Category: TV Channels

  • FremantleMedia launches ‘The X Factor’ in the Middle East

    FremantleMedia launches ‘The X Factor’ in the Middle East

    MUMBAI: Format creator and production firm FremantleMedia has announced that it is launching a local version of The X Factor in the Middle East.

    The X Factor, XSeer Al Najah (The X Factor, The Essence of Success) will be produced by Lebanese production company Studiovision and will premiere on 26 March on music channel Rotana TV, culminating in the grand finale on 4 June.

    The 14 episode series will be broadcast in 22 Arabic speaking countries. Global interactive digital broadcaster Cellcast will handle telephony and will be responsible for mobile content across all 22 countries.

    FremantleMedia regional manager, Middle East and North Africa Isabelle Garcia said, “We are really excited about bringing this format to the Middle East. Not only do we have fantastic judges with great backgrounds but also the acts coming forward are something the Arabian public has never seen before.”

    FremantleMedia adds that thousands of hopefuls with dreams of becoming the next Arabic singing sensation have turned up to perform at auditions in The Lebanon, Jordan, Syria, Kuwait, Egypt, Dubai and Tunisia. Judging the talent are Michel Elefteriades, owner of the celebrated Music Hall in Beirut; Nelly from Egypt, a performer in both the acting and singing fields and Khaled El Sheikh, a Bahraini producer and composer. Following in the footsteps of the UK production, the three categories will comprise younger and older contestants and groups.

    The X Factor has been broadcast in five territories to date: the UK, Belgium, Colombia, Australia and Russia. In the UK, series two of The X Factor attracted audiences of up to 10 million and was voted the most popular entertainment programme of 2005 at the National Television Awards. The second series achieves shares of up to 60 per cent for all individuals, 91 per cent above the broadcaster’s primetime average.

  • Dic Entertainment debuts new animated TV series ‘Horseland’ at MipTV

    Dic Entertainment debuts new animated TV series ‘Horseland’ at MipTV

    MUMBAI: Dic Entertainment (Dic) will debut an all-new, adventure-driven animated series, Horseland, at MipTV 2006. The announcement was made by Dic Entertainment chairman and CEO Andy Heyward.

    Horseland, which is currently in production on 26 half-hour episodes, is based on the world’s premiere web community for horse lovers, www.horseland.com, on which kids can interactively buy, sell, breed and train virtual horses, and compete with themselves and each other.

    Featuring CGI and traditional animation, Dic will also debut the series in the US this August as part of the new CBS branded kids programming block, CBS’s Secret Saturday Morning Slumber Party.

    Dic currently plans to synchronise the interaction between the Horseland series and the website for maximum synergy with each character having their own personal page on the site, allowing users to interact with the characters and animals from the series. Additionally, players will be able to watch past episodes as streaming video and may submit story ideas. Dic is currently also developing a unique entertainment and consumer products program for the property that will incorporate Dic’s signature “360 Degree” approach to brand building.

    “Our goal is to tap into girl’s love of horses, the outdoors and adventure with this new television series that will extend the experience beyond the web community. We are thrilled to launch Horseland at MIP-TV, and look forward to working with our broadcast partners to make it a global success,” said Heyward.

    Horseland is set in the greatest stable ever, where kids and their horses compete and have adventures, and the horses and other animals can talk to each other – about the humans! In this new series, virtual reality horses come together with action adventure storylines.

    The episodes follow the relationships of five girls and two boys who have become fast friends trough their love of horses. Each episode features themes that deal with issues such as compassion, honesty, cooperation—both human and equine. But, like all friends, they occasionally have conflicts too.

    Each character owns a unique horse, and the horses and stable dogs can talk to each other. All of the horses will be rendered very faithfully to their breeds, with precise, accurate depictions of training, grooming, riding and competition.

  • Sky confirms HDTV launch in May

    Sky confirms HDTV launch in May

    MUMBAI: Sky has confirmed that the first installations of BSkyB’s new high-definition service, Sky HD, are scheduled to begin in May, in time for a raft of major sporting events. The announcement comes a day after the BBC confirmed it would start its HDTV trial in time for the World Cup.

    Customers will have to acquire the Sky HD box for £299, with a monthly charge of £10 in addition to their Sky digital subscription, currently between £15 and £42.50 a month.

    Sky’s director of product strategy and management Brian Sullivan commented, “Sky is just weeks away from an exciting new era that will transform the television viewing experience. Sky HD customers will be able to enjoy stunning picture and sound quality from the widest range of HD channels in the UK and Ireland. We’re delighted that the BBC has said that its HD coverage of the World Cup will be available to all customers with a Sky HD box as a non-subscription channel.”

    The initial Sky HD line-up will consist of seven channels, which includes Sky Sports HD with live Barclays Premiership football, Guinness Premiership Rugby coverage, Coca-Cola League, Carling Cup football matches and England’s home tests and one day cricket internationals.

    Sky Movies HD and Sky Box Office HD also includes movies like Kill Bill: Vol 1, Spider-Man 2 and Big Fish; Sky One, providing 24 and Rescue Me, among others, in HD.

    The HD package will also have arts programming including remastered footage of Jimi Hendrix’s performance at the Isle of Wight Festival, Sky One shows including 24, and Discovery and National Geographic programmes. Other BBC programmes to feature in its trial include natural history series Planet Earth and Galapagos, and forthcoming drama documentary Hannibal.

    The date of transmission has not been announced. HDTV provides a sharper, clearer and more colourful image than standard TV. BBC will make its HD World Cup coverage available to all viewers with a Sky HD box on a non-subscription channel.

    BBC announced this week that the coverage forms part of an HDTV trial and will be an extra stream alongside conventional analogue and digital broadcasts.

    Cable company Telewest launched the UK’s first high-definition television service earlier this month, though the service is currently limited to programmes made by BBC Worldwide. Sky estimates that 2.1 million HD TVs will have been sold in the UK by the end of the 2006, compared with 700,000 at the end of 2005

  • Convergence Committee says content should be brought under Broadcasting Bill

    Convergence Committee says content should be brought under Broadcasting Bill

    The Sub-Group on Convergence headed by senior legal professional Fali Nariman, in its interim report, has recommended that so far as content of information is concerned, it is to be dealt with in the new Broadcasting Bill. Since Webcasting was not covered in the existing IT Bill of 1999, it suggests that the proposed Broadcasting Bill willl have to be revised to reflect advances and developnment of technology and internet which has made Webcasting possible.

    It has recommended that the structural framework of the 1885 Indian Telegraph Act be retained as the New Telecom Policy has said that carriage of information should be left as open as possible. Any act should be enabling and it has suggested that a new Telecommunications Act be drawn up for the convergence era while the Indian Telegraph Act, 1885 be repealed.

    The sub-group has obtained views from consumers, industry, bulk users, security agencies and private telecom players during discussions with Department of Telecommunications. At the end of it all, the subgroup has defined who has the power to establish and maintain telecom, the obligations of service providers, the right of way, message interception, and dispute settlements.

    The report claims to have been influenced by the major events taken place following the announcement of New Telecom Policy NTP, 1999 which includes the firm resolve of the Information and Broadcasting (I&B) Ministry to introduce a Broadcasting Bill in the next session of Parliament. The Bill will be on the lines of the Broadcasting Bill of 1997 which had lapsed on account of dissolution of Lok Sabha. Substantial ammendments will be made in the new bill to cover the entire content aspect of broadcasting including provisions for setting up of a seperate regulatory Authority.

  • Kids’ channels line up hot fanfare as summer beckons

    Kids’ channels line up hot fanfare as summer beckons

    MUMBAI: Summer is just around the corner and no doubt kids’ channels have a lot of programming goodies up their sleeves. Movies, live action, animation, contests and much more… it’s all there on Cartoon Network, Pogo, Hungama TV, Disney Channel, Toon Disney and Nick.

    What’s more… comedy seems to be the flavour for the holidays with Pogo, Hungama TV and Nick introducing special comedy shows for the summer.

    Pogo started its summer special programming with Pogo Funny Side-Up, featuring new episodes of Takeshi’s Castle, voiced by some of the winners of the Great Indian Laughter Challenge show.

    Pogo will also launch another new original, live-action production on Pogo following our two summer launches last year, M.A.D. and Bam! Bam! Bam!… Gir Pade Hum.

    On the other hand, Cartoon Network will see the launch of more Indian animation shows and a network premiere of a Beyblade full length movie – Beyblade, The Movie: Fierce Battle in Cartoon Network Theatre.

    Other highlights include, Beylade Marathon – 3…2…1 Hojaye Shuru, which will air every Sunday from 4 – 8 pm. Apart from that, Raja Hindustani – a special one hour block of Indian animation – began on the channel from 16 April and airs every Sunday at 11 am.

    Also new episodes of Tom & Jerry Tales will be aired on Sundays at 10 am. The new series in the Toonami block include Pokemon: Advanced, Beyblade G Revolution and a new show called One Piece. Yet another new show in the Half Ticket Express block called Harry and His Bucket Full of Dinosaurs will also be aired in summer.

    Turner International India Pvt. Ltd managing director Anshuman Misra said, “Summer is an important time for Cartoon Network and Pogo. We have some of the best programming mix lined up for Indian kids during these holiday months. New original productions, new family shows and blockbuster movies will mark their debut during the April – July period.”

    Homegrown kids channel Hungama TV too has a robust summer lineup in store for kids. The channel has acquired a couple of Japanese animation shows.

    In March, the channel already launched Dragon and FiFi & the Flower Tots in the pre-school band. The preschool band has now been renamed Toon Toon Toon.

    The other two bands that the channel will introduce are the Toon Blast band and a two and a half hour comedy band called Ha Ha Ha Hungama.

    The Toon Blast band will air new seasons of Yu-Gi-Oh! and Sonix X. In addition Hungama TV will launch the anime version of one of the most successful Japanese merchandise Amdriver, which has a futuristic storyline of a fight of good v/s evil. Yu-Gi-Oh! will air at 5 pm, Amdriver at 5.30 pm and Sonic X at 6 pm from Monday to Friday.

    The Ha Ha Ha Hungama band will tickle the funny bone with a new show Kochikame at 2.30 pm from Monday to Friday. “This show is the longest running hilarious slapstick comedy in Japan about an inefficient cop who is good in his heart but otherwise is good for nothing,” informs Hungama TV COO Zarina Mehta.

    Another show called Peep and the Big Wide World will also be launched in this band and will air at 3 pm from Monday to Friday. This is a series featuring three birds – a chicken called Peep, a robin called Chirp and a duck called Quack. The story revolves around close friends and their fun and exploration in their neighborhood. Apart from unique humor it also imbibes a positive attitude and inquiry skills that promise to provide inspirational programming for kids.

    “We have always managed to get the best of content for our audience. The shows that are due to launch in April have truly delightful visual appeal offering kids a 360-degree entertainment parameter that will definitely make their vacation a roll-a- costar ride at home,” says Mehta.

    And that’s not all… Hungama TV is also planning a large scale ground event to coincide with a big show launch. But the channel is keeping it tightly under wraps for now at least!

    Coming to Disney Channel, one thing to look out for here is the Oscar-winning ‘fishy’ movie Finding Nemo. The channel will premier the movie in Hindi on 25 June. The film follows the comedic and eventful journeys of two fish – Marlin and his son Nemo. Disney Channel will go the whole hog to promote Finding Nemo including a watch-and-win contest around movie trivia, which will be aired during breaks. Viewers can send in their entries through SMS and IVRS to win cool Nemo merchandise.

    Apart from that, the channel will also air the first Indian animation movie – Hanuman, to which it recently acquired the telecast rights for three years from Sahara One Media and Entertainment Ltd. Hanuman will launch in May on Disney Channel as an eight episode series and will be aired at 9 am on weekends.

    What’s more, the channel will build a 360 degree multi media campaign around all new episodes of That’s So Raven!. On 15 April, Hatim – the saga of a strong and courageous Prince of Yemen will launch on Disney Channel at 6 pm on weekdays.

    Apart from that, the preschool content destination, Playhouse Disney is being further strengthened with the launch of Mickey Mouse Club House. The show will launch on 6 May at 8.30 am on weekends.

    The Walt Disney Television International (India) director programming and production Nachiket Pantvaidya says, “This summer we have an exciting line-up of content for kids. We believe in showcasing a mix of the best local kid’s content and the best international content from the Disney stable. Hits like Hanuman, Finding Nemo and That’s So Raven will draw older kids to Disney Channel.”

    Live action, preschool programming and comedy will rule the roost on Nick. The first in line is a live action comedy show called Drake & Josh. The show revolves around a pair of diametrically opposite step-brothers and will premiere as part of an April Fool’s Day stunt on 1 April.

    Another new show Avatar will be launched in May. This new animated show is about a 12 year old boy who is master of all four elements and must stop the ruthless Fire Nation from conquering the world.

    Nick has also acquired a couple of preschool shows called Peppa Pig and Dougie in Disguise, which will also launch in May. While Peppa Pig revolves around a family of pigs, the Spanish acquisition Dougie in Disguise is about an ordinary kid who plays with sticker albums that come to life through his imagination. Apart from these, Nick has also lined up another new preschool show in June.

    “Summer vacations will be huge on Nick with an enormous programming bonanza rolling out. Starting 1 April, we’re premiering a show called Drake & Josh, which is a live action comedy and also showing a Nick Dhoom double bill on weekends featuring a whole hour of top shows,” says Nick India vice president and general manager Hema Govindan.

    Speaking on the preschool shows Govindan adds, “Preschool is doing very well and becoming a focus for us so we’re expanding our Nick Jr. preschool block. We’re also doing Monday Marathons of hit shows like Kenan & Kel and SpongeBob SquarePants, which means eight hours at a stretch of these shows.”

  • Zee sets 1 May deadline for DTO

    Zee sets 1 May deadline for DTO

    Zee Telefilms is expected to launch its direct to operator (DTO) bouquet on 1 May. It was earlier slated to introduce the bouquet last year but could not meet its set deadline.

    The management has announced that it has achieved a good response from the marketplace for its new channels – Zee Movies and Zee English.

    It claims the sale of 1,100 decoders for Zee English and Zee Movies. Already 550 agreements have been signed. This figure excludes 140 decoders which have been distributed to 70 odd SitiCable MSOs. Zee sources claim to have signed on seven sub-operators of the rival cable network In CableNet in Mumbai for the two channels. More cable ops are being negotiated with and Zee claims to have achieved a penetration of 2.6 million cable homes. Zee English and Zee Movies have set a target of seven million cable TV homes and are confident of reaching the astronomical figure within three to six months.

    The advantage Zee possesses is the lower-priced Philips’ decoders. The sale price of Rs 12,500 stands just a couple of thousands above the deposit price of HBO’s decoders which stands at Rs 10,000. Zee is also offering decoders at a deposit of Rs 2,000. Zee has placed an order for 40,000 decoders for its seven channel bouquet. According to senior level sources the Philips boxes have been selected because they can be upgradeable easily for convergence.

  • Ficci conference ends

    Ficci conference ends

    The Ficci’s International Conference on The Business of Entertainment ended today with a concluding speech by Tapan Sikdar, the Minister of Communications.

    Earlier in the day, discussions were held on the content aspect of the entertainment industry. The session was headed by the noted film maker Shyam Benegal. The next session covered the film production and marketing, and the international status and presence of Indian films abroad. The internationally acclaimed director and the maker of the Oscar winning film “Elizabeth” spoke about issues involved about Indian films in the international market. Before this Harish Thawani, chief of Nimbus Communications projected his views about the television and film sector. He displayed his views about importance of synergy between the television and the film industry. The session enlightened the audience about the need of marketing of Indian films and globalising the industry.

    The post lunch session was about the music industry in India. It covered issues from piracy, internet, IPR, radio and the general scenario of music industry in India. The concluding session was about convergence and the regulatory framework to enable it in India. The session was headed by the Nasscom chief Dewang Mehta and the panel of speakers included Sony Entertainment Television chief Kunal Dasgupta, MTV India chief Alex Kuruvilla, MD Modi Entertainment Network MD Ajay Nijawhan and UTV head Ronnie Screwvala. The session demanded a clear and comprehensive regulatory policy for the success of convergence in India which is a entertainment software heaven.

    The effort by the Ficci was quite admirable as it enlightened quite a few and brought the whole entertainment industry together.

  • ADAE to create radio division named Adlabs Radio Pvt Ltd

    ADAE to create radio division named Adlabs Radio Pvt Ltd

    MUMBAI: Anil Dhirubhai Ambani Enterprises (ADAE) has finally created a radio division for its FM radio foray and has sought government clearance for the same.

    The radio division of Adlabs Films, which bagged FM radio licences in several cities of India and is one of the bigger players in the arena, will be called Adlabs Radio Pvt Ltd.

    However, a brand name under which Adlabs Radio will run the FM radio services has not been decided yet.

    According to sources in the information and broadcasting ministry, the proposal is “under routine examination”.

    Adlabs Radio Pvt Ltd is a special purpose vehicle (SPV) created by ADAE for its radio business, while the corporate entity and the official licencee continues to be Adlabs Films Ltd.

    The SPV has been created for a focussed approach on the radio business as Adlabs Films concentrates more on the business of running multiplexes and post-production film facilities.

    Under the licencing agreement, licences are not transferable after being formally awarded to a company.

    In the recently-concluded bidding process for FM licences, the government has allowed foreign investment up to 20 per cent in radio ventures, but such deals had to be concluded before the bids were opened in the first week of February.

    Moreover, no change in shareholding pattern is allowed, under the guidelines, for the first five years of the 10-year licence period.

    The Anil Ambani controlled Adlabs Films has won 57 frequencies across the country, but had to surrender 12 stations to adhere to another norm, which mandates no single company can own more than 15 per cent of the total number of frequencies put up for sale throughout the country.

    Adlabs Films’ scrip opened on Wednesday at Rs 403 on the Bombay Stock Exchange (BSE) and touched a high of Rs 409 and a low of Rs 395 during the trading day.

  • Print media -survival of the fittest

    Print media -survival of the fittest

    MUMBAI: Though media baron Ruport Murdoch believes that digital is the future, Malayala Manorama executive editor Jacob Mathew believes that newspapers will put up a strong show and co-exist in the digital age.

    India Today Group CEO and editor-in-chief Aroon Purie also graced the occasion to speak on the Future of Print Media in a morning session at the Ficci Frames today.
    Mathew begins by narrating an experience he encountered recently with his editor friend. “I had always considered him a sober man but this time he had a wild look in his eyes, when I asked why? He said he was chasing skirts. As he had freshly entered his fifties, I thought it was a case of male-menopause. He brushes aside my instant diagnosis and explained that he was editing fashion pages and he was constantly working and thinking about skirts, frills and pleats.

    “He entered journalism with the idea of making a difference to society, but, there he was condemned to writing about frilly, silly nothings. I disrupted his ranting and pointed out that he was actually facing crisis of content. There are serious stories and entertainment stories to be told, but they go reported in a fizzle form of fashion.
    “It is all a matter of choice. Instead of digging for in-depth stories, editors like him are content with presenting ravishing visuals, of mass cloying words. This goes true not just for soft stories; fashion or glamour but also of hard stories; politics, economics, business, sports and human relationship,” he says.

    Citing that even stories of pathos and cruelty are put under the glittering glares of glamour. Content remains the greatest challenge in the newspaper industry today.

    Circulation being key, he says that it has saturated in many developed countries and advertising growth rate there is negligible. In contrast, India presents attractive windows of opportunities because of increasing literacy and purchasing power.

    “Indian newspaper industry has a turnover of Rs 12,000 crore in 2005. It is expected to touch Rs 13,500 crore. Indian’s figure is just five per cent of Asia pacific region, even the Koreans are double our size. Paradoxically our size is our strength. We have a tremendous potential to grow as we are small right now.”

    On the potential that newspapers have, he says, “India reaches only 35 per cent of our adult population even though adult literacy is about 65 per cent. To build this gap between readership and literacy, and due to the competition the publications kept its prices low and depended entirely on advertisers to subsidise the reader.

    “This model probably was viable in India because it simultaneously developed the vibrant advertisement industry. The industry aggregate for the years 2002 to 2004 indicates that 60 per cent of our revenues come from advertising sales. While the circulation revenue accounts for 38 per cent, other incomes account for about 2 per cent. This percentage varies between the English and the vernacular publications.

    “Circulation revenue covers about 70 per cent of our variable costs. The first 25 per cent of the advertising revenue goes towards covering the variable cost and the balance 75 per cent is available for fixed cost and profits. Obviously advertising drives the print media.

    “When the ad revenue grows at a healthy pace, publishers invest in increasing their circulations. With bigger circulations, they are able to command higher ad rates. This business model demands that the momentum be provided by growing ad revenues. Though some say that with lower cover prices, one chases artificial numbers of circulation to justify high ad rates.

    Asking if this model is sustainable and fair, he continues, “This is being debated as some believe that there is ample scope for further cover price increase. The expanding economy has brought into the market a host of new advertisers and this has made it possible for us to increase the ad rates as well.”

    Looking ahead, Mathew says, “The prospects to 2006 look fairly good. With the economy of the country continuing to grow at 7.5 per cent, we may reasonably expect at least 15 to 20 per cent growth in ad revenues. This will drive the circulation at an eight per cent growth in the turnover and then can be expected to grow by 12 to 14 per cent.

    “The main challenges come from Internet. Websites like Shaadi.dot come, Naukri.dot com have made major inroads for jobs and matrimonial. Real estates and second hand vehicles are two other classified ad category waited to be snapped by us webpreneurs. Baazi.dot com, now taken away by eBay has already proved its potential of internet shopping. Sensing this pattern, several newspaper publishers have forayed into the electronic media. Some have succeeded and some have bit the dust.

    “Eventually, major newspaper groups will emerge as multiple media enterprises combining the strengths of electronic and print media.”

    Mathew sums up, “We know the strengths of our medium, yet our challenge is to aggressively convey to our local markets nationally and internationally and in particular to opinion makers whose decision impacts our collective future.”

    Quoting US comedian Jerry Seinfeld’s accidental observation on newspaper as being bang on the dot, “It is amazing that the amount of news that happens everyday always just exactly fits in the newspaper.”

    Concurring with Jacob, the India Today Group CEO and editor-in-chief Purie had some interesting anecdotes as well as high points of the space and the future trends.

    Purie recalls an incident that took place thirty years ago at a printing conference in Venice, the questions asked were pertaining to the future of print and will print vanish. There were printers who raised their concerns on whether the business would last or not last, as computers had started creating its presence.

    Narrating the incident, Purie adds, “One of the speakers Robert Maxell, the owner of The Mirror Group in his opening statement said, “I know print will survive because you can’t take the computer into the toilet.” But now, of course, one can take the computer to the toilet.

    He says, “But still print survived, it actually prospered and thrived. The eternal question keeps coming up every few decades when new technologies comes, will print survive?”

    He points out an instance where Bill Gates offered his opinion on the Indian print media recently. Bill Gates, who is considered the biggest enemy of print and quoting him as saying, “I m sure, it will be more than fifty years, that somebody is still printing a newspaper and taking it to someone, somewhere.”

    He continues that Gates is fifty and in all probability, newspapers will out last him. He adds that surprisingly Gates in the interview stated, “Newspaper readership is still growing in India.” Purie remarked, “This is something when a man like him has obviously noticed and has not declared the demise of newspaper or print media.”

    Throwing some light on various figures, he says, “Last fifteen years, the ad revenue share in print of the total ad pie has shrunk from 70 per cent to a humbling 46 per cent due to the advent of cable and television. Internet and radio has compounded its misery. People thought that print has completely lost out. Any kind of change of this kind would have destroyed any other industry in my opinion.”

    “The readership grew by 28 per cent with newspapers leading the pack; Hindi newspapers grew by 68 per cent, Telegu newspaper 63 per cent, English newspapers grew by 36 per cent. Quietly, but clearly the new growth has been in the Indian language print media.”

    Citing a recent study conducted by an industry journal, he says that it estimated that the highest growing print media companies included Jagran Prakashan that grew at 26 per cent; Bennett, Coleman & Co at 17 per cent; Bhaskar publishing group at 16 and my own company Living Media at 12 per cent.

    Referring to growth in advertisement with respect to last year, he highlights that the ad business grew by 15 per cent to about Rs 12000 crores setting a new trend; the print share has increased 48 per cent from being 46 per cent while the television share remained at 42 per cent. Although television has grown but one can see that there is a slight change in the trend.

    “The print media has in fact staged a comeback to define all forecasts and international trends. The ad revenue growth can be attributed to the significant increase in ad spend by educational institutes, retail, real estates, consumer durables, automobiles. The revenue growth in television has been powered by FMCG sector,” says Purie.

    Speaking about growing consumerism, he says, this trends will throw up new opportunities for special interest publications. The mass circulated dailies and magazines will also benefit by adding special interest both genre wise and geographically.

    He cities the example of the India Today Group wherein, “We grew the topline circulation by 30 per cent from the previous year by using innovative marketing strategies including news focus offerings. The innovations included usage of digital media such as SMS and Internet besides, strong subscription campaigns.

    “At present, India Today has an add -on free magazine every week, from city magazines to lifestyle to education. All this has come on the back of the cover price increase from Rs 15 to Rs 20, a whopping increase of 33 per cent. And in just one year India Today English and Hindi editions over too The Times of India and Nav Bharat Times’ national readership by over 5 million.”

    Speaking on the future trends, he says, the print media will see an area of super fragmentation. It will virtually expand in every genre. While players will work towards super niche positioning, consumers will have to pay more for their newspaper and magazines. The trend may also see that the publishers will have to reduce their dependence on advertisement revenue to drive their successful models.

    But, with caution he also says, “While, it may not be the accurate predictions for India. It validates opinion that fragmentation may not affect mature medium like print to the extent it affects relatively newer medium like television.”

    Pointing another trend -the access to capital, he says, “The print media will be powered by many media companies tapping the financial markets, by ways of IPOs, inflow of capital by private equity and by going public enabling expansion and reducing any barriers that in the past were big constrains for any news entrants. The trend has already started and will become bigger for the businesses.

    At present, the government has permitted 26 per cent foreign direct investment in news and current affairs publications, which has led to Financial Times picking up stake in Business Standard, BBC and Times of India in a joint venture company WWM.

    But, Purie believes regulations are still too restricted and should be opened up and even the policy for facsimile editions and foreign publications coming here is really very confusing and unnecessary.

    Picking up on another trend is digital opportunities. He says, “The 300 pound gorilla, which I think publishers don’t know what to do with it. Internet does not have to be a competitor like radio and television. It can be partner to the print media. It can only supplement the distribution of content and leverage the print brand.

    Narrating yet another recent incident at Dow Jones where The New York Times publishers Sulzberger was asked, “aren’t you worried about the decline in readership and ad revenue being threatened by the Internet”.

    Sulzberger explains, “In the newspaper business there are basic costs– paper, distribution and people. If Internet comes, I will get ride of the first two as I do away with the problem of paper and distribution. I still have the brand, the content and the ability to sell the advertsiment. I’m not worried.”

    No wonder every newspaper may have an online presence, the challenges for the publishers is to monetise this and to appreciate unique qualities of the Internet interactivity and immediacy.

    He agree with the point made by the global media barron Rupert Murdoch who opines that today newspaper is just a paper, tommorrow it can be a destination.

  • Players in mobile entertainment value chain need to work together to grow business

    Players in mobile entertainment value chain need to work together to grow business

    MUMBAI: One of the sessions on the last day of Frames dealt with Mobile Entertainment. The session was moderated by Hungama.com CEO Neeraj Roy. The speakers were Mauj CEO Arun Gupta, Indiagames CEO Vishal Gondal, Qualcomm’s Vishal Gupta, Nokia Asia Pacific director rich media, music and games Jawahar Kanjilal, Tata Teleservices VP content and applications Pankaj Sethi and Mobile Entertainment Forum Asia chairman Stefan Rust.

    Rust says that for the mobile business to fulfill its potential the various stakeholders – the network infrastructure providers, the content aggregators, gaming publishers – must work together. Engineering resources must work with studios to figure out the best devices to reach consumers.

    Kanjilal said that while Nokia is known as a provider of mobile phones, to enable communication, it has developed a phone that can store 3000 songs and has a three mega pixel camera. In India, the company will introduce Visual Radio in the coming months . This allows a user to listen to radio stations. In this way there is a convergence of electronics and communication.

    Sethi points out that Tata Indicom caters to both the premium segment and the lower end of consumers. “On the high end side, we have introduced audio and video streaming capabilities. We are looking by the end of the year to have a full length music delivery service.

    Digital video delivery on the mobile will come to pass. Our low end customers have voice and SMS capabilities. So, we have introduced a voice station. Here, we take content from films, the stock exchange and reconfigure it in such a way that it sounds like a radio station. Gaming is a huge area. Even Tata Indicom’s prepaid customers download games like hell.”

    Gondal stressed on the role that gaming will play on the mobile platform. “People from the Indian entertainment industry underestimate the potential of gaming. Every month a million games are downloaded in the country. Contrary to perception in some quarters, price is not the determining factor. In fact, users perceive a high priced game better. That is why our new Harry Potter game at Rs15 a play did so well. Gaming is being more in the smaller towns compared to the major metros. It is played during office time, college time and dinner time. The fact that it is played during dinner means that it is taking away time from television, movie viewing and internet surfing.

    “The problem is that Bollywood movies are not conducive to making games from their films. We need to work out a creative way for this. India has an opportunity to provide services for international firms looking for ideas and execution of them. Our low cost and talent gives us an edge.”

    Arun Gupta pointed out that the mobile is slowly becoming the third screen. It is a Rs 6 billion business. It is expected to grow to around Rs 45 billion in 2010. However, there are challenges. One of them lies in the fact that outside the CDMA network the number of handsets that provide ruich media content is limited. On the GSM side, the data network is weak. So it takes time to download a game. Another important area that needs improvement is customer care and customer education. In the UK, a study said that 60 per cent of mobile users want to access mobile content but do not know how to go about it. In India, the problem can be multiplied many times over.

    Therefore mobile service providers and content publishers need to come out with ad campaigns to spread awareness. “I don’t know if a game has ever been pushed. In South Korea, due to clever marketing some game developers are celebrities.”

    Rust says that there are issues to be sorted in the arena of digital rights management (DRM). “I do not think of DRM as an anti-piracy measure. I think of it as enabling consumers to purchase music digitally. I don’t see why a person who has bought a piece of music digitally cannot play it on his iPod, computer and other devices. If it can be done with a hard copy then, why not with a digital one? Music companies needed to go beyond selling an album of 20 songs. They need to see how they can sell single songs and maximize each song’s revenue potential.”

    Gondal said that Indian mobile firms are more intent on pushing the consumer. “We must focus on pulling the consumer in through killer content. That is what Apple did with its iPod and iTunes. It got killer content and did innovative marketing. The iPod is seen as cool to have. If this pull factor is not created then there is no incentive for the consumer to go in for handset that enables rich media features. When the photo scam came about there was a sudden demand for Bluetooth.

    Pull will help the customer to go beyond just using the mobile as a voice tool”

    As far as mobile TV is concerned, Kanjilal pointed out that DVB-H trials being done abroad by Nokia show that television on the mobile is often consumed at home. This helps channels to be seen. In the future, one might have a situation where there are five television screens at home. He noted that standardisation on the DVB-H system has helped. It is an open system. Therefore it is cost effective as a distribution medium.