We are providing our cloud and IP based solutions free at this time to help broadcasters transition as seamlessly and as quickly as possible to remote production to minimize disruption,” said Sushant Rai, Vice President, Sales – South Asia, Middle East & Africa, TVU Networks. “In addition, TVU will continue to provide its renowned 24/7 global service and all support personnel are fully mobilized to support customers as well as the larger broadcast community.”

    TVU Networks has over 3,000 customers globally. The TVU Networks family of IP and cloud-based transmission and live production solutions gives broadcasters and organizations a powerful and reliable workflow to distribute live video content to broadcast, online and mobile platforms. TVU has become a critical part of the operations of many major media companies.

  • Synamedia appoints Nick Thexton as CTO

    Synamedia appoints Nick Thexton as CTO

    MUMBAI: Synamedia has appointed digital TV software pioneer Nick Thexton as chief technology officer (CTO). Nick will drive Synamedia’s ambitious agenda of technology innovation and investment, and lead the development and delivery of new system solutions that help customers transform their business models and accelerate their transition to IP. Nick will be in charge of the company’s video platform engineering, product management, architecture and marketing.

    With Nick’s appointment to this expanded CTO role, former Synamedia CTO Alok Gera moves to the position of senior vice president and general manager, North America. With 20 years’ industry experience under his belt, Alok now leads Synamedia’s customer-facing organization and activities in the region.

    Nick joins Synamedia following a stint as group CTO at German broadcaster ProSiebenSat.1. His previous positions were chief digital & product officer at satellite operator, Inmarsat, and CTO for UK TV platform YouView.

    From 1994 to 2012 Nick worked at NDS, then at Cisco until 2014 in the position of VP and CTO of Cisco’s Service Provider Video Software Solutions. Nick started his career working with UK broadcasters Channel 4 and Thames Television, having graduated in engineering from Imperial College, London.

     “Having spent years in R&D shaping many of the technologies that make up Synamedia’s portfolio, I have a deep affinity for the offerings and organization.  My immediate focus will be an injection of ideas to support operators as they transition to IP broadcasting and develop new business opportunities. New initiatives will help video service providers win more eyeballs and build revenues in the IP era,” said Synamedia CTO Nick Thexton.

    “There are few individuals in this industry with Nick’s technical prowess and pedigree. With his passion for innovation, Nick will instil new levels of creativity into our R&D activity to keep our customers one step ahead in a competitive sector. With Nick at the helm, our reputation for impactful industry-defining innovation will continue undimmed,” said Synamedia CEO Yves Padrines.

  • How regional producers are struggling during COVID-19

    How regional producers are struggling during COVID-19

    We have been subjected to further extension of COVID-19 lockdown. By now we all have got used to the situation with right from the PM and CM issuing the do’s and don’ts of the coronavirus; they also are asking us to be at home and "entertain" ourselves by TV/OTT entertainment. It’s such irony and the truth is that every time any catastrophe strikes us, including the world wars in the past, the one thing that has kept us all engaged and "alive" is this very "entertainment".

    I am happy to be one of the members of this cult of the vast film industry that’s spread across the pan world and in India and regionally.

    As a filmmaker, I am being very honest that I was lucky till today that I never had to bear the brunt of any catastrophe until this Covid-19 struck on me literally. My maiden film ‘Abaani CD's release got terminated by a sudden lockdown announced by the government. Only to prove that nothing is ever constant in this whole evolving world and for filmmakers whose films were aligned for a mid-March release came to a screeching halt. March and April have been witnessing a maximum release every year especially in the Marathi region and even this year was jam-packed by about eight Marathi films and two big Hindi movies. Abaani Cd was slotted in the premium category due to the presence of two stalwarts: Amitabh Bachchan and veteran Vikram Gokhale. However, our misfortune was that we could not compete and are now almost subjected to no release or have a digital release.

    So how does one cope up with situations like this and what are the situations ahead for us all? One thing is sure that cinema has really evolved a lot from big screen to an idiot box to computers and now on to your mobile phones- OTT. So all of us are now subjected to an OTT release and the ones who can afford to wait can re-align the release until this whole drama fizzles out. But I have my doubts about people turning up to theatres as China is one of the biggest cinema markets which had to shut theatres after the COVID-19 attack. So the impact is not only on the filmmakers but also on the theatres, exhibitors as well as the distributors.

    The second larger issue is that even if there are many OTTs in the market stacked up with over 5000 hours of entertainment already, I am unsure if they would want to go out and buy additional content. The question arises on how much of focus would be on the regional cinemas is a task in itself. Now coming to the selling of the satellite rights, this is one area which I feel can work for filmmakers if they are willing to go in for a world premiere on television. In a scenario where the filmmaker chooses to go for a standalone television premier, he would be subjected to only revenue sharing by digital mediums. "Pay per click" as televisions and OTTs’ audience is almost the same and hence the digital platforms will never buy it by paying a license fee and instead choose the other option.

    The only ray of hope is that you choose any platform to be it TV or OTT at least will be assured that it will be watched but again my statistics don't make me happy as at the max if the content is above average or good at the max you shall get an audience of until 10 lakhs on OTT and about 50 lakhs on television, so not even 10% of the total population of Maharashtra will watch it.

    The answer to this frankly lies in how we would make films in future and how are we going to secure it, especially Marathi cinemas? One should sell the film as early as possible to an established platform and secure your cost of the project, second is lower the cost of the projects are best suited for these situations and the third is to start making cinemas for home experience by keeping the production expense low and add a certain margin to give it away permanently.

    However, if luck is your way none of the above situations can affect you and the answer to that is “the content!”. Whatever be the scenario if your project is good, be ready to earn from home.

    The author is a film producer, brand imaging expert, business incubator, head of talent management and a philanthropist. The views expressed are that of the author and Indiantelevision.com may not subscribe to them

  • Sudhanshu Vats appointed as Essel Propack CEO  & MD

    Sudhanshu Vats appointed as Essel Propack CEO & MD

    MUMBAI: The board of directors of Essel Propack Ltd has appointed ex-Viacom18 boss Sudhanshu Vats as chief executive officer & managing director of the company.  He has also been appointed as additional director of the company effective from 16 April 2020. 

    Vats is also designated as key managerial personnel pursuant to The Companies Act 2013.The company has updated the development in a stock exchange filing. On Tuesday, Viacom18 announced that Vats decided to move on after eight years at the helm. 

    Vats has more than 28 years of industry experience across the FMCG and media sectors. During his tenure at Viacom18, he scaled the business from a mere six to over 54 television channels across more than 80 countries, added three more lines of business and grew revenue by over 4x.

    By building a strong portfolio of direct to consumer digital offerings under the VOOT brand and strengthening data science and analytics capability, he has future-proofed the media company that has been admired for its culture, quality of talent and progressive people policies. Under his leadership, Viacom18 emerged as the fastest growing full-play media organisation in India.

    Prior to joining Viacom18, Vats spent more than 20 years at Unilever in various sales and marketing and general management roles. He left Unilever as the head of Unilever’s laundry business in South Asia and head of the Radiant brand globally. He made Radiant the fastest growing laundry brand in the world with over Euro 500 million turnover. During his long tenure at Unilever, he shaped many popular household brands, most notably Lipton, Vim, Wheel, Surf, Rin, Lifebuoy and Lux. 

    Vats is also the chairman of the National Media and Entertainment Committee of CII (Confederation of Indian Industry), vice president of IBF (Indian Broadcasting Foundation) and Director at BARC (Broadcast Audience Research Council). He is also on the advisory board of a number of NGOs. He holds an MBA from Indian Institute of Management (IIM), Ahmedabad. He received his Bachelor of Technology degree in Mechanical Engineering from National Institute of Technology, Kurukshetra.