Category: People

  • Deepak Arora joins iTV Network as CEO-northern region

    Deepak Arora joins iTV Network as CEO-northern region

    NEW DELHI: iTV Network has appointed Deepak Arora as CEO – northern region. In this new role, his responsibilities will include providing leadership and strategic direction to create new revenue generation opportunities in the northern region for iTV Network.  

    Arora will be heading India News Haryana, India News Punjab, Andy and Aaj Samaaj.

    iTV Network CEO Varun Kohli said, “We are delighted to have Deepak on board. He is a seasoned professional who will bring his rich experience and expertise in growing iTV Network and taking it to the next level. His understanding of the market will be of an immense value to our network.”        

    Arora added, “I am happy to be part of a iTV Network and would like to play an important role in the continued success of the group.”

    In his last assignment, Arora was working as CEO, Janta TV. He has also served in leadership roles at Bajaj Allianz, ING Life, STV Haryana News and Focus News Group

  • IPL vs GECs: Experts play down the league’s impact on the latter’s numbers

    IPL vs GECs: Experts play down the league’s impact on the latter’s numbers

    MUMBAI: The countdown to the country's biggest cricketing extravaganza, the Indian Premier League (IPL), has begun. Any doubts about the popularity of the IPL can be laid to rest if the viewership of the thirteenth edition of the tournament is taken into account. According to BARC, IPL 13 viewership grew by 23 per cent compared to the preceding edition, with overall 400 billion viewing minutes.

    Meanwhile, GECs are lining up new fiction and non-fiction properties to counter this Goliath. However, experts believe that the whole television ecosystem is so accustomed to this phenomenon that it will hardly make any difference. Broadcasters are used to devising strategies in advance to compete against the IPL for eyeballs and ad revenue.

    IPL to not have major impact on GECs

    Last year, due to the onset of the Covid2019 pandemic, the IPL was delayed by close to six months, and when it took place, it coincided with the launch of impact properties like Bigg Boss, Kaun Banega Crorepati on GECs. Back then, analysts had pointed out how these marquee shows were unable to garner TRPs like their previous editions due to the clash with the cricketing league. However, IPL 2021 is happening at its usual time.

    Wavemaker India sports national director Jigar Rambhia asserted that the tournament has nothing to do with festive or non-festive time period, viewers tune into the IPL regardless.

    Thinking along similar lines, Ormax Media CEO Shailesh Kapoor revealed, “There has traditionally been a 10-20 per cent drop in viewership of genres like GEC, movies and news because of the IPL. This has now been a known impact for almost a decade, and broadcasters plan for it consciously.”

    How broadcasters are prepping

    IPL matches are played in two slots – in the afternoon from 3.30 and in the evening from 7.30. The question arises how primetime shows are going to perform during this time frame. The common notion is that single TV homes will opt for the IPL, with GEC shows being watched between the match breaks or viewers tuning into them when the matches end.

    Zee TV business head Aparna Bhosle disagreed with this viewpoint.

    According to her, Hindi GECs over many years have managed to sustain viewership and even grow despite the IPL. “Long running fiction or non-fiction shows have, by and large, not seen an adverse impact on viewership due to existing fan bases and the loyalty channels’ command in terms of appointment viewership,” she noted.

    Viacom18 chief content officer Manisha Sharma, during an earlier conversation, had mentioned that the network’s flagship Hindi GEC Colors will continue to spice up its existing fiction line-up with consistent highpoints across all shows, while dance reality show Dance Deewane 3 will safeguard the weekends. “With our strong weekday & weekend programming line-up, we are sure to protect our ratings from the IPL brunt,” she had stated.

    However, Kapoor is of the opinion that prime-time shows will witness a ratings drop, ranging from 10 per cent for the popular programmes, and up to 20-30 per cent for the middling ones.

    Rambhia was of the view that broadcasters are unlikely to launch new programs that directly clash with the IPL. “There are some networks who are in fact putting their original content on Sunday afternoon when there is no match. For e.g. if any GEC is putting their show at 12 pm it can easily get over by 3.30 when the match will start. I believe Filmfare is also going to premiere at 12 pm,” he added.

    Audience engagement through different devices

    Kapoor shared that the consumption of IPL on digital (Disney+ Hotstar) is largely driven by solo viewing and out-of-home consumption, such as during travel. When the family wants to watch a serial on a GEC, an IPL fan in the house will watch the match online at that time.

    Growth of online consumption has created more viewing choices within the family, and this doesn't harm GECs in any way; in fact, it helps to some extent, he opined. Additionally, while HD homes are a niche group, one doesn't expect their viewing dynamics of IPL to be too different from SD homes.

    “We are still a single TV household. There is a consumption happening on mobile phones and other mediums but for genres to target specific people on various platforms will take some time. Largely, we are still a TV viewing country. So, it is not going to make much difference,” Rambhia detailed.

    How GECs fare in terms of advertisement

    When it comes to advertising, experts are confident that GECs will fetch their usual ad rates. Rambhia revealed that since January, advertising rates are at an all-time high. He shared, “In terms of inventory, I don’t think television channels are getting impacted. Because at the end of the day, only a certain percentage of advertising is available on IPL then you have other players who advertise on GECs. Whereas there are some categories and brands like cola which advertises on both IPL and GEC.”

    Kapoor pointed out that there has been no major impact on ad rates, as most bigger deals are for a longer period, like six to 12 months.

    “Over years, advertisers who want to be seen on IPL have allotted budgets to it, some of which have come from other media like print and outdoor, while some have been diverted from other genres on TV like GECs. But IPL is so settled now that we cannot call this an impact anymore. It's more like a norm now, whereby advertisers make their annual plans keeping IPL in mind,” he shared.

    It will be interesting to see if GECs are able to hold their own against the IPL come 9 April. Or will the shorter gap between the 13th and 14th edition play against the league’s favour? However the chips may fall, for now the game is on!

  • Chyron taps Jason Toliopoulos as SVP – operations & customer success

    Chyron taps Jason Toliopoulos as SVP – operations & customer success

    NEW YORK: Broadcast titling firm Chyron has elevated Jason Toliopoulos to senior vice president of operations and customer success. Toliopoulos brings extensive creative, technical, and project management experience to this new role. His career in broadcast technology began in various design and management roles at Global News, CBC, and CTV. He eventually became creative director at CTV, where he successfully led many major projects, including the redesign and relaunch of the Business News Network (BNN) website, viewed by three million users daily.

    At Chyron, Toliopoulos has previously held roles in professional services, solutions engineering, and development of strategic accounts.

    "Jason's hands-on experiences in the real world of high-level graphics design and implementation, along with his success at Chyron managing many projects for our most high-profile customers, make him the ideal fit for this new role," states Chyron CEO Ariel Garcia. "This role represents Chyron's commitment to building successful long-term customer relationships, from the initiation of high-level discussions about customer needs and potential solutions, to installation and launch, to ongoing world-class support."

    Toliopoulos now oversees all pre-sales and solutions engineering activities, installation and training delivery, creative services, and technical support. He brings dedication and enthusiasm to his new role.

    "This role is the culmination of everything I have done in my career so far," said Toliopoulos. "I am really humbled to be working with so many talented people, and I look forward to growing the team and taking it to the next level. I originally started at Chyron because I have always found this industry to be so exciting. To get to work on projects like the Super Bowl, the Olympics, or election night in countries all around the world is genuinely a thrill for me."

  • Madhya Pradesh Tourism gets shot in the arm from Travelxp

    Madhya Pradesh Tourism gets shot in the arm from Travelxp

    MUMBAI: Madhya Pradesh tourism is all set to get a facelift as it collaborates with Travelxp to showcase the beauty and uniqueness of tourism destinations of the state worldwide. Travelxp will be creating an exclusive series showcasing the highlights of Madhya Pradesh to the global travel loving audience.  

    “Madhya Pradesh Tourism Board (MPTB) is working strategically towards getting tourists to plan vacations; promote explored (travel circuits) and offer new experience circuits in different segments to the tourists exploring heritage, culture, adventure and wildlife destinations. We are in the process to build confidence and trust amongst the travellers and have launched numerous campaigns during lockdown with the intention of keeping in touch with travellers and our stakeholders to reassure them that all the norms for safety against Covid2019 are being followed. Collaboration with Travelxp definitely helps us to reach to travel loving people and they will surely get attracted towards Madhya Pradesh for tourism,” said MPTB MD & department of tourism Madhya Pradesh principal secretory Sheo Shekhar Shukla

    “Madhya Pradesh has always been known for its wildlife and hospitality. Now, with this partnership with Travelxp, the world’s leading travel channel, we are all set to showcase the natural beauty and alternative experiences Madhya Pradesh has to offer, from boating to Parasailing, from some of the spiciest food to some of the sweetest dishes. Madhya Pradesh is unique in its essence and flavour, and this show with Travelxp will demonstrate the power of brand MP,” added MPTB film tourism & film facilitation cell director Ram Kumar Tiwari.

    Even before the pandemic, Madhya Pradesh has been leveraging film and entertainment media to showcase the central Indian state’s beauty and allure. The partnership with Travelxp will be a shot in the arm for the shooting-driven strategy propagated by MP Tourism, providing it access to its core target, travel-loving audience in over 120 million+ homes in 40+ countries.

    “When the world opens up, we will ensure Madhya Pradesh is well positioned to attract the tourist who is fascinated by the raw beauty and diversity India has to offer,” said Travelxp creative director Kamakhya Narayn Singh.

    The show is set to telecast towards the second quarter of this calendar year on Travelxp globally. This unique strategic partnership will enable Madhya Pradesh to create a recall factor for travellers globally, and position the state as a destination with several experiences for different audience segments.

  • Guest column: Roll camera, action – the show must go on

    Guest column: Roll camera, action – the show must go on

    MUMBAI: ZeeL music cluster deputy business head Pankaj Balhara shares his learnings from 2020:

    1. TV is king

    We always had the conviction within the network about the power of TV, and all those questions were put to rest with the trends and data seen during the lockdown – that OTT and TV can co-exist. Specifically, with our TG (the youth), their consumption also increased during the lockdown but overall, it has remained consistent since the past four to five years.

    2. Resilience and innovation of our industry  

    If Covid2019 has taught the entertainment industry anything, it’s that we can’t continue to go on as we have. After a gap of 100 days due to the national lockdown, it was ‘roll camera, action’ again for the entertainment industry, but even in this phase the industry has shown the resilience to innovate and adapt successfully. During the lockdown, the television industry introduced content which was shot from home. TV merged into the virtual space and everyone in the entertainment industry managed to run their operations innovatively. Adapting to the new norms, TV constructed stories and scenes to keep everybody reasonably distanced. With the ongoing pandemic in mind, makers created new shows that both reflect the socially distanced moment and use its tools. What's exciting overall is that Covid has pushed the industry to work in so many creative ways.

    3. TV and food are two true loves for Indians

    The Covid2019 pandemic has pushed television viewership to record levels as it has seen unprecedented growth. Television consumption at this scale hasn't been witnessed or even imagined before. TV continues to attract maximum new eyeballs as the coronavirus outbreak keeps other options of outdoor entertainment limited. With social distancing and work-from-home being the new normal, families have found themselves with a lot more together time, be it having meals to watching their favourite movies or shows together. Same goes for food – as the pandemic made us housebound, we began buying, cooking, and eating very differently. Today both television and food has taken a centre stage at homes for family bonding and entertainment.    

    4.  And above all, life and entertainment must go on!

    There is no historic parallel to the crisis and uncertainty brought about by Covid2019. But the pandemic has taught us that we don't need too much to be happy. There can be a pause, but life doesn’t get stagnant. The show must go on.

    (The author is deputy business head of ZeeL music cluster. Indiantelevision.com may not subscribe to his views.)

  • Uday Shankar: The man who built Star India

    Uday Shankar: The man who built Star India

    MUMBAI: 31 December 2020. A chapter ended in the history of Disney Star India. According to public announcements by the mouse house, it was the last working day for chairman Uday Shankar at Star India, a company he steered – along with the Murdochs – into its arms over a decade. No announcement has been made regarding his replacement. Not much is known about where he is headed.

    Mutterings have been heard in the media that he is setting up an investment fund along with other high net worth individuals (the gossip is that it is James Murdoch’s Lupa Systems) to help talented young entrepreneurs polevault their start-ups to the next level and even unicorn status. Which he might end up being very successful at as his track record has shown. Star India has had quite a few CEOs – Andrew Carnegie (general manager), Gene Swinstead, Rathikant Basu, Peter Mukerjea, Sameer Nair and then Uday. He probably has the distinction of being the longest running head of the network.

    Uday himself is worth a few hundred crore (some say, the stocks he has accumulated during his tenure with 21st Century Fox over the years are valued at between $100-150 million). He has been appointed as the president of industry lobbying body Ficci – reportedly the first media and entertainment executive to be given that position. Which puts him centre stage in Indian industry – amidst some of the top businessmen and industrialists in the country – and gives him tremendous access to different ministries. His track record and public profile is enough to open many a door but the Ficci handle would really come handy.  

    That track record saw Star India being valued at around $17 billion in the acquisition price of $72-odd billion that Disney paid for Fox’s entertainment assets. Clearly, Uday had a big hand to play in that growth.

    Uday, however, is leaving behind the company in good hands. K Madhavan is managing director Star and Disney India. He has the impeccable track record of transforming an ailing business, Asianet, in the previous decade into a hugely profitable one, which Star finally acquired. And he worked very closely with Uday to build its regional language business. President & head infotainment, kids & regional entertainment channels, Disney & Star India Kevin Vaz has seen and participated in the broadcaster’s growth curve for more than a decade in different roles. President & head English and Hindi entertainment Star India Gaurav Banerjee is a long-timer Uday has had tremendous trust in and he has delivered by keeping the network on the top of the ratings charts. Star veterans CFO Sanjay Jain and  chief legal counsel Deepak Jacob and the highly respected HR head Amita Maheshwari have domestic and APAC responsibilities for The Walt Disney Co. President of TV distribution Gurjeev Singh Kapoor, India and International for Star and Disney knows the ins and outs of getting the channels into Indian and international homes, having seen the network report increased revenues year on year.

    President ad sales Disney and Star India Nitin Bawankule too has tremendous pedigree with experience in companies such as Google, Dell, and Motorola.

    Then there is the new hire Sunil Rayan, who is heading the OTT business in the shape of Disney+ Star India, and has had international experience leading Google Cloud for Games before hopping on board for his new challenge. Head corporate development direct to consumer business APAC, The Walt Dsiney Co Prateek Garg too has a respectable track record with experience at Ernst & Young, HSBC, Sun group and many years at Star India. Finally, Uday has left the fortunes of the studios business for both Disney and Star India in the hands of Bikram Duggal, who too has a long track record in the business.

    Will the mouse house find a replacement for Uday? Or will it let the current structure continue? Probably The Walt Disney Co CEO Bob Chapek and international operations & direct to consumer chairman Rebecca Campbell know. And we will have to wait until early 2021 when Campbell said Uday’s successor would be announced. 

  • TRP scam: BARC ex-CEO Partho Dasgupta arrested

    TRP scam: BARC ex-CEO Partho Dasgupta arrested

    MUMBAI:The long arm of the law is closing in.  In yet another turn of events in the alleged TRP manipulation case, the custody seeking hungry  Mumbai police has arrested BARC India’s former CEO  and media veteran Partho Dasgupta. He was picked up from Rajgad police station jurisdiction in Pune rural and is being brought to the Mumbai crime branch.

    Dasgupta will be produced before the additional chief metropolitan magistrate court (ACMM) on Friday.

    For the uninitiated, this is the fifteenth arrest in the TRP scam, coming close on the heels of former BARC COO Romil Ramgarhia and Republic Media Network CEO Vikas Khanchandani being taken in police custody. Both of them have been released from jail on bail.

    The Mumbai police has claimed to have found WhatsApp chats between Ramgarhia and Khanchandani that indicates manipulation in viewership data. No proof of this has been provided to the media as at the time of writing. 

    The law enforcer  began an investigation into the alleged scam after ratings agency BARC India filed a complaint through Hansa Research Agency about the rigging of TRP by some TV channels. Republic promoter Arnab Goswami – who too was arrested and incarcerated for a few days –  has called the entire investigation  TRP as political vendatta by the Maharashtra government led by Udhav Thackeray.

  • Bob Chapek realigns roles at Disney Studios Content

    Bob Chapek realigns roles at Disney Studios Content

    MUMBAI: The shuffling is continuing at the Walt Disney Co as CEO Bob Chapek works on creating an organisation that can prosper going forward. In Disney’s latest announcement, Chapek named Alan Bergman as chairman of Disney Studios Content, with Alan Horn who was earlier co-chairman serving as its chief creative officer from 1 January 2021.

    “Our studios are unmatched in their ability to create incredible cinematic experiences, and with this new structure, we are ensuring a vital continuity of leadership,” said Chapek.

    Bergman’s responsibilities will expand to oversee creative, production, marketing, and operations for Disney Studios Content, which encompasses the world-renowned production studios Disney, Walt Disney Animation Studios, Pixar Animation Studios, Marvel Studios, Lucasfilm, 20th Century Studios, Searchlight Pictures, and Blue Sky Studios, as well as Disney Theatrical Productions. Horn, on the other hand, will focus on the creative aspects of the studios’ content pipeline, working in partnership with Bergman on its creative approach. Both will report to Chapek.

    The leads of each production studio will continue to dual report to Bergman and Horn on creative matters, including Twentieth Century Studios president Steve Asbell; Blue Sky Studios co-president Robert Baird; Walt Disney Studios Motion Picture Production president Sean Bailey; Pixar Animation Studios chief creative officer Pete Docter; Marvel Studios and Marvel president and chief creative officer Kevin Feige; Searchlight Pictures chairman Stephen Gilula; Lucasfilm president Kathleen Kennedy; Walt Disney Animation Studios chief creative officer  Jennifer Lee;  Searchlight Pictures chairman Nancy Utley and and Disney Theatrical Productions president  Thomas Schumacher.

    Bergman is a 24-year veteran of Disney. Prior to being named co-chairman in 2019, he served as president of The Walt Disney Studios from 2005 to 2019. He played a leading role in the integrations of Pixar Animation Studios, Marvel Studios, Lucasfilm, and the Twenty-First Century Fox film studios. His tenure at Studios has included the release of 25 films that have earned at least $1 billion at the global box office.

    Horn joined Disney in 2012 when he was named chairman of The Walt Disney Studios, becoming co-chairman and chief creative officer in 2019. With a career spanning nearly 50 years, Horn is one of the industry’s most influential and respected executives. He served as president and chief operating officer of Warner Bros. from 1999 to 2011, during which it was the top-performing studio at the global box office seven times and released numerous critically acclaimed films and box office hits including the Harry Potter series, Batman Begins, The Dark Knight, The Departed, Million Dollar Baby, and the Ocean’s Eleven trilogy. He co-founded Castle Rock Entertainment, where as chairman from 1987 to 1999 he oversaw a diverse collection of popular, acclaimed film and TV properties including A Few Good Men, The Shawshank Redemption, When Harry Met Sally, and Seinfeld. He also served as president and chief operating officer of Twentieth Century Fox Film Corp from 1985 to 1986 after getting his start in the media business in 1973 at Norman Lear and Jerry Perenchio’s Embassy Communications, where he ultimately held the role of chairman & chief executive officer.

    Together, Horn and Bergman have presided over a time of significant growth at The Walt Disney Studios, including the 2012 integration of Lucasfilm and the 2019 integration of the Fox film studios, as well as the studios’ expansion into the production of content for Disney’s streaming services. During their tenure, The Walt Disney Studios set numerous records at the box office, surpassing $7 billion globally in 2016 and 2018 and $11 billion in 2019, the only studio ever to have reached these thresholds.

    Among the Studios’ recent successes are Disney’s live-action Beauty and the Beast, Aladdin, and The Lion King; Walt Disney Animation Studios’ Frozen, Zootopia, and Frozen 2;  Pixar’s Coco, Incredibles 2,  and Toy Story 4; Lucasfilm’s  Star Wars: The Force Awakens, Rogue One: A Star Wars Story, Star Wars: The Last Jedi, and Star Wars: The Rise of Skywalker; and Marvel Studios’ Black Panther, Captain Marvel, Avengers: Infinity War, and Avengers: Endgame, the latter of which is the highest grossing global release of all time.

  • Anjan Bandopadhyay joins ZEE 24 Ghanta as Editor, quits TV9 Bangla before channel launch

    Anjan Bandopadhyay joins ZEE 24 Ghanta as Editor, quits TV9 Bangla before channel launch

    A news veteran of 33 years, Anjan Bandopadhyay has joined ZEE 24 Ghanta as its Editor. He will be presiding over the input and output of all content for the channel along with its digital properties and drive the growth of the channel. Anjan was also historically associated with ZEE 24 Ghanta from 2006 to 2015 as the editor input. Recently, he had joined TV9 from ABP digital, as the editor to help launch the channel in Bengal.

    Speaking to Anjan on his comeback he said, “It’s always good to come back to the channel which you have spent many years in establishing. Now Zee 24 Ghanta by its own merit drives the viewership in the market.  I will ensure all my experience and learning further strengthens its position in the Bengal news genre”.

    Speaking on the channel getting a new Editor, the Cluster CEO, Mr. Purushottam Vaishnava said, “Anjan is an old hand in the industry and has been also previously associated with Zee 24 Ghanta. He is attuned to the values, the culture of the channel and shares the same vision as we do. We believe he will drive the channel towards a more robust future. The channel is already undergoing few changes in content and Anjan could not have joined at a better time. We wish him the best for this endeavor.”

    ZEE 24 Ghanta has recently seen a flurry of activities, with Moupia Nandy helming the role of Deputy Editor and a slew of new programs. The channel is on a fresh route to rediscover the true essence of news in the increasing clutter. Dedicated to keeping the people of Bengal abreast with the latest happenings, factual reporting, and in-depth analysis, ZEE 24 Ghanta is one of the key news channels in the regional news space.

    Manoj Jagyasi, Executive Cluster Head of Sales, said “West Bengal is a priority market for all the advertisers, so with the brand legacy of ZEE 24 Ghanta, we are set to engage their consumers in the upcoming state elections. We are glad to have Anjan with us as his experience in news genre will give boost to our planned line up for the state election which is spread across 150 days and has several integration opportunities for the advertisers.

  • Pawan Sharma joins News18 Network after Disney India stint

    Pawan Sharma joins News18 Network after Disney India stint

    NEW DELHI: News18 Network has appointed Pawan Sharma as the sales head, focus, Hindi and language cluster. In his new role, Sharma will be responsible for unlocking potential for the network’s focus segment in the general news category.

    Prior to joining News18 Network, Sharma has been associated with top media brands such as Disney, Star and Big FM. In his last stint, he was the national sales head, display & branded content for Disney India-owned Bindass channel.

    With his vast sales experience across top media brands, Sharma will draw on his expertise to develop new services and effective brand solutions. He will report into Hindi news cluster CEO Mayank Jain and languages CEO Karan Abhishek Singh.

    With tremendous engagement in the past few months, the television news segment is poised for the next phase of growth. As News18 Network’s viewership continues to grow, it has conceptualised, developed and executed pioneering projects such as Young Genius, Jai Hind Samman, and Musicathon. With Pawan spearheading the innovative branded content and IPs along with high-performance solutions for advertisers and partners, the network will continue to further invest in developing the segment.