Category: TV Channels

  • “We have invested more than $500 million dollars in sport over the past 15 years, and this is apart from rights acquisition costs” – Sanjog Gupta

    “We have invested more than $500 million dollars in sport over the past 15 years, and this is apart from rights acquisition costs” – Sanjog Gupta

    Sanjog Gupta, the man steering live experiences and the sports juggernaut at JioStar, finds himself squarely in the spotlight. Fresh off helming the eighteenth edition of the IPL — a relentless, high-octane ride that shattered records in viewership, fan engagement, and tech wizardry — Gupta is already plotting the next innings.
    In a crackling fireside chat with MPA’s Vivek Couto at APOS in Bali this morning, the sharp-suited sports boss laid out JioStar’s grand vision: why giving away the IPL for free wasn’t madness but method, how technology is rewriting the fan playbook, and why the network isn’t just broadcasting sport — it’s reinventing it.

    Here’s the man behind the masterstroke, unfiltered and in full flow.

    On IPL 2025’s impact on Indian sports
    India’s growing influence in sport is nothing but a reflection of India’s growing significance on the global stage, driven by a strong consumption-oriented economy. This IPL, not only have we reached a billion viewers across platforms, we have also managed to make this IPL the most monetised edition of the event and also the most monetised sporting event ever in India across advertising and subscription revenue.

     On what Star and JioStar have invested in sport
    Over the last decade and a half, Star and now JioStar has actually been the biggest private investor in Indian sport and in Indian media and entertainment. Largely with the mission to build what we believe can be a media and entertainment economy, but more than that, a media consumption economy, which is much larger in scale to anything that could have been imagined. While numbers around acquisition prices for sports rights tend to be thrown around a lot, what at times gets missed is the sheer investment that a network such as ours has made to grow those properties by way of marketing, by way of production, by way of investment in technology and that over the last decade and a half exceeds 500 million dollars. That is outside of what we paid for the acquisition of rights.
     
    On sport fuelling the wider JioStar network
    We believe sports serves as a recruitment funnel to bring in viewers and fans at scale, who then can be taken on a journey on a platform which could entail a live event, a Hindi entertainment show, or it could entail one of our new originals which is marketed on the back of a big sporting event and a recent example of that is the returning season of Criminal Justice which benefited significantly by launching in the last week of IPL.”

    On the freemium IPL strategy and changing viewer habits
    Our mission wasn’t to incrementally change the landscape, it was to completely shift the way consumers perceive paying for content and also over a period of time, attribute value to the entertainment needs they have. The subscribers are on the platform and not just on IPL and it started with an interesting hybrid subscription strategy, which allowed everyone to come onto the platform free. So it’s not pay at the gate, we’re not trying to keep people out and having them pay before they can consume. The model is based on real life example of how you shop, which is you go into a mall or a store, you sample enough and more of what you may want to look at and then choose to pay for deeper engagement, which in that case is purchase of an item.

    On whether cricket will remain the network’s sole focus
    We don’t want to be a single content or be known for a single content genre and that applies to sport as well. We have looked to grow English Premier League significantly over the last five years. In fact, over the last five years the viewership for English Premier League across our platforms has grown almost three and a half X (3.5x). Largely on the back of localisation efforts where we’ve taken Premier League deeper into the Indian sports ecosystem than ever before by producing it in languages meant for regions which have affinity for football. At the other end of the spectrum, you have a sport like kabaddi which is a sport that goes back thousands of years and is a part of India’s history but also it’s a part of India’s recreation where kids grow up playing it as a game. We’ve professionalized it and continue to invest in it to build it as India’s second most favorite sport. It already is the second biggest league in the country but but our objective with it is for the sport itself to grow and become a year-long proposition instead of being a two to three-month league.

    On building hyper-personalised sports journeys
    Our premise around sport is don’t look to serve many fans as one but look to serve almost each fan as many and what that means is every fan at different points of time and on different devices and in different modes of consumption will consume your content differently. So can you create infinite hyper-personalized journeys for each and every fan instead of serving one streaming experience to all and that’s the core tenet of the platform.”

    (If you are an Anime fan and love Anime like Demon Slayer, Spy X Family, Hunter X Hunter, Tokyo Revengers, Dan Da Dan and Slime, Buy your favourite Anime merchandise on AnimeOriginals.com.)

  • NDTV India’s ‘Creators Manch’ brings together India’s finest minds for a cultural crescendo

    NDTV India’s ‘Creators Manch’ brings together India’s finest minds for a cultural crescendo

    MUMBAI: In a world drowning in content, NDTV India’s ‘Creators Manch’ is cutting through the noise with meaning, memory and melody. The inaugural edition of this cultural gathering is set to unfold in the capital today, bringing together some of India’s most loved creators—across generations and genres—for a day-long celebration of creativity in all its avatars.

    From literary giants Javed Akhtar and Kumar Vishwas, to cinematic minds like Imtiaz Ali and bestselling authors like Chetan Bhagat, the stage is set for a stellar convergence. Joining them are powerhouse voices such as Anvita Dutt, Jaya Kishori, Satya Vyas, Aditi Maheshwari, Arpana Caur, and Milee Ashwarya, as well as poets, editors, artists and cultural custodians who together form the beating heart of contemporary Indian expression.

    Held at a time when content is currency and creativity is power, Creators Manch promises more than panels—it’s a platform where verses clash with virality, and tradition dances with technology.

    Over 16 sessions, the event dives deep into themes like poetry in public life, storytelling in the digital age, and art in an algorithmic world. Expect one-on-one interviews, passionate panels, writing workshops, live performances and a grand finale featuring Kabir Café, whose soulful fusion of mystic poetry and modern rhythms promises to end the evening on a transcendent note.

    “Creators Manch is a platform built not just to showcase creativity, but to honour the people behind it – those who express the spirit of the times and gently shape its future,” said NDTV CEO and editor-in-chief, Rahul Kanwal.

    In an age of scrolls and soundbites, Creators Manch stands out for its depth, dialogue and daring. It’s not just a celebration—it’s a cultural intervention.

    (If you are an Anime fan and love Anime like Demon Slayer, Spy X Family, Hunter X Hunter, Tokyo Revengers, Dan Da Dan and Slime, Buy your favourite Anime merchandise on AnimeOriginals.com.)

  • News18 Odia gears up for divine drive with all-out coverage of Puri Rath Yatra 2025

    News18 Odia gears up for divine drive with all-out coverage of Puri Rath Yatra 2025

    MUMBAI: If Odisha has a beating heart, it thunders along the Grand Road of Puri every year as Lord Jagannath’s chariot rolls forward. This time, News18 Odia is hitching its cameras to the axle of faith with a sweeping 15-day coverage of the Puri Rath Yatra 2025, promising a devotional deep dive from every spiritual, cultural and visual angle.

    Starting 27 June, the channel will beam live coverage of key rituals straight from the city of Puri, including the highly anticipated Rath Yatra and its return procession, Bahuda Yatra, slated for 5 July. Beyond the headline events, viewers can also tune into a documentary-style series, Badadande Bije Jagannath, airing between 27 June and 5 July. The show will offer behind-the-scenes glimpses, exclusive interviews with seers and scholars, and never-before-seen festival preparations.

    News18 Odia is also focusing on locations beyond Puri with special features on Kantilo Nilamadhab, Patali Srikhetra, and Chatiabata. These segments aim to offer both context and spiritual depth, connecting the dots between mythology and the lived experiences of pilgrims.

    “News18 Odia’s Rath Yatra 2025 coverage is more than a telecast—it is a heartfelt cultural tribute and a spiritual journey reaching millions of homes across Odisha and beyond”, the channel said.

    The broadcast, blending real-time devotion with editorial insight, is co-powered by Madhukunj Agarbatti, Evergreen Tea, Santanu English Medium School, and Nippo Swooper. The list of Special Partners includes Dynapar QPS Plus, Scan Steels Ltd, TBW Combook, Hari Plast, IMFA, Akash Education, TVS Raider, and Muthoot Finance. Associate Sponsors supporting the initiative are Ganesh Group of Institutions, Sri Sri University, Keshari Chatua, Siksha ‘O’ Anusandhan, Hi-Tech Medical College, Mountain Breeze, Tetrahedron, Nabakalebara Movie, and Airtel.

    The all-day live coverage of Rath Yatra will begin on 27 June, capturing every moment of the divine spectacle for homes across the state and nation.

  • APOS 2025: MPA and JioStar release report on how IPL scored new records

    APOS 2025: MPA and JioStar release report on how IPL scored new records

    BALI: At the APOS summit in Bali, JioStar dropped its much-anticipated report titled TATA IPL 2025: A Year of Firsts—and it reads like a victory lap for both the broadcaster and the billion-plus fans who tuned in. Produced in partnership with Media Partners Asia (MPA), the report reveals how IPL 2025 turned into a fan-first, tech-powered juggernaut that smashed records, redefined storytelling, and blurred the lines between sport, spectacle, and screen.

    JioStar’s digital reach alone crossed 652 million, while Star Sports pulled in 537 million viewers, pushing total reach to a record-shattering 1.19 billion. Women accounted for 47 per cent of TV audiences—marking a seismic shift in cricket’s traditional demographic. The IPL final alone drew 426 million fans, with JioHotstar peaking at 55.2 million concurrent users and soaring to 300 million subscribers.

    “TATA IPL 2025 was a season where the lines between sport, storytelling, and shared experiences truly blurred. It wasn’t just about broadcasting matches – it was where creativity, culture and commerce converged, with fan connections at the heart of it all,” said JioStar chief executive of sports and live experiences Sanjog Gupta. “ At JioStar, we set out to make every screen feel personal, every interaction meaningful, and every moment unforgettable. From deep consumer journeys to a rich spectrum of viewing experiences, this was a celebration of fandom in all its forms. The real success of the IPL isn’t measured in numbers, but in the moments that moved millions.”

    JioStar delivered 840 billion minutes of cricket watch-time, riding on innovations like MaxView 3.0 (a TikTok-style vertical experience), 360° VR streaming, and voice-assisted search on connected TVs. Over 44 per cent of mobile viewers played along live with the ‘Jeeto Dhan Dhana Dhan’ game, while AI-powered highlights and live expert commentary translations made the sport more accessible than ever.

    Regional viewership surged with Telugu up 87 per cent, Tamil up 52 per cent, and Kannada up 65 per cent—showing that cricket’s heart beats strong beyond the metros. Accessibility also hit new highs with Indian Sign Language interpretation and audio descriptive commentary for the visually impaired.

    Advertisers swarmed the platform, with over 425 brands onboard—including 270 first-timers across 40 categories. Nielsen-measured ROI, play-along games, and AI-personalised ads helped deliver what marketers crave: measurable impact at scale.

    JioStar’s IPL 2025 wasn’t just a tournament—it was a case study in what the future of sports broadcasting could look like: immersive, inclusive, interactive, and insanely watchable.

  • NDTV gets alive and kicking with new events vertical

    NDTV gets alive and kicking with new events vertical

    MUMBAI: In a bold foray into the live entertainment business, New Delhi Television Ltd (NDTV) on Tuesday said its board has approved the launch of a new vertical titled NDTV Alive, aimed at capitalising on India’s booming events market. From ticketed spectacles to high-octane public experiences, the Adani-owned broadcaster is stepping beyond the newsroom and into the arena. The company announced this through a regulatory filing with the Bombay stock exchange earlier today. 

    To steer this fresh initiative, NDTV has brought in media veteran Rahul Kumar Shaw as chief experience officer. Shaw, who has clocked over three decades across heavyweights such as Star India, Zee Entertainment, SET India, and TV Today Network, joins with immediate effect and will also serve as senior management personnel.
    NDTV Alive will focus on experiential formats, a strategic move the company claims will “diversify revenue” and solidify its entertainment footprint. Investments will vary depending on artist fees, production costs, marketing, ticketing, and insurance – but the ambition is unmistakable.

    Shaw previously headed Stage AajTak, the experiential arm of TV Today, and is known for orchestrating immersive formats across TV, radio, and sport. A commerce graduate from Calcutta University, he is expected to bring his flair for content-meets-commerce to the new vertical.

    While NDTV has not disclosed a fixed capital infusion, insiders say the venture signals a wider push under the Adani umbrella to reimagine legacy media assets for a more interactive age.

  • Live Times clocks in as No. 1 in ATS, making news worth watching

    Live Times clocks in as No. 1 in ATS, making news worth watching

    MUMBAI: No noise, just news and viewers are tuning in longer than ever. In a remarkable broadcast milestone, Live Times, India’s first global multicast news hub, has emerged as the No. 1 channel in Average Time Spent (ATS) across six key Hindi-speaking markets, according to BARC Week 23 data (HH Universe).

    The channel recorded an impressive ATS of 59 plus minutes across Bihar/Jharkhand, Madhya Pradesh/Chhattisgarh, and Maharashtra/Goa (TG 15–21), with an overall viewership rating of 1.07 in HSM markets leaving long-standing legacy news brands trailing behind.

    In television news, where impressions often steal the spotlight, ATS is the true test of content quality and viewer loyalty. While many channels compete for eyeballs, Live Times seems to have captured hearts and attention spans. With viewers sticking around for nearly an hour, it’s clear that substance is winning over sensation.

    What makes the feat more impressive is the channel’s youth. In an arena long dominated by veteran networks, Live Times is still relatively new but it’s already made a big impression. Its formula? Fact-first journalism, minus the noise, drama, or bias. In a cluttered media landscape, Live Times is emerging as the quiet but powerful voice of truth.

    Live Times, founder Dilip Kumar Singh said, “We set out to create a news hub that puts authenticity above all else. This milestone 59 plus minutes of ATS and No. 1 position across six key markets tells us that viewers are responding to that vision.”

    With audiences clearly hungry for fact-based reporting, Live Times might just be setting the tone for a new era in Indian news: one where credibility holds attention and earns it too.

  • Nick and Sonic join PM Modi in Vizag to promote yoga for children

    Nick and Sonic join PM Modi in Vizag to promote yoga for children

    MUMBAI: What do Chikoo, Bunty, Bittu, and over 3 lakh people have in common? On 21 June in Vizag, they all bent it like Bhujangasana at one of the country’s largest Yoga Day celebrations. India’s favourite kids’ entertainment channels, Nick and Sonic, traded cartoons for calming breaths as they joined Prime Minister Narendra Modi, the Ministry of AYUSH, and a sea of yoga enthusiasts at R.K. Beach, Vizag. With toons like Nick’s Chikoo and Bunty and Sonic’s Bittu performing yoga on-ground, the channels brought their flagship wellness campaign Yogasehihoga to life proving that health and humour can share the same mat.

    The event, also graced by union ministers, CM N. Chandrababu Naidu, Deputy CM K. Pawan Kalyan, and civil aviation minister K. Ram Mohan Naidu, saw PM Modi call yoga “the pause button humanity needs to breathe, balance, and become whole again.”

    The Nick and Sonic mascots more often found caught in madcap adventures guided children through basic asanas, encouraging them to make wellness a fun habit. Their mission: making yoga as cool as cartoons.

    This isn’t their first yogic rodeo. In 2019, Motlu and Patlu performed yoga with the PM in Ranchi. In Mumbai, the duo co-hosted Yoga by the Bay, and during the pandemic, the network rolled out digital yoga sessions for kids across the country.

    From reaching millions online to receiving thousands of contest entries, Nick and Sonic’s campaigns continue to make yoga accessible, exciting, and age-appropriate ensuring every child learns to stretch, breathe, and maybe even touch their toes without losing their smile.

    After all, wellness isn’t just for grown-ups with calendars, it’s also for kids with cartoons.

  • The slow eclipse of India’s media and broadcasting pioneers

    The slow eclipse of India’s media and broadcasting pioneers

    MUMBAI: Once, they blazed across the Indian media landscape with the swagger of pioneers. Entrepreneur-led behemoths like Subhash Chandra’s Zee Entertainment, Kalanithi Maran’s Sun TV, Prannoy Roy’s NDTV, and Raghav Bahl’s Network18 weren’t just market leaders — they were institutions, holding their own even as foreign giants circled hungrily.

    Today, those stars are fading. Some have already fallen.

    Network18 and TV18 are now firmly in the grip of Reliance Industries and Disney Star. NDTV, long a bastion of editorial independence, is under the control of the Adani Group. Its founders — Roy and Radhika — have exited stage left, their names now relics of an era that once prized journalistic idealism.

    Zee, once the crown jewel of Indian broadcasting, is barely hanging on. The Chandra family — once majority owners — now clutch a meagre four-odd  per cent stake. It’s a dramatic fall from grace fuelled by Subhash Chandra’s ill-advised adventures into infrastructure. To bankroll these forays, he pledged Zee shares, opening the gates to lenders who came calling. The result: a sharp dilution of promoter ownership and a credibility crisis. The failed merger with Sony’s Indian arm, Culver Max Entertainment, only added insult to injury — scuppered reportedly due to concerns about Zee’s financial hygiene. A company once viewed as squeaky clean had its reputation muddied.

    Sun TV, the fourth of the old guard, is also showing cracks. Helmed with iron discipline by Kalanithi Maran, it long stood as a symbol of stability. But the facade is now under strain. A family feud has burst into public view, with brother Dayanidhi Maran accusing Kala of wresting control of Sun TV through backdoor share acquisitions. Legal notices have flown, regulatory filings issued, and the company insists all was above board. Still, some reputational damage has been done — and the gossip mills are churning.

    The result is a media map being redrawn in real time. Where once these founders shaped the narrative, today they’re either sidelined, embattled, or ousted. And as corporate titans and conglomerates take over, the question is whether passion-led media can survive in an era of balance sheets, bottom lines, and boardroom power plays.

    India’s media isn’t short on ambition. But nostalgia alone won’t stop the sun from setting on yesterday’s giants.

  • Royal Enfield and Unesco rev up for Ladakh docuseries on Nat Geo

    Royal Enfield and Unesco rev up for Ladakh docuseries on Nat Geo

    MUMBAI — Royal Enfield and Unesco are shifting gears from adventure to archival with the third edition of ‘The Great Himalayan Exploration’—a four-part docuseries that captures the heartbeat of Ladakh’s Intangible Cultural Heritage. The series premieres on National Geographic and streams on JioHotstar from 8 PM, 21 June.

    Featuring 40 handpicked rider-researchers out of 1,500 applicants, the project blends motorcycling with meaningful discovery, traversing Ladakh’s remote valleys and high passes to document cultural practices that rarely make it to mainstream maps. From butter tea and Brokpa weaves to archery in Kargil and horse polo in Drass, the docuseries doesn’t just observe heritage—it lives it.

    Notable voices such as Gul Panag, Prateek Sadhu, Bandana Tewari, and Clifton Shipway join the journey, each episode peeling back a different cultural layer, ‘Food, Sports, Crafts, and Community’. Together, they chronicle stories that echo with centuries of tradition but are increasingly at risk in a world spinning faster than the Himalayas can handle.

    For Royal Enfield Social Mission, this marks a significant step forward in our long-term goal of partnering with the Himalayan communities to build resilience.”, said Eicher Group Foundation, executive director, the CSR arm of Royal Enfield, Bidisha Dey.

    “Ladakh’s fragile mountain ecosystems and increasing exposure to climate risks make it more urgent than ever to recognize and value the traditional knowledge embedded in its living heritage. These cultural practices—whether in sustainable land use, food systems, or collective rituals—offer not only a sense of identity and continuity, but also vital insights into how communities adapt and thrive in harmony with their environment. At UNESCO, we believe the goal must extend beyond safeguarding and transmission. This is about understanding heritage as a source of resilience, creativity, and social cohesion in the face of global challenges. Our partnership with Royal Enfield’s ‘The Great Himalayan Exploration’ reflects this spirit—showing how heritage is not confined to monuments, but lives in the way we eat, speak, and gather. It is, at its core, a celebration of our shared humanity,” said Unesco Regional Office for South Asia, director and representative, Tim Curtis.

    Launched in 2022, the project is part of a multi-year partnership between Royal Enfield’s Social Mission and Unesco to document 200 ICH practices across the Eastern and Western Himalayas. With Ladakh in focus this season, the series brings visual storytelling to the forefront—culturally immersive, environmentally urgent, and filmed with boots (and wheels) on the ground.

    Because sometimes, preserving the past takes a little petrol, a lot of purpose, and a camera on the move.

  • Mutual fund bigwigs to chart India’s $1 trillion AUM journey at Moneycontrol summit

    Mutual fund bigwigs to chart India’s $1 trillion AUM journey at Moneycontrol summit

    MUMBAI: For India’s booming mutual fund sector, the trillion-dollar mark is no longer a distant pipe dream—it’s a target with a ticking clock. On 23 June 2025, Mumbai will host the fourth edition of the Moneycontrol Mutual Fund Summit, themed ‘The Trillion Dollar Dream’, aiming to unpack the roadmap to reach $1 trillion in Assets Under Management (AUM) by 2030.

    The summit, presented by HDFC Mutual Fund and powered by Axis Mutual Fund, will bring together a high-powered roster of financial minds, market regulators, and investment strategists. The agenda: laying down actionable insights to accelerate investment growth, widen retail participation, and future-proof India’s fund ecosystem.

    The speaker lineup reads like the Who’s Who of the Indian financial galaxy. From SEBI whole time member Amarjeet Singh to top AMC heads including Navneet Munot (HDFC AMC), Nilesh Shah (Kotak Mahindra AMC), and Radhika Gupta (Edelweiss Mutual Fund), the event promises both brain and brawn. Other stalwarts include Vishal Jain (Zerodha Fund House), Niket Shah (Motilal Oswal AMC), Kalpen Parekh (DSP), and Rahul Singh (Tata Mutual Fund), among others.

    “The mutual fund industry is at the heart of India’s retail investor boom and we are delighted to be hosting the fourth edition of the Moneycontrol Mutual Fund Summit”, said Moneycontrol managing editor and Network18 chief AI officer – editorial operations Nalin Mehta. “Our theme of ‘The Trillion Dollar Dream’ this year captures myriad aspects of India’s incredible journey, from expanding financial inclusion to the fast-changing demographic of the country’s retail investor base”.

    The summit will feature a mix of panel discussions and standalone sessions. Topics on the docket range from regulatory frameworks and digital democratisation to the changing behaviour of young investors and the evolving role of AI in personal finance management.

    The annual summit has become a marquee event in India’s financial calendar, offering not just macroeconomic perspectives but also granular playbooks for AMCs, distributors, and policy stakeholders. The 2025 edition is expected to underscore how collaboration across regulation, distribution, and innovation is key to India’s financial future.

    The live event will stream on Moneycontrol.com at 5:00 pm IST on 23 June. For more details, visit: https://www.moneycontrol.com/msite/mutual-fund-summit-2025