Category: TV Channels

  • Zee Tele’s stock soars on ratings upswing, future prospects

    Subhash Chandra touts his plans to disassemble Zee Telefilms Ltd (ZTL) into four separate entities as a necessary move to unlock value. As he stands on the eve of the digital age, he feels he can size up each line of his media business spreading across cable TV, direct-to-home (DTH), content and broadcasting with independent focus and management care.

    What this means is that the core ZTL, after the trimming, would have all the network channels except in the news and regional genres which raked in Rs 2.01 for the 2005-06 fiscal. Operating revenues of Rs 1.54 billion from cable TV would also be transferred out, further eroding the company‘s consolidated turnover.

    Even after cropping the topline, there is a mandate for robust growth. Riding on the wave of Zee Cinema and a resurgent Zee TV, the company expects to clock a 10 per cent rise from last year‘s turnover of Rs 10.51 billion.

    Says Essel Group CEO of corporate strategy and finance Rajiv Garg, “We expect an advertising revenue growth of 12-15 per cent this fiscal. While international business will sustain its 10-12 per cent growth (adding of channels and gain from Middle East operations), domestic subscription will stay steady.”

    Zee‘s road to recovery came last year as the flagship Hindi general entertainment channel bounced back big time on the ratings scale with simple storyline soaps like Saat Phere and Kasamh Se. Zee TV smelt the first scent of success since its continuous slide for over six years, with Sa Re Ga Ma Pe Challenge, a singing talent show.

    “It is not that we came out with any magic potion in programming. We just stuck to the basic rules. What made the difference this time is that we jelled as a team and came out with a winning mindset. The external environment also played a role as Sony lost audiences and Star Plus was still lighted up by the three long-running flagship soaps,” says Zee Network senior vice president Ashish Kaul, explaining the turnaround story.

    Zee‘s resurrection was born out of a long sequence of internal discussions and, in a reshuffle, Chandra‘s elder son Punit Goenka was made business head of Zee TV. In an interview with Indiantelevision.com, Goenka had then said that his induction would bring stability to the channel. “You can expect one change. We want a planned execution of what we do. We won‘t resort to any knee-jerk reactions… Here, internal palpitations happen whenever crucial projects come up. There have been instances when we started a project and left it midway… It is more like using someone who can handle pressure and bring in stability. I consider myself as one of the Zee professionals, not as a family hand. But, being a family man, I think I can bring in stability.”

    The duo of ZTL CEO Pradeep Guha and Goenka clicked and the strategy to build an entire programming wall with focus on a time band approach was chalked out. Programmes were jazzed up and a marketing buzz was created around them. The investments on Zee TV‘s content and marketing rose almost 20 per cent to Rs 2.2 billion in FY06. “There is usually a lag of 4-6 months between improvement in TRPs and ad revenue growth. So with an improvement in ratings, we are predicting a recovery in ad revenues going ahead this year with a return in pricing power,” says an analyst.

    Meanwhile, Zee Cinema, ZTL‘s second major revenue earner, continued as the numero uno in its space and posted an almost 20 per cent rise in turnover to end FY06 with Rs 1.45 billion in earnings. The channel banked on Amitabh Bachchan‘s films and a mix of new and old movies to fend off competition from Max and a revamped Star Gold.

    The change was reflected in the financial health of the company. Facing rough weather, Zee had reported a CAGR (compounded annual growth rate) of 7 per cent in revenues for the period FY02-05. This was contributed by a 28 per cent CAGR in subscription revenues and an annual decline of 8 per cent in ad revenues. The picture changed last fiscal and Zee posted a 13 per cent ad revenue growth, fueled by the ratings ramp up.

    International revenues, which account for one-fourth of Zee‘s earnings, will continue its good run, though operations from UK and US have matured. The Middle East and South Eastern region would ride on a growth wave and Zee is also planning to launch a dubbed movie channel in Russia.

    The worry, though, is the losses from new businesses which remain large at Rs 1.65 billion. But Zee Telugu, which suffered a loss of Rs 460 million last fiscal, now forms a part of Zee News Ltd. Operational expenses will continue to rise as several businesses will be in investment mode.

    The positioning of Zee Smile, a humour-based light entertainment channel, will be up for change. “We are considering whether we should turn it into a flanking second general entertainment channel or design it as a full fledged comedy channel. We have not taken any decision yet,” says Kaul. Zee is also planning to beef up content on its English channels, particularly Zee Cafe which would get a facelift.

    Some analysts have projected a high growth for the whole of Zee. “We model ad revenues to grow to Rs 8.24 billion in FY07, compared to Rs 6.44 billion in FY06 as the non ICC cricket matches pick up. We model subscription revenues to grow to Rs 13.1 billion in FY11 from Rs 7 billion in FY06. The bulk of our expected growth comes from domestic pay TV revenues which we model to grow to Rs 6.45 billion against Rs 2.95 billion in FY06,” writes an analyst in a research report.

    Several analysts, however, play these figures down, saying a lot will depend on how Zee shapes up its content businesses against intense competitive pressure.

    But what will the demerged ZTL look like? “The topline would be lower than what one would see today but bottomline would be healthier,” Chandra said in a recent interview to a business news channel.

    Zee‘s stock price has almost doubled in the last one year and is currently trading at Rs 260. The sum-of-the-parts value is what is driving the scrip up. It will further balloon when the demerger implementation is closer to date,” an analyst at a brokering firm says.

    So what are the potential downsides? There is of course Zee Sports, by virtue of its being a start-up proposition at the present. We do feel though that the new sports channel kid in the Zee family feel has the potential to contribute to ZTL‘s topline growth.

    Zee Sports

    Zee Sports is ready to play the high-cost game of sports broadcasting. After losing the four-year India cricket telecast rights to Harish Thawani-promoted Nimbus Communications, Chandra bowled just about everybody with his googly: a whopping $219.15 million bid to grab cricket rights for 25 one-dayers played by India in offshore non-ICC venues over five years.

    Even Thawani‘s humungous $612 million bid for BCCI (Board of Control for Cricket in India) cricket in India pales in comparison. With 115 days of Test cricket and 54-56 ODIs for four years, Thawani‘s payout for each match works out to around $3.57 million against Chandra‘s $8.77 million.

    Analysts are not enthused by such a high-cost bid. “We do not expect Zee to be able to recover its costs unless there is substantial rub-off effect on its distribution business. The positive aspect is that costs are back-ended, which will mitigate cash flow and balance sheet risks partially and allow Zee sufficient time to scale up its distribution business. The pace of adoption of addressability in India remains the key to Zee‘s future earnings and valuations,” an analyst at an institutional equity firm writes in a research report.

    For the first two ODIs in Abu Dhabi between India and arch rival Pakistan, Zee Sports suffered a loss. On a paying price of $10 million (Rs 450 million), sources say gross revenues from India stood at Rs 240 million (Rs 130 million on Doordarshan and Rs 110 million on Zee Sports channel). If you cut out a 15 per cent commission as media agency fee and a 25 per cent revenue share to DD (Rs 27.6 million), Zee‘s trimmed earnings would be Rs 176.4 million.

    Zee Sports business head Himanshu Mody does not agree that the offshore properties are a big hole in the company‘s pocket. The commercial exploitation from overseas markets fetched as much as was generated from ad revenues in India, he says. “Incremental subscription revenues from Zee TV‘s global channels, ad sales and earnings from content syndication were healthy. Besides, it increased the reach and visibility of Zee Sports in India.”

    Chandra is optimistic about his big bet on cricket. “We got only four days to sell the two ODIs and incurred a small loss of Rs 20-30 million. We have a staggered payment schedule which increases towards the end of the five-year period. We believe we will make money on this because of broadband and pay-per-view opportunities which are emerging. This will establish Zee Sports as a channel and boost our international subscription and domestic growth,” he told analysts.

    Chandra also believes he is paying only for the ODIs which are high-value properties. Besides, these are all India matches and will involve strong teams including Pakistan, Australia and England.

    Still, there is no getting away from the fact that Zee‘s cricket gamble needs to be backed up with good properties. Chandra will get just five matches on an average every year (the final calendar of matches hasn‘t yet been finalized), which is a spread too thin for any sports channel to command distribution clout and revenues. “A sports channel needs at least a long drawn cricket series to ramp up its subscription revenues,” says the distribution head of a leading network.”

    Having paid dearly for these spike properties, Chandra will have to build up a breadth of live mass-watched programming which will have a longer enduring value. If he is not able to manage a stream of supply that is more widespread, the property that he has acquired will lack bite and value. The youngest channel in the Zee bouquet will have to be fed with more days of live cricket or bankable international football.

    Even if Chandra loosens his purse strings, where is the cricket or football of value available to fill up the plate?

    Some options will open up for Zee like the Octagen-CSI cricket telecast rights (with ESPN Star Sports now) and the Pakistan and Sri Lanka domestic cricket (with Ten Sports), but the content will not be available before 2008. Even the ICC World Cup will be up for grabs after SET India‘s rights expire in with the 2007 World Cup in the West Indies.

    So, what does Zee do till 2008? The challenge is to develop Zee Sports as a platform for second-tier sports like football and wait till it can snap up bigger properties. Having acquired 10-year rights to AIFF (All India Football Federation) football, the task is to build this as a long term property.

    Zee Sports will focus on cricket, football and tennis, says Mody. “We hope to reap profits from football where our cost will be up by 5-7 per cent year-on-year while revenues can leapfrog. We have also got Mumbai and Delhi marathons as long term properties.”

    Working on collaboration with other sports channels is also a route Mody is going to push for. “Competition has to be more collaborative as acquisition prices of sporting events shoot up. The French Open is an example of how this can be achieved with Ten Sports allowing us to telecast the event as they had cricket on their channel,” he says.

    Zee Sports is at an incubation stage and will require long term investments for the development of the channel. For the fiscal ended March 2006, Zee Sports posted a loss of Rs 600 million. “Obviously, in the initial period there will be losses. We are not going to stop at the 25 ODIs. We will bid for the World Cup and the other boards as well. Sports as a business would grow for us,” Chandra told analysts.

    The decision to bring Zee Sports under the ZTL umbrella was something Chandra had not originally planned for. “We had created it as a separate entity because we were thinking of bringing a strategic partner in the business. But some developments took place and we decided it should become a division of ZTL,” he replied to analysts.

    The losses of Zee Sports, in fact, had a beneficial impact on ZTL‘s bottomline in FY06 as it acted as a tax shield. “It had a positive impact. Our tax liability has been reduced by at least Rs 180-200 million,” Chandra admitted.

    But by kicking in losses for a longer period, will Zee Sports be a drag on the profitability of ZTL? Making calculations based on the existing properties, Mody believes Zee Sports‘ losses would reduce this fiscal and the entity would be profitable by FY08. “We realise sports broadcasting is a long term play. As it was the only genre where Zee was not present in, we launched it with the idea of now or never. But we are in a special position by being part of a larger bouquet for both distribution and ad sales revenue exploitation. Since we also have a large global presence, we can also leverage it better,” he says.

    Zee Sports will spruce up ZTL‘s topline which has under its umbrella channels like Zee TV, Zee Cinema, Zee Café, Zee Studio and Zee Sports. Among all the horses within ZTL, it is Zee Sports which, as a startup, can provide faster growth for the company if properly incubated.

    Perhaps, it is with this logic that Chandra is putting big money behind the sports channel. Perhaps, it is also the ego of a media baron who wants to prove that he can win in sports broadcasting (after being deprived of ICC World Cup and BCCI cricket despite bidding higher on both the occasions) as well. Or is it a mix of both?

    Whatever it is, Chandra will have his task cut out for him to make money from a bid that, at the surface, seems ridiculously so high that it made Sony stay out and ESPN Star Sports come out with an offer lower than the floor price of $5 million per match.

    But it is exactly this quality which separates Chandra from the other Indian media entrepreneurs. Where others see risk, he sees an opportunity to make money.

  • Casbaa expresses concern over signal piracy during soccer World Cup in Hong Kong

    Casbaa expresses concern over signal piracy during soccer World Cup in Hong Kong

    MUMBAI: As the Fifa World Cup 2006 draws to a close on Sunday 9 July, the Cable and Satellite Broadcast Association of Asia (Casbaa) says that the unlicensed screening of the top-line matches in bars and clubs has been alarmingly widespread in Hong Kong.

    Such blatant breaches of copyright are a worrying issue and a significant hurdle for Hong Kong’s efforts to position itself as a genuine “World City”.

    While the World Cup has boosted Hong Kong bar revenues by up to 50 per cent independent estimates suggest that at least one-third of the cash has been generated by screening pirated TV programming from markets such as the Philippines and South Africa.

    Casbaa chairman Marce Fenez says, “We are very concerned with the ongoing tolerance of widespread piracy in one of the world’s most advanced economies – Hong Kong. Despite efforts by Hong Kong to champion its world class status, when it comes to the basics of sports and entertainment intellectual property rights protection, it still lags behind other media hubs such as Singapore, Sydney, Seoul and Tokyo.”

    According to The World Economic Forum Global Competitiveness Ranking 2005-2006, Hong Kong dropped seven places to 28 out of the 117 economies measured in the study. A weakening in the protection of intellectual property rights was partially attributable to the decline in Hong Kong’s ranking.

    Fenez adds, “Collaboration on all fronts between the government, industry, bar and club owners and the general public is central to rectifying the situation and protecting Hong Kong’s reputation.

    “Casbaa has been monitoring the market on behalf of its members and legal actions are planned against establishments screening unlicensed sports programming.”

    Casbaa has also issued a public notice to reinforce the message that screening pay-TV services without legal subscriptions is against the law and that legal actions will be taken against bars and clubs that refuse to cease these activities.

    Under Hong Kong law, bars and clubs may only display pay-TV channels under an appropriate subscription from Hong Kong licensed pay-TV operators such as Hong Kong Cable, now Television and TVB Pay Vision.

    Overseas pay-TV operators such as Dream of the Philippines, MultiChoice of South Africa and UBC True of Thailand are authourised to offer pay-TV subscriptions in their respective jurisdictions and they cannot and do not offer subscriptions in Hong Kong. The display of overseas pay-TV channels in Hong Kong by bars and club owners, using special decoders is illegal.

  • Nat Geo Junior Hunt searches for India’s superkid

    MUMBAI: This year, infotainment channel National Geographic (NGC), is setting its sights on connecting better with kids through an on ground initiative.


    Nat Geo Junior Hunt is a quest to find India’s superkid who is curious, adventurous, articulate, energetic and smart, in short, an all rounder.


    NGC has partnered with ICICI Pru Smart Kid and Lenovo for this innovative initiative, with more in the pipeline. The channel says that the endeavour aims to extend its children’s block Nat Geo Junior on-ground to provide an intelligent platform for kids to showcase their talent through a fun-filled, learning experience.


    Elaborating on the initiative NGC senior VP programming Joy Bhattacharjya said, “With Nat Geo Junior Hunt we are looking for the brightest, smartest and the coolest Indian kid who likes his books as much as sports, likes to learn and discover new things, is adventurous, out-going and ready to take on challenges.


    “Nat Geo’s endeavour is to stimulate the intellect of our young audiences to ‘Think again’ and encourage them to learn more about the world they live in, while enjoying the experience.”


    NGC says that its kids block Nat Geo Junior which launched last year is proving to be popular amongst kids and is appreciated by both teachers as well as parents for its fun and educational format. The hunt will span across 10 cities, 380 reputed schools and will target approximately 364800 kids between 10 to 14 years of age.


    NGC VP marketing Rajesh Sheshadri says, “National Geographic Channel is committed towards providing entertainment that makes our viewers think and learn more about the world they live in. In keeping with these values, Nat Geo Junior Hunt is an first of its kind, a school challenge programme that has been developed for a younger set of Nat Geo audiences.


    “With Nat Geo Junior Hunt, the channel is opting for a 360 degree marketing approach which will be promoted on-air and off-air, and through an extensive media campaign.”


    How the Hunt works: The selection process for the contest will begin at the school level, where kids will be shortlisted through an innovative ‘Think again‘ test. This test will incorporate questions that will examine kids’ general aptitude and logical reasoning. Post the school selection, ten city finalists will be selected based on a broader spectrum of rounds like games, puzzles, debates and think out of the box ideas.


    These city finalists will be run through a grueling set of tests in the setting of an adventure camp and only four out of these ten city finalists will make it to the national finals. The lucky four will be groomed before they host their own show on Nat Geo Junior. The winner will be decided by a panel of judges.


    The channel will open a fund for the winner for his/her future studies. In addition, the Nat Geo Junior will get a chance to host Nat Geo Junior shows on the channel for three months and will also win a bouquet of prizes from the partners of the hunt.


    This renewed synergy between the channel, viewer and advertiser through Nat Geo Junior Hunt will give the channel the opportunity to engage viewers more strongly and drive longer-term relationships and extended associations with key advertisers.

  • ITV acquires ‘Six Degrees’ from BVITV

    ITV acquires ‘Six Degrees’ from BVITV

    MUMBAI: ITV has inked an exclusive UK deal with Buena Vista International Television (BVITV) for the licensing of Six Degrees, a new drama series from J.J. Abrams (creator of Lost) to air on its flagship channels ITV1 and 2. This makes Six Degrees the first US series to be aired in primetime on ITV1 in nine years.

    Six Degrees follows New Yorkers from all walks of life, whose lives unexpectedly become intertwined. The show will air in the US on the ABC Television Network this autumn in a primetime slot, following Grey’s Anatomy. Six Degrees is a story that underlines just how small the world really is, and how someone, just five metres away might be shaping our future right now.

    The show stars Jay Hernandez (Friday Night Lights), Erika Christensen (Flightplan), Bridget Moynahan (Sex and the City), Dorian Missick (Lucky Number Slevin), Hope Davis (About Schmidt) and Campbell Scott (The Secret Lives of Dentists). Its executive producers are J.J. Abrams and Bryan Burk (Lost, Alias), Stu Zicherman and Raven Metzner (Elektra), and it is produced by Touchstone Television.

    ITV director of acquisitions Jay Kandola said, “My aim was to get brand defining shows for the ITV Network. I am delighted that Six Degrees will be a contemporary exciting new addition to the ITV1 and ITV2 offering.”

    BVITV EMEA executive vice president and managing director Tom Toumazis added, “As US series continue to return to primetime around the world, we are delighted to be working with ITV to launch Six Degrees in primetime on ITV1. We are sure that the series’ production pedigree and strong cast will appeal strongly to a UK audience.”

    The agreement was closed by ITV’s Kandola and BVITV executive director sales, UK and Ireland Catherine Powell.

  • Visiware makes interactive TV game from ‘Fast and The Furious’ film

    Visiware makes interactive TV game from ‘Fast and The Furious’ film

    MUMBAI: Further to the license agreement between Visiware and Universal Studios Consumer Products Group to bring Universal Pictures properties to interactive TV gaming, Visiware has driven its latest game, The Fast and the Furious to the starting line.

    Inspired by the action film The Fast and the Furious: Tokyo Drift, this sporting arcade game challenges players to experience the atmosphere of the underground Tokyo drift. For the uninitiated, this is a form of racing that replaces simple drag racing with a rubber-burning, automotive art form that consists of an exhilarating balance of speeding and gliding through a course of hairpin turns and switchbacks racing world. Viewers can do this all on their television screens.

    The game features three different modes in which the goal is to become the new Drift King. In Drift King mode, players race head-to-head against one to three opponents. In Pursuit mode, players must prevent their opponents from catching their car, while in Time Attack mode, players strive to set the fastest lap time. Authentic sound effects and images from the film are featured in the game.

    Visiware chairman Laurant Weill says, “We are happy to be partners with a group that has really made efforts to understand the interactive TV gaming market. It is a pleasure to work with Universal’s creative and professional team, especially on such an exciting project as The Fast and the Furious. We believe this is the best racing game available to date on interactive TV.”

    Universal Studios Consumer Products Group VP interactive Bill Kispert says, “The new film is an adrenaline ride, and Visiware embraced the challenge of creating an innovative racing game for iTV.

    “Whether racing against the clock, or fender to fender with an opponent, it’s fantastic that players can become armchair racers — and experience The Fast and the Furious brand — all with a click of their TV remote controls.”

    NBC Universal director of interactive TV, Jon Dakss says, “Visiware continues to push the boundaries of gameplay on the iTV platform. This game has wonderful balance and will appeal to racing fans and casual gamers alike.”

    The Fast and the Furious is the third game released by Visiware in collaboration with Universal. The first two games developed under the partnership were based on the blockbuster King Kong — included a quiz game and an arcade game.

  • Blinkx to provide access to The History Channel library

    Blinkx to provide access to The History Channel library

    MUMBAI: The video search engine Blinkx has forged a deal with The History Channel UK to carry historical audio and video clips from the channels’ library including speeches from icons such as Franklin Roosevelt, JFK, Albert Einstein and Neil Armstrong Under the terms of the agreement, the users will have access to hours of the best historical audio and video content on the web.

    “Blinkx is thrilled to be partnering with The History Channel UK,” says Blinkx founder and CTO Suranga Chandratillake. “The History Channel UK offers some of the best historical content on the Web and we are happy to make it easily accessible through blinkx.tv.”

    According to an official release, Blinkx is the only search engine optimized for rich media content and uses advanced speech recognition technology to automatically index and understand video and audio on the web making it easier for users to find exactly what they are looking for to the exact word in a clip.

    “With increasing numbers of people watching video online, we are keen to make as many of our programme clips available as possible on the website,” said History Channel UK Emily Lloyd. “Searchability is obviously extremely important and we’re happy to be partnering with Blinkx to ensure that more and more people find and view content from The History Channel.

  • Rolls Royce and MTV to fight HIV and Aids

    Rolls Royce and MTV to fight HIV and Aids

    MUMBAI: Rolls-Royce has teamed up with the international music channel MTV to raise $25,000 for the Staying Alive Foundation, a global organisation dedicated to preventing the spread of HIV and Aids.

    At last year’s MTV European Music Awards in Lisbon, Rolls-Royce provided a new Phantom and invited artists to autograph the back seat. By the end of the event, more than 20 celebrities had signed, including Black Eyed Peas, Coldplay (Chris Martin pictured below), Nelly Furtado, Craig David, Bob Geldof, Shakira, Formula 1 driver Jenson Button, Foo Fighters and Borat, to name a few.

    Subsequently, the seat was removed from the car and turned into a sofa by up-and-coming furniture designer Nick Gutfreund. The seat was then bought by Hard Rock for $25,000 with Rolls-Royce donating the money to MTV’s Staying Alive Foundation.

    “We are delighted to have been involved with MTV and Hard Rock on such an innovative project,” said Rolls-Royce chairman Ian Robertson. “And one that has raised a considerable sum of money to assist Staying Alive in their continued efforts to prevent the spread of HIV and Aids.”

    MTV’s Staying Alive Foundation (www.staying-alive.org) promotes and supports young people everywhere who are protecting themselves and their communities against the multiple threats posed by the spread of HIV and Aids. The Foundation does this by presenting the Staying Alive Award annually, to young individuals and youth groups who are focused on stopping the spread of HIV and who have demonstrated the potential to become future leaders.

  • Sab to launch ‘Left Right Left’ on 10 July at 9:30 pm

    Sab to launch ‘Left Right Left’ on 10 July at 9:30 pm

    MUMBAI: After launching Twinkle Beauty Parlour recently, Sab will now be launching a new show Left Right Left -an action packed youth based drama – on 10 July. The show will be aired from Monday-Thursday at 9.30 pm.

    Set in contemporary India, Left Right Left is the story of six youngsters Huda, Naina, Yudi, Alekh, Ali and Pooja who come together at the pre NDA Academy with varied interests, dreams, aspirations and goals. They transform from being naive to responsible young men and women who are determined to fight all odds of life.

    The show captures the journey of six confused and disoriented youngsters who transform as strong determined individuals. It also renders their realisation for the love of their mother country along the way.

    Produced and directed by Tony and Deeya Singh (of Jassi Jaissi Koi Nahi), Left Right Left stars Rajeev Khandelwal (Captain Rajveer), Shveta Salve (Dr. Ritu Mishra) and Puneet Issar (Brigadier Chandok) along with Vikas Manaktala (Huda), Arjun Bijlani (Alekh), Kunal Kapoor (Yudi), Harshad Chopra (Ali), Ghazal Rai (Pooja) and Priyanka Bassi (Naina).

    Sab senior vice president and business head Vikas Bahl said, “Our programming strategy consists of introducing new shows that include unique concepts, fresh new faces and an overall packaging that draws the masses, giving the much needed impetus to expand the channel viewer ship. At Sab, we are currently moving in the direction of consolidating our prime-time and are sure that Left Right Left will give us the expected boost.”

    Sab programming head Priya Mishra said, “Left Right Left is a show based on the youth and is a key differentiator in terms of programming for the channel. Left Right Left is a show different from the competition in the 9 pm – 10 pm slot as none of the other general entertainment channels have addressed the sentiments of youth. The show showcases much larger issues that concern the youth and reflects their attitude.”

    Tony and Deeya Singh added, “Left Right Left demonstrates a unique story of six youngsters and their way of living life. The viewers will be able to relate to Huda, Naina, Alekh, Ali, Yudi and Pooja since there would be times in their lives, where they would have experienced the same emotions and therefore will empathise with them.”

    The channel has associated itself with leading fashion house Provogue and designer Deepika Gilani to lend their creative fashion expertise to build the look for this show. Provogue has especially designed the cargoes and Tee Collection for the cast and has also styled Rajeev Khndelwal’s look for the show.

    The marketing and communication campaign of Left Right Left, the channel claims, is just as differentiated as the show itself. The campaign spanning television, radio, outdoor, on-ground captures the rebellious streak of youth in an innovative manner.

  • Reality show ‘Big Brother’ draws the ire of Australian authorities

    Reality show ‘Big Brother’ draws the ire of Australian authorities

    MUMBAI: The reality show Big Brother has run into hot water in Australia. The show is about a group of individuals living in a house and then getting voted out each week.

    In a controversial incident a few days ago, two contestants were thrown out of the show and the police were called in. Media reports indicate that one man held down a woman while another rubbed his crotch in her face.

    Not surprisingly, influential figures have criticised the show. Some have asked Channel 10 to take the show off the air. Australian Prime Minister John Howard got on the front foot saying that in the interest of good taste, the show should no longer be aired.

    Besides concern that the show sets a bad example, the Casey Pastors Network says that the drunk and sexual behaviour of contestants is having an adverse effect on the City of Casey’s youth. Instead, the broadcaster should have shows that motivate Australia’s youth to excel in life.

  • CASBAA adds ten new convergence members

    CASBAA adds ten new convergence members

    The Cable & Satellite Broadcasting Association of Asia (CASBAA) is expanding its membership list to include New Economy corporations and telcos as well as traditional pay-TV players.

    In early July, Hong Kong-listed Pacific Century CyberWorks (PCCW) joined CASBAA as a Patron Member, the highest level of membership. Patron Membership grants a company an automatic seat on the CASBAA Board of Directors. On July 1, PCCW (www.pcg-group.com) launched a regional Broadband service, Network of the World, distributed via cable and satellite to TVs as well as PCs.

    Also new to the Association is Hong Kong-listed cellular phone system operator Sunday Communications, which is examining opportunities for a 3G Broadband license in Hong Kong and elsewhere.

    Meanwhile, financial and business information service Bloomberg LP (www.bloomberg.com/asia) has upgraded its membership from Associate status to Patron level and will also take a seat on the CASBAA Board of Directors.

    Other new CASBAA members include:

    Sony Pictures Entertainment’s regional pay-TV channel AXN Action TV which has joined CASBAA as a corporate member (www.axn-asia.com)

    UK-based satellite communications consultancy Communications Systems Ltd. (Comsys) (www.comsys.co.uk)

    Bombay-based media investor UTV’s Vijay TV, which recently launched its Sharkstream broadband service (www.utvnet.com)

    Hong Kong-based Internet content provider WebArts TV.com (www.asianartnews.com)

    Hong Kong-based Asia Pacific Vision, a group that provides satellite up linking services as well as video production services (www.apvweb.com)

    Asia Capacity Exchange, a consortium that provides online bandwidth exchange services (www.ace-asia.com).

    CSM Sofres, a leading market research group specialising broadcast media with a special interest in China among other Asian markets (www.csm.com.cn)

    X [Ventures], led by Bangkok-based entrepreneur Jeff Blatt, provides consulting and representation services for clients in the satellite, broadcasting, Internet, multimedia, high technology and venture capital industries (www.xventures.com)