Category: TV Channels

  • NDTV Profit goes for complete makeover

    NDTV Profit goes for complete makeover

    MUMBAI: Starting today, business channel NDTV Profit is sporting a new look. The aim is to give it a contemporary look after 18 months of launch.

    Elements such as silver grey background with text in vibrant contrasting colours to draw viewer attention, sleeker super bands which take less space on the screen have gone in to making the channel more contemporary and visually enriching, according to an official release.

    The makeover signifies the need of useful information for viewers as they trade, invest and look at alternative options. It combines the pulse of world markets along with the news flow from India to present the complete picture.

    Commenting on the launch of the new look, NDTV Profit executive editor Shivnath Thukral said, “The frenzy of yesteryears has now been replaced with a more balanced perspective in presenting and digesting information. Profit’s new look will ensure that this need for balance is met. The new look is also linked to the feedback of our millions of viewers whose information requirement is constantly evolving.”

  • Adlabs bids for 3 studios in Film City

    Adlabs bids for 3 studios in Film City

    MUMBAI: Anil Ambani-controlled Adlabs Films has submitted a bid for setting up three film studios at Film City in Mumbai’s Goregaon suburb.

    “Film City had come out with a tender. We have submitted our bid and are confident of bagging it,” says Adlbas Films chairman and managing director Manmohan Shetty.

    The plan is to make studios which would match the quality of Hollywood with shooting floors, editing and processing facilities.

    Adlabs runs a chain of multiplexes and is engaged in the business of film production, processing and editing. After Ambani took a controlling stake, the company has also ventured into film distribution to spread its presence across the entire value chain.Film City has received nine bids for the Rs 300 million project, according to a report which quoted managing director Bhushan Gagrani.

    In the 90s, Film City harboured the dream of setting up three studios but had to shelve the project due to lack of financial resources. Pressed by a fast-growing film and television industry, the decision to revive the project was taken recently under the build-operate-own-transfer model. The bidder who offers to transfer the assets in the shortest period will be awarded the contract. 

  • Star World to kick off legal drama ‘Boston Legal’ on 21 June

    Star World to kick off legal drama ‘Boston Legal’ on 21 June

    MUMBAI: English general entertainment channel Star World will air the courtroom drama Boston Legal every Wednesday at 8 pm from 21 June. Episodes will repeat every Thursday at 11 am and on Sunday at 4 pm.

    The show confronts social and moral issues, while its characters continually stretch the boundaries of the law.The show has won two Emmies and two People’s Choice Award nominee. Boston Legal is about the professional and personal stories of a group of brilliant but often emotionally challenged attorneys.

    Alan Shore and Denny Crane lead a brigade of high-priced civil litigators in an upscale Boston law firm. Shore, an unscrupulous and wily ambulance chaser and womaniser played by James Spader finds an uneasy alliance with Crane, a pompous, snooty and occasionally batty elder lawyer played by William Shatner.

    Despite their ethical and emotional deficiencies, Shore and Crane usually find themselves fighting on the right side, as they take up cases that no one else is willing to touch.

    The first season kicks off with oddball situations including: Shore, on a dare, taking the case of an African-American actress denied the role of Annie; Crane caught having an affair with the firm’s biggest client; Shore representing an ex-lover who had attempted to murder him; Shore defending a millionaire CEO caught shoplifting, and a Sanata fired for being a transvestite. Adding even more mayhem to the madcap cases, the sexual chemistry at the firm begins to boil over, and both Shore and Crane find themselves compromised with the various female lawyers.

  • GV Films to allot equity shares up to Rs 1 billion

    GV Films to allot equity shares up to Rs 1 billion

    MUMBAI: GV Films Ltd has decided to allot equity shares on preferential basis up to Rs 1 billion to BNP Paribas and their sub-account holders acting through them as their depository.

    Further each of the allottee is also entitled for subscription of up to three warrants of the face value of Rs 1 each per equity share (or on consolidation of equity share, each equity shares of Rs 10 each) allotted to them in such a way that the total allotment of warrants will not exceed the value of Rs 3 billion.

    GV Films also informed the BSE that the Board has approved the acquisition of the Ahmedabad-based Safroni Entertainment Ltd for consideration other than cash by issue of equity shares of the Company for a sum not exceeding by Rs 150 million. The Board has formed a committee to do the due diligence including valuation to take the proposal forward. The Board has also accordingly amended the notice to the shareholders to be convened on 11 July.

  • MySpace.com gets 50 mn US visitors in May: comScore Media Metrix

    MySpace.com gets 50 mn US visitors in May: comScore Media Metrix

    MUMBAI: comScore Media Metrix, which provides insight into American consumer behaviour and attitudes has released its monthly analysis of consumer activity at top online properties and categories.

    The social networking phenomenon continued its stratospheric ascent, as MySpace.com reached new heights with 50 million visitors in May and YouTube.com nearly doubled its traffic from April, reaching 12.6 million visitors.

    In addition to shopping for moms and grads, checking out job sites, and staying on top of personal finance and politics in May, Americans also flocked to their favourite TV show and sports sites, including those focused on the World Cup and NBA playoff games. 

    comScore Media Metrix president and CEO Peter Daboll says, “The popularity of social networking is not expected to wane in the near future. This is a phenomenon we’re seeing not only in the U.S., but also around the world. The challenge for social networking sites will now be monetisation and how advertisers will respond to the global marketing potential of these sites.”

    Americans demonstrated their interest in the World Cup soccer tournament and NBA Playoffs in the weeks preceeding the June tournaments. The NBA Internet Network attracted 6.3 million visitors in May which represents a 24 per cent increase versus April. fifaworldcup.yahoo.com — the official World Cup site — doubled its traffic, reaching more than 788,000 visitors.

    Even more impressive was the worldwide traffic to the official World Cup site during the opening days of the tournament, with more than five million unique visitors from around the globe visiting the site on 9 June. Traffic to the site remained strong throughout the opening weekend, with average daily visitors through 11 June surpassing 4.4 million visitors.

    Television fans headed to TV web sites in numbers to check out details for the season finales of their favourite shows. ABC, which aggressively promoted streamed versions of Lost and Desperate Housewives was rewarded with a 39 per cent increase in visitors to ABC.com, surging to 6.9 million visitors.

    Traffic to the Lost site increased 71 per cent to 1.2 million visitors in May. Meanwhile, the Desperate Housewives site attracted 528,000 visitors, up 36 per cent from the prior month, and the Extreme Makeover: Home Edition site saw a 41 per cent uptick in traffic to 286,000 visitors. The season finale of NBC’s long running ER drove traffic to the show’s site, with 236,000 visitors in May, up 49 per cent compared to April.

  • Disney Asia Pacific holds its first new media showcase

    Disney Asia Pacific holds its first new media showcase

    MUMBAI: Disney’s distribution arm Buena Vista International Television (BVITV) along with Walt Disney Internet Group, Disney Channel, ESPN, ESPN Star Sports, and its US television network ABC hosted its first New Media Showcase in the Asia Pacific region in Singapore.

    Broadcasters, mobile operators, content aggregators, ISPs, and triple-play providers from around the region attended the event at which executives from across the Company showcased how Disney is combining cutting-edge technology with great content to create unique entertainment experiences for audiences allowing them to enjoy content whenever and wherever they want it. 

    Buena Vista International Television (Asia Pacific) senior VP and MD Steve Macallister said, “This is an extremely exciting time to be in the media industry and it’s a particularly exciting time for The Walt Disney Company. We’re buoyed by the rapid developments and change facing the industry and are pleased to be the first US studio to undertake an event of this scale in the region.

    “Disney’s ‘road map to the future’ lay in combining the riches of our entertainment properties with new forms of distribution. Asian consumers have a voracious appetite for both technology and content, and across our businesses we are embracing this sea of change. There really is no other entertainment company better equipped to navigate the changes in our industry than The Walt Disney Company.

    “The New Media Showcase has been a marvellous opportunity for our current and potential clients to view for the first time in one place, the new media content offerings from our many businesses.”
     
    BVITV-AP showcased Desperate Housewives and Lost available for new media platforms such as for mobile, internet and video-on-demand. BVITV-AP says that it was the first studio to launch wireless content in South Korea in October 2005. In this mobile content deal with TU Media, the first-ever with a US studio, over 250 hours of programming including Desperate Housewives and Alias went to air via its linear channel “Blue”.

    In the US Disney-ABC signed a deal with Apple to offer Disney and ABC content on iTunes and ad-supported, full-length episodes of four ABC primetime series on abc.com. Disney is looking after sports fans too. The World Cup soccer tournament currently gripping sports fans everywhere has underscored the international opportunity available in the wireless space.

    ESPN Star Sports’ latest mobile service offering in Asia, includes video, data and WAP services in addition to java games, wallpapers and ringtones. Keeping fans up to date with the action on the pitch is ESPN Here We Go.

    This has the latest match insights, previews, predictions and analysis from the World Cup, and SportsCenter Mobile News, providing the latest in coverage of the top sports stories. Using SMS and Wap services, ESPN Football Live is keeping audiences abreast of the latest breaking news, injury reports, fixtures listings, and half-time and full-time scores.

    ESPN Insider sends fans first hand match development and predictions with expert commentary. ESS recently launched Mobile ESPN. This mobile service brings the best of video, SMS, WAP, games and downloads for sports fans. 

    Younger audiences also have new platforms on which to enjoy and interact with content. Disney Channel’s programming, digital media and marketing teams are working seamlessly to create an engaging experience empowering viewers to connect with the brand across multiple platforms, ultimately reinforcing and supporting the linear Disney Channel.

    Disney Channel’s strategy for creating compelling content for new media channels focuses on providing constant and personalised entertainment at the viewers’ convenience. In June, Disney’s shows That’s So Raven and The Suite Life of Zack & Cody will be available in six different languages, on the re-launched broadband site, DisneyChannel.com. The local language tracks include English, Mandarin Chinese and Hindi. 

    The musical movie High School Musical is doing well among kids, tweens and families in the US. It recently premiered on Disney Channel Australia and New Zealand, followed by international roll-out across over 100 countries this year, and had 1.2 million unique visitors to DisneyChannel.com – the most ever for the site. Distributed by Walt Disney Records, the music album was number one on iTunes Music Store for three weeks and 1.3 million single tracks have been purchased digitally.

  • BBC Arabic launches an online marketing campaign

    MUMBAI: BBC World Service has announced that following the success of BBC Arabic’s interactive road show Your future… who decides it? in North Africa and the Middle East earlier this year, it has launched an online marketing campaign promoting its latest way of connecting with audiences – a BBC Arabic e-newsletter.

    Entitled Be the first to know, the ad campaign aims to reach 19 million online users with advertisements appearing on a number of key pan-Arab websites including MSN Arabia – Hotmail and Messenger, Yahoo, and Ebay.

    Be the first to know promotes the new monthly, free BBC Arabic language e- newsletter. Subscribers get an insider’s view of the most popular and trusted non-Arab news broadcaster in the Middle East and North Africa.

    They receive a monthly update on the programmes and special features coming up, have an opportunity to share their views and opinions with online debates and polls and get behind-the-scenes insights of BBC Arabic with profiles on their favourite presenters and backgrounds on the top stories.

    There are also opportunities to link with debates on bbcarabic.com and to enter a variety of competitions with a range of exciting prizes.

    BBC World Service marketing, communications and audiences Controller Alan Booth says that the BBC Arabic e-newsletter is a way of connecting with young people in the Middle East. “We met over quarter of a million people through Your future… who decides it? Over 33,000 gave us their names for further contacts,” he says.

    “They are passionate about the news and events that affect their lives – and the lives of friends and family at home and around the world. The BBC Arabic e-newsletter ensures they can follow news events through BBC Arabic coverage on radio and online and prompts opportunities to express their views.

    “We also know young people are already using the Internet, which is why we are using online advertising for Be the first to know.”

    BBC World Service used Amman-based design agency Mint to produce creative work for the campaign. The London-based specialist online agency Agency Republic planned and bought the advertising space. Database management and email marketing services will be managed by Broadsystem based in London. Subscriptions will be driven via a dedicated page on bbcarabic.com.

  • DAB Radio: A toy for the iPod GenX

    DAB Radio: A toy for the iPod GenX

    SINGAPORE: Radio as we know it, is soon going to be a thing of the past. With new and emerging technologies, radio is all set to get a face lift.

    Radio in Asia, is the most accessible of the media and what’s more… it’s free. There are a few key factors behind the success of analogue radio. It’s simple and user friendly, has a wide variety of content, it’s portable and mobile and has a broad audience appeal. But the big question is – Will analogue radio survive in a digital world? 

    The answer to that is anyone’s guess. The next generation of radio – Digital Audio Broadcasting (DAB) – is now vying for consumer attention.

    While DAB radio defines the next generation of radio receivers, it must cross the cultural divide first and gain consumer acceptance. The hurdle it faces are that users don’t want to move into new and unfamiliar technology and hence DAB Radio must offer much more than FM / AM. Also, incremental cost must be justified by content and new features and it has to change the way traditional radio is consumed. Perhaps, the most crucial thing is that DAB radio must offer more than just radio.

    Highlighting the key strengths of DAB, Frontier Silicon UK VP sales and marketing Steve Evans said, “DAB has better quality audio, is easy to tune in, has more channels, provides data services, has future proof technology and value added features. However, it is not just about high quality radio. Compared to conventional analogue radios, DAB has to be much more. Moreover, broadcasters can capitalise on the potential of DAB technology to transmit more attractive data services.” 

    “On the other hand,” Evans said, “Receiver manufacturers can develop receivers that enable the consumption of the services. However, there has to be cooperation between broadcasters and receiver manufacturers.”

    What’s more, DAB also enables EPG (Electronic Programme Guide) and allows the iPod generation to get their music, where they want it and when they want it. “EPG allows listeners to see what’s on now and for the next seven days, search programmes by genre, by time, and allows them to set advanced timer recordings. It also enables recording of programmes in real time or at a later date in the same way as a personal video recorder (PVR) apart from enhancing the user’s radio listening experience,” Evans said. 

    Another important feature of DAB is that it gives the consumer the ability to pause, rewind, fast-forward, and record live radio to variety of storage mediums. “This is a growing feature that is becoming synonymous with DAB digital radios. It works both on audio data and DLS text messages, however, small incremental price due to additional RAM memory required for rewind buffers,” said Evans. 

    DAB’s Dynamic Label Segment also allows broadcasters to send text information and control characters along with the audio service. The text can be used to provide more information about the station and also to increase advertising revenue for the broadcasters. Apart from this, a Slide Show feature in DAB allows broadcasters to send a sequence of images (JPG/BMP) associated with tracks being played. “Visual along with audio would greatly help radio advertisers to increase advertising revenue and is already being trialled by numerous broadcasters,” Evans said. 

    Additionally, content can also be repurposed for different delivery platforms. Evans said, “DAB is an ideal transport channel for web site content to be delivered to users using the DAB BWS user application. Broadcast Website (BWS) allows DAB multiplex operators to use the internet as source content and deliver an entire web site to a DAB receiver using only the broadcast channel of DAB. Content on the web site can be used to promote the broadcaster and provide interactivity to the consumer.” 

    Another aspects of DAB is that it enables mobile digital TV by using T-DMB (Digital Multimedia Broadcast). “DAB can act as a transport mechanism to deliver video to receivers and has the capability to deliver video up to 1.5Mbps. It also enables the long awaited mobile TV deployment using broadcast technology, rather than cellular based point-to-point service, which has traffic handling limitations,” Evans said.

    T-DMB services have already commercially launched in Korea, China and very recently in Germany.

    However, these data services are useless unless suitable receivers are introduced into the market. DAB receivers should:

    • Present the data in a ‘usable’ and ‘attractive’ manner
    • Low power consumption to ensure long battery life
    • Low cost to promote mass market uptake
    • Easy integration to enable more manufacturers
    • Sufficient processing power to cope of datacast decoding 
    • Programmable to cope with changing standards

    The key features of Next Generation radios include:

    • Large display to show more contents
    • Built-in memory for data caching applications (pause/rewind)
    • Support for external memory plugin to read audio files (USB host/slave)
    • Support for Firmware Upgrade (USB) to cope with changing standards 
    • Applications including DAB, FM, Audio decoders, Picture/Video decoders, PVR like capability

  • ‘Inside the Actor’s Studio’ will complete 200 episodes in the US

    ‘Inside the Actor’s Studio’ will complete 200 episodes in the US

    MUMBAI: US broadcaster Bravo has announced that its show Inside the Actors Studio completes 200 episodes on 25 June. The guest is Oscar winner Dustin Hoffman

    James Lipton sits down for a candid tell-all of Hoffman’s life and career as one of the most prominent actors of his time. In India, the show airs on Pix.

    For the uninitiated, the interview based show is hosted by James Lipton. He has interviewed some of the world’s most accomplished actors and directors for interviews. What is unqiue about the show is that it is taped in front of students at The Actors Studio Drama School. In addition to his duties as host, Lipton is also the dean of the school.

    Dwelling on his bad audition for his breakthrough role in The Graduate Hoffmann recalls, “I went to shake the prop guy’s hand, and all my subway tokens fell out of my pocket. And he picked them up and handed them back to me, saying, ‘Here kid, you’re gonna need these.”

    As far as what motivates him to act, Hopffmann says, “A friend told me to take acting, and I asked him ‘Why? I don’t want to act.’ And he said ‘Because no one failed acting.’”

  • US President Bush laments broadcasters pushing decency bounds

    US President Bush laments broadcasters pushing decency bounds

    MUMBAI: US President Bush has signed the Broadcast Decency Enforcement Act of 2005. The bill that has become a law will raise the fines for indecency against American TV stations. The fine is raised ten times from $32,500 to $325,000.

    Bush noted that unfortunately, in recent years, broadcast programming has too often pushed the bounds of decency.

    Said Bush, “One study found that during the hours between 8 pm and 9 pm, that’s the time when most families are watching television, the use of profanity on television shows increased vulgar language by 95 per cent, from 1988 to 2002.

    “In other words, the language is becoming coarser during the times when it’s more likely children will be watching television. It’s a bad trend. Since 2000, the number of indecency complaints received by the FCC (America’s media regulatory body) has increased from just hundreds per year to hundreds of thousands. In other words, people are saying, we are tired of it, and we expect the government to do something about it.”And so we believe we have a vital role to play. We must ensure that decency standards for broadcasters are effectively enforced. That’s the duty of the FCC.”

    Bush stressed that it is the duty of the FCC to impose penalties on broadcasters and stations that air obscene or indecent programming. “It’s one of their responsibilities. People expect us to adhere to our responsibilities. And since I’m the head of the executive branch, I take responsibility, as well, forputting people in place at the FCC who understand one of their jobs, and an important job, is to protect American families.

    “The problem we have is that the maximum penalty that the FCC can impose under current law is just $32,500 per violation. And for some broadcasters, this amount is meaningless. It’s relatively painless for them when they violate decency standards. And so the Congress decided to join the administration and do something about it. The bill I’m about to sign, the Broadcast Decency Enforcement Act, increases tenfold the penalty that the FCC can impose, to $325,000.

    “The legislation does not change the broadcast decency standards that are already on the books. What the legislation does is it gives the FCC the means to enforce them more effectively. By allowing the FCC to levy stiffer and more meaningful fines on broadcasters who violate decency standards, this law will ensure that broadcasters take seriously their duty to keep the public airwaves free of obscene, profane and indecent material.”American families expect and deserve nothing less.And so I’m going to ask the members of Congress who have worked hard on this piece of legislation to join me.”

    Bush noted that every day, American parents strive to raise their children in a culture that too often produces coarse, vulgar and obscene entertainment. “In our free society, parents have the final responsibility over the television shows that their children watch, or the websites they visit, or the music they listen to. That’s a responsibility of moms and dads all across the country, to make sure their children are listening to or watching the right kind of programming.

    “The best way to do that is for parents to be vigilant, pay attention to what their children are doing. One thing they can do if they’re worried about people watching a bad program is turn off the TV.

    “Parents are the first line of defense, but broadcasters and the electronics industry must play a valuable role in protecting our children from obscene and indecent programming. They provide the tools that empower parents to make good decisions,which is voluntary rating systems and the V-chip.

    “And we applaud those. Broadcasters also have a duty to respect common decency, to take into account the public interest and to keep the public airwaves free of indecent material, especially during the hours when children are most likely to be watching and listening,” said Bush.