Category: People

  • Zee5’s Tushar Singh joins Discovery as product director

    Zee5’s Tushar Singh joins Discovery as product director

    Mumbai: Zee5 former executive Tushar Singh has joined the global product team at Discovery Inc, he announced on LinkedIn. 

    In this new role, Singh will be leading its direct-to-consumer expansion as a director of product in new markets of Asia Pacific region.

    Singh was previously associated with Zee5 as associate director of product since November 2019. Prior to that, he worked with companies such as Tata Sky, Idea Cellular and Nokia Siemens Networks.

    He has over 11 years of experience in product management, subscriber marketing, growth marketing, product marketing and strategic partnership and alliance experience in the entertainment media, broadcast and telecom industries.

  • Sandeep Unnithan appointed as editor of News9 Plus

    Sandeep Unnithan appointed as editor of News9 Plus

    Mumbai: TV9 Network has announced the appointment of former India Today managing editor Sandeep Unnithan as the editor of News9 Plus, the recently announced video magazine OTT service by the network. 

    In this role, Unnithan will be responsible for all day-to-day news and editorial reportage at News9 Plus, for rich perspectives, narratives, and debates in a video on demand format, said the media company in a statement. “He will report to TV9 Network CEO Barun Das and TV9 Network group editor B V Rao,” it added. 

    Unnithanr bings with him a wealth of editorial experience with in-depth reporting on defence and strategic affairs. He is the author of “Black Tornado: The Three Sieges of Mumbai 26/11” and the co-author of “Operation X” – a non-fiction book on India’s covert Naval operations during the 1971 Bangladesh Liberation War.

    “With Sandeep on board, his rich experience in writing and editing long form stories will play out on the richness of our editorial content,” said Barun Das CEO TV9 Network. “Sandeep will add gravitas, diversity and immersive storytelling that the English news audience deserves. We are confident that quality content will attract quality subscribers. At News9 Plus, we are going to make content a ‘want’ and not just a ‘need’. You would ‘want’ to keep coming back.”

    “This seems like the idea of the decade – where my past experience of long form reportage and storytelling for an evolved audience converge in a future-ready OTT avatar. News9 Plus is the future and I’m excited to help shape it,” said Sandeep Unnithan.

    “News9 Plus needs an editor who understands the pulse of the English-speaking audience – what we define as the GenFlix,” said TV9 Network group editor BV Rao. “The content that GenFlix would like to watch and eventually pay for will define News9 Plus as a differentiated news product. Sandeep and his team will drive that content differentiation for GenFlix.”

    TV9 Network has made another key hire for News9 Plus in Sandhya Ravishankar, award winning journalist from the south, who specializes in investigation. She won the Ramnath Goenka award in 2018 for her seven year-long reportage on beach sand mining.

    Aditya, who has earlier worked with CNN News 18, Times Now and Republic TV, will man the intersection of internal security, terrorism and diplomacy at News9 Plus. 

    News9 Plus will launch at the end of March 2022 on Web, Android and iOS marketplaces. Integrations on connected TVs and smart devices will follow soon thereafter, said the statement.

  • Akshaye Widhani takes over as CEO of Yash Raj Films

    Akshaye Widhani takes over as CEO of Yash Raj Films

    Mumbai: Yash Raj Films (YRF) on Wednesday named Akshaye Widhani as the chief executive officer (CEO). He was most recently senior VP – finance and business affairs and head of operations, YRF Studios.

    Widhani joined YRF at the age of 22 and has been associated with YRF for 17 years. He has been responsible for setting up and running several business verticals for YRF. He started his career at YRF as a studio manager, in charge of setting up operations for YRF Studios in 2005. Thereafter, he has gradually taken up leadership roles in corporate finance, strategy and operations.

    “I am incredibly honoured and humbled to assume the role of CEO of Yash Raj Films, a company in which I have spent the last 17 years of my life learning,” Widhani commented. “I’m happy that I had a front-row seat as a member of the leadership team at YRF under Yashji and Aditya Chopra during the course of this time. I share their passion and commitment towards innovation, creative excellence, future expansion plans and also giving back to the industry that has supported and made us who we are today. I have been entrusted to collaborate and lead the hugely sharp think-tank at YRF which I believe to be the best that the industry has to offer. I’m looking forward to assuming this responsibility and taking the company to greater heights with the YRF family in the years to come.”

  • Locomotive reinforces strength in India with key appointments

    Locomotive reinforces strength in India with key appointments

    Mumbai: International production company Locomotive Global Media on Monday announced the appointment of Laura Mishra as associate producer and Nikhil Ahuja as finance controller, in view of its long-term business objectives and goals. 

    With a focus on expanding its business horizon, Mishra and Ahuja will significantly contribute in accelerating the company’s growth through their respective roles, according to the company. Their appointments are with immediate effect.

    In her new role, Mishra will be responsible for driving the company’s growth through partnerships with various streaming platforms. In addition to this, she will also contribute by developing, producing, and executing film/television projects that are key to LGM’s overall growth. Mishra brings to LGM six years of experience in the industry, with an expertise in television and film production. 

    Prior to joining LGM, she worked as a development producer at The Story Ink. In addition to this, Mishra has also worked as a producer, director and script consultant in her previous roles.

    As LGM’s finance controller, Ahuja will be responsible for all financial matters and will report to the parent company, Chicken Soup for the Soul Entertainment (CSSE) in the US. Ahuja will also play an active role in production management and project financing with an objective to help rapidly build the company’s scale and operations.

    With over seven years of experience in finance across sectors, Ahuja’s expertise includes crafting finance plans, budgeting strategies, revenue forecasting and taxation. Prior to joining LGM, Ahuja worked with Mumbai Movie Studios as head of finance where he was responsible for content accounting, optimising spends and worked closely with investors and external stakeholders.  

    “We are delighted to welcome Laura and Nikhil to our team as we seek to exponentially accelerate our growth in India,” Locomotive Global Inc co-founder and principal of Sunder Aaron said. “While Laura is a recognised expert in the Indian film industry with an in-depth understanding and knowledge of the entire film production ecosystem, Nikhil is a domain expert and is recognised for his financial skillset. Together with their exemplary leadership abilities and creative minds, we are certain of taking Locomotive Global to greater heights, further consolidating our position in the Indian media and entertainment sector.”

  • Disney Star elevates Harry Griffith to head rights acquisition & syndication-sports

    Disney Star elevates Harry Griffith to head rights acquisition & syndication-sports

    Mumbai: The Walt Disney Company has expanded Harry Griffith’s role to head rights acquisition and syndication sports for Disney Star. He will report to Disney Star head sports Sanjog Gupta. 

    Harry will be taking over additional responsibilities of rights acquisition and key licensor relationships in addition to his current responsibility of heading global syndication and sales for sports. Harry has been a part of the sports team since July 2015. He started his journey with the sales team and proceeded to take on global syndication of sports rights. Over the last year, Harry has managed tough negotiations in the Middle East and facilitated rights deal renewals across the world.

    Griffith has over 15 years of experience working in the media, sports, and entertainment industries. His expertise lies in TV/digital media rights, ad sales solutions, rights acquisition, syndication, sponsorship, digital, monetisation and business development for the world’s leading rights owners, agencies and broadcasters in multiple territories.

    Prior to joining Star TV Network in 2015, he was associated with Eurosport as international sales and partnerships manager. He has also been with IMG Media for eight years before he quit as commercial sales and partnerships manager.

  • Debkumar Dasgupta joins Merzigo Asia as VP & business head of content

    Debkumar Dasgupta joins Merzigo Asia as VP & business head of content

    Mumbai: Debkumar Dasgupta has joined Turkey-based Merzigo as vice president and business head – content for Asia. He was previously with media distribution company IndiaCast as media syndication head for the Middle East and Africa.

    Merzigo provides a range of services including digital curation, directly for broadcasters, distributors and producers including Fox, The Walt Disney Company and KanalD.

    In his new role, Dasgupta will be responsible for the syndication of Turkish drama series in the Asia region focusing on India, Pakistan, Bangladesh, South Korea, Malaysia and Indonesia. He will be leading the content planning, governance, acquisition and delivery operations of the company in the region. 

    Over a career spanning 35 years, Dasgupta’s longest stint was at Viacom18 Media and IndiaCast Media Distribution where he worked for 24 years. He initially managed the domestic distribution of the TV channel Colors and was later appointed to manage the Asia Pacific channel distribution and global content sales and syndication. Later, he was elevated to manage the channel business including subscription, ad sales, syndication in the Middle East and Africa. 

  • Republic Media Network group CEO Vikas Khanchandani moves on

    Republic Media Network group CEO Vikas Khanchandani moves on

    Mumbai: Republic Media Network group chief executive officer Vikas Khanchandani has moved on from the media company after a five-year stint. 

    A media professional with over two decades of experience, Khanchandani started his media career at Star TV network. He also set up NDTV Media, the commercial arm of NDTV Group. 

    He later launched his independent venture AIDEM, a media services business. He had a brief stint with Reliance Broadcast Network before joining Republic Media Network in January 2017. 

    His next move is unknown.

  • The market for NFTs cannot be restricted by demographics: Anshul Ailawadi

    The market for NFTs cannot be restricted by demographics: Anshul Ailawadi

    Mumbai:  Viacom18 YME (Youth, Music, and English Entertainment) cluster stepped into the fast-emerging NFT-verse in January with the extension of its ‘FullyFaltoo’ franchise that went on from being a show on MTV and a brand solutions studio, to now an NFT marketplace that will launch its diverse range of digital collectibles. These exclusive collectibles will also have creations inspired by pop culture properties like ‘Roadies’ and ‘Bakra’.

    “The move was spurred by the thought that we have a really rich legacy of edgy and unique artwork that has played a key part in the life of most of our consumers. Taking this association a step further, how can we give them a chance to own it?” says Viacom18 head- youth, music, and English entertainment Anshul Ailawadi.

    The marketplace fullyfaltoonft.com is powered and facilitated by NFT ecosystem technology framework GuardianLink.io.

    Commenting on the partnership as well as the relevance of NFTs for iconic youth brands like MTV, Vh1, and Comedy Central in India, GuardianLink.io co-founder, and chairman Keyur Patel shares, “MTV resonates with GenZ at all three levels – brand, art, and emotions. With its understanding of the youth and a great legacy of popular art, MTV is poised for success in the NFTverse. I see this as the coming together of some of the most interesting creative assets by an interesting brand in an interesting space!”

    ‘NFT’ what?

    Non Fungible Token (NFT), essentially blockchain-certified digital art, is a rare, and unique asset deemed as a ‘collectible’. It appreciates over time in value as it is traded or auctioned.

    The technology involves three aspects. First is the basic tech that can be scaled to facilitate global participation in the NFT auction. Secondly, so as to make the process more inclusive, multiple payment gateways like credit/debit cards, UPI, and crypto are to be enabled. The third and specific aspect is that of ensuring the security of minting, transferring, and storing NFTs. This secures the NFTs against theft and forgery. Guardian’s high-impact NFTs are protected by its Anti.RIP technology and legitimacy protocol explained Patel.

    Just the way all talk about ‘Non Fungible Tokens’ starts with demystifying this apparently loaded term, Viacom18’s campaign around its NFT debut, too, begins with educating the audience about the basics.  

    “Aimed at both the brand loyalists as well as fence-sitters, our communication has a lot of explanatory stuff around what are NFTs, and how to engage with/trade them. Basically, the first phase of the campaign will be more about ‘trust building’, whereas, the subsequent phases will delve into technicalities like the risks and opportunities involved,” says Ailawadi.

    Even though heavily focused online, there’s also an on-air component to the promotions. Additionally, Viacom18 is targeting online spaces and communities such as Reddit and Discord that have audiences engaging in lively conversations around NFTs.

    Takers all across

    Ailawadi believes that the crypto revolution is spread across the country, and the market for NFTs, therefore, cannot be restricted by demographics. “We are clear about the fact that our brand loyalists will be the first set of adopters. They are present all over India, in the metros as well as in towns like Kochi and Chandigarh that are not tier1. ‘Fence sitters’ who understand that there is a legitimate offering backed by an iconic brand out there, will come next.” he asserts.

    Needless to say, the audience for NFT has a younger skew. However, refraining from generalising, Ailawadi adds, “there are risks associated with NFTs, so people who either do not understand or do not have an appetite for them should think before engaging with them.”

    While the digital natives have had a predominantly virtual mode of expression, interaction, and existence at large, when it comes to NFTs, the question that’s being asked is whether they would also like to own something unique virtually?   

    In this regard, Patel shares an insight stemming from the origins of the phenomenon. “Basically, NFTs got their momentum from the GenZ gamers who collect goods in the virtual space through in-game purchases. With the coming of NFTs, they realised that they can now have authentic stuff for their game that can not only be bought and stored but is also tradable. That’s when this whole thing picked up.”

    Why NFTs

    Non Fungible Tokens became a phenomenon last year when the digital artist known as Beeple sold an NFT of his art for $69million through an auction at Christie’s. That was the defining moment for the world of digital art. NFTs could make brands and celebs.

    What was yesterday just another digital fad for the uninitiated, is today a rare collectible for the loyalists and buffs, and it has the potential of evolving into a ‘utility’ or ‘asset’, sooner than anticipated. Giving an analogy, Patel observes that NFTs will be in the same space as a 140-character tweet which fetches nearly Rs four million today.

    Commenting further on the current and future value of NFTs, Aliwadi remarks, “Many of us had a predilection for collectibles like postal stamps, coins, or tazos in our younger days. While we always had the chance to collect and trade, the opportunity to authenticate and showcase them was limited. Collecting NFTs is the digital equivalent of philately or numismatic, which takes care of these two pain points as well. NFTs can be authenticated by virtue of having a digital signature, and once you are on a marketplace or prominently displaying them on social media platforms, the world will surely notice.”

    That’s about the current value of NFTs, but going forward the possibilities are enormous. “Imagine having a chance to attend MTV Supersonic backstage with an MTV NFT. That’s some time away though! We’ll eventually be there,” reckons Ailawadi. 

  • Siddharth Chopra joins Pen Music as COO

    Siddharth Chopra joins Pen Music as COO

    Mumbai: Siddharth Chopra has joined Pen Music as chief operating officer. Pen Music owns TV channels BFLIX+ Movies, iLove Music and MTunes+.

    In his new role, Chopra will not only lead top-line growth but will also be responsible for scaling up business operations across functions and forming synergies to work towards organisational objectives, said the statement.

    He comes with over 16 years of experience and has led teams across the spectrum of established brands and newer products over his career. He has demonstrated successful revenue and business growth in his previous assignments. 

    Chopra joins from Goldmines Telefilms where he was responsible for scaling up revenue from scratch to scale over his last tenure. Prior to that, he was with the Times TV Network, where he was vice president and national revenue head for the English entertainment channels cluster. He has also worked with Turner International India – HBO and The Times of India.

    Pen Music’s BFLIX+ and iLove have been the fastest growing TV channels in the last two years delivering over 1.5 billion tune-ins every month, said the statement.

  • Banijay Asia names Rajesh Chadha as EVP & business head of scripted content

    Banijay Asia names Rajesh Chadha as EVP & business head of scripted content

    Mumbai: Banijay Asia has named Rajesh Chadha to head the scripted business as the executive vice president and business head. As part of this role, Chadha will be responsible for developing the scripted slate for the media company.

    A media veteran with a career spanning over 27 years in the M&E industry, Chadha has spearheaded projects at prominent companies like Endemol, BBC Studios and RBNL. Leading the content execution for the award-winning OTT series – “Criminal Justice” and “Out of Love” at BBC Studios, he was also involved in Ajay Devgn’s digital debut “Rudra” and “Guilt & Press” in early 2022.

    “The Indian streaming space is under content revolution and Banijay Asia is leading the shift seamlessly,” said Rajesh Chadha. “Producing premium content, associating with top streaming platforms, and collaborating with national and international studios to churn out newer formats, Banijay Asia is a uniquely positioned production house in the industry. I am looking forward to contributing towards the growth and success of Banijay Asia along with Deepak Dhar.”

    “Innovation and creation are the way forward in the rapidly changing content industry and we are delighted to have Rajesh join the leadership team,” said Banijay Asia CEO and founder Deepak Dhar. “His determination and affluent experience in the space will certainly add immense value to our future endeavours.”