Category: People

  • Rahul Shivshankar starts his new innings with a column on News18

    Rahul Shivshankar starts his new innings with a column on News18

    Mumbai: Noted TV news personality Rahul Shivshankar, who joined Network18 as a consulting editor on Monday, has started his innings at the network with a column on news18.com.

    The article titled, ‘Bharat’s Question for the G20: Are Some Global Concerns More Equal Than Others?’, explores the prioritisation of global concerns by the G20, emphasising that not all critical issues receive equal attention. The article calls for a more balanced approach, stressing the need to address various global concerns, including social and economic disparities, with equal urgency to achieve a fair and sustainable world order.

    A news industry veteran with nearly three decades of experience in print and television journalism, Rahul cut his teeth in the profession as a reporter for The Times of India. He was one of the youngest leader-writers for the edit page of the newspaper. When Times Now launched, he was a part of its founding team. He then went on to become the face of the channel as well as its editor.

    At Network18, he will add a strong digital dimension to his body of work and add further lustre to the star cast of anchors, reporters, editors, and commentators.

    Rahul has received critical acclaim for his coverage of the 26/11 Mumbai Terror attacks. He was invited to contribute to an anthology of investigative narratives about the attacks published by Roli Books. He has also authored a soon-to-be-released book on the 2024 Elections, commissioned by Penguin Random House.

     

  • Rahul Shivshankar to join Network18 as consulting editor

    Rahul Shivshankar to join Network18 as consulting editor

    Mumbai: Noted TV news editor and anchor Rahul Shivshankar is all set to join Network18 Group as a consulting editor.

    He will join the stellar line-up of TV news anchors, editors and writers at India’s largest news network.

    Commenting on his new role, Shivshankar said, “I am very excited to be associated with Network18, which has evolved into the country’s most influential news network on the back of its unflinching commitment to reporting the facts that speak truth to the people.”

    “It is a privilege to add to the plethora of sober reflections, critical news analysis, and balanced voices that are already platformed on the network by some of the news industry’s leading lights,” he added.

    Shivshankar will contribute across platforms at the network.

    The group presently runs India’s top TV news brands such as CNN-News18, News18 India, CNBC TV18, CNBC Awaaz and News18 regional channels. The network is also home to some of India’s top digital news brands such as Moneycontrol, Firstpost, News18.com, among others.

    Welcoming Rahul Shivshankar to the group, Network18 CEO (digital) & president-corporate strategy Puneet Singhvi said, “Rahul is a distinctive journalist and editor with an unparalleled audience connect. He has been the face of prime time TV journalism and a leading newspaper columnist for almost two decades. His work will add a fresh dimension to our coverage of big events, both on TV and digital.”

    A news industry veteran with nearly three decades of experience in print and television journalism, Shivshankar began his career as a reporter with Times of India, where he broke a large number of stories and started writing for the edit page as one of the youngest leader writers at the paper.

    Later, he became part of the core team that launched Times Now and continued to rise through the ranks.

    As editor-in-chief of Times Now, he played a pivotal role in catapulting the channel to its next phase. He has interviewed many important newsmakers including Narendra Modi, Benjamin Netanyahu, Boris Johnson, Bill Gates, Hillary Clinton, Mike Pompeo, Anthony Fauci and many others.

    Shivshankar has received critical acclaim for his coverage of the 26/11 Mumbai Terror attacks. He was invited to contribute to an anthology of investigative narratives about the attacks published by Roli Books. He has also authored a soon-to-be released book on the 2024 Elections, commissioned by Penguin Random House.

  • IBC2023 announces Warner Bros. Motion Picture Group to receive International Honour for Excellence as it unveils Special Awards

    IBC2023 announces Warner Bros. Motion Picture Group to receive International Honour for Excellence as it unveils Special Awards

    Mumbai: IBC has announced the IBC2023 International Honour for Excellence (IHFE), its most prestigious award, will be presented to Warner Bros. Motion Picture Group on the 100th anniversary of its founding by Harry, Albert, Sam and Jack L. Warner. The IHFE is one of a series of special IBC awards celebrating the very best in innovation and change in media and entertainment. Warner Bros. Motion Picture Group and the other special IBC award honourees are being announced in advance of the IBC Innovation Awards and IBC Social Impact Awards events, where the awards will be presented along with the full slate of winners yet to be revealed. The IBC Innovation Awards take place in IBC’s Premier Lounge at 18.00 CEST on Sunday, 17 September, while the Social Impact Awards will be held the same day at 16.30 CEST in The Forum as part of the Changemakers Programme.

    “These special awards exemplify the spirit of IBC2023, starting with our aim to showcase and inspire transformative innovations and other advances driving change in the industry,” said IBC CEO Michael Crimp. “IBC and the judges involved in the selection of our award winners wanted to spotlight in advance a number of organisations and individuals that have best demonstrated how the industry is rapidly evolving to meet new trends, demands and expectations.”

    Special Recognition of Lasting and Transformative Innovation

    As the IHFE honouree, Warner Bros. Motion Picture Group epitomises the ability to continually adapt to media and entertainment market changes. Beginning as a pioneer in cinema, the company has since emerged as a leader in every aspect of the entertainment industry – from feature film, television and direct-to-consumer production to animation, comic books, video games, consumer products, themed entertainment, studio tours and brand licensing. Warner Bros.’ vast library, one of the most prestigious and valuable in the world, consists of more than 145,000 hours of programming. The studio is also home to one of the most diverse portfolios of adored franchises in the world, including Looney Tunes, Wizarding World, DC, Friends, Game of Thrones, Hanna-Barbera and many more.

    “Warner Bros. Motion Picture Group has been a leading creative force in media and entertainment since its inception 100 years ago and remains an industry trailblazer,” said Crimp. “Warner Bros.’ work has had a profound impact on our industry and society over the last century and continues to do so today, shaping our culture and our understanding of the world around us through its films, television programming and other productions.”

    Warner Bros. Motion Picture Group co-chairs and CEOs Michael De Luca and Pam Abdy said in a statement, “We are delighted to accept IBC’s International Honour for Excellence award in the studio’s 100th year. Warner Bros. has always been at the forefront of the industry because of its commitment to innovative storytelling and we want nothing more than to continue that legacy. The success of Barbie is a fantastic example of this because not only is it a great story, but it means something to people and has an impact on societies and cultures globally. We look forward to another hundred years of best-in-class movies told by incredible storytellers, who have created countless stories that have inspired a century, as well as a new generation of visionaries who we are excited to see take Warner Bros. to new heights.”

    The jury for the Innovation Awards has announced the winner of the 2023 Special Award for Innovation, the German DVB-I Pilot – an initiative bringing together multiple stakeholders from the German media industry, including broadcasters, device manufacturers, software providers and research institutions. The project aims to advance the DVB-I standard to enable the ongoing use of linear TV programming. The organisations involved included: ARD (Association of Public Broadcasting Corporations in the Federal Republic of Germany), Bayerische Medien Technik GmbH, Dolby Laboratories, DVB Project, European Broadcasting Union, Fraunhofer FOKUS, LG, Media Broadcast, MIT-xperts, ProSiebenSat.1 Media, OnScreen Publishing, Rundfunk Berlin-Brandenburg (RBB), RTL Deutschland, SES, Sofia Digital, Sony Corporation, TARA Systems, TP Vision, Vestel, WDR (Westdeutscher Rundfunk) and ZDF (Zweites Deutsches Fernsehen).

    For another honour being presented at the Innovation Awards event, experts from the IBC Technical Papers Committee and the Institution of Engineering and Technology (IET) have chosen the paper they feel, on peer review, represents the most impressive piece of work being presented at this year’s IBC Conference (15 and 16 September). For their work on deploying a 5G standalone non-public network at the coronation of King Charles III, Mark Waddell, Ian Wagdin, David Butler (BBC), Sam Yoffe, Kenny Barlee, Douglas Allan, Malcolm Brew, and Robert Stewart (University of Strathclyde and Neutral Wireless) will receive the Best Technical Paper Award. The committee and IET found the paper to be exceptionally well-written and materially relevant to the media industry, sharing valuable technical insight. This year’s other Technical Papers will also be presented at the conference.

    Honouring Those Driving Social Advances in Media

    As part of its Social Impact Awards programme, IBC has launched a new Special Award, the 2023 Changemaker Award, which this year honours the Eurovision Song Contest for its contribution to society and culture – celebrating a brand that continues to stay relevant and fresh on a huge scale. The award recognises the multifaceted cultural phenomenon and the global production network involved in delivering the event. IBC will be welcoming Martin Österdahl, European Broadcasting Union (EBU) Executive Supervisor of the Eurovision Song Contest to the stage at the Changemakers programme to accept the award and talk about the live broadcasting event. The 2023 Eurovision Song Contest, organised by the BBC and the EBU on behalf of Ukraine’s UA:PBC, was watched on five continents, with 162 million viewers tuning in to watch the competition over the three live shows.

    IBC has also announced that the 2023 Special Award for Social Impact, selected by the Social Impact Awards jury, will be presented to the Women in Streaming Media Mentorship Programme, which focuses on career development and personal growth goals that support business objectives. Women in Streaming Media has grown from 50 members to 1,200 in the last five years to establish a significant presence in the industry. Its free, six-month mentorship programme has played a part in the appointment of six board director seats and eleven C-suite roles, among forty-five promotions and placements.

  • Kiran Mani to join Viacom18 as CEO digital

    Kiran Mani to join Viacom18 as CEO digital

    Mumbai: According to media reports, Viacom18 has appointed Kiran Mani from Google as the CEO of its digital division. Currently serving as Google’s general manager & MD for Android and Google Play in the APAC region, Mani will be responsible for driving the expansion of JioCinema.

    Having been with Google for about 13 years, he joined the company in March 2010 as head of sales-India.

    Notably, Mani has also been an Angel Investor at The Bodi Tree since 2014.

  • Manisha Sharma calls it a day at Viacom18

    Manisha Sharma calls it a day at Viacom18

    Mumbai: Viacom18 Media Pvt Ltd chief content officer – Hindi mass entertainment Manisha Sharma has put in her papers. This is termed as the beginning of the slew of exits that are likely to follow at the media and entertainment company with Alok Jain stepping in as president and head of Colors Hindi and regional, and many senior officials being made to report to him.

    At Viacom18, Sharma was associated with properties such as 24, Comedy Nights with Kapil, Jhalak Dikhhla Jaa, Bigg Boss, Khatron Ke Khiladi, Rising Star, Shakti…Astitva Ke Ehsaas Ki, Udaan, Chakravartin Samrat Ashoka, Karmphaldata Shani, Mahakaali, Naagin and others.

    Before joining Colors, Sharma was the non-fiction programming head with Sony Entertainment Television and was responsible for the channel’s content strategy and conceptualization. During her stint, she launched shows like Kaun Banega Crorepati, Dus Ka Dum, Comedy Circus, Crime Patrol and fiction properties like Jassi Jaisi Koi Nahi and Kkusum. She has also worked with brands like Channel V and UTV and was associated with Miditech’s drama series – Saara Aakash as creative director.

    Jain had taken on the reins at Viacom18 this July after a nearly seven-year tenure at Disney Star where he was handling P&L (profit & loss) for the company’s Telugu, Bengali, Oriya, and Kannada cluster of TV channels and Disney+ Hotstar business. Also, this April, Kevin Vaz, the head of network entertainment channels at Disney Star, resigned after a 26-year stint; he stepped in at Viacom18 as head of TV business and digital for regional networks.

  • Fremantle acquires majority stake in Silvio Productions

    Fremantle acquires majority stake in Silvio Productions

    Mumbai: Television format creator and distributor Fremantle has acquired a majority stake in Silvio Productions (formerly known as EGG Films). This is the Israeli independent production company behind the documentary series Shadow of Truth, Coastal Road Killer, After Midnight, The Baby Daddy, and Buried, which was recently nominated for two Emmys at this year’s 43rd News and Documentary Emmy Awards.

    Silvio Productions was founded by Israeli-based director-writer-producers Yotam Guendelman and Mika Timor.

    The acquisition of Silvio Productions further underlines Fremantle’s commitment and ambition to grow its global documentary proposition by investing in and helping develop premium production companies working with creative talent.

    Fremantle Group COO and CEO Continental Europe Andrea Scrosati, Abot Hameiri co-founder Guy Hameiri, and the Fremantle-owned Israeli production company behind the international hit drama Shtisel (Netflix), the recently announced East Side and original formats Power Couple and Hear Me Love Me See Me, as well as the Israeli producer for global formats such as Got Talent, Survivor, and The X Factor, spearheaded the deal.

    Yotam Guendelman and Mika Timor, will collaborate and work closely with Hameiri in Israel, as well as benefit from Fremantle’s global infrastructure, international distribution, and strategic support across the 27 territories in which it operates around the world. Under the agreement, Guy Hameiri will assume the position of chairman of Silvio Productions, with Guendelman and Timor reporting to him.

    Silvio Production’s Shadow of Truth premiered on the Israeli HOT8 channel and was subsequently picked up by Netflix for worldwide distribution. Released in over 190 countries, the series was labelled as one of the most-watched true-crime shows on Netflix and won several awards, including the 2017 Israeli Academy Television Awards for best documentary series.

    Recent productions include Buried (Showtime), which follows the story of Eileen Franklin, who suddenly remembered witnessing the murder of her childhood best friend; it was recently nominated for outstanding crime and justice documentary and outstanding cinematography: documentary at this year’s 43rd News and Documentary Emmy Awards, and The Baby Daddy (YES DOCU), which follows Ari Nagel, a math professor and the father of 117 children (and counting). The film had its international premiere at the Austin Film Festival and its Israeli premiere at the DocAviv Festival lately, receiving rave reviews.

    Upcoming productions include 1948 (KAN), Dunam and a Half (YES DOCU), and a new season of Shadow of Truth(HOT8).

    Guendelman and Timor said, “This is a truly unique opportunity for us. To join forces with the incredibly talented Fremantle team, with its unrivalled international infrastructure, and to work with Guy and the Abot Hameiri team, who are without doubt one of the best production companies in Israel. The cultural, creative, and business rationale is natural, and we look forward to working closely with Andrea (Scrosati) and Guy (Hameiri). With their support and the global reach of Fremantle, we will take our business growth trajectory and our ambitious slate to the next level.”

    Scrosati said, “Fremantle is committed to working with the very best talent and creative minds in the business. Yotam, Mika, and the team at Silvio Productions have a proven track record and take great pride in their filmmaking and storytelling. We welcome them into the Fremantle family at this important time as we look to scale up our global documentary capabilities. I would like to thank Guy (Hameiri) for his leadership and continued focus on growing and optimising our valued business and IP in Israel. I believe Silvio Productions will perfectly complement Abot Hameiri’s premium scripted and formats divisions, and we are extremely excited to see both businesses benefit from this collaboration.”

    Hameiri said, “We have known Yotam and Mika for a long time and been great admirers of their work. They bring creative excellence and a real flair for important storytelling. Their projects not only connect with a local audience but also, importantly, globally, which has been recognised by international outlets including Showtime and Netflix. When this opportunity arose, it was obvious to see the synergies, and we are all looking forward to embracing this new partnership with Silvio Productions and the many opportunities it represents.”

    The investment in Silvio Productions follows the acquisitions over the past 12 months, which include UK production company Dancing Ledge (The Responder), scripted Italian production company Lux Vide (Devils, Leonardo), international development and production company Fabel (Bosch), Australian-American television production company Eureka Productions (Parental Guidance, Finding Magic Mike), and 12 production labels in Norway, Sweden, Finland, and Denmark from Nordic Entertainment Group (This is Nice Group), Irish production company Element Pictures (Normal People, The Favourite), and most recently, 72 Films (All or Nothing: Arsenal, 9/11: One Day in America) and natural history and premium factual content production company, Wildstar Films (America the Beautiful, Epic Adventures with Bertie Gregory).

    In August 2021, RTL Group set targets to increase Fremantle’s full-year revenue to €3 billion by 2025. The acquisition of Silvio forms part of Fremantle’s wider growth strategy to invest in production companies, content, and talent around the world to source creative ideas, develop, and create IP.

  • Network18’s Palki Sharma to make comeback with a new show?

    Network18’s Palki Sharma to make comeback with a new show?

    Mumbai: News personality and Wion’s ex-managing editor Palki Sharma, who recently joined Network18 Group for an upcoming project, is likely to be back with a new show soon.

    In a conversation with ANI’s managing editor Smita Prakash on her podcast, Sharma hinted at her return, hopefully, with a better show.

    In the recently announced teaser of the episode by ANI, Sharma was recalling the reason why she left her previous channel, Wion: “… left because I thought that whatever I wanted to do there, I had done there…”

    Moreover, she also shared that she did not enjoy everything that she was doing there and didn’t like the direction they were taking.

    Acknowledging the curiosity of the fans and their desire to know about her return, Sharma said, “A lot of people write to me, and every time I put a photo on Instagram, people are like, yeh toh theek hai par show kab ayega? which is nice, but I want to tell you and everyone else that… I will be back, and it will be a better show hopefully…and I want to do the show when I am ready, when I know it is going to work.”

    Sharma has over 21 years of experience across several media, including the ITV Network, Network18, Doordarshan News, and The Hindustan Times.

    She was the host of Gravitas, a popular prime-time English news programme, as well as the highly regarded digital programme Gravitas Plus on Wion. Additionally, she conceptualised and oversaw the Wion Global Summit, a channel event held annually in Dubai.

    In a career spanning over two decades, Sharma has interviewed several national and international heads of state. She has also covered important stories and events on the ground, including the ongoing conflict in Ukraine, the Quad Summits in Tokyo and Washington DC, and many others.

    At Network18, Sharma will launch a new multi-platform video project for the group. This will be her second stint at Network18, where she has earlier worked in different capacities.

    The video project to be built and led by Sharma will straddle all formats of news reporting and presentation. The new product will aim to capture a new generation of audiences for the group.

  • Need to unshackle linear TV industry; get it out of over regulation: VBS 2022

    Need to unshackle linear TV industry; get it out of over regulation: VBS 2022

    Mumbai: At the inaugural session of Indiantelevision.com’s Video and Broadband Summit 2022 industry experts stressed the need to unshackle the linear TV industry and get it out of over regulation. It is important to leave the pricing to the market or else the broadcast industry will not be unshackled. People are thinking about what it is that they are paying for. The industry needs to create a crisis body and meet the regulator. The session pointed out that bundling is still important. It cannot be taken out. Bundling helps families watch more content. Television, at the end of the day, is a family medium unlike OTT which is an individual medium. As a result of regulation distribution platforms have had to face the wrath of consumers who have said they have to pay more for less. The good news is that the industry is working together in a collaborative manner to address the drop in the pay TV universe.

    The panel was called Video Content Monetisation Landscape: No Free Lunches. The speakers were Disney Star head distribution and international Gurjeev Singh Kapoor, NxtDigital managing director & CEO Vynsley Fernandes, IndiaCast president Amit Arora, Travelxp co-founder, CEO Prashant Chothani and Deloitte India partner-consulting Prashanth Rao. The session was moderated by media consultant Anuj Gandhi.

    Gandhi asked where the pay TV drop had gone. There is a 90 million unexplained disappeared number. Even with Freedish there is a gap of almost 40 million homes. Cheating is not more than 10 per cent.

    He also noted that there are no free lunches. The advertising based video on demand (AVOD) business of big tech, he noted, is a serious threat to traditional media businesses. On the subscription side thousands of crores has been lost.

    Kapoor noted that no significant movement on Freedish has happened in the past six months. Prior to that, during covid, Freedish had a free run and was laughing its way to the bank. Viewers also had a good run. He noted that piracy is not more than 5-10 percent at best. Analog is still present in places like villages. “We are collaborating with our partners. The good news is that focus is now on how best we can get these customers back in. The way of looking at the business is different now. It is more about collaboration with partners. We have not seen any issues like blackouts. Efforts are made to get the lost users back on. In the next two years we should get them back.” At the same time he noted that there is also OTT which is targeting the premium segment. In terms of Freedish as competition he said that it will depend on whether or not broadcasters put their channels there. It is the Hindi speaking market (HSM) that is getting affected.

    Arora said that 30 million homes is the gap. “What we have seen is that after covid people are sitting down and are really, really thinking about what they are paying for? Do they really need it? A lot of chat is going around that you should just pay for what you want to watch in an MPR regime. Covid has taught people how to surf for content between a small and a large device. I will say that we really need to unshackle the linear TV industry and get it out of the grip of the over regulation that we currently have. The consumer looks at his final purse. Rs. 200 is the favourite denomination of a recharge,” he pointed out.

    Fernandes said that the first phase of losing customers was those who had more than one TV set in 2018. Then during lockdown, people wanted content no matter where they were. Other devices started to play a greater role. More people moved to handheld devices. As things get better people want to improve their package. Q1 April-June saw people suspending linear TV subscriptions.

    “As lockdown eased people held back on renewing subscriptions. But thanks to big ticket cricket properties, renewals happened. The question is that bundles must be created where linear is bundled with broadband and OTT. That is becoming a strong driver for the urban consumer who does not want to deal with multiple service providers. In tier two, three towns and cities this is less of an issue,” he added.

    Chothani agreed that regulation is a problem in the country and it is hampering innovation. Networks cannot do any kind of innovation unlike in Europe. “The customer is going to go to the biggest screen available to him. If he has a choice between the TV, mobile and tablet he will go to the TV set. OTT is losing in discovery. There is a movie available, which nobody knows. One has five minutes to find what one wants to watch. That is a consumer’s habit.”

    This, he said, gives an advantage to the existing distribution ecosystem for cable and DTH. They can aggregate all content and the internet together. But again regulation will hamper that innovation as well. He noted that with the growth in smart TV penetration churn is increasing. He gave the example of someone not finding NDTV on linear and then finding it on YouTube. That person may not renew his TV subscription. He added that carriage fees are a hurdle for the industry’s growth and have been so for over a decade.

    The supply chain cannot be the customer. The distribution ecosystem does not have great content people, he noted. Content guys need to sit in all distribution companies. “There should be no regulation.” He feels that the practice of applying for a broadcast license should be done away with. On an OTT platform like MXPlayer channels are running for which a license has not been given. He also said that the industry should create a crisis body that meets every regulator.

    Rao said that viewership has come down in non-news and non-sports in linear TV among the 30+ age group. In those genres there is appointment viewing. He also said that choosing a platform or content is based on interest. He also noted that putting a cap on pricing like sports channels leads to a challenge in monetisation. Ads are limited in number.

    He also noted that when you have OTT, broadcast and free TV regulation cannot only be for only one party. An OTT can charge anything. But in broadcast there is a limited innovation in pricing one can do. “Pricing innovation is important for the broadcast industry to survive and thrive. Regulation should support innovation.”

    Kapoor said that there was a huge uproar from viewers in NTO 2.0 that they spend 10-15 per cent more for a lesser number of channels. So the plan is to go back to consumers. They want more quality content. They complain that these things have been taken away. Even English channels are not there. So the rationale is what good is TV anymore.

    “If you look at the wrath of viewers at large they are giving up more money getting less content and it is now clear that bundling helps the family watch more content. Television is a family medium. It is not an individual medium. Four to six members of the family watch the television. You still bundle whether at a broadcast or an MSO or a DTH level,” he pointed out.

    It was noted that some foresight and control for the regulator should be there but pricing should be left out of it. Globally the regulator does not get involved in the pricing whether it is FCC in the US or Ofcom in the UK. There is a lot of competition in India among broadcasters. 60 per cent of channels are on FTA. Competitive forces are there.

    It was noted that regulation in the country does not take into consideration digital consumption which has changed the world in the last five to six years. Regulation is there in terms of inter connection not at the last consumer point. A systemic change of deregulating has to be brought in to let platforms and broadcasters deal with their lives.

    Fernandes noted that the industry has matured where stakeholders can sit across the table and decide what is good for the system. During the NTO everyone sat together and decided how to go about it. “We can fix it ourselves. Everyone looks for growth and that will not happen if you dampen the pricing on day one. You cannot say that a benchmark will be set for the greater good of the nation.” He added that bundling of linear and OTT should be allowed. The industry has to sit and decide how to take things to the next level.

    Pricing is not just about bundling and unbundling. It is about the premiumness of content and the time value of content like a movie. The way pricing is today, it does not respect the time value of content. It was noted that monetisation is not only done through money. In OTT monetisation if a telco’s Arpu is at a certain level then channels might be given to the service as a bundle to the telco. The customer is not charged. Payment happens through B2B. Can linear TV do something like is a question that was asked. There are different currencies. The overall scheme of pricing must be open to allow these kinds of innovations per se.

  • FoxyMoron appoints Alin Choubey as business head – North

    FoxyMoron appoints Alin Choubey as business head – North

    Mumbai: Zoo Media’s full-funnel creative and performance digital agency FoxyMoron has appointed Alin Choubey as business head North. With his experience in the digital marketing arena for over eight years, Choubey will be strengthening the agency’s North operations. In this role, Alin will be reporting to FoxyMoron’s national head of client partnerships, Prachi Bali.

    He joins FoxyMoron from Chimp&z Inc Worldwide where he served as associate VP. He has previously worked as a partner at Herald Digital and as the digital director at Vermillion Communications. Alin has worked with luxury brands such as Chopard and Tag Heuer and media conglomerates like Warner Media India and Alt Balaji, to name a few. He was also instrumental in the digital launch of international brands like Longines and Pogo TV in India. He also led several multi-leg campaigns, including the notable “Redraw Your World” campaign for Cartoon Network in India. His work for brands such as Tata Play and Discovery Channel has earned him a nomination for the Social Samoa 30 under 30 awards in 2021.

    Bali said, “Alin is a formidable force who has an unwavering drive to propel FoxyMoron’s vision and mission forward.” In him, we see the acumen, experience, and leadership qualities to lead the growing team in the North to create their best work. His diligence in understanding our clients’ needs and doing what it takes to meet their business goals is an asset for our network and all our partners.”

    Choubey said, “I’m excited to be here at FoxyMoron as the agency accelerates into an exciting future. With some of the finest brands as our partners, the opportunities at the Zoo Media network are limitless. While the mission is to continue to make FoxyMoron stand out as a market differentiator, the vision is to expand our ability to bolster our partner brands in attaining their goals.”

    FoxyMoron has offices across Mumbai, Gurugram, Bengaluru, and New York.

  • Prasar Bharati appoints Gaurav Dwivedi as CEO

    Prasar Bharati appoints Gaurav Dwivedi as CEO

    Mumbai: Prasar Bharati on Monday announced the appointment of Gaurav Dwivedi as chief executive officer (CEO). The appointment will be effective on the date he takes over the office and will last for five years.

    Presently, Dwivedi is in charge of MyGov, the ministry of electronics and information technology (MeitY). Additionally, he handles the government’s citizen engagement platform.

    “In exercise of the powers conferred by sub-section (1) of Section 4 of the Prasar Bharati (Broadcasting Corporation of India) Act, 1990, read with sub- section (4) of Section 4 and sub-section (2A) of Section 6 of that Act, the president, on the recommendation of the selection committee, is pleased to appoint Gaurav Dwivedi, IAS (CH:95) as the executive member (chief executive officer) in Prasar Bharati with effect from the date he assumes charge of the office, for a term of five years,” the MIB said in a statement.

    “The terms and conditions of his appointment shall be governed by the provisions of the Prasar Bharati (Broadcasting Corporation of India) Act, 1990, and the rules made thereunder, as amended from time to time,” the statement added.

    Dwivedi is a Chhattisgarh cadre IAS officer from the 1995 batch. He has worked in Kerala, Madhya Pradesh, and Chhattisgarh in various capacities.

    He has also taught at the IAS Training Academy, LBSNAA, Mussoorie.

    He has received the prime minister’s award for administrative excellence.