Category: TV Channels

  • Scrum meets screen as Sportz Interactive powers Rugby Premier League

    Scrum meets screen as Sportz Interactive powers Rugby Premier League

    MUMBAI: When it comes to scoring off the field, Sportz Interactive is now the prop powering Indian rugby’s digital game. In a game-changing alliance, Sportz Interactive (SI) has partnered with the newly launched Rugby Premier League (RPL), supported by GMR Sports, to design and drive the league’s entire digital presence from the first whistle to the final try.

    The engagement sees SI developing and managing the official RPL website now the central hub for fixtures, squad updates, and stories as well as launching its social media channels to build a strong, steady fanbase from the get-go. The agency also rolled out a suite of creative launch assets and a phased content strategy to keep rugby conversations buzzing long after match day.

    To mark major moments like franchise unveils, player auctions, and squad reveals, SI created high-impact visuals and behind-the-scenes content, including exclusive interviews with RPL heavyweights like Rugby India president Rahul Bose and GMR Sports CEO, Satyam Trivedi.

    The collaboration also takes the reins on RPL’s flagship fan campaign, #RugRugMeinRugby, weaving it across platforms through custom content buckets, quirky formats, and platform-specific storytelling that’s equal parts entertaining and educational. From strategic sponsor activations to creative brand partnerships, SI is also helping bring the business side of rugby into sharper play.

    “Rugby is stepping into an exciting new era in India,” said Sportz Interactive SVP for Teams Chintan Shah. “This is more than a league, it’s a movement. At SI, we’re excited to blend data, design, and digital storytelling to grow the game and fire up the fans.”

    As the Rugby Premier League sets its sights on making rugby more mainstream in India, SI’s playbook is simple: create buzz, build community, and make every scroll, swipe, and click feel like a try well scored.
     

  • Sennheiser turns up the volume on legacy, celebrates 80 years of sonic boldness

    Sennheiser turns up the volume on legacy, celebrates 80 years of sonic boldness

    MUMBAI: When Fritz Sennheiser cobbled together a lab in Wennebostel back in 1945, few would have guessed his garage-born dream would become a global heavyweight in audio innovation.

    But 80 years on, the family-owned Sennheiser Group continues to make noise in all the right ways, combining legacy with the lust for what lies ahead.

    Marking its 80 anniversary this June, Sennheiser is using the milestone not to bask in nostalgia, but to chart its future. “We live and breathe audio in everything we do”, said co-CEO Daniel Sennheiser. “That’s what defines us”.

    His brother, Andreas Sennheiser, echoed the sentiment, “When we look back on our company history, it’s less about the number of years and more about what we have learned from the past for our future”.

    And what a noisy past it’s been. From the first wireless mic in 1957 to the recent launch of Spectera in 2024—a bidirectional, digital broadband system—Sennheiser has turned tuning forks into sonic revolutions. Spectera stands as the brand’s most daring leap yet in wireless technology, built with the wisdom of decades and customer input.

    The company’s signature creative discontent remains its not-so-secret sauce. Fritz Sennheiser once quipped that engineers need space for “crazy ideas”—a motto that led to the DM 2 mic (1947), the MD 421 (1960), and the open-back HD 414 headphones (1968). The HD 25s (1988) became club favourites, while the HD 800 (2009) thrilled audiophiles, and the HE 1 (2015) reimagined the iconic Orpheus.

    Under Jörg Sennheiser, the brand expanded internationally, capturing stages, studios, and even historic moments. “Our products tell stories of people from all over the world”, said Daniel. “These stories are what bring our technology to life—because they show how sound can touch people”.

    But Sennheiser is not just looking back. It invests over 8 per cent of its turnover annually into R&D, building hybrid hardware-software ecosystems and pushing the limits of sound tech. As Andreas puts it, “Innovation is not a destination, but a path. And on this path, each of our products contains 80 years of experience”.

    Throughout this year, Sennheiser will showcase these legacy milestones online, with behind-the-scenes stories, interviews, and deep dives into the quirks and quirks of its most famous (and failed) innovations. Because sometimes, a product that flopped paved the way for one that rocked the charts.

    For more about its products and anniversary campaign, visit www.sennheiser.com.

  • IPL 18 breaks ad records as brands go full throttle on cricket’s biggest stage

    IPL 18 breaks ad records as brands go full throttle on cricket’s biggest stage

    MUMBAI: India’s favourite cricket carnival isn’t just smashing sixes on the field—it’s delivering knockout punches off it too. According to TAM Sports’ latest “Commercial Advertising Report” for IPL Season 18, ad volumes soared 10.5 per cent over last season, with brands and advertisers pouring into the league like never before.

    Average ad volume per channel per match nudged up by 0.5 per cent, but the real action was in the format. Blink and you’d miss it: sub-10 second spots were the most preferred ad length in IPL 18, overtaking the 11–20 second bracket that ruled in IPL 17. Short and sharp is clearly in.

    IPL 18 introduced over 25 fresh ad categories to the mix—including properties/real estate, branded jewellery, and cellular services—while more than 25 from IPL 17 vanished from the screen (goodbye chocolates and cement).

    The number of advertisers and brands jumped 30 per cent and 29 per cent respectively. Parle Biscuits took the top spot among advertisers (8 per cent share), while Vimal Elaichi chewed up the charts as the most advertised brand.

    Food & beverages led sectoral spends with 36 per cent share, followed by services (23 per cent) and auto (nine per cent). Mouth fresheners remained a favourite, topping both IPL 17 and 18, with ecom-gaming holding steady in third place.

    A total of 186 brands advertised across both regional and national (Hindi + English) sports channels, with Vimal Elaichi emerging as the MVP across language segments. Meanwhile, the likes of Amul and Puravankara focused on national visibility, while brands like Walkmate and Maliban stuck to regional turf.

    The final match of IPL 18 clocked the highest ad volume growth compared to its IPL 17 counterpart, proving once again that cricket’s climax is prime time for marketers.

    As IPL continues to evolve from sport to spectacle, it’s clear advertisers are no longer playing it safe—they’re playing to win, and in ever shorter bursts.

  • Fancode locks in Bengal Pro T20 League streaming rights; Shami, Richa Ghosh headline the show

    Fancode locks in Bengal Pro T20 League streaming rights; Shami, Richa Ghosh headline the show

    MUMBAI: India’s cricket summer just got hotter.

    Fancode is all set to exclusively stream the Bengal Pro T20 League starting 11 June. The move brings back-to-back matches, bold strokes, and Bengal’s biggest cricket names directly to mobile screens — and all for a pocket-friendly price.

    The league will feature both men’s and women’s editions, giving equal spotlight to seasoned stars and rising talents. The men’s matches will unfold at the historic Eden Gardens, while the women’s battles will be played at the Jadavpur University grounds. The finals for both editions are slated for 28 June.

    Among the star players, Team India’s pace spearhead Mohammad Shami will don the colours of Sharchi Rarh Tigers. Former Bengal skipper Manoj Tiwari, young gun Abhishek Porel, and seamer Mukesh Kumar are also part of the mix. Not to be outdone, the women’s tournament features marquee names like Richa Ghosh, Hrishita Basu, and Saika Ishaque.

    The men’s league will see eight franchises in the fray: Kolkata Royal Tigers, Adamas Howrah Warriors, Rashmi Medinipur Wizards, Rarh Tigers, Malda Sobisco Smashers, Murshidabad Kings, Harbour Diamonds, and Servotec Siliguri Strikers.

    The women’s division mirrors that with teams including Rarh Tigers, Servotec Siliguri Strikers, Rashmi Medinipur Wizards, Adamas Howrah Warriors, Lux-Shyam Kolkata Tigers, Harbour Diamonds, Murshidabad Queens, and Sobisco Smashers Malda.

    Fancode’s coverage comes loaded with digital perks. Fans can enjoy interactive overlays, instant highlights, and customised match access — allowing them to pay only for the games they want. The pricing is just as aggressive as the cricket: match pass at Rs 25, full men’s edition at Rs 99, and the women’s full pass at Rs 69.

    “We’re bringing Bengal cricket to every screen with features built for today’s fan”, said Fancode spokespersons. With this exclusive tie-up, Fancode continues to strengthen its position in regional sports streaming, delivering high-octane tournaments that blend local fervour with a global digital touch.

  • Nielsen report shows fans, formats, and fierce females fuelling sports boom

    Nielsen report shows fans, formats, and fierce females fuelling sports boom

    MUMBAI: Nielsen’s latest Global Sports Report lands like a last-minute winner—unpacking how sponsorships, women’s sports, and shifting media habits are fuelling the next wave of growth in the global game.

    With 51 per cent of the world’s population calling themselves fans, the beautiful game is a branding bonanza. A whopping 67 per cent of football lovers say they’re more inclined towards sponsoring brands—13 points higher than the average punter. The U.S., still warming up to football, is shaping up as the next power market, with 62 million fans and the FIFA World Cup 2026 looming. The fanbase is young, diverse, and loaded—76 per cent are Gen Z or millennials, and over a third live in $100K+ households.

    Next up: women’s sports. Not just gaining ground—they’re sprinting ahead. Global interest in women’s sports hit 50 per cent in 2024, up from 45 per cent in 2022. In the U.S., the WNBA saw a 31 per cent spike in its fanbase, with viewership up 201 per cent for the 2024 season. Brands like Coach are already cashing in, tapping into a surging female fanbase where 47 per cent of women follow women’s sports, and 42 per cent tune into men’s matches—a leap from 2022 levels.

    Third on Nielsen’s list: a media shake-up. Live sport still rules, but how fans watch is changing fast. Streaming is booming among the over-50s (up 21 per cent in two years), while Gen Z is flocking to newer formats like TGL golf. Social media’s not just driving discovery—it’s building new tribes. Rugby, for instance, is racking up fans in unexpected markets thanks to athlete influencers like Ilona Maher and viral Olympic moments. Even pickleball, once a punchline, is riding high on digital clout—fuelled by social-first brand moves like Nature Made®’s cheeky #ProPickle campaign.

    Nielsen Sports general manager Jon Stainer said, “The global sports industry is experiencing an exhilarating evolution, as live sports continue to grow and extend into all parts of media. At Nielsen, we are uniquely positioned to deliver the most important insights for broadcasters, brands, and organizations interested in connecting with fans. The data in our 2025 Global Sports Report illuminates precisely the opportunities that exist for these partners as the worldwide appeal of live sport, especially with major, worldwide sporting events on the horizon, gains even more momentum.”

    With fandoms fragmenting and formats evolving, Nielsen’s 2025 report makes one thing clear: if brands want to score, they’ll need to move fast, think digital, and back the underdogs.

  • Colors Kannada gets a mythic makeover for its 10th birthday

    Colors Kannada gets a mythic makeover for its 10th birthday

    MUMBAI: Colors Kannada has turned ten – and it’s celebrating not with cake, but with culture. The channel has just rolled out a bold new visual identity that’s dripping with Karnataka’s rich heritage, from mythical birds to temple elephants and theatrical epics.

    Commenting on the rebranding, a JioStar spokesperson said, “Colors Kannada has always belonged to the people of Karnataka and our new identity is an ode to that bond. As we step into a new decade, this reimagining reflects our pride in where we come from and our promise to stay rooted even as we evolve. It honours our shared cultural legacy and embraces the creative energy of the present.”

    The revamp fuses tradition with a touch of 2025 swagger. Think vibrant colours, reimagined motifs, and on-air packaging that nods to the state’s soul while keeping things crisp and contemporary.

    At the heart of this identity refresh are three powerful cultural totems:

    ●    Gandabherunda, the legendary two-headed bird of the Mysore royal crest, stands tall for strength, vision, and legacy.

    ●    The Elephant, echoing the pomp of Dasara’s Jumbo Savari and the stone sentinels of Hoysala temples, brings wisdom and grandeur.

    ●    And Yakshagana, Karnataka’s own operatic powerhouse, injects the drama, rhythm, and colour of round-the-clock storytelling.

    This isn’t just surface shine. Every frame and flourish in the new design speaks to the pulse of Karnataka — its myths, memory, and modern pride. It’s a love letter to the viewers who’ve stayed glued to its serials, shows, and spectacles for a decade.

    For Colors Kannada, this isn’t just a rebrand — it’s a rebirth. One that doesn’t just look good on screen but feels right at home in the hearts of Kannadigas.

  • NDTV hires Malika Malhotra, backing substance over soundbites

    NDTV hires Malika Malhotra, backing substance over soundbites

    MUMBAI: NDTV has roped in seasoned anchor-reporter Malika Malhotra, adding serious weight to its editorial bench and doubling down on journalism that favours depth over din. With nearly a decade of ground-zero reporting, Malhotra’s induction signals a clear editorial intent — more Bharat, less breaking.

    Malhotra made headlines for her 100-day marathon at Delhi’s Singhu border, covering the farmers’ protest with grit, grace and a near-unheard-of 12-hour daily routine. But what began as an assignment became a calling — one that earned her the trust of protestors and the respect of viewers.

    She’s also among the few to return to stories the rest of the media had moved on from. Her follow-up reporting on the Joshimath land subsidence crisis brought attention back to families still stuck in limbo, proving journalism doesn’t end when the cameras pack up.

    ‘NDTV has always felt like a space that values calm, clarity, and connection. For me journalism is not about being part of the noise, it’s about getting closer to what really matters. That’s the kind of journalism I have always believed in. Audiences today aren’t just looking for news. They want insight, honesty, and a voice that speaks for them — not to them. NDTV has consistently built that trust. I am proud to be part of it,’ Malhotra said on her joining.

    NDTV group CEO & editor-in-chief Rahul Kanwal said, ‘We are very happy to welcome Malika to the NDTV family. She represents the kind of journalism we believe in — honest, grounded, and connected to real people. Her presence will add tremendous value to our editorial direction.’

    Her upcoming show on NDTV India (details under wraps for now) will carry this DNA forward — storytelling that’s relevant, rooted, and refuses to shout for attention.

    In an era of outrage cycles and race-to-the-top tickers, NDTV’s bet on Malhotra is a signal flare: the age of thoughtful, impact-first journalism may just be making a comeback.

  • Zee TV rolls out ‘Aapka Apna ZEE’ with a heartwarming mohalla moment

    Zee TV rolls out ‘Aapka Apna ZEE’ with a heartwarming mohalla moment

    MUMBAI: Zee TV has unveiled a refreshed brand identity with its new campaign ‘Aapka Apna ZEE’, celebrating the power of connection, community and collective resilience.

    Rooted in the emotionally resonant tagline “Saath aane se baat banti hai”, the campaign serves as a love letter to the everyday stories that unite India — the bonds that go beyond biology, and the strength found in shared joys and struggles.

    The campaign’s flagship brand film centres on an army officer called away on duty days before his daughter’s wedding. In his absence, the entire neighbourhood rallies behind the family, orchestrating every detail — from Genda Phool decor to the sound of the dholak — creating a wedding as heartfelt as any kin could imagine. On his return, the officer is overcome with emotion, his wife gently saying, “Itna bada parivaar hai, aaram se ho gaya.”

    Set in the vibrant alleys of Faridabad, the film is as much a cultural portrait as it is a brand message — complete with sangeet nights, Boondi Ladoos, rooftop camaraderie and the unmistakable warmth of North Indian mohallas. It features a mix of beloved Zee TV artists like Devansh, Vasudha, Neel, Riddhi, Reet and Raghav, further grounding the story in familiarity and shared nostalgia.

    The channel’s content slate is also getting a viewer-first refresh. Shows like Saru, which follows a village girl chasing big-city dreams, and the upcoming Tumm Se Tumm Tak, a mature love story that challenges age-based norms, reflect Zee’s push toward storytelling that feels personal, progressive, and rooted.

    With Aapka Apna ZEE, the network isn’t just rebranding — it’s re-bonding with audiences, one shared story at a time.

    Speaking about the logo transformation and content lineup, Zee TV chief channel officer Mangesh Kulkarni said, “As we deepen our connection with viewers, our content palette grows richer, more diverse, and more reflective of contemporary India. ‘Aapka Apna ZEE’ reflects our dedication to genuine storytelling. We carefully created this brand film to authentically capture the Indian cultural fabric, ensuring every detail, from landscapes to rituals, it mirrors the lived experiences of our viewers. While the film draws inspiration from North Indian culture, the emotions and relationships it portrays are universally relatable. We are building a content ecosystem that’s rooted in cultural familiarity but speaks to today’s sensibilities. We want to reflect not just who our viewers are today, but who they’re becoming, navigating new family dynamics, career ambitions, and social transformations with resilience and hope.”

    The campaign was unveiled with great impact during the telecast of the 23rd Zee Cine Awards 2025, where all seven versions of the brand film premiered simultaneously across ZEE’s channels and digital platforms, allowing viewers to experience one powerful idea through seven unique regional voices, all at once.

    With ‘Aapka Apna ZEE’, the network emerges as a companion that reflects every home, every voice, and every lived emotion. A brand that belongs to its audience, because it speaks their language, shares their values, and grows with them.

     

  • Zee Tamil unveils new identity with heartwarming campaign on togetherness

    Zee Tamil unveils new identity with heartwarming campaign on togetherness

    MUMBAI: In a stirring rebrand that leans into emotion over ornament, Zee Tamil has unveiled its new identity and ethos ‘Ullathil Oruvarai Ungal Zee Tamil’ reaffirming its place not just on television sets, but in the hearts of Tamil households. With its latest brand campaign, the channel swaps spectacle for sentiment, tapping into the emotional truths of Tamil Nadu’s everyday lives.

    The new brand film is a love letter to community. At its heart is a poignant tale of an army father, called away just before his daughter’s wedding. In his absence, the entire neighbourhood steps up like family decorating, planning, and celebrating. The moment he returns to find the festivities perfectly intact is not just a plot point, it’s a collective sigh of relief, a testament to the strength of togetherness.

    Set against an evocative score, the film features beloved Zee Tamil artists and characters in a narrative stitched together by rituals, resilience, and that signature Tamil warmth.

    Zee South cluster head Siju Prabhakar noted, “This isn’t just a new identity, it’s an emotional reaffirmation. Zee Tamil has always been a part of the household, but with ‘Ullathil Oruvarai’, we hope to be a part of people’s inner worlds too. We’re telling stories that feel lived-in, not just viewed.”

    Zee Entertainment Enterprises Ltd CMO Kartik Mahadev added, “The larger ‘Aapka Apna Zee’ campaign echoes the heartbeat of the many Indias that make up our nation. Each of the seven brand films, including Zee Tamil’s, is rooted in the rituals, rhythms, and raw emotions of its region. From the rains in Kerala to an army village in Telangana, we’re reflecting the truths people carry in their hearts.”

    The refreshed Zee Tamil identity isn’t a surface-level makeover, it’s a deeper realignment with the spirit of the land it serves. With stories that don’t just entertain but embrace, Zee Tamil is writing a new chapter, one where the screen feels like a mirror, and the message is clear: we’re one of you.

    And in a time when connection matters more than ever, Zee Tamil isn’t just broadcasting, it’s belonging.

  • Front and centre Manorama News makes a clear case for credibility

    Front and centre Manorama News makes a clear case for credibility

    MUMBAI: In the age of blink-and-miss news, Manorama News is making sure you don’t miss a thing by being quite literally right in front of you. The Malayalam news powerhouse is turning heads and tuning in hearts with its sharp brand refresh and high-impact campaign, Neril Kaanam which translates to “Right in Front of You.” With a tagline that doubles as a promise, the initiative repositions Manorama News not just as a source of updates, but as an omnipresent part of a Malayali’s daily routine.

    This strategic rebranding now live across TV, digital, and mobile platforms isn’t just about aesthetics. It’s about agility, authenticity, and attention. The refresh includes a sleeker logo, bigger fonts for bite-sized clarity, and graphics built with a digital-first lens all designed by Ian Wormleighton of Twin Associates, UK, who’s also helped craft visual identities for the BBC.

    “Viewers shouldn’t have to go looking for the news, it should find them,” said MM TV CEO P. R. Satheesh. “That’s the essence of Neril Kaanam.”

    The results are showing. Whether it’s breaking news, local weather or cricket scores, everything now lands front and centre literally. The channel has also launched new shows like Actually Enthannu Sambhavichathu, Trending News, and Innu Nadannathu, designed to give viewers more depth without the drag.

    What’s truly breaking new ground, however, is the use of anchors themselves in a set of six promotional films, a first in Indian TV news marketing turning familiar faces into brand storytellers.

    With a 360-degree marketing push spanning television, print, digital, and outdoor, the Neril Kaanam message is everywhere. And early feedback suggests it’s working viewers are noticing, conversations are spiking, and digital engagement metrics are climbing.

    In short, Manorama News isn’t just refreshing its look, it’s refreshing how news is seen, heard, and trusted.